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‘Yizkor.’ Remember. Again.
A man stands still as a two-minute siren marking the annual Israeli Holocaust Remembrance Day is heard in Ashkelon, Israel April 8, 2021. REUTERS/Amir Cohen
JNS.org – We have just concluded Passover. On the last day of the holiday, we recited Yizkor, the memorial prayer for our departed loved ones. In many synagogues around the world, in addition to our personal Yizkor prayers, we added memorial prayers for the Six Million and for Israel’s fallen heroes.
We are still fighting a war in Gaza. Hezbollah is increasing its attacks from the north. There is seemingly no end in sight. Now, on Sunday, we will be called upon to observe Yom Hashoah. Here we are, struggling in the aftermath of the massacres and atrocities of Oct. 7—a mini-Holocaust in its own right—and now we are expected to remember the Holocaust itself. I’m sure it will be a bit much for many of us.
It is now more than 80 years since the Holocaust. The number of survivors among us is diminishing all too quickly. The child survivors are today elderly men and women. Please God, may they be with us for many more years to come.
When we think of Israel, we are always remembering those who gave their lives in our defense, as we should. But I don’t think we give enough thought to the injured, the many seriously wounded and those who, tragically, have been maimed for life. Presumably, almost all these brave fighters have been traumatized to one degree or another and will, no doubt, require much therapy when this is all over, please God soon.
Similarly, I wonder if we ever gave enough attention to those who survived the Holocaust but were also traumatized for life.
My late father, Shimon Goldman, was the sole survivor of his family in Poland. By the miracles of God, he escaped Poland. He fled to Vilna and when his Lubavitch yeshivah there received life-saving visas from the legendary Japanese diplomat Chiune Sugihara, he traveled with his fellow students to Moscow and then across Russia to Vladivostok. They took a boat to Kobe, Japan, where they spent a year. In 1941, when Japan joined Nazi Germany in World War II, they moved on to Shanghai, where they spent the rest of the war years until they received visas to go to the United States.
Though orphaned and alone in the world from his teenage years on, my father never lost his mind, his faith or his sense of humor. He rebuilt his family and, when he passed away at age 91, he left behind children, grandchildren and 80 great-grandchildren. Today, there are many more, thank God.
But does that mean he was not scarred? We don’t have an inkling of the inner trauma that he must have experienced in his life. In his 1950 wedding pictures, he, the bridegroom, isn’t smiling. Having had no parents to escort him to the chuppah, was it any wonder? In 1961, during the trial of Adolf Eichmann in Israel, he woke up with nightmares screaming, “Eichmann araus!” Outwardly, he was fine, functional and a pillar of his community on many levels. Inwardly? We have no idea.
My friend’s father-in-law also survived Auschwitz and went on to rebuild his family in London, becoming a successful diamond merchant. But whenever he traveled, in his carry-on case together with his tallit and tefillin, there was always one more item he would never travel without: a loaf of bread. As successful as he was, the hunger pangs of Auschwitz remained with him for life.
I once read a story of a man in Talpiot, Israel, who lived in a big, beautiful villa but would collect the leftovers after the Kiddush in shul on Shabbat morning. One day, a little boy in his innocence asked the man directly: “Excuse me, sir; I don’t understand. You have a beautiful home. Why do you need to collect the leftovers?”
The man looked at the boy and replied: “How could you understand? Were you in Auschwitz?”
Can we understand this? Can we—born in freedom and privilege—grasp what they must have lived through for the rest of their lives?
Besides the Six Million who perished, a generation of survivors was scarred for life.
And the world would have us simply forgive and forget!
Today, we see clearly how the past informs the future. Who would have believed possible what is happening now in the United States at “enlightened” universities?
That’s why we dare not allow ourselves the luxury of national amnesia. We can never forget, and we can never tire of remembering the past.
And so, as difficult as it may be, even now, in the throes of another war against the new Nazis of today, we will still remember the Six Million martyrs of the Holocaust and honor their memories.
At the same time, we will pledge to stand strong against every enemy on any battlefield—whether in the Gaza Strip, Lebanon and Iran, or even against anti-Israel and anti-Jewish protesters on the Ivy League college campuses of America.
When we do, let us also spare a special thought for the traumatized survivors of then and now.
The post ‘Yizkor.’ Remember. Again. first appeared on Algemeiner.com.
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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage
Radio-Canada reporter Élisa Serret. Photo: Screenshot
A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.
On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.
Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”
The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.
After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”
“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.
“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”
The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”
Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.
“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”
Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”
“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.
Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.
Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”
“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.
“Canadians deserve better than excuses and carefully worded apologies,” she continued.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”