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YouTuber Drew Binsky makes a travel video about Hasidic Brooklyn
(New York Jewish Week) — For eight years now, vlogger Drew Binsky has made a living traveling the world, creating content that aims to lift the curtains on remote communities for his 3.6 million YouTube subscribers.
He’s visited places as hard to reach as North Korea and South Sudan. But in his most recent video, Binsky, who is Jewish, doesn’t even leave the country. Instead, he takes his camera to Brooklyn to explore the different Hasidic movements, members of what he describes as “the most religious and closed-off community in America.”
“I’m really interested in different belief systems of every religion,” Binsky, whose real last name is Goldberg, told the New York Jewish Week via phone from his home base in Arizona. “Micro-communities and people that take anything to the extreme are fascinating to me.”
The 43-minute video, twice as long as a typical Binsky production, has garnered nearly 800,000 views since it was posted on YouTube on Monday. In it, Binsky, who grew up Reform, explains the history of Hasidism in New York and the customs and traditions of the insular community.
The video took six months and a team of five to film and produce, Binsky, 31, said. It begins in Washington Heights, with Binsky on camera talking to Yeshiva University students about how Hasidic Judaism is different from their brand of Modern Orthodoxy — and featuring some seriously delicious-looking shawarma from an Amsterdam Avenue eatery called Golan Heights — before heading to the Hasidic enclaves of South Williamsburg and Borough Park.
In Brooklyn, Binsky is accompanied by ex-Hasidic community member and transgender activist Abby Stein. Together they eat matzah ball soup, sesame chicken and stuffed cabbage at Gottlieb’s Deli, visit Eichlers Judaica shop and drop by both a newsstand and synagogue to learn more about worship and local customs. At the close of the video, Binsky celebrates Shabbat with the family of Shloime Zionce, a Hasidic Jew and fellow travel vlogger, who lends him a bekishe (a traditional black overcoat) and shtreimel (a fur hat) to help him look the part of a Hasidic man.
“As a Jew and someone who has celebrated Shabbat in many countries around the world, I must say that this one was the most special,” Binsky says in the video.
The idea for a video about Hasidic Brooklyn stemmed from the years-long online friendship between Binsky and Stein. After connecting on social media, the pair began to plan an excursion to Williamsburg to learn more about Stein’s life and childhood: Stein had grown up in the community, became a rabbi, married a woman and had a son before leaving the community when she came out as transgender in 2012.
“I think it’s helpful to see Williamsburg and the Hasidic community to really get a better sense of things and the work I’m doing to support LGBTQ people,” Stein, 31, told the New York Jewish Week. “As we were doing that, I think that’s when Drew basically realized, there’s a larger story about the community as a whole.” That, in turn, led the pair to explore Borough Park and its environs as well. Stein explains that Borough Park is slightly more open to outsiders than Williamsburg, and so Binsky may have better luck with interviews.
Famous for having visited every country in the world, it’s rare for Binsky to make videos about life in the United States — he estimated only 1% of his 1,000-plus videos are about American communities. “It’s nothing against the U.S. As an American, I’m more fascinated with other places because this is my own country. But if I can find these insular pockets, that’s really interesting,” Binsky said. “The most extreme Jews are Hasidic but it wasn’t until I actually went to South Williamsburg and to Lee Avenue, deep into the community, that I really got to learn about it.”
Haredi Orthodox communities have been bristling under the attention they’ve received of late, starting with criticism for the way many members flouted COVID-19 rules early in the pandemic and lately after a series of New York Times investigations said Hasidic yeshivas were failing to provide adequate education in secular subjects.
Orthodox activists say such coverage fosters stereotypes that have led to an uptick in street attacks on visibly Orthodox Jews. In January, Agudath Israel of America pushed back with a billboard and website campaign, called KnowUs.org, meant to “dispel stereotypes” about the community. Most of its content defends the yeshiva system.
Stein understands why Americans are fascinated with Hasidim. “Americans and American TV have been obsessed with cults and fundamentalist communities for a long time,” she said. “In some ways, [the fascination] is an opportunity — to lean in, to raise awareness, to help people who have left or people who want to leave, and also to affect potential positive change within the community for people who are happy being there.”
In the video, in which Binsky talks to both members and ex-members of the community of all ages (though aside from Stein, Binsky briefly talks to only one other woman). He’s rebuffed by some passersby but is embraced by others who are eager to share their stories.
“They really didn’t want to talk to me, they didn’t want to be interviewed,” Binsky said, adding it was one of the more challenging videos he’s made in a first-world country. “To not be welcomed by my own community is really frustrating.”
Still, he said, “I thought I told a well-balanced story. Non-Jewish and secular Jewish viewers have told me it’s the best video I’ve ever made.”
The only backlash he’s received, Binsky said, has been from a handful of Hasidic community members who criticized his friendship with Stein and his decision to center her narrative in the video. In some emails he’s received, Binsky said she was referred to as “Abe” and misgendered by her ex-community.
“I knew that shooting with Abby would be controversial, but I did it because I wanted to have that story about the community,” Binsky said. “But I also want to be like, look, she’s a real person, and you guys have to deal with it.
The top comments on the YouTube video are indeed positive. “This was absolutely beautiful,” wrote one user. “As a semi hasidic Jew myself I was touched by your coverage. I was moved to tears watching Shlomo bless his children on Friday night.”
“I have loved every single one of your travel videos — but this may honestly be your best work yet,” another viewer wrote. “To get this level of insight is incredible and brings a human element to the mystery!”
While the pair acknowledged that the video could be seen as exploiting a community that Americans are already obsessed with, neither Stein nor Binsky felt it was done in bad taste. “I would say when you’re working with people in the community, it’s not that it’s OK for us to tell our stories, it’s important for us to be able to,” Stein said.
In the past, Binsky has made videos about Jews in Ethiopia, Turkmenistan and Yemen, and in 2019 he visited Zebulon Simontov, who was famous for being the last remaining Jew in Afghanistan. He is currently planning a trip and to create a video about the Igbo Jews in Nigeria.
“I have a very global audience, so I try to educate people about the world and make high-quality content that can be viewed by any age and any nationality,” Binsky said. “My shtick is to have a lot of courage and go to places and just share the real story from my perspective.”
“Am I ‘exploiting’ them? Yes, to some degree,” he added. “But I still feel like I have to do that as part of my mission to tell the story. Otherwise, the story won’t get told.”
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The post YouTuber Drew Binsky makes a travel video about Hasidic Brooklyn appeared first on Jewish Telegraphic Agency.
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How Warsaw became the center of Yiddish culture
אױפֿן שװעל פֿונעם צװאַנציקסטן יאָרהונדערט האָט װאַרשע געהאַט די גרעסטע צאָל ייִדישע תּושבֿים אין אײראָפּע, בערך אַ פֿערטל מיליאָן נפֿשות. אָבער די דאָזיקע באַפֿעלקערונג איז באַשטאַנען פֿון דרײַ פֿאַרשײדענע סאָציאַלע און קולטורעלע גרופּעס: אַסימילירטע פּױלישע ייִדן, חסידים און ליטװאַקעס. צװישן זיך האָבן זײ גערעדט ייִדיש, פּױליש, רוסיש און אַ ביסל דײַטש.
יאָאַנאַ נאַלעװאַיקאָ־קוליקאָװ (היסטאָרישער אינסטיטוט בײַ דער פּױלישער װיסנשאַפֿט־אַקאַדעמיע) באַװײַזט אין איר בוך „דאָס רעדן אין אונדזער אייגענעם נאָמען: ייִדישע פּרעסע און דאָס שאַפֿן פֿון דער ייִדישער נאַציאָנאַלער אידענטיטעט אינעם לאַנגן נײַנצנטן יאָרהונדערט“, אַז דװקא די טעגלעכע ייִדישע פּרעסע, װאָס איז אַנטשטאַנען אין די ערשטע צענדליק יאָר פֿונעם צװאַנציקסטן יאָרהונדערט, האָט געמאַכט ייִדיש פֿאַר דער כּלל־שפּראַך פֿון עפֿנטלעכע דיסקוסיעס אין דער ייִדישער סבֿיבֿה.
זי רופֿט דאָס אַ „סאָציאַלע רעװאָלוציע“ פֿאַר ייִדן אין דער רוסישער אימפּעריע בכּלל און אין פּױלן, װאָס איז דעמאָלט געװען אַ טײל פֿון דער אימפּעריע, בפֿרט. אַ דאַנק די צײַטונגען „האָבן די מאַסן גענומען לײענען, און זײ האָבן אָנגעהױבן צו לײענען אין זײער אײגענער שפּראַך“.
די ייִדישע פּרעסע איז געװאָרן אַ קולטורעלער שטח, װוּ די אינטעליגענציע האָט זיך געטראָפֿן מיט די מאַסן. די פּרעסע האָט אױך געשאַפֿן דעם עקאָנאָמישן יסוד פֿאַר דער ייִדישער ליטעראַטור און דערלאָזט ייִדישע ליטעראַטן ציִען פּרנסה פֿון זײערע װערק. אָבער די ייִדישע פּרעסע איז ניט געװען סתּם אַ געשעפֿט. אַלע צײַטונגען האָבן זיך אַקטיװ באַטײליקט אין פּאָליטיק.
ערבֿ דער ערשטער װעלט־מלחמה האָט דער טיראַזש פֿון „הײַנט“, דער גרעסטער װאַרשעװער ייִדישער טאָגצײַטונג, דערגרײכט 100,000 עקזעמפּלאַרן, גלײַך מיט דער גרעסטער פּױלישער מאַסן־צײַטונג.
צװישן די, װאָס האָבן געשריבן פֿאַר „הײַנט“, זײַנען געװען די באַרימטסטע ייִדישע שרײַבער: יצחק לײבוש פּרץ, הערש דוד נאָמבערג, הילל צײטלין, דוד פֿרישמאַן, דער קריטיקער בעל־מחשבֿות און אַנדערע.
„הײַנט“ האָט געדרוקט שלום עליכמס ראָמאַנען „מנחם מענדלס בריװ“ און „דער בלוטיקער שפּאַס“, װי אױך שלום אַשעס „קידוש־השם“ און „פּעטערבורג“.
די רוסישע מאַכט האָט דעמאָלט דערשטיקט די פּױלישע שפּראַך און קולטור. דאָס האָט געשאַפֿן אַ שאַרפֿע פּאָליטישע פּראָבלעם פֿאַר ייִדן. אײניקע האָבן געשטיצט פּאָליאַקן אין זײער קאַמף פֿאַר אומאָפּהענגיקײט, אײניקע זײַנען געװען אױפֿן רוסישן צד, אָבער דאָס רובֿ ייִדן האָבן זיך געהאַלטן בײַ דער זײַט אינעם דאָזיקן שטרײַט פֿון צװײ סלאַװישע פֿעלקער.
נאַלעװאַיקאָ־קוליקאָװ דערמאָנט דעם לײענער אָן אַ װיכטיקן היסטאָרישן פֿאַקט: דאָס רובֿ צײַטונג־מענטשן אין װאַרשע זײַנען געװען ליטװאַקעס, װאָס זײַנען געקומען פֿון שטעט און שטעטלעך פֿון דער הײַנטיקער ליטע און בעלאַרוס. כאָטש מען דאַרף האָבן אין זינען, אַז אַ היפּשע צאָל װאַרשעװער ייִדן האָבן געהאַלטן פֿאַר „ליטװאַקעס“ אַלע ייִדן, װאָס האָבן גערעדט אױף ייִדיש אַנדערש פֿון זײ.
דװקא די ליטװאַקעס האָבן אַרײַנגעבראַכט קײן װאַרשע דעם באַגריף פֿונעם ייִדישן פֿאָלק װי אַ פּאָליטישע נאַציע. די מיגראַציע פֿון ליטװאַקעס קײן װאַרשע האָט גורם געװען אַ פֿײַנטשאַפֿט סײַ מצד אַסימילירטע פּױלישע ייִדן, װאָס האָבן זיך געהאַלטן פֿאַר „פּאָליאַקן פֿון משה רבינוס אמונה“, און סײַ מצד פּױלישע נאַציאָנאַליסטן.
סײַ די, סײַ יענע האָבן געהאַלטן די ליטװאַקעס פֿאַר „שליחים פֿון סאַנקט־פּעטערבורג“ — דאָס הײסט, שטיצער פֿון דער רוסיפֿיקאַציע־פּאָליטיק פֿון פּױלן. די דאָזיקע דעה איז ביזן הײַנטיקן טאָג פֿאַרבליבן בײַ אײניקע פּױלישע היסטאָריקער, באַמערקט נאַלעװאַיקאָ־קוליקאָװ.
זי שאַצט אָפּ דעם ליטװאַקישן בײַטראָג אינעם װאַרשעװער ייִדישן לעבן מער פּאָזיטיװ. זי מאָלט אַ לעבעדיק און רײַך בילד פֿון ייִדישער װאַרשע אין די לעצטע צענדליק יאָר פֿאַר דער ערשטער װעלט־מלחמה. דאָס דאָזיקע בילד שטעלט זיך צונױף פֿון שטיקלעך מיטצײַטלערישע אַרטיקלען און פֿון שפּעטערע זכרונות אױף ייִדיש, העברעיִש, פּױליש און רוסיש.
אױפֿן סמך פֿון אַרכיװאַלע דאָקומענטן אַנטפּלעקט נאַלעװאַיִקאָ־קוליקאָװ דעם פֿאַרפּלאָנטערטן ביוראָקראַטישן פּראָצעס פֿון קריגן פּובליקאַציע־דערלױבענישן בײַ די הױכע פֿענצטער פֿון דער רוסישער אַדמיניסטראַציע.
נאָך דער רעװאָלוציע פֿון 1905 איז דער פּאָליטישער קלימאַט אין דער רוסישער אימפּעריע געװאָרן מילדער, און אין 1906 זײַנען דערשינען פֿינעף נײַע צײַטונגען.
צװישן זײ איז געװען דאָס „ייִדישעס טאַגעבלאַט“. דער רעדאַקטאָר איז געװען שמואל־יעקב יאַצקאַן (1874־1936), אַ געוועזענער ישיבֿה־בחור װאָס האָט אָנגעהױבן זײַן זשורנאַליסטישע קאַריערע אין דער העברעיִשער פּרעסע. מען האָט געזאָגט אַז ער האָט גערעדט זיבן שפּראַכן, אַלע מיטן ליטװאַקישן אַקצענט.
יאַצקאַן איז געװאָרן דער ערשטער ייִדישער צײַטונגס־מענטש, װאָס האָט זיך געװענדט צו די ייִדישע מאַסן אױף זײער אײגענעם לשון. אין 1908 האָט ער אין אײנעם מיט אַנדערע מיטאַרבעטער פֿון „ייִדישעס טאַגעבלאַט“ געשאַפֿן „הײַנט“. דאָס איז געװען די ערשטע טאָגצײַטונג אױף ייִדיש אינעם מאָדערנעם פֿאָרמאַט מיט ספּעציעלע אָפּטײלן פֿאַר נײַעס, רעפּאָרטאַזשן, עדיטאָריאַלן, קאָמענטאַרן, אַנאָנסן און רעקלאַמע.
אָבער דער סאַמע פּאָפּולערער זשאַנער איז געװען דער „געשפּאַנטער“ ראָמאַן אין המשכים, װי למשל „אין נעץ פֿון זינד“. דער דאָזיקער ראָמאַן האָט שטאַרק געהעכערט דעם טיראַזש אָבער אַרױסגערופֿן שאַרפֿע קריטיק מצד ייִדישע אינטעליגענטן. זײ האָבן באַשולדיקט יאַצקאַן אין פֿאַרדאַרבן דעם געשמאַק פֿונעם ייִדישן מאַסן־לײענער.
אין אַלגעמײן איז נאַלעװײַקאָ־קוליקאָװס אָפּשאַצונג פֿון דער ראָלע פֿון „הײַנט“ פּאָזיטיװ: „עס איז מסתּמא ניט קײן גוזמא צו זאָגן, אַז אַ דאַנק ׳הײַנט׳ האָבן זיך ייִדישע לײענער פּלוצעם אױפֿגעװעקט אינעם צװאַנציקסטן יאָרהונדערט און אַנטדעקט, אַז זײ באַלאַנגען צו דער גרױסער װעלט און ניט בלױז צו זײער שטעטל אָדער קװאַרטאַל“.
אין גיכן האָט „הײַנט“ באַקומען אַ שטאַרקן קאָנקורענט. אין 1910 האָט צבֿי פּרילוצקי געשאַפֿן דעם „מאָמענט“. דאָס איז געװען אַ מער „בירגערלעכע“ צײַטונג, װאָס האָט אױסגעמיטן דעם סענסאַציאָנעלן סטיל און ניט געדרוקט קײן „שונד“־ראָמאַנען.
ניט אַלע ייִדישע צײַטונגען האָבן איבערגעלעבט די שװערע מלחמה־יאָרן צװישן 1914 און 1918. אין 1915 איז װאַרשע געפֿאַלן אונטער דער דײַטשישער אָקופּאַציע און ייִדן האָבן געמוזט זיך צופּאַסן צו די נײַע בעלי־בתּים. אָבער „הײַנט“ און „דער מאָמענט“ זײַנען פֿאַרבליבן די װיכטיקסטע טאָג־צוטײַנגען ביז די סאַמע לעצטע טעג פֿון דער פּױלישער רעפּובליק. זײערע לעצטע נומערן זײַנען אַרױס װען היטלערס חיילות זײַנען אַרײַן אין װאַרשע, אין די לעצטע טעג פֿון סעפּטעמבער 1939.
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Nobody can tell me how many animals die for a shtreimel
I’m a wildlife ecologist who has spent the better part of a half-century studying, among other topics, what makes mammal populations resilient and what pushes them toward collapse. Most of this work has been on the raccoon, one of North America’s most common furbearers. So, I found myself wondering how many animals go into the creation of a shtreimel, the broad ring-shaped hat of fur typically worn by married Hasidic men (aside from Chabad Lubavitchers) on Shabbat, holidays, and other celebrations, and how many individual mammals that adds up to in any given year.

The question of particular interest was whether the number of animals “harvested” in shtreimel manufacturing is sustainable, i.e., if the furbearer populations behind this endeavor can be maintained in a healthy state over the foreseeable future. I decided to investigate this matter based upon the fundamental principles of wildlife management.
I initially expected that somewhere along the supply chain, someone would be able to provide some basic information. Instead, I found out that the most basic data needed to assess the fur trade behind shtreimels do not appear to be compiled at all. These would be found in the answers to such questions as: How many hats are made annually? Which species are used? What places did the animals come from? What is the status of the populations of these animals? And were they wild-caught, farmed or taken from an existing stock of individuals used for other items such as coats?
That uncertainty matters because a shtreimel is not simply just another fur product. It is a visible expression of religious identity and communal belonging. For the men who wear one, the hat can mark a life stage, a community and a connection to their ancestors. That should make issues about its production more profound than just a conventional debate over fashion. What does Jewish tradition ask us to consider when a religious object depends on animals?
A brief history of the shtreimel
The shtreimel was not originally a distinctively Hasidic garment: According to the historian Levi Cooper, Mitnagdic rabbis in the Vilna Gaon’s circle in the 18th century wore fur hats as well. He also suggests that the shtreimel may not have even become an exclusive marker of Hasidic identity until after World War II. He also maintains that the story that Polish authorities forced Jews to wear animal tails as a humiliation, which Jews then transformed into a badge of pride, is unsupported by the evidence. Finally, Cooper discusses that the type of shtreimel varies within the Hasidic world. Hasidim from Galicia, Hungary, Romania and Ukraine typically wear the more well-known broad shtreimel, while many Polish Hasidim wear a taller, narrower fur hat known as a spodik. Such particularities are meaningful within these communities.
The physical construction of the hat also varies considerably. A U.S. patent for shtreimel manufacturing describes the use of fur “plates” made by splitting, flattening and reassembling tails so that the finished hat appears to be a continuous piece of fur. Older designs used about 13 tails, whereas the patent describes a design using closer to 36. Dan Arnon’s book Kova’im ba-Rosh notes that some makers favor 13, 18 or 26 tails. But a tail is not an animal as one tail can become several pieces. The hat’s fur therefore cannot tell us how many animals died to make it.
Such opacity is hardly unique to the shtreimel. Anyone buying a fur-trimmed parka might well face the same unanswerable calculations. I’m focusing on the shtreimel not because its supply chain is especially mysterious, but because of what the garment itself represents: a marker of religious identity. A garment carrying that much meaning should be worth at least the same scrutiny I’d give to any product dependent upon the harvesting of wildlife.
Nor is there a reliable count of how many shtreimels are made each year. A 2009 Sydney Morning Herald article quoted an Israeli shtreimelmacher who estimated that 10,000 hats are sold annually worldwide. That might be a useful clue, but it is not a suitable statistic for wildlife management. It is only an anecdotal estimate from a single maker, with no known methodology behind it.
Confusion also arises from the names of the animals used in producing shtreimels. Their fur is usually described as coming from sable, marten and fox. But these common names do not provide the information a wildlife biologist needs. What are the exact species? A fox alone can be several different ones. Which population are they from, and which region? What was the harvest rate of each population? A species might be abundant over most of its range while a particular population could be small or declining. The Pacific marten offers a useful cautionary example: A coastal population in northern California and Oregon has been listed as threatened, with trapping among the pressures that contributed to its decline. While there is no evidence that any shtreimel fur came from that population, the point is that the use of the name “marten” tells us precious little to draw a conclusion about the population these animals are from.
A distinction between sustainability and animal welfare is important to recognize. The taking of animals by hunting or trapping, i.e., the harvest, can be sustainable at the population level but still involves methods and actions that raise ethical questions about the killing of animals for their fur. Trapping methods differ: Some traps are intended to kill quickly, while others might hold an animal alive until the trapper returns to finish the job. Canada and Russia are the major sources of shtreimel fur. The degree to which these countries adhere to humane trapping standards is not certain, and even so, it does not settle the moral question of whether killing a wild animal for its fur is justifiable.
The difference between a supply that would exist anyway and a supply created by the demand for new individual animals is another important consideration. If shtreimel-grade tails are largely or even partially a byproduct of a fur trade that operates without the Hasidic shtreimel market (e.g., for coats), the additional pressure on a furbearer population attributable to shtreimels could be relatively small. Alternately, if the demand for particular tails makes certain animals or populations more valuable to trappers, the dynamics of the furbearer populations would be affected. Only supply-chain information from the trappers and other entities can tell us about the circumstances we are dealing with.
What the Talmud says about using animals for shtreimels
The Jewish community has addressed some of these concerns. When Israel restricted its commercial fur trade in 2021, it created an exemption for fur used in religious practices, thus allowing fur for shtreimels to continue to be imported. This exception acknowledged that the use of fur for religious reasons is not simply another form of fashion. Nevertheless, according to Jewish law, the shtreimel has no special religious significance, though the wearing of two head coverings is considered to add additional spiritual merit. (The shtreimel is always worn over a kippah.) Yet, while Israel’s granting permission to import the fur resolved a legal question, it did not take into account certain ecological and ethical issues. Its exemption for the shtreimel does not address whether the populations supplying that fur are sustainable or whether the animals were trapped humanely.
The Talmud provides an expression that addresses the suffering of animals: Tza’ar ba’alei chayim, the prohibition against causing animals unnecessary suffering. I am not suggesting that this principle yields a ruling about shtreimels; Judaism does not prohibit the use of animal products. But this belief does make the welfare of the animal a legitimate subject of Jewish ethical inquiry. As a wildlife ecologist, I arrive at the issue from a different direction: What did this product cost the population from which the animal came? Perhaps this perspective is not as foreign to Jewish thought as it might first appear, in this case, when one reflects on the health of an entire population of animals.
I cannot determine whether the fur used in shtreimels is harvested sustainably or whether it is obtained by methods that minimize suffering. Neither can I, based on the information available, confidently say that it is not. A useful next step is to seek transparency in the process of creating shtreimels. Makers should document the sources of their fur. Suppliers should more carefully identify the species, their geographic origins, and assess whether their pelts are wild-caught, farmed or drawn from existing inventory. Wildlife organizations could ask for that information as a matter of responsible stewardship. Researchers could then evaluate the data to determine whether the harvests of these furbearing mammals are being done in a sustainable manner.
Such inquiries could produce illuminating answers. They might show that the majority of shtreimel fur comes from stable, well-managed populations and that the demand for it adds little pressure on wild furbearers. A religious tradition can thus be even more cherished knowing that its materials are harvested in a sustainable manner (while recognizing that questions remain about the morality of killing animals for their fur). For a garment that carries so much meaning, it is worth finding out the answers to these questions.
The post Nobody can tell me how many animals die for a shtreimel appeared first on The Forward.
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How a new tool in Lithuania helps people read letters from their Jewish ancestors
(JTA) — VILNIUS, Lithuania — At a family reunion in California in 2013, Felicita Trueblood discovered a portal to the past: a binder full of letters from her great-grandfather, a rabbi in Ukraine, from before World War II.
As exciting as the discovery was, the letters were illegible to her — until now, thanks to an artificial intelligence tool developed by Sergii Gurbych, a researcher in Lithuania who hungered for information about his own Jewish past. They unveiled a world of grief but also brought Trueblood solace, uncovering the truth about her great-grandfather’s death.
The letters, about 50 pages in total, had sat untouched for decades in her cousin’s house in Palm Springs. They were penned in Yiddish by Pavel Malisoff, Trueblood’s great-grandfather in Konotop, Ukraine — then in the Soviet Union — to his son, Trueblood’s great-uncle Solomon, who immigrated to the United States and changed his last name to Malis.
Between 1927 and 1934, the letters bridged two worlds — on one side, a father in Ukraine witnessing a community on the brink of destruction, and on the other, a son journeying from New York to California under the weight of the Great Depression. Malis died in 1985. For nearly a century, no one else read those pages.
At the 2013 reunion, none of the living family members could decipher their ancestor’s Yiddish letters, written in Hebrew script. Trueblood, who is now 75, felt compelled to take charge of the treasure trove. She grew up in San Diego with few traces of her Jewish past. Her mother, Malisoff’s granddaughter, became a Christian Scientist before marrying her father, a non-Jewish descendant of colonial Americans. Trueblood wanted to know who her great-grandfather was and the life he inhabited, long cut off from her family memory.
“I was raised outside the Jewish community, with no day-to-day connection,” Trueblood told the Jewish Telegraphic Agency. “But I was always fascinated.”
Trueblood soon ran into obstacles. She found only a handful of translators who could help decipher the handwritten letters, and the cost of hiring them to work through the whole stack was prohibitively high.
But 13 years after inheriting the letters, she saw a Facebook post about VILNISH, a new project in Lithuania that aims to turn handwritten and historical printed texts in Yiddish and Hebrew into digital texts that can be easily searched and translated.
Gurbych, a researcher at Vilnius University’s Center for the Study of East European Jewish History, built the AI model behind VILNISH, which launched late last year. Born in Ukraine, Gurbych studied Hebrew and Yiddish on top of electrical engineering. At Vilnius University, he focuses on developing digital approaches to analyzing archival Jewish texts.
Gurbych’s particular interest is texts written between World War I and World War II, when Jewish cultural and intellectual life flourished in Vilnius. In 1925, Vilnius became the first headquarters of the Yiddish Scientific Institute, or YIVO, which continues to preserve the Yiddish language and Eastern European Jewish heritage in New York City.
Gurbych turned to a plethora of diaries, memoirs and other documents that were written by Jews in the interwar period and stored in the National Library of Lithuania. They provided the perfect material to teach a language model to recognize handwritten texts from the period. As he trains VILNISH on more and more handwriting types, it becomes a more universal tool.
Soon after Gurbych publicized the service, he began to hear from people like Trueblood, who sought to read letters left behind by their relatives.
Their urge to connect with the past was familiar to Gurbych. His own grandfather was a Jew born in 1915 in the Polish city of Łódź. During the Holocaust, he escaped the Łódź Ghetto days before its liquidation by the Nazis, when most of the 67,000 Jews who lived there were killed. Gurbych’s grandfather settled in present-day Ukraine in the Soviet Union.
Gurbych is drawn to pieces of writing that evoke the atmosphere, the tastes and smells of life for Jews in Poland before their communities were destroyed.
“I want to know more about the world where my grandfather lived,” said Gurbych. “He died in 2001, and I just feel that I didn’t speak with him about this time enough. He was a person who lived in the Soviet Union, so he was just closed, and didn’t very much like to talk about his Jewish background and about life in interwar Poland.”
Trueblood contacted Gurbych in May. Within a month, he sent her translations of all her great-grandfather’s letters. She was stunned by the vivid images of Malisoff’s life in Konotop, marked by poverty and separation. All of his 11 children were forced to relocate across the Soviet Union or immigrated to Canada and the United States.
Konotop was racked by famine during Stalin’s rapid forced collectivization of agriculture. Malisoff described “people walking half naked, hungry, with only a few coins in their pockets, without a piece of bread, without proper clothing, silently, without work and without money.” The “spiritual condition” was destroyed, he wrote, as the Sabbath, the holidays, kosher food, circumcisions and religious teaching disappeared — “as though they had never existed.”
It wasn’t just an AI language model that supplied her these windows to the past, said Trueblood. Gurbych had the knowledge of Jewish history and religious tradition to explain the terms used by her great-grandfather, a rabbi, and to point her toward the stories and texts that he referenced.
“What I got back was just beautiful, because he understands the context, the history, the biblical references,” she said.
She also made a discovery that shifted her understanding of how her great-grandfather died. Trueblood and her other living relatives knew that Malisoff had been tortured by Stalin’s regime for receiving small packages of money from family members in California. They always believed that was how he died.
But after the letters from Malisoff stopped abruptly in 1934, other letters from his wife and children revealed the truth: Malisoff had died not from torture, but from a heart attack at 74. A letter from one of his children in the Soviet Union gave Trueblood the unexpected gift of her great-grandfather’s dignified death and memorial service.
“Our old father of blessed memory has passed away, but his good and beautiful name has not died,” the letter said. “It lives on, and will continue to live for many years. The town paid him the highest honors. The entire town, old and young alike, accompanied him on his final journey, and he was given the place of highest honor in accordance with his good deeds.”
Gurbych hopes that VILNISH will retrieve such memories for many more people like Trueblood, while also helping academic researchers who face huge sets of archival documents in Yiddish and Hebrew that few people can read.
The tool also has the potential to support the descendants of Jews who were persecuted during the Holocaust as they prepare materials to confirm their eligibility for repatriation or citizenship, such as synagogue records, internal rolls of Jewish communities and other historical documents.
Trueblood was struck by how many others have yet to access threads to their past, as stacks of paper like hers sit untouched in attics and libraries.
“These letters are all over the world,” she said. “There are thousands of them out there that haven’t been translated.”
This article originally appeared on JTA.org.
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