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A brand-new Jewish ritual object inspires an innovative art exhibit
(New York Jewish Week) — When Andrew Mandel dreamt up a new Jewish ritual object known as a “tzedek box,” he was admittedly most interested in the “tzedek” — the social justice — aspect, and less so the “box” part.
Mandel, a fifth-year rabbinical student at Hebrew Union College in New York, envisioned a new Jewish holiday, Yom HaTzedek (Day of Justice) back in 2018 as a way to make acts of social justice an integral part of religious life. To reinforce the themes of the holiday, Jews would write reflections on each effort made to help the world throughout the year, and save them in a box. “This action is not meant to self-congratulate or to rack up a record of good deeds,” Kveller, the New York Jewish Week’s partner site, wrote in 2021. “Rather, it provides a moment to reflect on the work and develop accountability around consistently being ‘shomer tzedek,’ a guardian of justice.”
When he first conceived of the holiday, the box itself was an afterthought. “I have to confess, at first, the actual box wasn’t particularly relevant to me,” Mandel, 44, told the New York Jewish Week. “It’s like — find a shoe box, find a jar. It was shortsighted, but that’s where I was.”
But as Yom HaTzedek shifted from concept to reality — the day is now officially commemorated on Pesach Sheni, or the Second Passover, observed on the 14th day of Iyar (this year May 5) — so too did Mandel’s thinking on the box itself. Conversations with renowned Jewish artist Tobi Kahn and Jean Bloch Rosensaft, director of the Dr. Bernard Heller Museum at HUC, led Mandel to believe the aesthetics of the box could help enhance the users’ spiritual exploration of justice.
And now, these conversations have inspired a new exhibit, “Tzedek Boxes: Justice Shall You Pursue,” which will open at the Heller Museum on Thursday. The exhibit features 29 tzedek boxes created by contemporary Jewish artists. They include one of Kahn’s series of seven wooden tzedek boxes, “Zahryz III,” and Eli Kaplan-Wildmann’s customizable cardboard “Pop-up Tzedek Box,” which has been massed-produced for 8,300 participants and two dozen synagogues that have all participated in the new holiday.
The exhibit’s aim, said Rosensaft, echoes the museum’s mission “to encourage the interpretation and renewal of Jewish values, tradition, and practice through the creativity of contemporary artists in works that will advance justice in our world.”
If the tzedek box sounds familiar, it’s probably because you’ve heard of its cousin — or version 1.0, if you will: the tzedakah box, a receptacle for collecting coins to be donated to charity. The words “tzedek” and “tzedakah” have the same Hebrew root: justice.
“It’s not just that we don’t really use coins anymore,” Mandel said. “There’s more ways of making change than [just] philanthropy — whether it’s advocacy, whether that’s direct service and volunteer work, whether that’s just listening and learning. A tzedek box creates an umbrella for all those different actions so we can all live out our values together to improve the world.”
In the exhibit, the artists’ tzedek boxes capture different facets of social justice: in Jewish tradition (images of doves, or flowing rivers); motivation for social action (references to heroes and past injustices such as the Holocaust); the causes people care about (the environment, food insecurity) and symbols of generous behavior (an open heart, an open mind).
“I’m not an artist myself,” Mandel said. “But now I have seen these contributions of wildly diverse, often quite moving representations of justice and righteousness, it really opens things up to how multifaceted this process [of tzedek] is. Your box really matters.”
Reva Jane Solomon’s tzedek box, “Mommy’s Justice,” is a homage to her mother’s love. (Courtesy the Heller Museum)
In Reva Jane Solomon’s “Mommy’s Justice,” the tzedek box takes the form of a purple jewelry box, an homage to her mother’s love meant to encourage small acts of compassion and justice. Holly Berger Markhoff’s “Justice Knows No Other” is a wooden box featuring an interactive scroll on which to record one’s deeds, creating a continuous chronicle of righteousness.
Kahn, whose cityscape-inspired tzedek box evokes the Jewish obligation to care for humankind, said he hoped the exhibit would inspire all Jews to adopt the ritual. “If you believe in something you should actually do it,” he said. “I’m thrilled that many people are making their own because that’s how ritual starts.”
This isn’t the first new Jewish ritual object that the Heller Museum launched into the mainstream. In 1997, it featured an exhibit of Miriam’s cups — a goblet filled with water that’s placed alongside Elijah’s cup at Passover as a call to include women and their stories in the seder. The exhibit helped introduce the now widespread practice to Jews around the world.
Rosensaft sees the tzedek box exhibition as a similar call to action. “One of the pillars of Judaism is the notion that we, as a people, have been affiliated by horrific episodes of injustice, intolerance and genocide,” she said. “We cry ‘never again,’ but we know we cannot say that if we are not prepared to work towards the causes of human rights and freedom in our own time.”
To this end, Rosensaft paired the tzedek boxes with a concurrent exhibit, “One Nation,” in which artists of all backgrounds were invited to create works that comment on the state of America past, present and future.
“A lot of that hope for the future hinges on individuals taking action to solve the problems afflicting American society,” Rosensaft said.
“Tzedek Boxes” and “One Nation” are on view at the Dr. Bernard Heller Museum, (1 West 4th St.), from Jan. 26 through May 18. Or you can download the free Bloomberg Connects App and visit the Heller Museum page to virtually visit all the museum’s exhibitions, including “Tzedek Boxes” and “One Nation.”
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Frank Gehry, renowned architect who began life as Frank Goldberg, dies at 96
(JTA) — Frank Gehry, a Jewish architect who became one of the world’s most renowned innovators in his field for his contributions to modernist architecture, including the famed Guggenheim Museum in Bilbao, Spain, has died at 96.
His death following a brief respiratory illness was confirmed on Friday by the chief of staff at his firm, Meaghan Lloyd, according to the New York Times.
Gehry was born Ephraim Owen Goldberg on Feb. 28, 1929, to a Jewish family in Toronto. In 1947, Gehry moved to Los Angeles with his family and later went on to graduate from the University of Southern California’s School of Architecture in 1954.
The same year, he changed his name to Gehry at the behest of his first wife who was “worried about antisemitism and thought it sounded less Jewish.” He would later say he would not make the choice again.
Among Gehry’s most acclaimed works, which feature his signature, sculptural style, are the Bilbao Guggenheim, the Walt Disney Concert Hall in Los Angeles, the Louis Vuitton Foundation in Paris and the DZ Bank Building in Berlin.
Gehry also often returned to the motif of a fish, including two large fish sculptures in the World Trade Center in New York City and on Barcelona’s seafront. Some tied the fish motif to his recollections about his Jewish grandmother’s trips to the fishmonger to prepare for Shabbat each week.
“We’d put it in the bathtub,” Gehry said, according to the New York Times. “And I’d play with this fish for a day until she killed it and made gefilte fish.”
Gehry began to identify as an atheist shortly after his bar mitzvah. But in 2018, while he was working on ANU-Museum of the Jewish People in Tel Aviv, he told the Jewish Journal that Judaism had influenced his career nonetheless.
“There’s a curiosity built into the [Jewish] culture,” he said. “I grew up under that. My grandfather read Talmud to me. That’s one of the Jewish things I hang on to probably — that philosophy from that religion. Which is separate from God. It’s more ephemeral. I was brought up with that curiosity. I call it a healthy curiosity. Maybe it is something that the religion has produced. I don’t know. It’s certainly a positive thing.”
In 1989, Gehry won the prestigious Pritzker Prize, considered one of the top awards in the field of architecture, and in 1999 won the Gold Medal from the American Institute of Architects. In 2007, Gehry also received the Jerusalem Prize for Arts and Letters and in 2016 won the Presidential Medal of Freedom from then-president Barack Obama.
His survivors include his wife, Berta Isabel Aguilera, daughter Brina, and sons Alejandro and Samuel. Another daughter, Leslie Gehry Brenner, died of cancer in 2008.
The post Frank Gehry, renowned architect who began life as Frank Goldberg, dies at 96 appeared first on The Forward.
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Herzog Says Wellbeing of Israelis His Only Concern in Deal With Netanyahu’s ‘Extraordinary’ Pardon Request
Israeli President Isaac Herzog speaks during a press conference with Latvian President Edgars Rinkevics in Riga, Latvia, Aug. 5, 2025. Photo: REUTERS/Ints Kalnins
i24 News – In an interview with Politico published on Saturday, Israeli President Isaac Herzog remained tight-lipped on whether he intended to grant Prime Minister Benjamin Netanyahu’s “extraordinary” pardon request, saying that his decision will be motivated by what’s best for Israel.
“There is a process which goes through the Justice Ministry and my legal adviser and so on. This is certainly an extraordinary request and above all when dealing with it I will consider what is the best interest of the Israeli people,” Herzog said. “The well-being of the Israeli people is my first, second and third priority.”
Asked specifically about President Donald Trump’s request, Herzog said “I respect President Trump’s friendship and his opinion,” adding, “Israel, naturally, is a sovereign country.”
Herzog addressed a wide range of topics in the interview, including the US-Israel ties and the shifts in public opinion on Israel.
“One has to remember that the fountains of America, of American life, are based on biblical values, just like ours. And therefore, I believe that the underlying fountain that we all drink from is the same,” he said. “However, I am following very closely the trends that I see in the American public eye and the attitude, especially of young people, on Israel.”
“It comes from TikTok,” he said of the torrent of hostility toward Israel that has engulf swathes of U.S. opinion since the October 7 massacre and the subsequent Gaza war, “from a very shallow discourse of the current situation, pictures or viewpoints, and doesn’t judge from the big picture, which is, is Israel a strategic ally? Yes. Is Israel contributing to American national interests, security interests? Absolutely yes. Is Israel a beacon of democracy in the Middle East? Absolutely yes.”
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Syria’s Sharaa Charges Israel ‘Exports Its Crises to Other Countries’
FILE PHOTO: Syria’s President Ahmed al-Sharaa addresses the 80th United Nations General Assembly (UNGA) at the U.N. headquarters in New York, U.S., September 24, 2025. Photo: REUTERS/Shannon Stapleton/File Photo
i24 News – Syrian President Ahmed al-Sharaa on Saturday escalated his messaging against Israel at the Doha forum.
“Israel is working to export its own crises to other countries and escape accountability for the massacres it committed in the Gaza Strip, justifying everything with security concerns,” he said.
“Meanwhile, Syria, since its liberation, has sent positive messages aimed at establishing the foundations of regional stability.
“Israel has responded to Syria with extreme violence, launching over 1,000 airstrikes and carrying out 400 incursions into its territory. The latest of these attacks was the massacre it perpetrated in the town of Beit Jinn in the Damascus countryside, which claimed dozens of lives.
“We are working with influential countries worldwide to pressure Israel to withdraw from the territories it occupied after December 8, 2014, and all countries support this demand.
“Syria insists on Israel’s adherence to the 1974 Disengagement Agreement. The demand for a demilitarized zone raises many questions. Who will protect this zone if there is no Syrian army presence?
“Any agreement must guarantee Syria’s interests, as it is Syria that is subjected to Israeli attacks. So, who should be demanding a buffer zone and withdrawal?”