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A chaotic response to Israel’s turmoil a reveals a fraught new dilemma for Jewish legacy organizations
WASHINGTON (JTA) — Major American Jewish organizations that hoped to send a unified message about the turmoil in Israel yesterday instead found themselves tussling, partly in the public eye, about what exactly they wanted to say.
Should they praise the massive anti-government protests that have taken shape in recent months? Should they criticize Israel’s sitting government? What, if anything, should they endorse as a next step in the ongoing crisis?
Five large Jewish organizations — all known for their vocal pro-Israel advocacy — began Monday afternoon trying to answer those questions in a unified voice that sent a positive message: praise for a decision to pause the government’s divisive judicial overhaul.
Instead, in a somewhat messy process that unfolded over the course of the afternoon, they ended up sending out a number of different statements that contrasted in subtle yet telling ways. The scramble to publish a statement reflecting consensus — and the resulting impression that consensus was lacking — was a reflection of how Israel’s politics have created a rift in the U.S. Jewish establishment.
For decades, large American Jewish groups have publicly supported Israel’s foreign policy, and mostly stayed quiet on its domestic conflicts. Now, a domestic policy issue threatening to tear Israel apart has compelled at least some of them to do two unusual things: opine on Israel’s internal affairs, and publicly chide the government that, in their view, is responsible for the crisis.
“For a long time any criticism of Israel, even criticism of very difficult policies, was thought to be disloyal, and couldn’t be spoken out of love,” said Rabbi Rick Jacobs, the president of the Union for Reform Judaism, which was not a signatory to the statement but is a constituent of the group that organized it. “I think we now understand that there’s plenty of legitimate criticism and activism that comes from that very place.”
The five groups that began composing the statement together were the Jewish Federations of North America, the American Jewish Committee, the Anti-Defamation League, the Conference of Presidents of Major American Jewish Organizations and the American Israel Public Affairs Committee. All have historically been seen as centrist, pro-Israel and representative of the American Jewish establishment, speaking for American Jews in international forums and in meetings with elected officials. All have annual budgets in the tens of millions of dollars, if not more.
Any vocal criticism from those groups has largely been limited to Israel’s treatment of non-Orthodox Jews. Because most American Jews are themselves not Orthodox, American Jewish groups have felt more comfortable advocating for policies that, they believe, will allow more of their constituents to feel welcome in the Jewish state.
But events this year have prompted the groups to speak out on another Israeli domestic issue: the judicial overhaul being pushed by Prime Minister Benjamin Netanyahu, which aimed to sap the Israeli Supreme Court of much of its power and independence. The court has, in the past, defended the rights of vulnerable populations in Israel such as women, the non-Orthodox, Arabs and the LGBTQ community.
“The recognition that what happens in Israel, the policies of the Israeli government and a broader range of issues in this particular case — on judicial reform, the perception of Israel as a vibrant democracy for all of its citizens — that perception has a significant impact on American Jewish life and American Jewish engagement,” said Gil Preuss, CEO of Washington, D.C.’s Jewish federation.
Most of the five groups had previously endorsed calls for compromise on the judicial reform proposal. The federations had also come out against one of its key elements. So when Netanyahu announced on Monday — in the face of widespread protests and dissent from allies — that he would pause the legislative push to allow time for dialogue, they all hoped to express their support.
What to write after that sentiment, however, proved contentious. A version of the statement put out by the American Jewish Committee included sharp criticism of Israeli politicians that was not in the other statements.
The Jewish Federations of North America sent out an addendum to the statement that was sympathetic to anti-Netanyahu protesters.
And the American Israel Public Affairs Committee ultimately opted out of the statement altogether — but not before a version had already been released in its name.
None of the five groups responded to requests for comment on the process behind the statement, but insiders said the differences between the statements, and AIPAC’s opting out, had little to do with policy differences. Instead, they blamed the confusion on missteps in the rush to get the statement out in the minutes after Netanyahu’s remarks, which aired in Israel at 8 p.m. and in the early afternoon on the East Coast, where all of the groups are based.
The statement that ultimately appeared, after declaring that the groups “welcome the Israeli government’s suspension” of the reforms, said that the raucous debate and protests over the legislation were “painful to watch” but also “a textbook case of democracy in action.”
A key line included rare advice to Israel from the establishment Jewish groups: “As a next step, we encourage all Knesset factions, coalition and opposition alike, to use this time to build a consensus that includes the broad support of Israeli civil society.”
The Conference of Presidents was the first to release the statement, just past 2 p.m., less than an hour after Netanyahu had completed his remarks. It listed its co-endorsers as the AJC, the ADL and JFNA.
Five minutes later, the AJC put out a version of the same statement that added AIPAC to the endorsers. It included the same sentence offering advice, plus another two that added criticism and a caution: “Israel’s political leaders must insist on a more respectful tone and debate. A hallmark of democracy is public consensus and mutual consideration.”
Statements from JFNA and ADL, which went out subsequently, hewed to the Conference of Presidents version. An AIPAC official told JTA that the group did not want to sign onto the statement because it had wanted more time to add edits.
Just before 3 p.m., more than 40 minutes after its initial email, AJC sent out an email advising recipients that its inclusion of AIPAC was an error.
But its new statement still included the line criticizing politicians, which the other groups had eschewed. In the end, AJC removed that line, too: It is absent from the version of the statement posted on the group’s website.
AIPAC ultimately settled on posting a tweet that stuck to praising Israel for its democratic process, without further comment.
“For many weeks, Israelis have engaged in a vigorous debate reflective of the Jewish state’s robust democracy,” it said. “Israel’s diverse citizenship is showcasing its passionate engagement in the democratic process to determine the policies that will guide their country.”
JFNA, in an explanatory email to its constituents attached to the joint statement, was more pointed in its criticism of Netanyahu. On Sunday night, the prime minister had summarily fired his defense minister, Yoav Galant, for publicly advocating a pause on the legislation. That decision sparked protests across Israel, which in turn prompted Netanyahu to announce exactly the same pause and compromise that Gallant had proposed.
“The response across Israeli society was immediate and angry,” said the email signed by Julie Platt, the chairwoman of JFNA, and Eric Fingerhut, its CEO. “Spontaneous protests gathered in the streets and commentators expressed shock at a decision to fire a Defense Minister for having expressed concern about the risks to the country’s military position … Netanyahu’s own lawyer in his corruption trial announced that he could no longer represent him.”
The groups weren’t alone in releasing pained statements about Israel’s volatility — which has also stirred anguish among groups that have previously defended the Israeli right.
This week, Rabbi Moshe Hauer of the Orthodox Union, who met earlier this month with far-right Israeli Finance Minister Bezalel Smotrich, praised Israel’s leaders for “the recognition of the value of taking time, engaging with each other with honesty and humility, and proceeding to build consensus.” (Smotrich, for his part, supports the overhaul and opposed pausing the legislation.)
“Our Sages taught, ‘Peace is great; discord is despised’,” Hauer, the group’s executive director, said in an emailed statement to JTA. “We are deeply shaken by the upheaval and discord that has gripped our beloved State of Israel. In recent weeks, the Jewish tradition and the democratic value of vigorous debate have been replaced by something very dangerous and different.”
The two largest non-Orthodox movements were open about their opposition to the overhaul. “We believe ardently that the proposed judicial reform is fraught with danger and goes against the principles of democracy,” the Conservative movement’s Rabbinical Assembly said in a statement Tuesday.
A statement from the leadership of the Reform movement, including Jacobs, castigated Netanyahu for agreeing to create a national guard under the authority of Itamar Ben-Gvir, the far-right national security minister, and for being “willing to risk the safety and security of Israel’s citizens to keep himself and his coalition in power.”
That strong language, Jacobs suggested, reflects the wishes of those who fund establishment Jewish groups and congregations. He said those groups were hearing from donors whose frustration with the Netanyahu government is reaching a boiling point.
“I hear of donors telling organizations, ‘I have to tell you, I don’t hear your voice, speaking out in favor of Israel’s democracy at this very vulnerable moment. So I’ll tell you what, why don’t you hang on to my phone number when you find your voice?’”
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He was a privileged Jewish kid from NYC’s Upper East Side. Donald Trump was his greatest invention.
American Scoundrel: Roy Cohn’s Dark Journey from Joe McCarthy to Donald Trump
By Kai Bird with Susan Goldmark
Scribner, $32, 528 pages
By the beginning of the new millennium, Roy Cohn, the red-baiting scourge of the McCarthy hearings, lived largely in the pages of U.S. history books, trotted out on occasion to illustrate how America always manages to overcome its worst nativist impulses. But just in case someone never knew or had forgotten about Cohn’s malign influence on U.S. politics, Tony Kushner brought him back as a villain in his brilliant drama of the early 1990s, Angels in America.
Then, in 2016, Donald Trump was elected president and suddenly, Cohn was breaking news again. The very next year, when Trump was furious at then-Attorney General Jeff Sessions for recusing himself from an investigation into whether Russia meddled with the election, the president cried out to his advisers, “Where’s my Roy Cohn?”
Now, as if in answer to that question, Kai Bird has written a magisterial biography of the notorious lawyer and Trump whisperer that is indispensable reading for anyone who wants to understand the current political moment. Bird, the co-author of American Prometheus, the Pulitzer Prize-winning biography of Robert J. Oppenheimer and inspiration for the Oscar-winning movie, began it in 2022, a couple years before Trump’s re-election. He collaborated with his wife, Susan Goldmark, who did the research for this riveting account of the unseemly, outrageous life of the hustler and con man about whom Trump once said, “If you need somebody to get vicious, hire Roy Cohn.”
Though Cohn has been long gone from public life — he died of AIDS at age 59 in 1986, insisting to the very end that he had succumbed to liver cancer — Bird demonstrates how he practically invented the dark political arts of resentment and division adopted by his former client, protégé and future president of the U.S.
Indeed, over the recent 4th of July weekend — decades after the collapse of the Soviet Union — Trump used Cohn’s divisive, inflammatory rhetoric in back-to-back speeches, including one at Mount Rushmore, branding his political opponents as evil, godless communists.
Bird walks us through Cohn’s life decade by decade. He grew up as an only child in a wealthy Jewish family on the Upper East Side and attended elite private schools, where his boyhood friends included Si Newhouse Jr., heir to the Condé Nast media empire, Gene Pope Jr., who would go on to found the National Enquirer, and, improbably, Al Lowenstein, later a well-known liberal Democratic activist and politician.
After Cohn graduated from Columbia Law School, his father, a judge, pulled strings to get him a job in the U.S. attorney’s office for the Southern District of New York, where he made a name for himself as the boy prosecutor who sent Julius and Ethel Rosenberg to the electric chair in 1953 for passing nuclear secrets to the Soviets. His tactics were highly irregular, including private meetings with the trial judge.
Not long after that, he went to work as chief counsel to Wisconsin Senator Joe McCarthy, using his position to force U.S.-funded libraries abroad to purge 30,000 books on the flimsy pretext that the authors were communists or Soviet sympathizers. He was also a central figure in the so-called Lavender Scare, when hundreds of federal employees thought to be gay lost their jobs because they were deemed a security risk.
By the 1960s, Cohn was back in New York, hanging out at the Stork Club and 21, squiring Barbara Walters around town, and representing mobsters though still living at home with his mother at 1165 Park Avenue. Over the next decade he would be indicted three times by U.S. Attorney Robert Morgenthau Jr. for bribery, perjury, extortion and other white-collar crimes. In each case, he managed to beat the rap though months before his death he was finally disbarred for unethical conduct.
After Cohn’s mother died in 1967, he moved into a stately townhouse on East 68th Street, where he established his law practice and stopped the pretense of dating women though he never publicly came out as gay. Then, in 1973, Cohn met his most consequential client. At the time, Trump was the 27-year-old son of a Queens real estate mogul trying to break into the Manhattan market and living in a rent-controlled studio on East 75th Street with a view of a water tank on an adjacent building.
Cohn advised the family on how to fight a Justice Department lawsuit accusing the real estate company of violating the Fair Housing Act by refusing to rent to Black tenants. Over the course of the litigation, Cohn taught Trump his signature moves: Keep your name in the paper. Never settle. Countersue. Claim victory. Don’t pay the bills.
Cohn also advised Trump on his first major real estate deal in Manhattan — buying the dilapidated Commodore Hotel on East 42nd Street, next to Grand Central Terminal. To get the deal done, Cohn worked his extensive connections to New York’s first Jewish mayor, Abraham Beame, a player in Democratic machine politics and an old friend of Cohn’s father.
For more than a decade, Trump continued to model himself after his mentor, adopting his penchant for personalized license plates and his snarling, scowling demeanor. Bird argues that in the decades since Cohn died, the McCarthyism of the 1950s has morphed into a nativist, America Firster politics that transformed the Republican Party into one of resentments against the old establishment, multiculturalism, globalization and liberal culture — in other words, the MAGA movement of today.
Cohn’s “values, his unethical behavior, and his political mindset have survived and replaced the values of the establishment he so resented,” Bird writes. “Perhaps his life is proof of the ability of one individual to change the arc of history. Certainly, he gave us the narcissistic politics of Donald Trump.”
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Trump wants to remake Washington — Hitler tried to do the same to Berlin
“It was natural that I also followed my passion for architecture. My faith increased that after many years my dreams would become reality. I was firmly convinced that I would win fame as a builder.”
–Adolf Hitler
“I own buildings. I’m a builder; I know how to build. Nobody can build like I can build.”
–Donald Trump
Adolf Hitler personally drew up architectural plans to remake Berlin into a 1,000-year monument to himself with a three-mile-long “Avenue of Splendors,” on one end an Arch of Triumph that would dwarf the Paris original, and on the other, the domed Hall of the People, which would have been the largest enclosed structure in the world.
Hitler’s grandiose remodeling schemes were suspended in 1943, in order to redirect resources to the war he had begun.
Like Hitler, Donald Trump is also busy designing and creating monuments to himself, including an arch even larger than the one Hitler had planned for Berlin. Unlike Hitler, Trump is proceeding at a fevered pace on completing his legacy projects despite the soaring costs of a war he began.
History is replete with monarchs, emperors, pharaohs and tyrants who sought to immortalize themselves with monuments. In modern times, what sets Trump and Hitler apart is their decision to personally draw up a plan to entirely change the look of a capital city to project their powers.
Hitler began sketching his plans to remake Berlin in the 1920s, years before he came to power. In his postwar book Inside the Third Reich, Hitler architect Albert Speer recalled Hitler showing him two sketches the Nazi leader had already made of his own concept, hoping to recruit the architect to the project. In 1937, the Hitler tasked Speer with making it happen.
Speer started by making a model of the redesigned city, to be renamed Germania. In his book, Speer wrote of Hitler’s glee while inspecting the scaled model.
“He bent down, almost kneeling, his eye an inch or so above the level of the model, in order to have the right perspective, and while looking he spoke with unusual vivacity. These were the rare times when he relinquished his usual stiffness. In no other situation did I see him so lively, so spontaneous, so relaxed,” Speer wrote.
Hitler admired the imperial architectural styles of Rome, Vienna and Paris, but came up with designs for Berlin that were meant to surpass those cities not in elegance, but in expressions of Teutonic power.
The Germania model designed by Speer looks like an elaborate Wagnerian stage set: Visitors disembarking from a new train station would immediately see the 380-foot-tall Arch of Triumph, and as they passed beneath they would follow a wide boulevard lined with about a dozen monumental ministry buildings made of hand-hewn stone, a Soldiers’ Hall with a crypt for the tombs of German field marshals, and, at the terminus of the avenue, the monstrous centerpiece of the whole project — the domed Hall of the People, with enough space to hold 150,000 people.
“He wanted the biggest of everything to glorify his works and magnify his pride,” Speer wrote.
The New Reich Chancellery went up, and some other pieces of Germania were completed. But as Hitler’s regime focused on building concentration camps and death camps, and German invasion forces spread across Europe and the Soviet Union, Hitler had to divert resources to pay for his war crimes.
The Reich suspended work on Germania in 1943. Hitler’s original idea was to complete the transformation in 1950, creating Germania as a new Rome, capital of a vanquished continent. But when the Soviet army entered Berlin, the city had been reduced to ruins. Hitler’s Germania fantasy came to a bloody end on April 30, 1945 when he put a bullet in his head inside the Führerbunker.
Like Hitler, Donald Trump seems to favor classical architectural styles for public buildings, although his love of gaudy glitter – on display inside the White House and at Trump’s own properties — contrasts with Hitler’s preference for a Teutonic austereness.
A few days ago Trump gave the White House press pool a tour of work that he has directed to be done on and around the White House. It reminded me of Speer’s description of Hitler’s glee while inspecting Speer’s model of Germania.
“I’m fixing the country. We’re fixing the White House too. One thing I know how to do is build,” said Trump, who spoke of having columns of the White House repaired, its exterior cleaned, of work on his ballroom and the “military complex” that would be built beneath it. He staged the dog-and-pony show to show off a helipad that was under construction.
“It’s ridiculous the way this place was taken care of. Nobody, including presidents, they didn’t see it. But I see it because I was very good at real estate, like maybe the best in a lot of ways,” said the man who went through multiple bankruptcies and has a history of failed business ventures: Trump University, Trump Steaks, and Trump’s airline, to name only a subset of available examples.
Despite Trump’s boasts, his vanity projects have hit some rough patches. There’s the reflecting pool debacle, a court ruling that his name had to come off the John F. Kennedy Center for the Performing Arts. Some Senate Republicans tried to stop him from spending taxpayer money on his garish ballroom.
But because of a Supreme Court ruling, it looks like the ballroom will go up after all. And Trump is not about to abandon other legacy projects – like his Triumphal Arch, and a National Garden of American Heroes.
Trump’s powers are cracking faster than he can build these monuments to himself. His approval ratings are abysmal. Global respect for America is tanking. Allies who have tried to mollify him are beginning to defy him. Iran has outsmarted him. Former MAGA loyalists like Marjorie Taylor Greene and Tucker Carlson have abandoned him. Trump is increasingly looking like an empty shell – a man who has chosen building narcissistic monuments, and corruptly enriching himself and his family, over paying heed to Americans who are suffering because of his self-aggrandizing rule.
Economist Paul Krugman just released a video titled Der Untergang, and subtitled “How badly will Trump punish America?” Der Untergang, German for “downfall,” is the title of a 2004 movie about Hitler’s last days in the Führerbunker. Krugman says that Trump’s obsession with his vanity projects is an indication that Trump knows his powers are rapidly vanishing, and that Trump is becoming perilously desperate.
“In many ways he is behaving like somebody who knows that his days of supreme power are about to end,” Krugman said.
Krugman argues that Trump is showing a deranged proclivity to tear things down rather than preserve them, as evidenced by his demolition of the beloved East Wing. And now Trump is threatening to raze the Kennedy Center for the Performing Arts, simply because he can’t get his name on it.
History has shown how perilous things can become when a despot finds himself backed into a corner. As we approach the mid-term elections, we should all worry about the wreckage Trump is capable of wreaking while watching his powers vanish. Trump’s downfall, whenever and however it may come, must not also be America’s.
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John Galliano bows out of Met exhibition as backlash over antisemitism mounts
(JTA) — John Galliano withdrew from a planned exhibition of his work at the Metropolitan Museum of Art in response to a rapidly escalating controversy over the museum’s decision to honor the fashion designer despite his history of antisemitic and racist remarks.
Galliano said Monday that, after discussions with the Met and others involved in the exhibition, he had decided that it was best for the show not to take place “at this time.” He said he remained accountable for the pain caused by his past words, particularly to Jews and Asians, and recognized that an exhibition honoring his work could be painful for some. The Met said it agreed with his decision.
The reversal came less than a month after the Met announced that Galliano would be the subject of its spring 2027 Costume Institute exhibition, a rare honor that would have made him only the third living designer to receive a solo show there. The exhibition was to open in conjunction with the Met Gala, one of New York’s biggest annual cultural and celebrity events.
Opposition to the exhibition appeared to mount steadily in recent weeks. Early public pushback came from Dana Thomas, Galliano’s biographer, who wrote in an Aug. 6 New York Times guest essay that the Met had made a serious error in choosing to honor him. The criticism then broadened, with Jewish leaders, museum donors and New York politicians publicly urging the museum to reconsider.
Those criticizing the exhibition were New York City Council Speaker Julie Menin, who called the decision deeply painful for Jewish New Yorkers. Prominent Met donor Alice Tisch described the planned exhibition as a “whitewash,” according to the Times.
The reversal is also a setback for Anna Wintour, Condé Nast’s chief content officer and the driving force behind the Met Gala. She had championed Galliano for decades and was among the Met figures most closely associated with bringing the exhibition to the museum.
The controversy was complicated by the fact that some prominent rabbis had actually met with Galliano before the exhibition was announced and had come away believing that his repentance was sincere, as JTA reported earlier this month.
Rabbi Rick Jacobs, president of the Union for Reform Judaism, said Galliano had shown the contrition necessary to earn his return to the fashion world. Rabbi Joshua Davidson of Congregation Emanu-El, a Reform synagogue in New York, likewise said he was convinced by Galliano’s statements of remorse and his efforts to educate himself about Judaism and the Holocaust. Neither rabbi endorsed the Met’s decision to honor Galliano, however. Rather, both told the museum that if it proceeded, it had a responsibility to make Galliano’s antisemitic conduct and the lessons of his repentance an explicit part of the exhibition.
That distinction was reflected in the Met’s original plans. Andrew Bolton, the Costume Institute’s curator, said in announcing the exhibition that it would address Galliano’s antisemitic and anti-Asian conduct, as well as his firing from Dior, a hate speech conviction in France and his subsequent treatment for addiction and public acknowledgment of his actions.
Galliano, among the most celebrated designers in the world, was fired by Christian Dior in 2011 after a video surfaced showing him praising Hitler and making antisemitic remarks in a tirade in a Paris cafe, and directing an anti-Asian slur at the partner of a Jewish woman. A French court convicted him of making public insults based on race, religion and ethnicity.
After entering treatment for substance abuse, he embarked on a process of rehabilitation and eventually returned to the fashion industry. Abraham Foxman, then national director of the Anti-Defamation League, met privately with Galliano repeatedly; in 2013 the ADL said that Galliano had demonstrated “true contrition.”
After the initial announcement of the exhibition, Jonathan Greenblatt, CEO and national director of the ADL, noted that the organization had “long since accepted his apology,” but added that he understood “why some Jews may question the decision to include Galliano’s work in an exhibit given the massive spike in antisemitism in recent years.”
In a statement Monday, Greenblatt appeared to take a harder line in welcoming Galliano’s withdrawal.
“With antisemitism at crisis levels, the Met honoring John Galliano at this moment was misguided, and even Galliano ultimately recognized what the Met should have done from the start,” Greenblatt wrote on X. “This was the wrong move at the wrong moment. Timing matters.”
Galliano’s withdrawal leaves the Met without a planned spring 2027 Costume Institute exhibition. The museum said information about a replacement exhibition and the 2027 Met Gala will be announced later.
This article originally appeared on JTA.org.
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