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A German museum aimed to honor Jewish wit. The result is downright demeaning.
Kibbizter, kvetcher, nudnick, nebbish, nudzh, meshugener, alter kocker, pisher, plosher, platke-macher
These ten Yiddish/Yinglish insults are mounted on the cornice of the Haus der Kunst art museum in Munich, Germany. The installation, entitled The Joys of Yiddish (2021), is the final iteration of a work by the late conceptual artist Mel Bochner (1940–2025).
According to the Haus der Kunst’s website, this word chain is supposed to “convey a particular humor that survived the National Socialist regime, despite all odds.” The color scheme — yellow-on-black — is meant to evoke the stigmatizing patches of the same colors forced upon Jews under Nazi rule.
The installation was named for the 1968 book The Joys of Yiddish by Leo Rosten — a collection of Yiddish words and phrases that made its way into English.
Unfortunately, the installation is an ill-conceived attempt to honor the Jewish humor of millions of Yiddish speakers murdered by the Nazis. It cheapens and reduces a nearly millennium-old language and culture to kitsch. Is this tired, old rehashing of Yiddish insults not itself a badge of stigmatization — a “yellow patch” if you will?
When Bochner’s The Joys of Yiddish debuted at the Spertus Institute in Chicago in 2006, it was meant as a statement on the Jewish immigrant experience in America. It dealt with linguistic barriers, between immigrants and their new country, and between immigrant parents and their children. (Bochner was raised by Yiddish-speaking parents but never learned the language himself.)
At the Haus der Kunst, however, the piece takes on a very different meaning. Originally called the Haus der Deutschen Kunst (House of German Art) when it opened in 1937, it was intended by its Nazi builders as a temple to “Aryan” art. Mounting Yiddish insults on that building is, at first glance, a defiant and transgressive act.
Yet the cutesy terms Bochner chose (a subset from the Chicago original) are wholly insufficient to the task. Instead of switching out a word here and there, he could have transgressed against the art-school reject Hitler (may his name be obliterated) on the façade of his would-be temple to Aryan art, with some stronger epithets. Perhaps yimakh-shmoynik, paskudnyak, or the well-known mamzer?
Of course, no words in any language can convey the evil of what Hitler’s Nazis did to the Jewish people, and to Jewish diasporic languages. But that’s no excuse for not trying. Was Bochner’s intent to jab the viewer, or merely to tickle?
Prof. Sunny S. Yudkoff, in a 2022 journal article, notes that Bochner’s oeuvre often deals with the failure of words to sufficiently convey a particular meaning, with language’s perceived transparency and its actual instability. Yet despite the “performative failures” (as Prof. Yudkoff puts it) of Bochner’s other works, the failures of The Joys of Yiddish seem to be a bug rather than a feature.
To convey the Yiddish humor that survived the Nazis, we might look to the Jews of Lublin. During the German occupation, an SS officer commanded a group of Jewish men, at gunpoint, to entertain him. According to testimony recorded by Moshe Prager, they sang a well-known Yiddish song, replacing the refrain lomir zikh iberbetn (let’s make up) for mir veln zey iberlebn (we will outlive them). Despite the similarity of Yiddish to German, the SS officer apparently didn’t understand the phrase, giving those Jews a good laugh at their oppressors’ expense.
This time around, Bochner unwittingly perpetuates a long American Jewish tradition of treating Yiddish as a punchline. To do so in Munich is to internationalize that tradition in a shamefully conspicuous way.
According to a 2021 conversation between the artist and curator Andrea Lissoni, Bochner’s parents “were not really interested in us kids learning Yiddish, because […] it was a secret language.” This dynamic is all too familiar. But instead of digging in and working with Yiddish on its own terms, the artist engaged with it only superficially, in what Prof. Jeffrey Shandler has termed the “post-vernacular” mode. Bochner simply picked some words out of Rosten’s book, several of which are Yinglish Americanisms, that he thought most American Jews of his generation would have heard and known.
To do so in Chicago or New York as a comment on cultural assimilation is a sad reflection on American Jews’ cultural impoverishment. To recycle the piece into a provocation toward German Holocaust memory, or a tribute to the humor of murdered European Jewry, is lazy and demeaning.
In fairness, the late Mr. Bochner isn’t here to defend his honor. Then again, neither are the millions of Yiddish-speakers murdered by the Nazis.
So what could the curators of the Haus der Kunst do instead to honor them? Maybe host an exhibition of works by Yiddish-speaking artists who survived or perished in the Holocaust. Or commission a new work inspired by Yiddish anti-Nazi jokes and folksongs. It shouldn’t be hard to improve on what’s there now.
The post A German museum aimed to honor Jewish wit. The result is downright demeaning. appeared first on The Forward.
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German Antisemitism Commissioner Targeted With Death Threat Letter After Arson Attack on Home
Andreas Büttner (Die Linke), photographed during the state parliament session. The politician was nominated for the position of Brandenburg’s anti-Semitism commissioner. Photo: Soeren Stache/dpa via Reuters Connect
Andreas Büttner, the commissioner for antisemitism in the state of Brandenburg in northeastern Germany, has been targeted the second attack in under a week after receiving a death threat, sparking outrage and prompting local authorities to launch a full investigation.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter on Monday threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
State security police have examined the anonymous letter under strict safety measures, determining that a gray substance inside was harmless. Authorities are now probing the incident as part of an ongoing investigation into threats against the German official.
Ulrike Liedtke, president of the Brandenburg state parliament, condemned the latest attack on Büttner, describing the death threats and harassment as “completely unacceptable.”
“Threats and violence are not a form of political discourse, but crimes against humanity,” Liedtke said. “Andreas Büttner has our complete support and solidarity.”
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
On Sunday night, Büttner’s private property in Templin — a town located approximately 43 miles north of Berlin — was targeted in an arson attack, and a red Hamas triangle was spray-painted on his house.
The home of Germany’s antisemitism commissioner, Andreas Büttner, was set on fire overnight in a targeted attack.
His family was inside the house at the time.
This is the second attack against Büttner in the past 16 months. His car was previously vandalized with swastikas. This… pic.twitter.com/cAbFnMIwQ7
— Combat Antisemitism Movement (@CombatASemitism) January 5, 2026
According to Büttner, his family was inside the house at the time of the attack, marking the latest assault against him in the past 16 months.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other symbols and threats were also spray-painted on Büttner’s personal car.
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Harvard President Blasts Scholar Activism, Calls for ‘Restoring Balance’ in Higher Ed
Harvard University President Alan Garber speaks during the 374th Commencement exercises at Harvard University in Cambridge, Massachusetts, US, May 29, 2025. Photo: REUTERS/Brian Snyder
Harvard University president Alan Garber, fresh off a resounding endorsement in which the Harvard Corporation elected to keep him on the job “indefinitely,” criticized progressive faculty in a recent podcast interview for turning the university classroom into a pulpit for the airing of their personal views on contentious political issues.
Garber made the comments last week on the “Identity/Crisis Podcast,” a production of the Shalom Hartman Institute, a Jewish think tank which specializes in education research.
“I think that’s where we went wrong,” Garber said, speaking to Yehuda Kurtzer. “Because think about it, if a professor in a classroom says, ‘This is what I believe about this issue,’ how many students — some of you probably would be prepared to deal with this, but most people wouldn’t — how many students would actually be willing to go toe to toe against a professor who’s expressed a firm view about a controversial issue?”
Garber continued, saying he believes higher education, facing a popular backlash against what critics have described as political indoctrination, is now seeing a “movement to restore balance in teaching and to bring back the idea that you really need to be objective in the classroom.”
He added, “What we need to arm our students with is a set of facts and a set of analytic tools and cultivation of rigor in analyzing these issues.”
Coming during winter recess and the Jewish and Christian holidays, Garber’s interview fell under the radar after it was first aired but has been noticed this week, with some observers pointing to it as evidence that Harvard is leading an effort to restore trust in the university even as it resists conceding to the Trump administration everything it has demanded regarding DEI (diversity, equity, and inclusion), viewpoint diversity, and expressive activity such as protests.
As previously reported by The Algemeiner, Garber has spent the past two years fighting factions from within and without the university that have demanded to steer its policies and culture — from organizers of an illegal anti-Israel encampment to US President Donald Trump, who earlier this year canceled $2.26 billion in public money for Harvard after it refused to grant his wishlist of reforms for which the conservative movement has clamored for decades.
Even as Harvard tells Trump “no,” it has enacted several policies as a direct response to criticisms that the institution is too permissive of antisemitism for having allowed anti-Zionist extremism to reach the point of antisemitic harassment and discrimination. In 2025, the school agreed to incorporate into its policies a definition of antisemitism supported by most of the Jewish community, established new rules governing campus protests, and announced new partnerships with Israeli academic institutions. Harvard even shuttered a DEI office and transferred its staff to what will become, according to a previous report by The Harvard Crimson, a “new Office of Culture and Community.” The paper added that Harvard has even “worked to strip all references to DEI from its website.”
Appointed in January 2024 as interim president, Garber — who previously served in roles as Harvard’s provost and chief academic officer — rose to the top position at America’s oldest and, arguably, most prestigious institution at a time when the job was least desirable. At the time, Harvard was being pilloried over some of its students cheering Hamas’s Oct. 7, 2023, massacre across southern Israel and even forming gangs which mobbed Jewish students wending their way through campus; the university had suffered the embarrassment of its first Black president being outed as a serial plagiarist, a stunning disclosure which called into question its vetting procedures as well as its embrace of affirmative action; and anti-Israel activists on campus were disrupting classes and calling for others to “globalize the intifada.”
Garber has since won over the Harvard Corporation, which has refused to replace him during a moment that has been described as the most challenging in its history.
“Alan’s humble, resilient, and effective leadership has shown itself to be not just a vital source of calm in turbulent times, but also a generative force for sustaining Harvard’s commitment to academic excellence and to free inquiry and expression,” Harvard Corporation senior fellow Penny Pritzker said in a statement issued on behalf of the body, which is the equivalent of a board of trustees. “From restoring a sense of community during a period of intense scrutiny and division to launching vital new programs on viewpoint diversity and civil discourses and instituting new actions to fight antisemitism and anti-Arab bias, Alan has not only stabilized the university but brought us together in support of our shared mission.”
Follow Dion J. Pierre @DionJPierre.
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Holocaust Survivors Sent Care Packages to Oct. 7 Hostages for Hanukkah
The Menorah for Hanukkah on the Square 2025 in Trafalgar Square, London, United Kingdom, Dec. 14, 2025. Photo: Matthew Chattle/Cover Images via Reuters Connect
Survivors of the Holocaust spread holiday cheer this Hanukkah by delivering care packages to a group of 20 hostages whom the terrorist group Hamas recently released from captivity to fulfill the requirements of a ceasefire which suspended hostilities with Israel.
The gifts, dropped off at the Israeli consulate office in New York City, was made possible by The Blue Card, the only US-based charity organization which provides financial assistance and other services to survivors of the Holocaust. Originally founded in 1934 to assist Jews who had fled Germany to escape Hitler’s persecution of the country’s Jews, it has operated ceaselessly for nearly a century.
Over the past two years, the world has seen a revival of antisemitism unlike any since the period in which The Blue Card was founded, sparked by the Hamas-led Oct. 7, 2023, massacre that claimed the lives over of 1,200 Israelis and stole years and even more lives from 251 more who were kidnapped and held hostage in Gaza.
Some of the hostages who survived captivity have been released in stages since Israel and Hamas agreed on a ceasefire in October, and on Monday, Blue Card executive director Masha Pearl said the organization felt it necessary to reach out to them due to their having experienced a plight that is painfully familiar to what its clients endured in Europe during the Holocaust. Pearl also discussed the Bondi Beach mass shooting, in which a father and son inspired by Islamism opened fire on Jews celebrating the start of Hanukkah, murdering 15 people and injuring 40 others.
“Holocaust survivors and former hostages share a uniquely painful bond shaped by survival and resilience,” Pearl said. “After witnessing a mass shooting at a Chanukah event in Sydney, it felt even more urgent for our survivors to deliver these care packages now, spreading light at a moment that feels dark for the entire Jewish world. The resilience of the Holocaust survivors we assist, the former hostages, and now the survivors of the attack in Australia remind us that even in the face of hatred and violence, the Jewish people remain united.”
In a press release Blue Card said the care packages “carried profound meaning,” being filled to the brim with goods of all sorts, from blankets and water bottles to chap stick and even handwritten notes from the Holocaust survivors who sent them.
Follow Dion J. Pierre @DionJPierre.
