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Controversial Israeli film ‘The Sea’ makes its North American premiere in NYC
Israeli film director Shai Carmeli-Pollak’s latest film, “The Sea,” is about a young Palestinian boy from the West Bank who is denied a permit to visit Tel Aviv with his classmates. Longing to see the Mediterranean, he courts danger as he sets out to make the journey on his own.
The Arabic-language drama was released in Israel in July; in September, it won five Ophir Awards — Israel’s version of the Oscars — including for best picture, which means “The Sea” is also Israel’s submission into the Academy Awards for best international feature film.
And now, “The Sea” is making its North American premiere on Thursday at the Marlene Meyerson JCC Manhattan (334 Amsterdam Ave.). The screening — which also includes a reception and a Q+A with director Carmeli-Pollak and Palestinian producer Baher Agbaria — kicks off this year’s Other Israel Film Festival, an annual event that spotlights untold stories from Israeli and Palestinian societies.
Filmed in the summer of 2023, “The Sea” is partially inspired by true events: Carmeli-Pollak visited the West Bank for the first time in the early 2000s, during the Second Intifada.
“Seeing what’s going on really influenced me,” Carmeli-Pollak, 57, said, describing how a border wall between the West Bank and Israel, begun in 2002, restricted Palestinian travel into Israel. “And I started to go more and more and more and became an activist.”
Carmeli-Pollak became an activist alongside groups like Anarchists Against the Wall, a group advocating against the concrete security wall between Israel and the West Bank. His experiences informed the 2006 documentary, “Bilin, My Love,” about a Palestinian village set for demolition by the Israeli government.
No one particular moment or event inspired “The Sea,” Carmeli-Pollak said. Rather, the director said it was the West Bank residents’ longing for the sea — something Carmeli-Pollak said he frequently heard — as well as their desperate need for employment, that informed the film. ”it was a long period that I met people, and they spoke about this,” he said.
Since its release, “The Sea” has been ensnared in political crosshairs: It was produced with financial support from the Israel Film Fund, a public fund that was described as an institution “implicated in genocide and apartheid against the Palestinian people” by a growing boycott against the Israeli film industry signed by more than 1,200 prominent Hollywood stars.
On the other end of the political spectrum, Israeli Culture and Sports Minister Miki Zohar, a Likud Party member, has called for the defunding of the Israeli Academy of Film and Television, which runs the Ophir Awards. Zohar, who has only seen “the most important parts of the movie.” claims the film portrays the Israeli military in a negative light.
“It is probably the hottest Israeli film of the year,” Isaac Zablocki, the executive director of the Other Israel Film Festival and the JCC’s senior director of film programs, said of the festival’s sold-out screening of “The Sea.”
“Since all this noise with the boycott of Israeli films — and on the other side, the Israeli government declaring its lack of support for this film specifically, and Israeli cinema in general — it’s felt even more important for us to highlight this film as much as possible and really give it as much support,” Zablocki added. “I think this movie, right now, is exactly what Israel needs.”
The New York Jewish Week spoke with Carmeli-Pollak just days before the film’s North American premiere. Keep scrolling for our conversation.
This interview has been lightly condensed and edited for clarity.
Was the idea always to tell this story from a Palestinian perspective?
The idea from the very beginning was to tell the story from the point of view of a Palestinian child. That perspective allows us to strip away the almost automatic “political” baggage that comes with an adult’s point of view.
A child’s perspective is free from all that complexity. In that sense, for me the film is not necessarily just a Palestinian story, but rather a story about two societies living on opposite sides of the wall — the Palestinian and the Israeli.
We have an opportunity to see Israeli society through the eyes of this child, and perhaps to look again at things that are usually invisible or taken for granted.
How did you find the cast and crew?
The cast is a mix of professional actors and non-actors. Naturally, the boy, Muhammad Gazawi, was not a professional actor. I met him when I visited a Thai boxing club in a Palestinian city inside Israel called Qalansawe. I met there a group of tough young athletes, and he quickly struck me as a boy with remarkable acting abilities.
You said the rough cut of the film was already completed by Oct. 7, 2023. Can you tell me more about what the cross-cultural collaboration looked like at the time?
We shot the film in the summer of 2023. Apart from the fact that the producer is Palestinian, the crew was mixed — Palestinians and Israelis.
On set you could hear both Hebrew and Arabic blending together naturally. The crew made the same journey shown in the film — moving between Palestinian villages, where we received a warm welcome and generous hospitality, and cities inside Israel. Even before Oct. 7, it wasn’t common to see a joint production like this, and it was a special experience for everyone involved. For many of the Israeli crew members, it was their first time being hosted in a Palestinian village. After the war broke out, Baher and I were deeply worried and heartbroken — first and foremost for the people we care about, but also for the film.
We thought no one would want to watch such a small story when horrific events were happening all around. And indeed, at first we faced difficulties in distributing the film. But as time went by, it seems that openness to a story like this is slowly returning, and we hope the film will reach as wide an audience as possible.
What was that partnership like in the wake of Oct. 7?
I was in contact all the time with Baher, the producer. He’s Palestinian, and we were both horrified by what’s going on — by the 7th of October, and with the reaction in Gaza, which was terrible. We were really, really worried. But we also felt like maybe nobody would want to watch the film now. I spoke to the actors, like Khalifa Natour [who plays Ribhi, Khaled’s father], who were devastated with what’s going on. But our communication was just the same — as friends, as people that are in the same circle. It’s not that now, suddenly, I’m from one side, and he is from the other side. It felt like we’re still connected.
At the end of the film, when Khaled and Ribhi are being arrested by the police, there’s a shot where the Israelis at the café kind of pause for a moment; they look shocked or horrified, and then they go back to their coffee. What were you trying to say about Israeli society and their attitudes toward police or military violence against Palestinians?
I tried to make this film not just to speak about Israeli society, but about human beings, to make it more universal in a way. I was really, really inspired by “Bicycle Thieves,” the Italian film by Vittorio De Sica from the 1940s. It tells the story of a father and son, also. And I was so emotional by this film, 80 years after it was made. I felt that I wanted to make a film that people can watch years from now, and still get the story.
So the idea was about human beings and the way that people are behaving, of course, in political arrangements, because everything is politics. I don’t think people in other countries would behave differently in this kind of system that exists here.
People just live their lives. They sit in a café, they see this scene, and then, like the viewers in the cinema, they go back to their lives after they sit.
In a way, I think generally, what I was trying to say is that people are not evil. They’re not looking to hurt other people, but because the system is very, very corrupt and discriminative and injustice unjustified, this is what caused all the problems.
The Israeli Culture Ministry, led by Miki Zohar, wants to defund the Ophir Awards, which had granted you many awards for this film. Is there any update on that?
He did establish his own competition and to offer a lot of money for each prize. So he is using public money for his agenda, which is not surprising. This is the way this populist fascist government is working. And besides this, I don’t know anything new.
I would prefer to live in a place where the minister of culture supports films and supports the freedom of speech and doesn’t try to block it. But when the situation is like this, at least, he saved me from — now that the film goes out to the world — having to explain that I’m not representing this government.
What do you hope that New York viewers — especially Jewish viewers who may be unfamiliar with Palestinian life in the West Bank, or their interactions with Israelis — will get out of your film?
I don’t know if I’m telling something new to people, but maybe so. I guess liberals know there is discrimination against people that live under the occupation. But it’s not an article; it’s different when you read about it and when you experience it more in a more emotional way.
So maybe the idea is that the film can give you another aspect of this — to actually have some feelings about the story of this kid, and to maybe open these channels of understanding, and know that what’s going on here can’t go on like it used to be before. We can’t go back to the same point as before the war. There should be a deep change, and we need the support from the outside for this change. That’s for sure. There are a lot of forces inside Israel and forces in the United States that are against these kinds of changes.
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The post Controversial Israeli film ‘The Sea’ makes its North American premiere in NYC appeared first on Jewish Telegraphic Agency.
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Mamdani orders review of whether New York can arrest Netanyahu when he visits this fall
New York City Mayor Zohran Mamdani has revived one of his most controversial election promises, raising once again the prospect of arresting Israeli Prime Minister Benjamin Netanyahu when he comes to New York in September for the United Nations General Assembly. It’s a move that legal experts say Mamdani is unlikely to be able to carry out.
In a video interview with The New York Times published Saturday, Mamdani said he ordered a review by the city’s Law Department to consider his options to comply with an International Criminal Court arrest warrant. “Whatever the law allows me to do in New York City, that’s what we will do. But we won’t be writing our own laws to that end,” Mamdani said, remarks that drew a strong online reaction.
In a post to social media on Sunday, Netanyahu’s office dismissed concerns of a possible arrest, calling the ICC a “kangaroo court” and saying that “Mamdani should focus on fixing the damage his policies have caused New York.” In an interview last week, Netanyahu said Mamdani “hates America.”
The United States does not recognize the court’s authority over American citizens or foreign nationals on U.S. soil, and the federal government could likely challenge the legitimacy of such an order.
Mamdani’s statement reflects the tension that has defined his first months in office: balancing the activist politics that propelled him to City Hall with the legal constraints and governing responsibilities of the mayor of the city with the largest Jewish population outside of Israel.
A political gift to Netanyahu
Mamdani’s actions could have unintended consequences abroad.
Former U.S. ambassador to Israel Dan Shapiro, who has frequently criticized Netanyahu, warned that even a failed attempt to arrest the prime minister would likely strengthen Netanyahu politically in a tough reelection bid, set for Oct. 27.
“Many Israelis are sick of him and hope to vote him out,” Shapiro wrote on X. “The only possible outcome of a fruitless attempt to arrest him in NYC would be to give him a political boost at home. That would be an own goal.”
Recent polls show that Netanyahu, seeking a seventh term in office, is trailing an opposition bloc led by two contenders — former Prime Minister Naftali Bennett and former IDF chief Gadi Eisenkot.
A confrontation with New York’s outspoken anti-Zionist mayor could allow Netanyahu to cast himself once again as Israel’s defender against international efforts to isolate and punish the country. Netanyahu already labeled Mamdani as someone who “champions” Hamas and “apologizes” for Iran.
That message could resonate even with Israelis who oppose him. American Jewish opinion illustrates the same complexity. While recent polling shows many American Jews view Netanyahu unfavorably, and that Mamdani is more popular with that group, that has not translated into support for an attempt to arrest Israel’s elected leader.
A Honan Strategy Group poll in December found that although 40% of New York City voters believed Mamdani had a moral obligation to uphold international human rights standards by ordering Netanyahu’s arrest, seven in 10 of the 131 Jewish respondents said doing so would damage New York’s global standing.
In the end, Mamdani may be able to avoid acting at all by pointing to the legal opinion that New York City lacks the authority to arrest Netanyahu.
The law is not on Mamdani’s side

The ICC, based in The Hague, issued arrest warrants in Nov. 2024 for Netanyahu, former Israeli Defense Minister Yoav Gallant and Hamas military commander Mohammed Deif, accusing them of war crimes and crimes against humanity related to the Israel-Hamas war. Hamas confirmed in Jan. 2025 that Deif was assassinated in July 2024 by an Israeli strike on Gaza.
But even if Mamdani wanted to enforce the warrant, New York City has little authority to do so.
Because the United States is not a member of the International Criminal Court, the NYPD has no legal authority to arrest Netanyahu based on an ICC warrant. Last week, Secretary of State Marco Rubio launched a sweeping campaign of sanctions, visa bans and diplomatic pressure to “systematically disable” the ICC “brick by brick.”
U.S. Ambassador to the United Nations Mike Waltz, in a post on X, also pointed to the 1947 U.N. Headquarters Agreement, which requires the United States to allow accredited foreign representatives to attend U.N. meetings, as well as the customary international law doctrine that grants immunity to sitting heads of government traveling on official business. Netanyahu would also arrive in New York under Secret Service protection afforded to foreign leaders.
Even carrying out such an order would appear unlikely.
Police Commissioner Jessica Tisch, who is Jewish, has repeatedly kept a distance from the mayor on Israel-related issues. Her public statements on Israel have been unequivocal. In June, Tisch served as grand marshal of the annual Celebrate Israel Parade, which Mamdani skipped. “I understand that for many of you, having a Jewish police commissioner is deeply comforting,” she told Jewish leaders in May.
Mamdani’s foreign policy reach has already been limited. Last month, the U.S. State Department blocked a planned meeting between Mamdani and Colombian President Gustavo Petro in New York, a fierce Israel critic, who had his visa revoked last fall after he appeared at a pro-Palestinian rally in Manhattan and was attending a UN Security Council session under strict terms. Earlier this month, the Trump administration stopped a meeting between Ana María Archila, Mamdani’s commissioner for international affairs, and Iran’s ambassador to the United Nations.
Why does Mamdani keep talking about it?

While the legal answer is largely settled, the political one is not.
By keeping the question open, Mamdani signals support to the pro-Palestinian movement that fueled his rise, while acknowledging the institutional limits of his office.
Targeting Netanyahu was central to Mamdani’s mayoral campaign. After leading chants of “Netanyahu, you can’t hide, we charge you with genocide,” during a protest in Oct. 2023, Mamdani first pledged to arrest Netanyahu shortly after he declared his candidacy. He later repeated the pledge, including in front of Jewish audiences, arguing that he did not want New York to be a place where leaders accused of war crimes felt welcome.
The approach follows a similar pattern Mamdani confronted with a politically charged issue earlier this year. As anti-Jewish incidents continue to make up a majority of reported hate crimes, the city considered placing buffer zones around houses of worship, spurred in part by a November protest outside the Park East Synagogue that included antisemitic slogans.
After expressing reservations about the legislation, Mamdani referred the bill to the city’s Law Department before ultimately allowing it to become law without his signature, only after the City Council passed it with a veto-proof majority.
Mamdani vetoed a companion bill that would potentially limit pro-Palestinian demonstrations, particularly on campuses. (The council later passed a modified version, and the state passed a 50-foot buffer zone bill that equally applies to all community centers and schools being used for services, education and religious observance across the state.)
Mamdani’s real test
Whether Mamdani’s careful balancing act satisfies either side may become clear when Netanyahu arrives in New York this September.
While the mayor cannot dictate U.S. foreign policy or enforce ICC warrants, City Hall still plays an important role in coordinating logistics, demonstrations and municipal services during the annual gathering of world leaders.
Mamdani can influence how unwelcoming New York feels to the Israeli leader.
The Israeli prime minister’s appearance at the United Nations is expected to draw massive demonstrations, putting City Hall’s handling of protests and policing under intense scrutiny.
History suggests that symbolism matters.
In 1995, Mayor Rudy Giuliani triggered a diplomatic dispute after ejecting Palestinian Authority President Yasser Arafat from a United Nations anniversary concert at Lincoln Center. President Bill Clinton, protesting the move, invited the Palestinian leader to a White House reception.
For all the attention given to Netanyahu’s return to New York, he may not arrive alone. During a White House meeting last year, Netanyahu laughed off the threat as “silly” and quipped that he might travel to New York “with President Trump.” Trump responded: “I’ll get him out.”
Now, that exchange may prove to have been less a joke than a preview of where the real power lies.
The post Mamdani orders review of whether New York can arrest Netanyahu when he visits this fall appeared first on The Forward.
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A Jewish couple fell in love with rural Oklahoma. Then they built a cemetery there.
Linda Fitzerman did not want her children making burial decisions through tears.
For years, she and her husband, Todd Boone Fitzerman, told each other they needed to settle the question. They were not interested in cremation. They wanted a traditional Jewish burial. And they did not want their children, someday, to face the cost and pressure of deciding where that burial should take place.
“They just need to show up and cry,” Linda said. “They don’t need the additional pain of having to make financial decisions.”
The answer, when it came, was not one they had expected. They created a small Jewish burial ground in Sulphur, Oklahoma, a city of about 5,000 people in the Bible Belt, near the ranch the Fitzermans bought during the pandemic and had come to love.
At Oak Lawn Cemetery, a city-owned burial ground with green grass, rolling terrain and ponds, the Fitzermans purchased a group of plots to create a circular family burial section. Four corner pillars crowned with Stars of David mark the site. Beneath the grass, the pillars are connected by buried rebar, creating a distinct boundary around the section. Linda designed the stainless steel Stars of David, which a friend welded into place.
Nearby, five young trees are taking root: two Chinese pistache trees and three Autumn Blaze maples. The Fitzermans planted them with the city’s permission and have been carefully tending them for the past year, using large water barrels to help them through the early seasons.
“We are babysitting them for at least two years,” Linda said.
The burial section was dedicated in 2025. Todd’s brother, Rabbi Marc Boone Fitzerman of Tulsa, advised them on how to create a designated Jewish space within a public cemetery. Psalms and other prayers were recited at the site. There was no minyan, Todd said, but “spiritually we are there.”
To the Fitzermans’ knowledge, no other Jew is buried in Oak Lawn Cemetery.

A pandemic, and a plan
The cemetery project grew out of a life they did not plan to build in Oklahoma. Todd, 67, and Linda, 65, are both from the Detroit area and were raised in Conservative families. They met in Dallas when their children were young and have been married for 24 years. Dallas remains home. The couple still runs a business there, Local Oven, a gluten-free baking company.
But during the long uncertainty of the COVID pandemic, they began thinking about land.
“We felt so bottled up, and we wanted to get out,” Linda said.
They first responded to an advertisement for 10 acres near water in Texas. The search widened. Todd’s son suggested that 50 acres would be enough room to shoot on the property. Eventually, Todd found 158 acres outside Davis, Oklahoma, about two hours north of Dallas. They began building a working ranch. Todd’s son keeps cattle there. The Fitzermans now divide their time between Dallas and Oklahoma, spending roughly half the week in each place.
“It is a beautiful ranch,” Linda said. “It’s very calming to be out here, really beautiful, nothing like the city.”
Todd described hearing coyotes at night, watching the cattle roam, and the pleasure of “playing cowboy” for part of the week. Linda said she had not known, when they bought the land in 2021, “how important Oklahoma was going to be.”
“It was never a plan,” she said. “It just sort of evolved.”
Their relationship with the area deepened through the people they met there. Todd and Linda said one local friend, who lives across from Oak Lawn Cemetery and owns a large construction company, helped introduce them around Sulphur when they were new. He had also acquired plots in the cemetery through a trade arrangement for excavation work. Seeing what he had done opened a possibility they had not considered.
For years, Linda said, they had found “nothing intriguing” in Dallas cemeteries. Many Jewish plots cost $7,000 or $8,000. One cemetery with a Jewish section had plots priced around $36,000.
“Why would I spend money like that?” Linda said.
In Sulphur, plots were $300 each. For $4,500 total, they could create a family burial place tailored to them.
“We finally had an opportunity that just presented itself,” Linda said.
The circle layout itself came from her memory. In Michigan, she said, part of her family is buried in an older Jewish cemetery arranged not in straight rows, but in a circular shape.
“I thought that was really nice,” she said. “I liked it.”
So Linda and Todd approached the city and asked whether they could create a Jewish cemetery section in Oak Lawn. The response, they said, was strikingly easy.
“We shared that with the city and they said, ‘Yeah, sure,’” Linda said. “I’ve never seen any place give me the green light on every question.”
The city’s one practical concern was that everything remain level enough for its crews to mow. It allowed the Fitzermans to select the location, a corner where two cemetery roads meet. It also permitted them to plant the trees on easement land beside the plots.
“The city is 100% accepting,” Linda said.
Todd put it similarly. “The city could not have been more accommodating,” he said.
The Fitzermans say their religion has never been a problem. “It is the Baptist Bible Belt,” Linda said. “Everyone here has been so willing to accept us. They are inquisitive and curious. Our religion has not been an issue for anyone.”
Todd said that not everyone in Sulphur knows they are Jewish, “but lots of people know we are Jews.” When Todd’s son held his Jewish wedding on the ranch, he said, many non-Jewish guests had never attended one before. Friends asked questions. Guests wore kippot or cowboy hats. Tallitot belonging to Todd, his father and his son’s other grandfather formed the wedding canopy.
“There were more Jews in Sulphur for my son’s wedding than ever before,” Todd said.
Peace of mind
For Linda, the cemetery’s Jewish symbols were important. She wanted the pillars to be easy to find. More than that, she wanted them to say plainly what the site was.
“When we see the pillars, they reflect what we are doing, which is our religion,” she said. “Nothing is more stately than the Jewish star.”
“Our little decor, to me, sends a really beautiful statement,” she added. “I’ve always been proud to be Jewish. I wouldn’t want to be buried any other way.”
The Fitzermans have tried to spare their children as much uncertainty as possible. They have assigned the burial titles to their children and their children’s partners, while making clear that use of the plots will remain their choice. They have also documented the practical steps to follow when the time comes, including where a body could be prepared for Jewish burial in Dallas or Oklahoma City.
“You don’t think about it until a family member is going through it,” Linda said.
She views the cemetery as a natural extension of family care. “You are always, always part of your family,” she said. “If you want these, they are there for you.”
Todd described the burial ground in similar terms. It offers “peace of mind,” he said: a final resting place in a community they love and want to be part of.
The trees, Linda noted, will eventually grow large. The Chinese pistache trees can grow to over 25 feet with age. The maples, she said, will be especially beautiful in the fall.
They hope it will be many years before the cemetery is needed.
But the question that had lingered for so long has now been answered. Their children will not have to find a plot, compare prices, choose a cemetery, or wonder whether their parents’ burial wishes were honored.
They will only have to come.
And cry.
The post A Jewish couple fell in love with rural Oklahoma. Then they built a cemetery there. appeared first on The Forward.
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Why Orthodox Jews are pushing back against permanent daylight saving time
(JTA) — For many Orthodox Jews, a typical winter weekday begins early: head to synagogue, gather in a minyan for morning prayers, then rush off to work.
Orthodox Jewish groups say a bill that would make daylight saving time permanent could upend that routine by pushing winter sunrises — and the earliest permissible time for some prayers — an hour later.
Agudath Israel of America is among the groups urging the Senate to reject legislation that would make daylight saving time permanent nationwide, arguing that the change would create both public safety risks and significant challenges for Orthodox Jewish religious life.
The House passed the Sunshine Protection Act on Tuesday by a wide bipartisan margin. In a statement issued after the vote, Agudath Israel said it understood the appeal of ending the twice-yearly clock changes but opposed making daylight saving time permanent.
The Orthodox advocacy organization warned that permanent daylight saving time would push winter sunrises past 9 a.m. in some parts of the country, forcing many children to travel to school before dawn. It also said the later sunrise would make it difficult for observant Jews to attend morning synagogue services and still arrive at work or school on time, because Jewish law prohibits reciting key morning prayers before prescribed times tied to sunrise.
“The extension of DST will create an extreme hardship on observant Jews,” the organization said. “It would be extraordinarily difficult — if not impossible — to arrive on time for a job and will affect the start time of our schools.”
The Orthodox Union and the Coalition for Jewish Values have also come out against the measure.
In a column for Chabad.org that didn’t take a position on the bill, Menachem Posner also wrote that the change would present a challenge in parts of the country for morning minyan, the 10-person prayer quorum. But he also noted an upside to the extension of daylight saving: a later start time for Shabbat on short winter Fridays.
Shabbat begins at sundown, which during the winter can fall before 4:00 p.m. in parts of the country. “With DST, however, this will be shifted one hour later, so that even on the darkest day of winter, Jews will have one more hour to prepare for Shabbat,” Posner wrote.
Orthodox parties in Israel have also made an issue of changes to the daylight saving calendar. In 2011, Prime Minister Benjamin Netanyahu’s cabinet unanimously approved extending daylight saving time until the first Sunday after Oct. 1, despite objections from haredi parties. The change brought Israel’s clock closer to European practice while still acknowledging Orthodox concerns about morning prayer and a later start time to Yom Kippur that they argued would make the fast more difficult.
This week Agudath Israel also pointed to the brief U.S. experiment with year-round daylight saving time during the 1970s energy crisis, when Congress repealed the policy after widespread public dissatisfaction over dark winter mornings.
The organization said it hoped the Senate would weigh the broader consequences of permanent daylight saving time, including alternatives such as permanent standard time or retaining the current system of seasonal clock changes.
This article originally appeared on JTA.org.
The post Why Orthodox Jews are pushing back against permanent daylight saving time appeared first on The Forward.

