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Controversial Israeli film ‘The Sea’ makes its North American premiere in NYC
Israeli film director Shai Carmeli-Pollak’s latest film, “The Sea,” is about a young Palestinian boy from the West Bank who is denied a permit to visit Tel Aviv with his classmates. Longing to see the Mediterranean, he courts danger as he sets out to make the journey on his own.
The Arabic-language drama was released in Israel in July; in September, it won five Ophir Awards — Israel’s version of the Oscars — including for best picture, which means “The Sea” is also Israel’s submission into the Academy Awards for best international feature film.
And now, “The Sea” is making its North American premiere on Thursday at the Marlene Meyerson JCC Manhattan (334 Amsterdam Ave.). The screening — which also includes a reception and a Q+A with director Carmeli-Pollak and Palestinian producer Baher Agbaria — kicks off this year’s Other Israel Film Festival, an annual event that spotlights untold stories from Israeli and Palestinian societies.
Filmed in the summer of 2023, “The Sea” is partially inspired by true events: Carmeli-Pollak visited the West Bank for the first time in the early 2000s, during the Second Intifada.
“Seeing what’s going on really influenced me,” Carmeli-Pollak, 57, said, describing how a border wall between the West Bank and Israel, begun in 2002, restricted Palestinian travel into Israel. “And I started to go more and more and more and became an activist.”
Carmeli-Pollak became an activist alongside groups like Anarchists Against the Wall, a group advocating against the concrete security wall between Israel and the West Bank. His experiences informed the 2006 documentary, “Bilin, My Love,” about a Palestinian village set for demolition by the Israeli government.
No one particular moment or event inspired “The Sea,” Carmeli-Pollak said. Rather, the director said it was the West Bank residents’ longing for the sea — something Carmeli-Pollak said he frequently heard — as well as their desperate need for employment, that informed the film. ”it was a long period that I met people, and they spoke about this,” he said.
Since its release, “The Sea” has been ensnared in political crosshairs: It was produced with financial support from the Israel Film Fund, a public fund that was described as an institution “implicated in genocide and apartheid against the Palestinian people” by a growing boycott against the Israeli film industry signed by more than 1,200 prominent Hollywood stars.
On the other end of the political spectrum, Israeli Culture and Sports Minister Miki Zohar, a Likud Party member, has called for the defunding of the Israeli Academy of Film and Television, which runs the Ophir Awards. Zohar, who has only seen “the most important parts of the movie.” claims the film portrays the Israeli military in a negative light.
“It is probably the hottest Israeli film of the year,” Isaac Zablocki, the executive director of the Other Israel Film Festival and the JCC’s senior director of film programs, said of the festival’s sold-out screening of “The Sea.”
“Since all this noise with the boycott of Israeli films — and on the other side, the Israeli government declaring its lack of support for this film specifically, and Israeli cinema in general — it’s felt even more important for us to highlight this film as much as possible and really give it as much support,” Zablocki added. “I think this movie, right now, is exactly what Israel needs.”
The New York Jewish Week spoke with Carmeli-Pollak just days before the film’s North American premiere. Keep scrolling for our conversation.
This interview has been lightly condensed and edited for clarity.
Was the idea always to tell this story from a Palestinian perspective?
The idea from the very beginning was to tell the story from the point of view of a Palestinian child. That perspective allows us to strip away the almost automatic “political” baggage that comes with an adult’s point of view.
A child’s perspective is free from all that complexity. In that sense, for me the film is not necessarily just a Palestinian story, but rather a story about two societies living on opposite sides of the wall — the Palestinian and the Israeli.
We have an opportunity to see Israeli society through the eyes of this child, and perhaps to look again at things that are usually invisible or taken for granted.
How did you find the cast and crew?
The cast is a mix of professional actors and non-actors. Naturally, the boy, Muhammad Gazawi, was not a professional actor. I met him when I visited a Thai boxing club in a Palestinian city inside Israel called Qalansawe. I met there a group of tough young athletes, and he quickly struck me as a boy with remarkable acting abilities.
You said the rough cut of the film was already completed by Oct. 7, 2023. Can you tell me more about what the cross-cultural collaboration looked like at the time?
We shot the film in the summer of 2023. Apart from the fact that the producer is Palestinian, the crew was mixed — Palestinians and Israelis.
On set you could hear both Hebrew and Arabic blending together naturally. The crew made the same journey shown in the film — moving between Palestinian villages, where we received a warm welcome and generous hospitality, and cities inside Israel. Even before Oct. 7, it wasn’t common to see a joint production like this, and it was a special experience for everyone involved. For many of the Israeli crew members, it was their first time being hosted in a Palestinian village. After the war broke out, Baher and I were deeply worried and heartbroken — first and foremost for the people we care about, but also for the film.
We thought no one would want to watch such a small story when horrific events were happening all around. And indeed, at first we faced difficulties in distributing the film. But as time went by, it seems that openness to a story like this is slowly returning, and we hope the film will reach as wide an audience as possible.
What was that partnership like in the wake of Oct. 7?
I was in contact all the time with Baher, the producer. He’s Palestinian, and we were both horrified by what’s going on — by the 7th of October, and with the reaction in Gaza, which was terrible. We were really, really worried. But we also felt like maybe nobody would want to watch the film now. I spoke to the actors, like Khalifa Natour [who plays Ribhi, Khaled’s father], who were devastated with what’s going on. But our communication was just the same — as friends, as people that are in the same circle. It’s not that now, suddenly, I’m from one side, and he is from the other side. It felt like we’re still connected.
At the end of the film, when Khaled and Ribhi are being arrested by the police, there’s a shot where the Israelis at the café kind of pause for a moment; they look shocked or horrified, and then they go back to their coffee. What were you trying to say about Israeli society and their attitudes toward police or military violence against Palestinians?
I tried to make this film not just to speak about Israeli society, but about human beings, to make it more universal in a way. I was really, really inspired by “Bicycle Thieves,” the Italian film by Vittorio De Sica from the 1940s. It tells the story of a father and son, also. And I was so emotional by this film, 80 years after it was made. I felt that I wanted to make a film that people can watch years from now, and still get the story.
So the idea was about human beings and the way that people are behaving, of course, in political arrangements, because everything is politics. I don’t think people in other countries would behave differently in this kind of system that exists here.
People just live their lives. They sit in a café, they see this scene, and then, like the viewers in the cinema, they go back to their lives after they sit.
In a way, I think generally, what I was trying to say is that people are not evil. They’re not looking to hurt other people, but because the system is very, very corrupt and discriminative and injustice unjustified, this is what caused all the problems.
The Israeli Culture Ministry, led by Miki Zohar, wants to defund the Ophir Awards, which had granted you many awards for this film. Is there any update on that?
He did establish his own competition and to offer a lot of money for each prize. So he is using public money for his agenda, which is not surprising. This is the way this populist fascist government is working. And besides this, I don’t know anything new.
I would prefer to live in a place where the minister of culture supports films and supports the freedom of speech and doesn’t try to block it. But when the situation is like this, at least, he saved me from — now that the film goes out to the world — having to explain that I’m not representing this government.
What do you hope that New York viewers — especially Jewish viewers who may be unfamiliar with Palestinian life in the West Bank, or their interactions with Israelis — will get out of your film?
I don’t know if I’m telling something new to people, but maybe so. I guess liberals know there is discrimination against people that live under the occupation. But it’s not an article; it’s different when you read about it and when you experience it more in a more emotional way.
So maybe the idea is that the film can give you another aspect of this — to actually have some feelings about the story of this kid, and to maybe open these channels of understanding, and know that what’s going on here can’t go on like it used to be before. We can’t go back to the same point as before the war. There should be a deep change, and we need the support from the outside for this change. That’s for sure. There are a lot of forces inside Israel and forces in the United States that are against these kinds of changes.
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UK threatens sanctions after Israel opens bids for E1 settler homes
(JTA) — JERUSALEM – The United Kingdom threatened to sanction Israelis involved in West Bank settlement expansion after the Jewish state’s Lands Authority opened bids for 1,234 homes in the largely underdeveloped E1 section of the West Bank settlement of Ma’aleh Adumim.
Construction in E1 “would cut across the heart of Palestine and risks separating the West Bank from East Jerusalem, which would endanger the viability of a two-state solution,” the British Foreign Secretary Ed Miliband said in a special statement he posted on X on Thursday.
Targeted sanctions, Miliband wrote, would be part of a series of measures his government would take. His office also summoned Israel’s charge d’Affaires Thursday to demand a closure of the bidding process, which first opened on Tuesday, and a withdrawal of the construction project altogether.
“Britain will not stand back and accept the destruction of the two-state solution,” he wrote. Miliband has held his position for a month and is part of the new leadership Labour Prime Minister Andy Burnham appointed when he took office in July.
Israel’s Foreign Minister Gideon Sa’ar attacked Miliband on X, stating that Britain’s “decision to damage the relationship between our countries is deeply unfortunate.”
He said that the U.K. government’s “systematic policy of blaming only Israel while ignoring Palestinian extremism has already contributed to a massive wave of antisemitic hatred and attacks against the British Jewish community.”
The Jewish people have the same right to “live throughout the Land of Israel” just as the British people have a right to live anywhere in the U.K., Sa’ar wrote.
Plans to expand the built-up area of Ma’aleh Adumim settlement by constructing some 3,400 housing units on a largely underdeveloped hilltop within the city’s boundaries have been in place since 1994 when Yitzhak Rabin was prime minister.
Israel mostly froze those plans under pressure from the international community, including the U.S., with many countries warning that building homes in E1 would harm their diplomatic ties with Israel.
Prime Minister Benjamin Netanyahu began to advance the project in earnest in 2012 to protest the United Nations General Assembly decision to grant the Palestinians the status of a non-member state and has since pushed the project forward in spurts, particularly during election seasons.
The publication of the bidding process for the homes was first announced on Tuesday and is set to close on Oct. 19, one week shy of the Israeli elections on Oct. 27. Opening the bids is a move that plays well with Netanyahu’s right-wing voter base, which opposes Palestinian statehood and believes that settlements like Ma’aleh Adumim and the E1 area should be annexed into sovereign Israel.
But the move reverberated globally, with the U.K. signing onto a joint condemnation by France, Germany, Italy, the Netherlands, Norway, Belgium, Sweden, Australia, New Zealand and Canada, in which they warned that settlement building in E1 distanced peace and undermined the country’s international standing.
They also reminded businesses who might bid for E1 construction that they could face legal or reputational consequences, given that such companies could be in breach of international law.
Palestinian Authority Vice President Hussein Al-Sheikh said he welcomed the condemnation, explaining on X that such a position “reflects the importance of the international role in confronting settlement activity and safeguarding the two-state solution.”
This article originally appeared on JTA.org.
The post UK threatens sanctions after Israel opens bids for E1 settler homes appeared first on The Forward.
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Argentina removes federal judge over antisemitic remarks in historic first
(JTA) — An Argentine federal judge was removed from office Tuesday for a series of antisemitic posts on his social media accounts that constituted misconduct incompatible with his role, an impeachment panel ruled.
Alfredo Eugenio López, who headed Federal Court No. 4 in the coastal city of Mar del Plata, was removed by Argentina’s Jury of Impeachment, a special panel composed of judges, lawmakers and lawyers.
It is the first time in Argentina’s history that a judge has been removed over antisemitic remarks.
In López’s social media posts, the judge referred to the Jewish people as “a brood of vipers,” Israel as a “fictitious state” and Argentinian Jews as “foreigners.” He has also used such terms as “Zionist” and “gay” as insults.
According to the panel, the judge committed acts of “discrimination and the denial of equal rights against the Argentine Jewish community. For the purposes of these proceedings, it is particularly significant that, by acting in this manner, he shattered public confidence in his continued fitness to administer justice impartially.”The case reached the panel through Argentina’s Council of the Magistracy, based in Buenos Aires, the constitutional body responsible for the selection and discipline of federal judges.
The first complaint against López was filed in February 2025 by the Delegación de Asociaciones Israelitas Argentinas, which is the umbrella organization representing Argentina’s Jewish community. One month later, the Argentine Forum Against Antisemitism also filed a complaint. In July 2025, attorney Yamil Santoro from Apolo Foundation added another one.
In his defense, López argued that his messages were “ subjective and decontextualized interpretations of exchanges on social media, which in no way affect the administration of justice or his impartiality” as a judge. He added that his remarks were unrelated to any pending case and that he had never been recused or removed from any judicial case.
Neither Lopez nor his attorney were immediately available for further comment.
“He was removed because he simply would not stop engaging in hate speech,” jury member Alberto Maques said during a live interview Tuesday on the A24 news channel. “It is absolutely disgraceful for a federal judge to engage in this kind of conduct.”
Maques said there were 15 social media posts that he acknowledged, but more than 50 posts in which he said “outrageous things that are not worth repeating because they truly constituted hate speech.”
“This is not merely an issue of hate speech against the Jewish community. This is someone who lacks common sense,” he added, interviewed by A24 news channel.
Prosecutors in the impeachment proceedings argued that the messages were not isolated political comments but reflected a pattern of hostility toward Jews, Zionism, and the State of Israel.
“No position of authority can shield hatred. This is not a matter of punishing an opinion. It is about sanctioning repeated conduct involving antisemitism, hostility and dehumanization, conduct incompatible with the impartiality, dignity and public trust required of the judiciary,” DAIA said Tuesday in a statement.
“This case sets a precedent: for the first time in more than a century, DAIA initiated proceedings of this nature against a judge. No office is above democracy.”
This article originally appeared on JTA.org.
The post Argentina removes federal judge over antisemitic remarks in historic first appeared first on The Forward.
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California progressive Wahab defeats AIPAC-backed Hernandez in close race
(JTA) — California progressive Aisha Wahab defeated AIPAC-backed moderate Melissa Hernandez in a congressional runoff this week, capping off a contest that had become unexpectedly tight after the pro-Israel lobby entered the fray.
The Associated Press called the race between the Democrats — who were vying to replace a disgraced former Rep. Eric Swalwell — a full two days after polls closed, when Wahab secured 53.1% of votes to Hernandez’s 46.9%, with 95% of ballots tallied. The gap between them grew by four percentage points from Tuesday evening, when Wahab had held a narrow 51% lead to Hernandez’s 49%.
“We stayed focused on the people, and I will fight for this district that raised me,” Wahab said in a Thursday statement, noting her journey “from foster care to Congress” in her East Bay community.
Although Wahab ended up victorious, the narrow initial margin on Tuesday shocked California’s 14th District, given that she had secured a double-digit lead in preliminary races two months ago.
But in the past few weeks, an unforeseen variable appeared to influence the trajectories of the two campaigns: a massive spending push from the American Israel Public Affairs Committee aimed at turning the tides for Hernandez.
Since the beginning of August alone, AIPAC’s super PAC, the United Democracy Project, and other affiliated groups spent more than $2.5 million on both boosting Hernandez and denigrating Wahab with negative ads and mailers, according to Federal Election Commission filings.
“This was not a landslide for Wahab by any means,” local Democratic strategist Noah Finneburgh, who is not affiliated with either candidate, told the Jewish Telegraphic Agency.
“They narrowed the gap for sure,” Finneburgh added, referring to AIPAC. “They spent millions of dollars attacking Wahab very aggressively.”
These attacks, he explained, did not involve Israel and instead focused on divisive issues for the Bay Area, such as public safety and protecting kids.
“Negative advertising with a persuasive message can be very effective,” Finneburgh said.
In her Thursday night statement, Wahab declared that her “district cannot be bought,” describing the race as “one of the ugliest, most expensive elections we’ve ever seen.”
Prior to this influx of cash and related ads, neither AIPAC nor Israel had played a significant role in this short-lived race — which began in April following Swalwell’s resignation over allegations of sexual assault.
When the district held a special primary to seek Swalwell’s replacement on June 16, Wahab and Hernandez finished as the top-two candidates and moved on to this week’s special general runoff election.
California primaries are “nonpartisan” or “top-two” races, in which the two highest ranking candidates move on to the general election, irrespective of their parties. The top-two in this case were both Democrats, like Swalwell, in a district that the Cook Political Report deems solidly blue.
Even though Wahab will now finish the remainder of Swalwell’s term, she will have to compete with Hernandez again in the November general election for a full term that begins on January 3, 2027.
In a June 16 special primary that preceded this week’s runoff, there was still a massive gap between the two candidates, with Wahab accruing 42.8% of the votes, compared to Hernandez’s 16.8%. A separate primary for the November race, which occurred two weeks earlier, placed Wahab at 38.3% and Hernandez at 17.2%.
Wahab, who will be the first Afghan American in Congress, has focused on affordability, civil rights, education and climate change. Her campaign calls for an end to wars and “prolonged occupations” but only specifically calls out U.S. military activity in “Afghanistan, Iraq, Syria, Libya, Yemen, Pakistan, Somalia, and elsewhere.”
Though Wahab has been critical of Israel and its operations in Gaza, she has not been as vocal about the issue as many other progressive colleagues nationwide. She responded “yes” when asked if Israel was committing genocide in a primary debate, but she didn’t include Israel or Gaza in her campaign priorities.
During a recent appearance on far-right influencer Hasan Piker’s livestream, Wahab acknowledged that “it’s not a zero-sum game in the Middle East,” adding that “we can care for all people.” She also referenced a resolution she introduced last year in the California legislature, pushing for a ceasefire in Gaza but also condemning Hamas and demanding the release of the hostages.
“We talk about both Palestinians and the Israeli victims there,” Wahab told Piker. “We talk about holding the perpetrators accountable from both sides.”
Asked if she was in favor of “ending all U.S. aid to Israel,” she responded “yes,” while stressing that “humanitarian aid is important to me, too.”
Wahab has earned the backing of multiple labor unions, the California Democratic Party and Our Revolution, the group formed by Sen. Bernie Sanders to advance the progressive movement. The liberal pro-Israel group J Street also recently invested $108,000 in her campaign, according to the FEC. American Priorities, a pro-Palestinian PAC, also spent at least $200,000 on supporting her.
Hernandez has received endorsements from several police and fire unions, as well as Democratic Jewish Reps. Lois Frankel of Florida and Brad Schneider of Illinois.
Come November, Hernandez will gain one additional asset. Due to statewide redistricting, the 14th District will gain about 26,000 new voters from Dublin, where Hernandez previously served as mayor, the San Francisco Chronicle reported.
But Finneburgh said he believes that Hernandez has only a minimal chance of winning that race, especially because Wahab will be heading into that election as an incumbent.
He also suggested that if “she plays her card right,” Wahab could even take some endorsements away from Hernandez.
“There’s going to be people who are going to probably move over from the Hernandez camp and back her,” Finneburgh added. “It’s going to be hard to unseat her.”
This article originally appeared on JTA.org.
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