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A Golda Meir biopic starring Helen Mirren avoids politics. It premiered as Israel’s government faces widespread scrutiny.
(JTA) — When a film about a group of Israeli youths who visit former concentration camps in Poland premiered on Sunday at the Berlin Film Festival, its Israeli producer took the microphone after the screening to decry the state of his nation.
“The new far-right government that is in power is pushing fascist and racist laws,” said Yoav Roeh, a producer of “Ha’Mishlahat” (“Delegation”) on stage after the film’s premiere. He was referring to lawmakers in Israel’s government who have long histories of anti-Arab rhetoric and their new proposals to limit the power of the country’s Supreme Court, which critics at home and around the world deem a blow to Israel’s status as a democracy.
“Israel is committing suicide after 75 years of existence,” Roeh added.
The next day brought the premiere of “Golda,” a highly-anticipated Golda Meir biopic starring Oscar winner Helen Mirren about the former Israeli prime minister and her decisions during the 1973 Yom Kippur War. Hours earlier, Israel’s government took another step closer to passing its controversial judicial reforms, and when asked about the political situation, Mirren didn’t mince words.
“I think [Meir] would have been utterly horrified,” she told AFP. “It’s the rise of dictatorship and dictatorship was what has always been the enemy of people all over the world and she would recognize it as that.”
That was the heated backdrop for the debut of “Golda,” which will not hit U.S. theaters until August. But an onlooker wouldn’t know that from the film’s own introductory press conference with Mirren, director Guy Nattiv and other stars from the film. The headlines that have emerged from it have been dominated by the film’s place in the “Jewface” debate, about who should play Jewish characters on screen. Mirren is not Israeli or Jewish.
“Let’s say that we’re making a movie about Jesus Christ. Who’s going to play him?” Mirren’s co-star Lior Ashkenazi stepped in to answer in response to a journalist, eliciting laughter from the press corps.
The film is framed by Meir’s testimony to the Agranat Commission, which investigated the lead-up to the war. As the film shows through flashbacks, Meir appears to have not acted quickly enough on Mossad intelligence about a possible attack from Egyptian and Syrian forces. Israeli forces were surprised on the holiday and initially lost ground; both sides lost thousands of troops, and the war is seen as a major trauma in Israeli history — the moment when the state’s conception of its military superiority over its Arab neighbors was shattered. The film is claustrophobic, shot mostly indoors — in bunkers, hospital rooms and government offices — and offers an apt visual encapsulation of the loss the war would bring.
Mirren walks the red carpet at the Berlin Film Festival, Feb. 20, 2023. She spent time on a kibbutz in 1967. (Courtesy of Berlinale)
Though Meir has historically been lionized as a tough female hero in the United States and in Jewish communities around the world (even non-Jewish soldiers in Ukraine took inspiration from her in the early days of the Russian invasion last year), her legacy is more complicated in Israel and the Palestinian territories. In addition to being associated with the trauma of the war for many Jewish Israelis, she is remembered as an inveterate enemy by Palestinians.
In recent years, the representation of Meir has shifted more favorably in Israel, said Meron Medzini, Meir’s former press secretary and one of her biographers. He said that historians have begun to view her favorably in comparison to some of the political leaders who followed her.
“I consider the film [‘Golda’] part of this effort to rehabilitate her name,” he told the Jewish Telegraphic Agency. “I think she is now gaining her rightful place in the history.”
“Golda” fits into Medzini’s narrative by emphasizing the intractability and pride of her Cabinet ministers as the prime reasons for Israel’s surprise. It affirms Meir’s honor by portraying her as attempting to protect the ministers from criticism — all men — and to promote national unity.
At the press conference, Nattiv gave the briefest of nods to Meir’s complex legacy but like Medzini compared her to Israel’s current slate of leaders, who he reserved brief criticism for.
“Golda is not a super clean character in this movie,” said Nattiv, who is best known for directing “Skin,” a 2018 film about a neo-Nazi. “She had her faults. She made mistakes. And she took responsibility, which leaders are not doing today.”
Meir has long enjoyed a kind of star status in the United States. She was interviewed by Barbra Streisand in 1978, close to the Israeli leader’s death from cancer, for a TV special on Israel’s 30th anniversary.
“She clearly is the great-grandmother of the Jewish people [in the special] and Streisand is very reverential toward her,” Tony Shaw, a history professor at the University of Hertfordshire and the author of “Hollywood and Israel: A History,” said about the Streisand interview. “She just comes across as very humble, slightly out-of-date, out-of-time.”
“Of course, it’s very different from what we now know Golda Meir was really like,” he added, referring to her strong character and political pragmatism, which the film seeks to convey.
Since William Gibson’s critically-panned 1977 play also titled “Golda,” there have been a number of representations of Meir. Most famous among them is Ingrid Bergman’s final performance in “Golda Meir,” a four-hour-long television biopic from 1982. That production “was very much in keeping with Hollywood’s treatment of Israel in that period,” said Shaw, “which was very sympathetic towards Golda Meir, towards Israel and the troubles it was having in the first 30 years of its life.” More recently, Meir appears in Steven Spielberg’s more ambivalent 2005 film “Munich,” in which she helps to recruit the film’s protagonist to track down the figures behind the 1972 Munich Olympics attacks.
Golda Meir meets with Israeli Defense Minister Moshe Dayan and troops on the Golan Heights during the Yom Kippur War, Oct. 21, 1973. (Ron Frenkel/GPO/Getty Images)
Nattiv’s work, which has received mixed early reviews, focuses on the war as reflected in Meir’s character, forgoing engagement with broader politics or history.
“My inspiration was ‘Das Boot,’ in the way that she is in the trenches,” said Nattiv, referencing the revered World War II movie from 1981 set in a German U-boat. “She is very alone in the mayhem of war around these men.”
“This is the Vietnam of Israel,” he explained. “It is a very tough and hard look at the war and every soldier that died…Golda takes it to her heart.”
Despite the “Jewface” questioning, Nattiv compared Mirren to an “aunt” figure who, for him, had the “Jewish chops to portray Golda.” Mirren explained to the AFP that she has long felt a connection to Israel and to Meir, especially after a stay on a kibbutz in 1967, not long after the Six-Day War, with a Jewish boyfriend.
“She was at her happiest on the kibbutz actually,” Mirren said. “Their idealism, their dream of the perfect world. And I did experience that which was great.”
Sanders Isaac Bernstein contributed reporting from Berlin.
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RFK Jr.’s poems to Olivia Nuzzi are peak cringe — so were King Solomon’s
Imagine receiving a love poem that reads: “Your breasts are like two fawns, twins of a gazelle, browsing among the lilies,” going on to say that they are a “mount” that the author wishes to “betake” himself to.
That particular line is from the Song of Songs, the sexiest book in the bible. But it doesn’t sound all that different from the poetry that Robert F. Kennedy Jr. allegedly wrote to journalist Olivia Nuzzi during what she claims was a purely “digital” affair between the two of them.
“Yr open mouth awaiting my harvest,” the former presidential candidate and current Secretary of Health and Human Services texted Nuzzi according to Ryan Lizza, her ex-fiancé; he released the “poetry” in a series of tell-all Substack posts about the affair.
The nature metaphors go on, as he allegedly instructs Nuzzi to “drink” from him: “‘Don’t spill a drop,’” he exhorts Nuzzi. “I am a river. You are my canyon. I mean to flow through you.”
This thinly-veiled description of a blow job is going viral online, where people cannot stop making fun of RFK’s literary stylings. “This is why we need better education in the humanities,” joked one post.
But the quality of love poems — or sexts, or erotica — is often in the eye of the beholder. (Though there are a few timeless classics, like The Book of O.) From inside the relationship, already dizzied by lust or love, the sexual descriptions can read as head-spinningly romantic even if, from the outside, they’re painfully awkward to read.
Perhaps this is also why the Song of Songs is usually interpreted allegorically, as a description of God’s love for the people of Israel, in Judaism. Later, Christians interpreted the book as a paean to the love between Jesus and the church. If it means what it seems to mean — if the breasts the author is lusting after are literally breasts — it’s just too racy. And, perhaps more importantly, too cringe.
The book is traditionally believed to be by King Solomon, one of the most venerated kings of ancient Israel, known for his wisdom. (Not incidentally, he is also known for his hundreds of wives and concubines.) And, of course, it’s included in the Bible, a holy text. And yet it is full of both open discussion of breasts and beauty, as well as metaphors that are about as subtle as RFK Jr.’s.
“His fruit is sweet to my mouth,” goes one line in the Song of Songs. “He brought me to the banquet room and his banner of love was over me.” Interpret that how you will, but eating sweet fruit seems thematically similar to opening one’s mouth to receive the bounty of a harvest.
Erotic texts were, in the era the Song of Songs was likely written, often part of the religious ceremonies of other traditions, particularly in fertility cults in the area. Still, how do you justify a great wise king discussing his lover’s breasts and dreaming of how her “rounded thighs are like jewels” — especially a king that was supposedly a titan of monotheism? Well, Rashi — one of the most famous Jewish textual commentators — interprets the breasts in the line “My beloved to me is a bag of myrhh, lodged between my breasts” as referring to “the two staves of the Ark.” Which seems like a stretch.
Of course, no one is trying to interpret RFK Jr.’s alleged poetry to be about God; he is nowhere near as venerated as King Solomon, and some of the other lines are less metaphorical. Plus, hundreds of years haven’t passed to blur the meaning of his words. But even with the centuries of interpretations, Solomon’s meaning is as clear as a freshwater stream. Or a river.
The post RFK Jr.’s poems to Olivia Nuzzi are peak cringe — so were King Solomon’s appeared first on The Forward.
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Bank of Israel Cuts Rates for First Time Since January 2024 as Inflation Eases After Gaza Truce
The Bank of Israel building is seen in Jerusalem, June 16, 2020. Photo: REUTERS/Ronen Zvulun
The Bank of Israel cut interest rates by a quarter-point on Monday, its first reduction in nearly two years, citing a moderation in inflation following the ceasefire in Gaza while expressing caution over the prospect of future cuts.
The cut in the benchmark rate to 4.25% from 4.5%, widely expected by analysts and financial markets, came after other global central banks had already begun to ease monetary policy and last month’s US-brokered truce between Israel and Palestinian terrorist group Hamas took hold.
“The Monetary Committee’s policy is focusing on price stability, support for economic activity, and stability of the markets,” the central bank said in a statement.
“The interest rate path will be determined in accordance with the development of inflation, economic activity, geopolitical uncertainty, and fiscal developments,” it said.
The committee lowered the key rate by a quarter-point in January 2024 at the outset of the Gaza war but has taken a conservative stance since then, opting for caution during the two-year conflict while price pressures rose, largely due to supply constraints.
But Israel‘s inflation rate has eased, and held steady at 2.5% in October to stay within an official 1-3% annual target range.
The central bank acknowledged inflation has moderated in the past two months but that “forecasters project that there will be some increase in inflation at the end of the year, and that it will then decline and stabilize around the midpoint of the target range.”
It added that the labor market remains tight and wage pressures continue to rise while home prices are declining.
At the same time, the Bank of Israel pointed to a sharp rebound in economic activity in the third quarter, gaining an annualized 12.4%, but that “its level remains lower than its long-term trend.”
Since the prior rates decision in late September, the shekel also has appreciated versus the dollar, euro and other trading partners.
“The data from recent months have … created a clear need for a cut,” said Ron Tomer, president of the Manufacturers’ Association.
“The Bank of Israel’s decision to lower the interest rate is a responsible step that helps curb the appreciation and restore competitiveness to the economy,” said Tomer, who called on the bank to cut again before its next meeting in early January.
The Oct. 10 ceasefire in the two-year Gaza war has eased the conflict and, although looking increasingly fragile, has for now reduced geopolitical risk and eased price pressures.
“Today’s interest rate cut joins a series of steps and clear signs — Israel is on the path to tremendous economic growth,” said finance minister Bezalel Smotrich.
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Saudi Arabia to Open More Alcohol Stores as Curbs Ease, Sources Say
An employee pours a draft non-alcoholic beer at the A12 cafe in Riyadh, Saudi Arabia, Nov. 24, 2025. Photo: REUTERS/Staff
Saudi Arabia plans to open two new alcohol stores, including one serving non-Muslim, foreign staff at state oil giant Aramco, as the kingdom further eases restrictions, according to people briefed on the plans.
The launch of outlets in the eastern province of Dhahran and one for diplomats in the port city of Jeddah would be a further milestone in efforts, led by de facto ruler Crown Prince Mohammed bin Salman, to open up the country.
The kingdom, which is the birthplace of Islam, last year opened an alcohol store serving non-Muslim diplomats in the capital Riyadh – the first such outlet since a ban was brought in 73 years ago.
STORE PLANNED IN ARAMCO COMPOUND, SAYS SOURCE
The new store in Dhahran will be set up in a compound owned by Aramco, one of the three people who talked to Reuters said.
That store would be open for non-Muslims working for Aramco, added the source, who said Saudi authorities had informed them of the plan.
Two of the sources said a third liquor store was also in the works for non-Muslim diplomats in the city of Jeddah, where many foreign countries have consuls.
Both stores were expected to open in 2026, but no timelines had been released, two of the sources said.
The government media office did not immediately reply to questions over the plans for the stores in both locations, which were previously unreported. Aramco declined to comment.
There was no officially announced change made to regulations after the opening of the Riyadh store in a nondescript building in the diplomatic quarter known to some diplomats as the “booze bunker.”
The Riyadh store’s customer base was recently expanded to include non-Muslim Saudi Premium Residency holders, two of the sources said. Premium residencies have been awarded to entrepreneurs, major investors and those with special talents.
Before the Riyadh store, alcohol was largely only available through diplomatic mail, the black market or home brewing.
In other Gulf countries, apart from Kuwait, alcohol is available with some restrictions.
REFORMS COVER EVENTS, WOMEN’S DRIVING
While alcoholic drinks are still off limits for the vast majority of the population, under bin Salman’s reforms both Saudis and foreigners can now take part in once unthinkable activities from dancing at desert raves to going to the cinema.
Other reforms have included allowing women to drive in 2017, easing rules on the segregation of men and women in public spaces, and significantly reducing the power of the religious police.
The kingdom has been easing restrictions to lure tourists and international businesses as part of an ambitious plan to diversify its economy and make itself less dependent on oil.
In May a media report, picked up by some international media after appearing on a wine blog, said Saudi authorities had planned to allow alcohol sales in tourist settings as the country prepares to host the 2034 soccer World Cup.
The report, which was denied at the time by a Saudi official, did not give a source for the information.
That report had sparked a vigorous online debate in the kingdom, whose king also holds the title of Custodian of the Two Holy Mosques – Islam’s most revered places in Mecca and Medina.
Social liberalization has proceeded at a breakneck pace but the leadership has taken a more gradual and cautious approach on the question of alcohol.
Saudi Arabia has been aggressively expanding its local tourism portfolio with the giant Red Sea Global development, which includes plans to open 17 new hotels by next May.
These ultra-luxury resorts remain dry.
Asked by Reuters this month if there were any plans to ease restrictions on alcohol to help attract foreign visitors, Saudi Tourism Minister Ahmed Al-Khateeb said: “We do understand that some of the international travelers want to enjoy alcohol when they visit the Saudi destinations but nothing has changed yet.”
Pressed on whether “yet” meant that could soon change, he said: “I will leave it to you on how to elaborate on it.”