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A Golda Meir biopic starring Helen Mirren avoids politics. It premiered as Israel’s government faces widespread scrutiny.

(JTA) — When a film about a group of Israeli youths who visit former concentration camps in Poland premiered on Sunday at the Berlin Film Festival, its Israeli producer took the microphone after the screening to decry the state of his nation. 

“The new far-right government that is in power is pushing fascist and racist laws,” said Yoav Roeh, a producer of “Ha’Mishlahat” (“Delegation”) on stage after the film’s premiere. He was referring to lawmakers in Israel’s government who have long histories of anti-Arab rhetoric and their new proposals to limit the power of the country’s Supreme Court, which critics at home and around the world deem a blow to Israel’s status as a democracy.

“Israel is committing suicide after 75 years of existence,” Roeh added.

The next day brought the premiere of “Golda,” a highly-anticipated Golda Meir biopic starring Oscar winner Helen Mirren about the former Israeli prime minister and her decisions during the 1973 Yom Kippur War. Hours earlier, Israel’s government took another step closer to passing its controversial judicial reforms, and when asked about the political situation, Mirren didn’t mince words.

“I think [Meir] would have been utterly horrified,” she told AFP. “It’s the rise of dictatorship and dictatorship was what has always been the enemy of people all over the world and she would recognize it as that.”

That was the heated backdrop for the debut of “Golda,” which will not hit U.S. theaters until August. But an onlooker wouldn’t know that from the film’s own introductory press conference with Mirren, director Guy Nattiv and other stars from the film. The headlines that have emerged from it have been dominated by the film’s place in the “Jewface” debate, about who should play Jewish characters on screen. Mirren is not Israeli or Jewish.

“Let’s say that we’re making a movie about Jesus Christ. Who’s going to play him?” Mirren’s co-star Lior Ashkenazi stepped in to answer in response to a journalist, eliciting laughter from the press corps.

The film is framed by Meir’s testimony to the Agranat Commission, which investigated the lead-up to the war. As the film shows through flashbacks, Meir appears to have not acted quickly enough on Mossad intelligence about a possible attack from Egyptian and Syrian forces. Israeli forces were surprised on the holiday and initially lost ground; both sides lost thousands of troops, and the war is seen as a major trauma in Israeli history — the moment when the state’s conception of its military superiority over its Arab neighbors was shattered. The film is claustrophobic, shot mostly indoors — in bunkers, hospital rooms and government offices — and offers an apt visual encapsulation of the loss the war would bring.

Mirren walks the red carpet at the Berlin Film Festival, Feb. 20, 2023. She spent time on a kibbutz in 1967. (Courtesy of Berlinale)

Though Meir has historically been lionized as a tough female hero in the United States and in Jewish communities around the world (even non-Jewish soldiers in Ukraine took inspiration from her in the early days of the Russian invasion last year), her legacy is more complicated in Israel and the Palestinian territories. In addition to being associated with the trauma of the war for many Jewish Israelis, she is remembered as an inveterate enemy by Palestinians.

In recent years, the representation of Meir has shifted more favorably in Israel, said Meron Medzini, Meir’s former press secretary and one of her biographers. He said that historians have begun to view her favorably in comparison to some of the political leaders who followed her.

“I consider the film [‘Golda’] part of this effort to rehabilitate her name,” he told the Jewish Telegraphic Agency. “I think she is now gaining her rightful place in the history.”

“Golda” fits into Medzini’s narrative by emphasizing the intractability and pride of her Cabinet ministers as the prime reasons for Israel’s surprise. It affirms Meir’s honor by portraying her as attempting to protect the ministers from criticism — all men — and to promote national unity. 

At the press conference, Nattiv gave the briefest of nods to Meir’s complex legacy but like Medzini compared her to Israel’s current slate of leaders, who he reserved brief criticism for.

“Golda is not a super clean character in this movie,” said Nattiv, who is best known for directing “Skin,” a 2018 film about a neo-Nazi. “She had her faults. She made mistakes. And she took responsibility, which leaders are not doing today.”  

Meir has long enjoyed a kind of star status in the United States. She was interviewed by Barbra Streisand in 1978, close to the Israeli leader’s death from cancer, for a TV special on Israel’s 30th anniversary.

“She clearly is the great-grandmother of the Jewish people [in the special] and Streisand is very reverential toward her,” Tony Shaw, a history professor at the University of Hertfordshire and the author of “Hollywood and Israel: A History,” said about the Streisand interview. “She just comes across as very humble, slightly out-of-date, out-of-time.”

“Of course, it’s very different from what we now know Golda Meir was really like,” he added, referring to her strong character and political pragmatism, which the film seeks to convey.

Since William Gibson’s critically-panned 1977 play also titled “Golda,” there have been a number of representations of Meir. Most famous among them is Ingrid Bergman’s final performance in “Golda Meir,” a four-hour-long television biopic from 1982. That production “was very much in keeping with Hollywood’s treatment of Israel in that period,” said Shaw, “which was very sympathetic towards Golda Meir, towards Israel and the troubles it was having in the first 30 years of its life.” More recently, Meir appears in Steven Spielberg’s more ambivalent 2005 film “Munich,” in which she helps to recruit the film’s protagonist to track down the figures behind the 1972 Munich Olympics attacks. 

Golda Meir meets with Israeli Defense Minister Moshe Dayan and troops on the Golan Heights during the Yom Kippur War, Oct. 21, 1973. (Ron Frenkel/GPO/Getty Images)

Nattiv’s work, which has received mixed early reviews, focuses on the war as reflected in Meir’s character, forgoing engagement with broader politics or history.

“My inspiration was ‘Das Boot,’ in the way that she is in the trenches,” said Nattiv, referencing the revered World War II movie from 1981 set in a German U-boat. “She is very alone in the mayhem of war around these men.” 

“This is the Vietnam of Israel,” he explained. “It is a very tough and hard look at the war and every soldier that died…Golda takes it to her heart.” 

Despite the “Jewface” questioning, Nattiv compared Mirren to an “aunt” figure who, for him, had the “Jewish chops to portray Golda.” Mirren explained to the AFP that she has long felt a connection to Israel and to Meir, especially after a stay on a kibbutz in 1967, not long after the Six-Day War, with a Jewish boyfriend. 

“She was at her happiest on the kibbutz actually,” Mirren said. “Their idealism, their dream of the perfect world. And I did experience that which was great.”

Sanders Isaac Bernstein contributed reporting from Berlin.


The post A Golda Meir biopic starring Helen Mirren avoids politics. It premiered as Israel’s government faces widespread scrutiny. appeared first on Jewish Telegraphic Agency.

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At Grossinger’s in the Catskills, Jews learned how to be American

Jewish resort culture in the Borscht Belt peaked in the mid-1950s when there were 538 hotels, 50,000 bungalows, and 1,000 boarding houses. Among the best known was Grossinger’s where Jewish singles mingled with the likes of Lucille Ball, Milton Berle and Elizabeth Taylor over the course of the resort’s more than seven-decade existence.

We Met at Grossinger’s, a documentary directed by Paula Eiselt (Under G-d, 93 Queen), explains how Grossinger’s became so successful despite the fact that its founder had only a sixth grade education. In 1900, at the age of 8, Jennie Grossinger immigrated with her family from Galicia, Austria to New York. She dropped out of school and began working as a buttonhole maker to help support her family, until her father became sick and they moved to the Catskills. Her father hoped to start a farm, but the family found the rocky land was better suited for a boarding house than crops. Jennie managed the inn while her mother oversaw the kitchen, and she eventually made enough money to purchase a larger building down the road.

The documentary features a range of interviewees, including Grossinger’s descendants, historians, and celebrities, such as Jackie Hoffman and Joel Grey, who frequented the resort. With its snappy editing and in-depth approach to the history of the culture, the film brings the past back to life and captures how the resort became ingrained in people’s personal lives.

Grossinger’s grandson Mitchell Etess estimates that thousands of couples met there. Hoffman says it’s where she had her first makeout session with a boy. Former employees say Grossinger’s elite guests motivated them to pursue better education and careers. Multiple interviewees say the resort was a home away from home.

Archival footage of people dancing, swimming, dining, and being entertained takes viewers back to the glitz and glamor of the Catskills in its heyday. Although Jewish resorts were founded in response to antisemitic exclusion at other places, the joy Jews were able to create for themselves diminishes the darkness of this bigotry.

The resorts gave Jews a place to escape antisemitism and be among people with a shared culture. For Holocaust survivors it provided the opportunity to connect with others who could understand their trauma. Jewish athletes like boxer Barney Ross (born David Rosofsky) relied on Grossinger’s as a place where they could train and get kosher food. Jews also got a crash course on assimilation, learning how to engage in American social activities like golfing and playing tennis without fear of judgment.

It wasn’t just Jews that fled to the Catskills. Bard College professor Myra Armstead’s grandparents moved there during the Great Migration and opened the Gratney M. Smith, a boarding house for Black workers and vacationers. Jackie Robinson was an invited guest at Grossinger’s and became friends with Jennie. The Jewish Vacation Guide, which pointed Jews to safe housing and dining in the area and around the country, inspired the Green Book, which provided the same functions for Black people.

But in the 1970s, when it became easier for Jews to vacation with non-Jews, the resorts became less of a necessity. Buildings in the city now had air conditioning, so people didn’t have to escape to the mountains for cooler weather. Teenagers and young adults began to prefer to spend their vacations with friends or doing activities that didn’t involve being attached at the hip to their parents or grandparents.

In 1987, a year after Grossinger’s closed, the lost culture it had once embodied was given renewed attention in Dirty Dancing. Although the film avoided explicit mentions of Judaism, the fictional Kellerman’s was based on Grossinger’s and the script was written by resort regular Eleanor Bergstein.

Now, younger generations are starting to take an interest in the Borscht Belt culture. The Marvelous Mrs. Maisel has exposed new audiences to this old form of Jewish vacation culture. Photographers Marisa Scheinfeld and Isaac Jeffreys have created photography collections of abandoned Catskill resorts. The Borscht Belt Museum teaches visitors about this bygone period.

But unlike fictional media and photos of the past, We Met at Grossinger’s offers firsthand accounts of life in the Catskills from those who lived it, adding a personal dimension to this new wave of Jewish nostalgia.

We Met at Grossinger’s will have its world premiere at DOC NYC on November 13, with subsequent screenings on November 16 and 19.

The post At Grossinger’s in the Catskills, Jews learned how to be American appeared first on The Forward.

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Why won’t pro-Palestinian protesters turn their attention to Darfur?

Here’s a stark fact: More people may have been killed in Sudan in just the past week than in Gaza in the past two years.

“They’re killing everyone that moves,” said Nathaniel Raymond, executive director at Yale’s Humanitarian Research Lab, in a recent interview with Mehdi Hasan. Raymond’s lab has tracked the carnage via satellite imagery, witnessing the slaughter of innocent civilians in real time.

And the main source for the weapons destroying the Black, non-Arab population in Darfur is the United Arab Emirates, one of the United States’ closest allies in the Middle East.

So where are the American protesters?

A major reason American protesters have relentlessly focused their time and energy on Israel, they say, is that the U.S. is Israel’s most significant ally, as well as an arms supplier to the IDF. There are real actions the U.S. could take to sway the course of events in Israel, so protesters aim to influence the U.S. government to do so.

But the U.S. has ties to conflicts all over the world, especially in Sudan, where a major American ally is helping supply the weapons of slaughter. The idea that its ability to pressure Israel is unique, and therefore worthy of unique focus, is misguided.

“Only American pressure can stop the killing in Sudan,” wrote Alex De Waal, executive director of the World Peace Foundation, in Foreign Affairs. So why aren’t American activists, well, active?

A genocide to rival Rwanda

The UAE has $29 billion in active defense contracts with the U.S. It is also host to — and protected by — the 380th Air Expeditionary Wing and Jebel Ali Port, the U.S. Navy’s largest port of call in the Middle East.

And while UAE officials have denied that they are arming the Arab militia, known as the Rapid Support Forces, responsible for the genocide, diplomats, humanitarian groups and journalists have confirmed the link. Three of the same organizations that pro-Palestinian activists regularly cite in their brief against Israel — the United Nations, Human Rights Watch and Amnesty International — have established the UAE’s complicity.

Every crime American protesters accuse Israel of — killing civilians among military targets, rape, starvation as a weapon, destroying hospitals and killing patients in their beds — is happening now, at a far greater scale, in Darfur.

“Rebels hurl racial insults at fleeing women and children,” the Wall Street Journal reported. “Black women with long hair are systematically separated and raped.”

Humanitarian groups say the ongoing slaughter is likely to rival that of Rwanda genocide, and of the genocide that took place in the same Darfur region 30 years ago. That atrocity, led by a predecessor to the RSF, claimed 200,000 lives.

Why would the UAE supply weapons to be used in such a context? Perhaps because it uses Sudan’s mines to supply gold and other resources, and wants to stay on the good side of a group primed to exercise control over ongoing access.

“The war would be over if not for the UAE,” Cameron Hudson, a former chief of staff to successive U.S. presidential special envoys for Sudan, told the Wall Street Journal. “The only thing that is keeping them in this war is the overwhelming amount of military support that they’re receiving from the UAE.”

In the U.S., silence

So where are the protesters shouting at their representatives in town halls to suspend the recent $2 trillion investment agreement between the U.S. and UAE? Pushing sanctions against the UAE? Or demanding New York University shutter its Abu Dhabi campus?

Where are the movie stars and director refusing to engage with the UAE, which according to Variety is the “prime Middle East hub” for Hollywood production? Javier Bardem, who recently said he will no longer work with the Israeli film industry, filmed part of his last movie, F1, in Abu Dhabi last year. What if he said no more?

Imagine the impact if, instead of unveiling her new fragrance, Orebella, at a splashed-out event last week in Abu Dhabi, supermodel Bella Hadid announced that just as she calls relentlessly for the world to boycott Israel, she will no longer visit the Emirates until it ends funding for the genocide in Darfur?

This is not an argument for whataboutism, and none of this is to deflect attention from the injustices and suffering happening in the West Bank and Gaza. Everyone has a right to choose their battles. I don’t ask the Save the Whales people, “But what about the rainforest?”

But if someone is actively bombing the rainforest, today, as you read this — and your country is in bed with the bomb suppliers — then claiming to care about the planet and doing nothing is inexcusable.

“This is not only a crisis of violence but also a crisis of indifference,” wrote Reena Ghelani, CEO of Plan International in Al Jazeera. “Each day the world looks away.”

And the go-to excuse, that Americans lack leverage and influence over the slaughter, is utter BS.

The post Why won’t pro-Palestinian protesters turn their attention to Darfur? appeared first on The Forward.

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Toronto’s Mayor Encourages Antisemitic and Anti-Israel Harassment — as She Struggles to Govern the City

Toronto Mayor Olivia Chow speaks to reporters in Toronto, March 8, 2025. Photo: Christopher Katsarov/The Canadian Press via ZUMA Press via Reuters Connect

A ceasefire is holding in Gaza. In places like Ypsilanti, Michigan, and Bridgeport, Connecticut, where the mayor’s tenure was interrupted by a seven-year prison stint, local governments will have to drop their calls to end the war and get back to the boring business of running their cities.

Beleaguered Jewish residents across North America, who have gritted their teeth through an unprecedented spike in antisemitic attacks, are surely breathing a sigh of relief.

Earlier this month, however, Toronto Mayor Olivia Chow decided to dust off the Israel punching bag for one last go.

Speaking at a fundraiser for The National Council of Canadian Muslims in Brampton — Canada 7th largest city — Chow claimed, “the genocide in Gaza impact [sic] us all.”

Encouraged by the audience’s applause, she then got personal: Chow told the audience that when her mother was 13, Chow’s grandmother died of dysentery as a result of Imperial Japan’s invasion of China during World War II, leaving Chow’s mother alone to care for her siblings.

Reasonable people can disagree about the proportionality of Israel’s response to the barbarity of Hamas and fellow terror groups’ attack on October 7, 2023. But to compare it to a war whose explicit goal was conquest — and which resulted in an estimated 20 million Chinese deaths — is more of an apples to elephants comparison than apples to oranges.

More troubling was Mayor Chow’s glib use of the phrase “genocide.”

sculptor by training — who spent her professional career in mostly local politics, with a stint as a member of parliament for Canada’s perennial also-ran socialist party — Chow is not well qualified to be making legal conclusions.

The timing was particularly ham-fisted, given the fact that only days earlier, reports had surfaced of a massacre in Sudan, one in which the blood of more than 2,000 unarmed civilians ran so deep that it could be seen in satellite images.

In Israel, the country’s roughly 6,600 Sudanese refugees see little daylight between the murderers of Darfur and Hamas.

But for devout leftists, when an Arab-supremacist Muslim paramilitary murders African Muslims, the Intersectional Bingo scorecard gets to be a confusing place.

Nevertheless, if one is looking to lob the “genocide” grenade or to find modern comparisons to the Rape of Nanjing, Sudan would be the most intellectually honest place to start. One suspects the applause from the Brampton crowd would have been somewhat thin if Chow had gone there.

Ultimately, Chow was hoping to score political points to salvage a re-election campaign that seemed assured months ago and is suddenly sagging.

Her predecessor, John Tory, beat her soundly in 2014, but after winning 62% of the vote and a third term in 2022, he abruptly resigned less than four months later after it emerged that he had a consensual extramarital affair with a staffer.

Chow won a snap election in which she was the sole candidate on the left, and was buoyed by the support of an outfit called Progress Toronto. With an election scheduled for next October, she suddenly finds herself governing a city that has woken up to its many problems, including public safety, a crumbling public transit system, and a lack of affordable housing.

More alarming for the mayor, Torontonians seem to have reached the audacious conclusion that the problems might have something to do with her leadership.

With talk of a Tory comeback, and centrist Councillor Brad Bradford openly campaigning, the road suddenly looks a lot bumpier for Chow.

It would appear that Toronto’s Jewish community has also had enough. After two years of harassment, intimidation, vandalism, and arson, Toronto’s Jewish community might have naively believed the Gaza ceasefire would bring it peace.

At my own synagogue, which is one of the city’s oldest and has been in operation since 1914, High Holiday services are usually held in the main synagogue building, with overflow at the nearby Jewish Community Centre. This year, there was no service in the main building, presumably to focus the large security presence at a single location.

In addition to being warned of “heightened security,” congregants were told that there would be no Yom Kippur food drive to support a local charity this year, and that they should instead donate cash. Think about that for a moment: when Toronto Jews want to commemorate their holiest day of the year by donating non-perishable goods to a non-Jewish charity, they now have to consider the possibility of being blown up in a terror attack.

The week after Chow made her comments was a busy one for the city’s antisemites and Israel haters. On Tuesday, a Toronto synagogue was vandalized for the 10th time in 18 months.

The following day, a group at Toronto Metropolitan University called Students Supporting Israel held an event at which speakers from the IDF came to share their stories. The organizers had been refused a permit on campus, so they held the event off-campus and took steps to keep the location secret.

Nevertheless, they were hunted down by protestors organized by Students for Justice in Palestine, some of whom stormed the building, broke a glass door, and caused minor injuries to one of the IDF vets.

Five arrests were made, and the university offered a milquetoast statement. Given the light touch approach Canadian authorities tend to apply in such cases, it seems unlikely the perpetrators will face any consequences.

Welcome to Canada in 2025.

Advocacy group B’nai Brith has circulated a petition to the city’s integrity commissioner alleging that the mayor’s comments violated the city’s code of conduct for members of council. It remains to be seen whether that allegation will hold up. But hopefully the message will be received regardless: while Toronto has no foreign policy, it does have many serious problems, including rampant intimidation of the Jewish community. If the current mayor isn’t up to fixing these problems, voters should find someone else who will.

Ian Cooper is a Toronto-based lawyer.

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