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A graphic novel of the Purim story, from a Batman comics editor
(JTA) — In 1996, Jordan Gorfinkel launched two series of comics that get at the two sides to his personality and career.
One was “Birds of Prey” — which has since been the basis for several television and film adaptations — that he created while overseeing the Batman franchise as an editor at DC Comics. (Another claim to fame during his tenure from 1991-99 was the creation of “Batman: No Man’s Land,” which served as inspiration for the 2012 Christopher Nolan blockbuster “Dark Knight Rises.”)
The other that he launched 1996 was “Jewish Cartoon,” an ongoing series of comics that poke fun and celebrate aspects of Jewish life and religious observance. To date, he has followed a cast of characters in this series for over 1,000 cartoons.
Gorfinkel’s newest project combines those two passions into a graphic novel version of the Purim story, usually read in what’s called a Megillah scroll. Gorfinkel said “The Koren Tanakh Graphic Novel Esther,” which is illustrated by Yael Nathan, is a “Batman-style” adaptation.
It’s not his first collaboration with the Jewish publisher — three years ago, he published a graphic novel haggadah with the Israeli artist Erez Zadok.
He and Nathan spoke to the Jewish Telegraphic Agency about their latest creation and what’s next in the Jewish graphic novel world.
JTA: What does the book provide beyond the normal Megillah story text?
Gorfinkel: The Koren Esther graphic novel is 100% kosher to bring to your Megillah reading because alongside the sequential art pages is the full, unabridged Hebrew text. The mitzvah is to listen to the Megillah in Hebrew and the tradition is to read it in the language you understand. That’s why this book presents the English translation in the captions and word balloons embedded in the fabulous art by Israeli illustrator Yael Nathan in a stunning package designed by Tzipora Ginzberg.
Why a graphic novel?
Nathan: From a visual perspective, this story has everything. Emotions, action, intrigue, great characters, battles and redemption. It really allowed me to flex my storytelling muscles and try to convey complex scenes and ideas in a limited space.
Gorfinkel: Esther/Hadassah is the O.G. Wonder Woman! Ripped away from her family, her land and her people to serve in a foreign court, keeping a secret identity until the moment comes to step up and be a savior. Megillat Esther is tailor-made for a graphic novel.
Is this book just for kids? Who do you want to reach?
Gorfinkel: I want to reach everyone. With Esther and the Passover haggadah graphic novel that preceded it, readers can return to the material at every age and gain new and deeper insights out of the experience. Think of it like a good “Simpsons” episode, or Pixar movie: kids enjoy the surface meaning while teens and adults experience the same material at deeper levels. The Jewish graphic novels that I produce are child-friendly but decidedly not childish. This is because I acknowledge that Western readers presume that if a book has pictures, it has to be for kids. I’m going to need a few more books to educate the masses otherwise!
Nathan: I think this book is for everyone. The style of the characters is purposefully endearing and humorous, to help people connect to them — but what is conveyed in each panel goes much deeper than cute characters. There is a wealth of knowledge and interpretations that are not in the plain text and are portrayed visually so the reader can take them in without reading a whole page of explanations. Both those who know the meaning behind the text would find interesting references, and those who don’t will learn something new.
Jordan Gorfinkel edited the DC Batman franchise from 1991-99. (Courtesy of Gorfinkel)
What comics did you grow up with? And what do comics mean to you?
Nathan: My father was born and raised in the Philippines, the son of Jewish immigrants who fled from Germany before the second World War. So my influences are from all over the world. I grew up looking at European comics, Israeli cartoons, American golden-age comics that my father brought over from the Philippines and Japanese manga. Comics mean the freedom to tell stories from my own viewpoint with no constraints. Unlike movies — where the efforts required to film a person in a room is much less involved than filming a full space scene with aliens and battleships — in comics, the work involved is all the same. It’s just drawing. No big budgets or additional resources needed. Just imagination and storytelling skill.
Gorfinkel: I never grew up. I’m a Jewish Peter Pan (Pinchas Pan?). In my youth, however, I devoured Batman comics, of course. The basic morality tales of extroverted “good guys” vanquishing evil and consistently delivering justice for all complemented the grade school Torah education I was receiving in Jewish day schools of a variety of different denominations. We moved around a lot, and these superheroes were my comfortable and consistent companions. As I got older, I began to lean into Marvel Comics, whose anti-heroes fought internal struggles between their “yetzer hatov” (good inclination) and “yetzer harah” (evil inclination). Teenaged Gorf appreciated how these nuanced characterizations reflected the deeper layers of Torah I was learning in high school and my gap year in an Israel yeshiva. At the same time, I was, and am, a huge fan of newspaper-style four panel comic strips, quite possibly introduced to me by my zayde [grandfather], who always clipped the Sunday funnies for me. My mother continues the tradition to this day. When I was first starting my own newspaper strip, I reached out for advice and “chizuk” to my favorite artists. I received handwritten replies from nearly everyone, from Charles “Peanuts” Schulz to G.B. “Doonesbury” Trudeau. To this day, I treasure Canadian cartoonist Lynn “For Better or For Worse” Johnston as a mentor and friend.
You have done a Passover graphic novel and now a Purim graphic novel. What’s next?
Gorfinkel: Esther is intended as the lead-off for a Koren graphic novel series surveying the entire Bible. We’re just getting underway… I am also conceptualizing a nonprofit Jewish graphic novel initiative as an umbrella organization, to provide further support for the Koren work and moreover, to train and provide support for the next generation of Jewish visual storytellers who reach out to me because they want to do what I do. Jewish people created the superhero medium. Now, I am bringing the medium full circle so that superheroes and graphic novels can benefit the Jewish people. At the same time, I am traveling North America and the world as a scholar in residence and Jewish Cartoon workshop instructor, spreading my core message: Make Judaism your superpower!
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The post A graphic novel of the Purim story, from a Batman comics editor appeared first on Jewish Telegraphic Agency.
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Britain to Legislate to Tackle Threats From Hostile State Proxies After Wave of Antisemitic Attacks
Orthodox Jews stand by a police cordon, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay
Britain will legislate to strengthen its ability to deal with proxies for malign state actors, taking powers to make it possible to ban them in light of increased activity in Britain and a rise in antisemitic attacks.
Prime Minister Keir Starmer has said the government has to “deal with malign state actors” in the wake of a series of attacks on Britain‘s Jewish community.
In a speech outlining the government’s agenda, King Charles said it would “introduce legislation to tackle the growing threat from foreign state entities and their proxies,” and would also take urgent action to tackle antisemitism.
POSSIBLE BAN ON THE IRGC?
Several British lawmakers have called for the proscription of Iran’s Islamic Revolutionary Guard Corps (IRGC).
The IRGC is an elite military force whose purpose is to protect Shi’ite Muslim clerical rule in Iran. It controls large parts of Iran’s economy.
While Starmer has not publicly named the IRGC as being the target of the legislation, in an introduction to the King’s Speech, he said that Britain would tackle extremism “including where it is sponsored by foreign powers that are hostile to the UK, such as Iran.”
The move comes after a spate of arson attacks on sites in London linked to the Jewish community and the targeting of Iranian dissidents, with police saying they were examining possible Iran links.
Britain‘s security chiefs have for years warned about threats from “hostile“ states such as Iran, Russia, and China, with a number of convictions of people who had been accused of carrying out spying or other offences on their behalf.
The new law would allow the government to specify state-backed organizations that threaten national security through espionage, sabotage, interference, or other means. A review last year found that Britain‘s existing framework had a legal difficulty in proscribing state entities.
There will be new offenses created for belonging to such organizations or raising support for them, and the government said that collectively the measures would create a “tougher operating environment for foreign intelligence services and their proxies.”
The king’s speech also promised a new National Security Bill which would address those who were fixated on violence and planning mass killings, but were not obviously inspired by a particular ideology.
The new law would aim to criminalize the creation and sharing of the most harmful online material.
As part of an approach to align countering state threats with addressing terrorism risks, the bill would add “polygraph testing as an available license condition for state threat offenders,” the government said.
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‘Shame on Hollywood’: Cannes Jury Member Defends Actors ‘Backlisted’ for Anti-Israel Activism Over Gaza War
Workers set up a giant canvas of the official poster featuring actors Geena Davis and Susan Sarandon from Ridley Scott’s road movie “Thelma & Louise” on the facade of the Festival palace before the start of the 79th Cannes Film Festival in Cannes, France, May 10, 2026. Photo: REUTERS/ Marko Djurica
A jury member of the 79th Cannes Film Festival on Tuesday condemned the Hollywood film industry for “blacklisting” actors who have spoken out against Israel’s military actions in the Gaza Strip during the country’s war against Hamas terrorists controlling the enclave.
At the festival’s jury press conference, Cannes award-winning Scottish screenwriter Paul Laverty mentioned Susan Sarandon, Javier Bardem, and Mark Ruffalo, all three of whom have been outspoken in criticizing Israel’s military campaign against Hamas in Gaza. Sarandon’s character in “Thelma & Louise” is on the official 2026 Cannes poster.
“The Cannes Film Festival [and] the wonderful poster they have,” Laverty said at the end of the press conference on Tuesday, held before the opening of the film festival in France. “Absolutely iconic. Brilliant. And isn’t it fascinating to see some of them like Susan Sarandon, Javier Bardem, Mark Ruffalo blacklisted because of their views in opposing the murder of women and children in Gaza? Shame on Hollywood people who do that. My respect and total solidarity to them. They’re the best of us, and good luck to them.”
“I just hope we don’t get bombed now, because we’ve got this poster in Cannes,” the BAFTA winner added in conclusion.
Sarandon was dropped by her talent agency for castigating Israel while participating in a pro-Palestinian demonstration in New York City in November 2023. At the protest, the Oscar winner accused Israel of war crimes, encouraged others to have the “courage to speak out” in support of Palestinians, and compared the Hamas-led Oct. 7 massacre across southern Israel just weeks earlier to hardships Palestinians endure in Gaza.
She talked about the fallout with her agency during an interview in 2024, saying: “I was dropped by my agency, my projects were pulled. I’ve been used as an example of what not to do if you want to continue to work.” Earlier this year, Sarandon further spoke about being shunned in Hollywood for her views about the Israel-Hamas war.
“I was fired by my agency, specifically for marching and speaking out about Gaza, for asking for a ceasefire. And it became impossible for me to even be on television,” she said at a press conference in February before receiving a career achievement honor at the 40th Goya Awards in Spain. “I don’t know lately if it’s changed, but I couldn’t do any major film, anything connected with Hollywood. I found agents ultimately in England and in Italy, and I work there … I know this Italian director that just hired me — he was told not to hire me, so that’s still recently. He didn’t listen, but they had that conversation. Right now, I kind of specialize in tiny films with directors who have never directed, in independent films.”
At the Cannes jury press conference on Tuesday, Laverty further talked about Gaza in remarks about this year’s film festival.
“You see so much violence, genocide in Gaza and all these terrible things,” he said. “The idea of coming to a festival – which is a celebration of diversity, imagination, tenderness — when there’s such vulgar, vicious, systematic violence. The idea of attending to a festival where there’ll be contradiction and nuance and beauty and inspiration. It knocked me out, to be honest.”
Before the start of the Cannes Film Festival last year, more than 350 members of the film industry — including Bardem, Sarandon, Ruffalo, and Richard Gere — signed an open letter condemning the festival’s “silence” over Israel’s military campaign in Gaza targeting Hamas terrorists.
Emmy-winning actress Hannah Einbinder recently criticized Hollywood’s silence about the Israel-Hamas war during a guest appearance on an episode of Zeteo’s “Beyond Israelism” podcast that was released in full on Tuesday.
“It pisses me off,” said the “Hacks” actress. “Because I’m sitting here with [Algerian-Palestinian activist] Mahmoud [Khalil], who has so much to risk and who has risked so much who has sacrificed so much … And I look at these people who have absolutely every privilege imaginable to mankind and they cannot utter a single word. I guess it makes me naive, but I cannot understand it. I really can’t understand it. And I hear people say that they don’t know enough and I — I don’t, it’s like, OK, so what do you do all day?”
“People in Hollywood, unfortunately, need these issues to affect a white person for them to see it as relating to them,” she stated. “Like, they see Jimmy Kimmel getting taken off the air suddenly, they see Stephen Colbert’s show being canceled by CBS, which is owned by the Ellisons, and they go, ‘How could this possibly happen?’ And it’s like, we know how because we saw students and professors and journalists and authors and Palestinian folks be silenced and fired and expelled and imprisoned … it took it happening to these white men for people to be like, ‘Oh my God.’”
In her acceptance speech at the Emmys last year, Einbinder declared “Free Palestine.”
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Netanyahu Held Secret Meeting With Emirati President in the UAE During Iran War, PM’s Office Says
Israel’s Prime Minister Benjamin Netanyahu speaks during a ceremony commemorating Israel’s Remembrance Day for fallen soldiers, or Yom HaZikaron, at the Military Cemetery on Mount Herzl in Jerusalem, April 21, 2026. Photo: ILIA YEFIMOVICH/Pool via REUTERS
Israeli Prime Minister Benjamin Netanyahu visited the United Arab Emirates and met the Emirati president during the war with Iran, the Prime Minister’s Office said on Wednesday in what would be their first confirmed meeting.
According to the statement, the meeting resulted in an “historic breakthrough” in relations between Israel and the UAE.
A source familiar with the meeting said Netanyahu and Sheikh Mohammed bin Zayed (MBZ) met in Al-Ain, an oasis city by the Oman border, on March 26 and that their meeting lasted several hours.
The source said that Mossad Chief Dedi Barnea made at least two visits to the UAE during the war with Iran to coordinate military actions. The intelligence chief’s visit was first reported by the Wall Street Journal.
Especially after coming under attack during the Iran war, the UAE has strengthened its relationships with the United States and Israel, with which it opened ties in the 2020 Abraham Accords. It views the relationship with Israel as a lever for regional influence and a unique channel to Washington.
Israel sent batteries for its Iron Dome interception system and personnel to operate them to the UAE during the war, US Ambassador to Israel Mike Huckabee said on Tuesday.
The UAE is a regional business and financial hub and one of Washington’s most important allies. It has pursued an assertive foreign policy and carved its own sphere of influence across the Middle East and Africa.
Iran‘s strikes on Gulf states in response to the US-Israeli attacks targeted the UAE more than its neighbors, hitting civilian infrastructure and energy facilities.
Unlike several Gulf peers, the UAE has a pipeline that allows it to divert some oil exports around the blockaded Strait of Hormuz, making it more able to withstand prolonged disruption. But the war risks severely damaging its role as a global economic center that offers security and ease in the region.