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A group of Israeli emissaries toured a Palestinian museum in DC, and came away with questions
WASHINGTON (JTA) — For Rotem Yerushalmi, a professional campus pro-Israel advocate, what stood out during a recent visit to the Museum of the Palestinian People was an exhibit showcasing different villages’ ceremonial dress.
She strolled past references to the Nakba, which means “catastrophe” and denotes the dispersion of Palestinians during Israel’s War of Independence. And she gazed upon a photograph of an elderly man clutching the key to the dwelling his family left amid that year’s Arab-Israeli war. None of those surprised her.
“The references to the key, the Nakba, were very familiar,” Yerushalmi said. “But the garb! I didn’t know they had different dresses for different areas.”
Yerushalmi was part of a delegation of about 20 Israeli emissaries stationed at U.S. universities that visited the museum late last month. It was the first-ever tour the museum had organized for a group of Israelis.
Like most Jews in Israel, many of them had relatively few interactions with Arabs inside the country, and learned little about Palestinian culture and history in school. But here at the Washington museum, located just a mile from Yerushalmi’s post at Georgetown University, they got a view into a society that is both largely off-limits to them and entwined with their country’s future.
“It’s important because it humanizes each other, I think, for Israelis to hear the Palestinian perspective,” said Bshara Nassar, a Palestinian from Bethlehem who founded the one-room museum in 2019. “Actually having a wall that separates Palestinians from Israelis — there is no way, there is no place to interact.”
The tour was the brainchild of Jonathan Kessler, the former longtime head of student affairs at the American Israel Public Affairs Committee, the pro-Israel lobby. He now helms Heart of a Nation, which organizes people-to-people encounters between young Israelis, Palestinians and Americans — and which marks a turn away from the pro-Israel advocacy he once championed.
“For the first time, maybe in my lifetime, you’ve got young people from all three societies who simultaneously recognize that their politics is stuck and they desperately want to push forward into a better place,” he told the Jewish Telegraphic Agency.
He worries that unless they move beyond their “narrow communal silos,” young Jews in the United States “will further distance themselves from Israel, young Israelis will turn their back on the pursuit of peace with the Palestinians, and young Palestinians will give up on coexistence with Israel.”
Recommending a tour of the museum, he said, was a way to make that happen. The Jewish Agency for Israel’s Campus Israel Fellows, which brought the emissaries to Washington, D.C., asked him to recommend museum tours for the group, and he suggested the U.S. Holocaust Memorial Museum, the National Museum of African American History and this tiny, barely known institution.
Mohammed El-Khatib, a docent at the Museum of the Palestinian People, leads a group of Jewish Agency emissaries through the museum in Washington, D.C., March 22, 2023. (Ron Kampeas)
For at least some of the emissaries, the visit had Kessler’s intended effect. Mohammed El-Khatib, the group’s docent, described his experience as a Lebanese-born Palestinian refugee, and told of his family’s flight from their ancestral village during Israel’s War of Independence.
“It opens our mind to hear his perspective, to hear him say that he’s Palestinian, but he’s never been to Palestine, he was born in Lebanon, but he identifies as a Palestinian,” said Lielle Ziv, who works at Cleveland Hillel. “He told a story, and not like, right or wrong, it’s not a black-and-white situation. We can both be right,”
The museum is nestled in a townhouse adjacent to a pet care outlet, a Middle East bookstore and a chocolatier. A similar and larger museum in the Palestinian West Bank city of Birzeit, called the Palestinian Museum, is in territory that is off-limits to Israelis.
At the Washington museum, there was a lot of common ground: A Kurdish Israeli emissary said the keffiyeh in one exhibit reminded him of pictures of his male relatives, who wore similar headdresses before they left Iraq for Israel. El-Khatib was pleased to learn that the Arabic name for Hebron, Al Khalil, has the same meaning as the city’s Hebrew name — a “friend of God.”
One of the Israelis recognized the British Mandate passport on display, which once belonged to a Palestinian woman. His grandmother had one that was identical, he said.
When El-Khatib greeted the group, he said “Marhaba, Shalom,” respectively the more formal Arabic and Hebrew terms of welcome, and the group spontaneously answered with “Ahalan,” a less formal Arabic greeting that is commonplace among Israelis. That delighted El-Khatib.
The group was similarly pleased when he showed off some Hebrew phrases in a pitch perfect Israeli accent, which he said he learned from an Israeli ex-boyfriend. The group then pushed him to spill more details about his ex.
“In campus encounters we’re always kind of on duty,” said Nati Szczupak, the director of the Campus Israel Fellows program. “They’re on duty, right? They’re pro-Palestine. We’re pro-Israel. And it’s very rare that you can just talk and get to those moments of like, ‘Hey, I used to wear that hat too, when I was little.’”
She was referring to an exhibit on different types of Palestinian headwear that included a fez, or traditional Moroccan hat, which elicited a squeal of delight from a Moroccan Jewish emissary who said she had a photo of herself as a toddler sporting one of her ancestors’ fezzes.
“It’s not about facts,” Szczupak said. “We know the facts. What about the narrative? What is your story? We’re not arguing about the facts, but how we experienced them.”
The museum’s exhibits include photographs of Palestinians in Israel, the West Bank and in exile, and are marked by contrasts: images of resistance — of a small boy throwing stones — and of the mundane — of young men playing soccer. Arrays of black-and-white photos from the late 19th and 20th centuries feature celebrations juxtaposed with resettlement in refugee camps.
A case includes Palestinian glassware, pottery and headwear throughout the ages. There was a temporary exhibit of line drawings by a contemporary Palestinian artist, and a wall titled “Making their mark” of prominent Palestinians — including Rashida Tlaib, the Democratic congresswoman from Michigan; the late Edward Said, the literary critic and scholar; the sisters Gigi and Bella Hadid, who are models; and DJ Khaled, the rapper.
The museum does not hold back from addressing the Israeli-Palestinian conflict. The conflict’s most vexing issue — each side’s fear that the other side wants to replace it — was most evident in the museum’s maps: One depicted the scattering of the Palestinians throughout the Diaspora, and others showed how Israel expanded its territory from the land it was given in the 1947 United Nations partition plan.
Outside the museum, while the Israelis were waiting for the tour to start, a pair of the Israel fellows examined a poster for an exhibit, “The Art of Weeping, by a Palestinian artist, Mary Hazboun. The line drawing of a Palestinian mother in a traditional dress, carrying her babies, evoked the map of the entirety of Israel, Gaza and the West Bank — and then some.
“The proportions are interesting,” one said to the other, in Hebrew. “It includes not just Israel and the West Bank and the Gaza Strip, but the Golan Heights and a part of Jordan.”
Ziv said the tour made her think that she “would like more connections” with Palestinians — and it was clear that it was easier to make those connections in Washington than it would be in Tel Aviv or Jenin. El-Khatib said he had never met an Israeli before he moved to the United States.
“When we have Palestinian visitors coming to the museum, they quickly doze off — I mean, to them, it’s more about the achievement of the space,” El-Khatib said. “But when this group came in, I really felt that they were very attentive and hanging on to every word that I said, which was wonderful.”
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Apple TV’s ‘Your Friends & Neighbors’ just gave us a stunningly authentic Jewish episode
(JTA) — Matzo is not something I typically give much thought to in the days following Passover. Yet I cannot stop thinking about a piece of shmura matzo I recently encountered.
The encounter came on Apple TV’s “Your Friends & Neighbors,” where the handmade round matzo (that always tastes a little burnt) just had a major cameo — perhaps its debut on a national TV series — in the episode that dropped on Friday.
“Your Friends & Neighbors” stars Jon Hamm as a suburbanite who takes to theft, roiling his community. The entire show is packed with rounds of golf and all-you-can-eat buffets at a WASPy country club — I hadn’t gotten the sense that anyone was Jewish. Until I saw that the fourth episode of the second season was called “The Bread of Affliction.”
Perhaps I should have known: The show is based (and filmed) in Westchester County, just north of New York City, where I work as a rabbi and where many secular families include Jews. And there was a “L’chayim” in the previous episode, but that phrase has practically entered the English lexicon. I never saw the matzo coming.
I’ve carved out a social media niche critiquing portrayals of Judaism in pop culture. So I have to give credit where credit’s due — what transpired on “Your Friends & Neighbors” was no less than a modern miracle: Judaism done right.
I was sold at “Good yontif,” the words recited by Hari Sahni (played by Manu Narayan), one of the hosts, as guests entered his gorgeous, towering home for the seder.
What soon transpired was not your traditional hodgepodge of a Passover table: no scattered Hebrew school projects or random plastic frogs. We viewers got an aspirational seder, with an aesthetic somewhere between cottagecore and, well, upscale Westchester. The seder table was a canvas filled with floral arrangements, votive candles, and beautifully scripted place cards. For those playing insider Jewish baseball, there was even a place card for Elijah (no last name).
There was also drool-worthy matzoball soup being stirred in a giant, seder-sized pot, and caviar on matzo, an atypical yet perfectly kosher combination.
And then, the kiddush. Gretchen Reagan (played by Miriam Silverman, a Jewish actress and Broadway star), who is married to Hari, recited a full version of the Passover blessing — not the one-liner everyone knows from Hebrew school — and with the right nusach (tune). That tune, that beautiful, trembling holiday version, is one that most traditional households don’t even quite land as well as she did.
All of the guests at the table held (in unison) a classic yellow-and-maroon haggadah, first published in 1949. This nostalgic haggadah, which also appeared in the Passover episode of “Curb Your Enthusiasm” back in 2005, is still used at many seders today. It’s known for its simplicity, black-and-white drawings and helpful directions.
Following that epic kiddush, Mel and Coop’s teenage son, Hunter, struggles to sing “Ma Nishtanah.” Honestly, an all-too-accurate portrayal, too — he probably hadn’t practiced since Hebrew school. He was soon backed up by another Jewish actress and Broadway star, Rebecca Naomi Jones, who plays Suzanne Haber, a neighbor in the series’ fictional Westmont Village community.
Yet what blew me away the most was that shmura matzo. Square matzo famously occupies supermarket kosher sections year-round, but shmura matzo tends to appear only right before the holiday.
Where did the props department find an intact piece? Most boxes of shmura matzo come cracked. And once they had one, how many tries did it take for Amanda Peet to break it neatly in half? The notable Jewish actress plays Mel Cooper, the Jewish ex-wife of Andrew (Coop) Cooper (Hamm), who is not Jewish. Peet’s role has been central across both seasons, as she navigates challenging family dynamics, many of which play out at the seder.
As the seder continued, guests dipped pinkies in wine (ever so daintily) for the Ten Plagues. They went around the table, each reciting one plague in English — a genuinely engaging idea. And of course, there is an epic afikomen hiding spot. I won’t spoil details about its discovery, but let’s just say the afikomen was located exactly where it gets hidden in most households.
This episode was like manna from heaven. It literally just dropped. No hype, no press conference, no rounds of Jewish podcasts that project Jewish pride, sometimes a little too hungrily.
This may be the best thing that happened to Passover since 1995 — i.e., a “Rugrats Passover.” That episode still has the edge because it not only portrayed the seder and intergenerational family drama accurately, but it actually told the story of the Exodus in a way that felt new: accessible, funny and memorable. (Plus, it gave us the line “Let my babies go!”)
I wonder whether my excitement is simply because the standard is just that low for Judaism on-screen. It is. But this episode went above and beyond — even explaining that “Shanah Tovah” is not the appropriate greeting for Passover, or that afikomen means “dessert.”
The episode comes in stark contrast to another trending “Jewish show”: “Nobody Wants This.” I’m still not over Rabbi Noah Roklov (played by Adam Brody) trying to make “Mazel” a greeting. It’s not. Nor is Tu Bishvat a mourning holiday (thank you, Rabbi Neil, played by Seth Rogen).
Where does that leave the future of Judaism on TV? The bar has certainly been leavened, and I’m here for it.
From a material culture perspective, we’ve been living in an era where it has been dayenu — enough — just to have something on the shelves for Hanukkah or Passover, even if it was riddled with errors that could have been fixed by asking one person familiar with Hebrew or Jewish symbols.
And at a time when many people fear being Jewish in public, seeing Judaism on screen as a given — and portrayed correctly — is so affirming. At a moment when I, as a Jewish content creator, am flooded with antisemitic comments, direct messages, and screenshots of my “Jewish” nose, seeing Judaism in the wild is a reminder that they have not “won.”
This episode makes me hopeful that Judaism can be once again celebrated and talked about — not hidden. Now, I’m ready for a Rosh Hashanah episode in Season 3!
This article originally appeared on JTA.org.
The post Apple TV’s ‘Your Friends & Neighbors’ just gave us a stunningly authentic Jewish episode appeared first on The Forward.
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NATO Alliance Considers End to Annual Summits
US President Donald Trump holds a bilateral meeting with NATO Secretary General Mark Rutte at the World Economic Forum (WEF) in Davos, Switzerland, Jan. 21, 2026. Photo: REUTERS/Jonathan Ernst
NATO is considering ending its recent practice of holding annual summits, six sources told Reuters, a move that could avoid a potentially tense encounter with US President Donald Trump in his final year in office.
Trump‘s administration has engaged repeatedly in scathing criticism of many of the US-led defense alliance‘s 31 other members, most recently berating some for not providing more assistance to US military operations against Iran.
The frequency of NATO summits has varied over the alliance‘s 77-year history but its leaders have met every summer since 2021 and will gather this year in the Turkish capital Ankara on July 7 and 8.
But some members are pushing to slow the tempo, a senior European official and five diplomats, all from NATO member countries, told Reuters.
NATO MEMBERS LOOKING FOR LESS DRAMA AND BETTER DECISIONS
One diplomat said the 2027 summit, to be held in Albania, would likely take place that autumn and NATO was considering not holding one at all in 2028 – the year of the US presidential election and Trump’s final full calendar year in office.
Another said some countries were pushing to hold summits every two years, adding that no decision had been taken and Secretary General Mark Rutte would have the final say.
The sources spoke on condition of anonymity to discuss internal NATO deliberations.
In response to a query from Reuters, a NATO official said: “NATO will continue to hold regular meetings of Heads of State and Government, and between summits NATO Allies will continue to consult, plan, and take decisions about our shared security.”
Two of the sources mentioned Trump as a factor but several said broader considerations were at play.
Some diplomats and analysts have long argued that annual summits create pressure for eye-catching results that distracts from longer-term planning.
“Better to have fewer summits than bad summits,” said one diplomat. “We have our work cut out for us anyway, we know what we have to do.”
Another said the quality of discussions and decisions was the true measure of alliance strength.
TRUMP CASTS LONG SHADOW OVER NATO MEETINGS
Phyllis Berry, nonresident senior fellow at the Atlantic Council, wrote: “Reducing high-profile summitry would allow NATO to get on with its business and dial down the drama that has marked many recent transatlantic encounters.”
In an article published on the think tank’s website last week, she noted that NATO held only eight summits during the decades of the Cold War. She described Trump’s first three NATO summits in his first term as “contentious events, dominated by his complaints about low allied defense spending.”
Last year’s summit in The Hague was also largely shaped by Trump’s demand that NATO members boost defense spending sharply to 5% of GDP – a target they accepted by agreeing to spend 3.5% on core defence and 1.5% on broader security-related investment. The mere fact that it ended without major drama was considered a success.
This year’s gathering also looks set to be tense.
After NATO allies refused to give him the support he was demanding in the Iran war, which he had begun without consulting or informing them, Trump openly questioned whether the US should stand by NATO’s mutual defense pact and said he was considering leaving the alliance. Months earlier, he had laid claim to Greenland, an autonomous territory belonging to fellow NATO member Denmark.
At the 2018 summit, Trump threatened to walk out in protest at other NATO allies’ low defense spending.
“Had he made good on his threat to leave in protest, we would have been left to pick up the pieces of a shattered NATO,” Jens Stoltenberg, NATO’s secretary general at the time, wrote in a memoir published last year.
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When a Jewish Icon Moves to Israel for Her Safety: A Warning Sign for the Netherlands
A view of the Concertgebouw building in Amsterdam, Netherlands on Aug. 26, 2024. Photo: Jakub Porzycki via Reuters Connect
The reported decision of Dutch singer Lenny Kuhr, a beloved cultural figure and winner of the 1969 Eurovision Song Contest, to relocate to Israel should prompt serious reflection across the Netherlands.
When a Jewish public figure feels compelled to leave because of hostility, intimidation, or fear, it is not merely a personal decision. It is a warning sign about the health of Dutch society.
For generations, the Netherlands has cultivated an international reputation for tolerance, openness, and civic decency. It is a nation admired for democratic values, free speech, and social stability. Yet no society is immune to the resurgence of antisemitism, and recent years have shown that the Dutch exception is not guaranteed.
Across Europe, Jews are reporting increased harassment, threats, vandalism, and social isolation. The Netherlands is one place where this is happening. What often begins as political hostility toward Israel can quickly spill over into open hostility toward Jews. Online abuse becomes street intimidation. Campus activism becomes exclusion. Political rhetoric becomes a license for prejudice.
This is especially dangerous because it often hides behind respectable language of “anti-Zionism,” “human rights,” or opposition to Israel. But usually, this goes much deeper and becomes (or reveals itself as) a hatred of Jews.
Dutch directness is often celebrated as a cultural virtue. But there is a profound difference between candor and cruelty. When “speaking plainly” becomes an excuse for abuse, society loses an essential moral boundary. Free expression must never become a shield for threats or dehumanization.
The same is true in politics. Consensus culture has many strengths, but it can also create hesitation in moments that require clarity. When antisemitism rises, leaders cannot afford ambiguity. They must name it, confront it, prosecute it, and isolate those who spread it.
Jewish citizens should never have to wonder whether their future is safer elsewhere. They should never need to hide symbols of identity, avoid public spaces, or explain away hatred as the cost of living in a pluralistic democracy.
The departure of a well-known Jewish Dutch figure should therefore be seen not as an isolated story, but as a national test. If even prominent, admired Jews feel unsafe, what message does that send to ordinary Jewish families, students, and elders?
The Netherlands still has time to choose a different path. It can reaffirm that antisemitism has no place in Dutch life. It can protect Jewish institutions, enforce existing laws, educate younger generations, and draw a bright line between legitimate political disagreement and hatred toward Jews.
If it fails, more Jews may conclude that their future lies elsewhere. And that would not only be a tragedy for Dutch Jewry. It would be a tragedy for the Netherlands itself.
Sabine Sterk is the CEO of the NGO Time To Stand Up For Israel.