Uncategorized
A Holocaust survivor and her family saw ‘Leopoldstadt.’ The Broadway play told their story.
(New York Jewish Week) — On a Wednesday evening last month, three generations of a Jewish family made their way to their seats at the Longacre Theater to see “Leopoldstadt,” Tom Stoppard’s epic Broadway play about the tragedies that befall an extended Jewish family in the first half of the 20th century in Vienna.
The date of the family gathering was a significant one: Nov. 9, the 84th anniversary of the Nazi pogroms known as Kristallnacht. And in the audience was Fini Konstat, 96, who lived in the once thriving Jewish neighborhood after which the play is named, and witnessed the horrors it portrays first-hand. Alongside her were her daughter and her son-in-law, Renee and James Akers, and her oldest great-grandchild, Lexi Levin, 23.
When Konstat was a child, she lived in a “nice apartment” in Leopoldstadt. But exactly 84 years to the day of their theater date, “I was running with my father, seeing all the Jewish stores with all their windows broken,” she told Levin in a short video her great-granddaughter filmed before the curtain rose.
“It’s such a blessing for me to be here with you,” Levin said to her great-grandmother in response. “Ninety-six years old, survived a pandemic, at a Broadway show in New York City.”
Left: Fini as a child on the balcony of her apartment in Leopoldstadt. Right: Fini with her three children in front of the very same building, pictured in 2015. (Courtesy)
Since the beginning of its Broadway run in mid-September, “Leopoldstadt,” with its depiction of a prosperous Viennese family on the brink of destruction, has moved audiences to tears and inspired deep reflections on the Holocaust. Based on the celebrated playwright’s own family history — of which he was barely aware while growing up in England — it has provided a stark counterpoint to news about rising antisemitism and the celebrities who have been purveying it.
But for Konstat, the play was much more personal. “When I heard the word ‘Leopoldstadt,’ this alone gave me lots of thrills and memories,” Konstat, who is known in her family as Mimi, told the New York Jewish Week in accented English. She recalled how Levin, who recently moved to the city, invited her to fly to New York to see one of Broadway’s hottest tickets.
“Leopoldstadt,” she repeated, her voice breaking. “The second district. That’s where we lived.”
At the end of Stoppard’s five-act play, audiences learn that most of the Jewish characters had perished under the Nazis — of the four generations in the show, just three cousins survive to carry on the family’s legacy.
For Konstat too, she and her parents were among the very few in their extended family to survive the Holocaust. “Almost all of them went to Auschwitz or other camps,” Konstat said. “My mother was a twin and only the twins remained alive. [My mother’s] five other siblings and my grandmother perished.”
L-R: Renee Akers, James Akers, Lexi Levin and Fini Konstat at the Longacre Theater to see Tom Stoppard’s ‘Leopoldstadt on Broadway,’ Nov. 9, 2022. (Courtesy)
In a Zoom conversation held over Thanksgiving weekend, Konstat, surrounded by two of her daughters, two of her granddaughters and three of her great-granddaughters, shared what the play meant to her — and how her family has restored what she lost.
In the months after Kristallnacht in 1938, Konstat and her parents hid in a neighbor’s apartment; Konstat recalls hiding under the duvet when German soldiers showed up. Eventually the family fled to Turkey, and then to India, before settling down in Mexico City. There, the teenage Fini met her husband David, also a survivor who escaped Poland. The two of them began to write the rest of their story — starting with the birth of the first of their three children in 1948.
Unlike many Holocaust survivors, Fini and David Konstat were open about their experiences during the war, instilling a sense of pride and duty to remember in their children — something that eventually extended to their grandchildren and great-grandchildren.
“They were proud to speak about how they survived this,” said the Konstats’ middle child, Renee Konstat Akers. “Their life was an odyssey. They had the courage to do things that you would never think were possible. We grew up grateful knowing how our family survived in that incredible way.”
Each child moved to different places as they grew up and got married. Manuel, the oldest, stayed in Mexico. Renee married an American and moved to the Midwest, and Denise, the youngest, to Houston. Each became deeply involved in their Jewish communities, sending their children (Konstat’s grandchildren) to Jewish day schools, celebrating Jewish holidays and participating in synagogue life.
“The word ‘miracle’ really does not feel like an understatement in this scenario,” said Sherry Levin, one of Konstat’s grandchildren. “When we think about what it took for my grandmother and grandfather to survive and how they were able to intersect in Mexico, and such an amazing multi-generational family has come to fruition, it feels miraculous.”
Pictured here on their 40th anniversary, Fini and her husband David met in Mexico City after both had fled Europe. They were married 54 years before David died in 2001. (Courtesy)
Reviews of the show have ranged from rhapsodic to resistant, with some critics suggesting the play is simplistic and obvious in its story-telling or that it is less a well-crafted play than a well-meaning lesson on the Holocaust.
But just as the Merz family clashes and argues about everything from antisemitism to intermarriage to socialism in “Leopoldstadt,” each generation of the Konstat family that saw “Leopoldstadt” that night came away with something different — a reaction influenced by their age, their Jewish identity, their nationality and their relationship with their family.
For Konstat, the arc of “Leopoldstadt” was so familiar that it hardly stirred her. “It was just very happy watching it and enjoying it and enjoying my children with me, “ she told the New York Jewish Week. “I didn’t think about anybody else.”
Akers, too, felt an intense familiarity with the story, and, perhaps toughened by her own family history, didn’t experience an intense emotional reaction. Her own parents’ lives gave Akers a sense of purpose in her life — for example, in the 1990s, she was passionate about helping resettle Jews fleeing the former Soviet Union. With her own children, she instilled in them a strong sense of Jewish purpose in their work, their education and their family.
“I was a sandwich in between seeing my mother and my granddaughter,” she said of her “Leopoldstadt” experience. “I was emotional thinking of my mom who went through it, but I was more emotional about seeing my granddaughter be so moved. It really hit her at her core.”
Indeed, it was the youngest member of the family present that night who was most shaken by the play.
“It really felt like a gift to my family and to me, specifically, to be able to see what Mimi’s life looked like before the war,” Lexi Levin said, surmising that, as a fourth-generation survivor, she is among the first in her family to be able to start processing the loss on a grander scale.
“For the first time in my life, I really felt the magnitude of her loss,” she added. “I’ve known her story and I’ve been inspired by her story to be involved with my own Jewish causes, but I have never been able to access and truly empathize with her grief and what it meant that she lost the entire family she had before this one that she created.”
Turning to her great-grandmother, as if trying to make her understand the exact precision of the show, Levin explained, “It’s a play about generations and the family was large and then it was small.”
“You made it large again,” she said, referring to the generations of family that had assembled — in the Broadway theater and again over Thanksgiving weekend. “Look at this room.”
Pictured on her 90th birthday in 2017, Fini Konstat now has three children, ten grandchildren and twenty great-grandchildren. (Courtesy)
There was a coda for the family after the curtain went down. The day after the show, the family wanted to see the 1907 “Portrait of Adele Bloch-Bauer I,” one of Gustav Klimt’s most famous paintings, which currently hangs at the Neue Galerie on the Upper East Side. A version of the portrait’s true story — how a painting of a socialite from a prominent Viennese Jewish family was looted by the Nazis and the family’s efforts to get it back — features in the plot of “Leopoldstadt.”
The gallery, however, was closed on the only day the family could visit. After a call to the management at the gallery, which showcases the German and Austrian art collections of Jewish philanthropist Ronald S. Lauder, the gallery’s director arranged a private tour.
“It felt like we were in a puzzle and everything was finally coming together,” said Akers. “It was an emotional, emotional time.”
When the week was over and the emotions were spent, Konstat and the Akers returned home with a reignited passion for their family story. But there was yet another twist: In addition to the whirlwind trip Levin planned for her grandparents and for Mimi, she had been undergoing the laborious process of applying for Austrian citizenship. Six members in Konstat’s large family have undertaken the process over the last two years.
“Part of the motivation was knowing Mimi’s story, and knowing that she survived because her mother had citizenship in Turkey,” Levin said. “That story was just inspirational to me, knowing that dual citizenship was what saved our family.” She convinced her brother and mother to apply for Austrian citizenship as well.
The day after her grandmother and great-grandmother left New York, Levin called them with news from her small apartment in Manhattan: An Austrian passport had arrived in the mail. The curtain was rising on another act.
Konstat was surprised at how interested her family was in getting Austrian citizenship. “I feel very good,” she said. “I’m very happy.”
“Does it make you emotional?” Levin asked her during the Zoom call with the New York Jewish Week.
“It does — of course it does. I used to love Austria,” she said. “I was sad to leave. I was disappointed. We never thought of coming back. I was happy to be able to escape. Thank God we made it out of hell.”
—
The post A Holocaust survivor and her family saw ‘Leopoldstadt.’ The Broadway play told their story. appeared first on Jewish Telegraphic Agency.
Uncategorized
Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates
In New York City, the second anniversary of Hamas’ Oct. 7 attack on Israel fell against the backdrop of a mayoral election that brought Israel and Gaza to the fore of local politics.
Zohran Mamdani, the Democratic nominee and frontrunner, attended a vigil hosted by Israelis for Peace in Union Square on the anniversary of the attack. The anti-occupation activists have rallied weekly for two years to demand a ceasefire, the release of hostages and an end to Israel’s military campaign in Gaza.
Mamdani’s pro-Palestinian advocacy and staunch criticism of Israel are central to his swift ascent in politics, and his opponents in the race have latched onto his views, accusing him of fanning antisemitism at a time when anti-Jewish attacks are on the rise.
Now, the race enters its final stretch as a tentative peace dawns on the Middle East, with President Donald Trump announcing that Israel and Hamas agreed to a hostage deal and an initial phase to end the two-year war on Wednesday night.
Mamdani attended the Tuesday vigil with Brad Lander, the city comptroller and a close Jewish ally, and held a lit candle while listening to Israeli and Palestinian speakers, as well as local rabbis. One of the speakers, Tamar Glazerman — whose aunt was killed by Hamas on Oct. 7 — decried Israel’s retaliation in Gaza, saying, “War crimes cannot justify other war crimes.” A banner behind her read, “Stop the Genocide. Save Gaza. Free All Hostages.”
These sentiments echoed a statement that Mamdani released to mark the anniversary. “Two years ago today, Hamas carried out a horrific war crime, killing more than 1,100 Israelis and kidnapping 250 more,” he said. He called for the return of the remaining hostages and said he mourned the dead.
He went on to say that Israeli Prime Minister Benjamin Netanyahu and the Israeli government “launched a genocidal war,” killing more than 67,000 Palestinians and reducing swaths of Gaza to rubble. He criticized the U.S. government for being “complicit” and reiterated his long-held view that “the occupation and apartheid must end.”
The statement gathered over 20 million views on X and rebukes from many, including the Israeli government, who said he was wrong to focus on Gaza on a day anchored in Israeli tragedy.
“Two years after Hamas launched its barbaric massacre against Israel and the Jewish people, Mamdani has chosen to act as a mouthpiece for Hamas propaganda — spreading Hamas’s fake genocide campaign,” the Israeli Foreign Ministry said, adding that Mamdani “normalizes antisemitism” and “stands with Jews only when they are dead.”
Mamdani also drew criticism from Jews who said he only paid lip service to their mourning. Zachary Braiterman, a professor of modern Judaism at Syracuse University who supports the Israeli movement to end the war, said Mamdani “speaks quickly past NYC Jews as we stop and mark the 2 year anniversary of 10/7.”
Other critiques came from pro-Palestinian activists who said his statement undermined their cause. Nerdeen Kiswani, founder of the group Within Our Lifetime, accused Mamdani of erasing “the decades of siege, occupation, and systematic killing that led to that day.”
The double-sided critique drew the attention of Adam Carlson, head of the polling firm Zenith Research. “The fact that everyone on both extremes is up in arms over this statement means that he absolutely nailed it,” tweeted Carlson.
Former Gov. Andrew Cuomo, Mamdani’s closest competitor, focused his own comment on the Hamas attack and did not mention Israel’s retaliation or the fate of Palestinians.
“To the Jewish people — I stand with you. I mourn with you and I will forever be by your side in the fight against evil and anti-semitism in all forms,” said Cuomo, who lost to Mamdani in the Democratic primary and relaunched his campaign as an independent.
Cuomo has centered an appeal to Jewish New Yorkers in his bid for mayor, touting his pro-Israel record as governor. He recently collected a slew of endorsements from Jewish groups and leaders, largely representing Orthodox communities, after incumbent Mayor Eric Adams dropped out and the field narrowed to Cuomo, Mamdani and Republican nominee Curtis Sliwa.
Jewish voters are divided over this election, with many younger, more progressive Jews backing Mamdani and many aligning with his views on Israel and Gaza. A recent Marist poll conducted before Adams quit found the same proportion of Jewish voters — 35% — breaking for both Cuomo and Mamdani.
Sliwa said that Oct. 7 was “a dark day” and called for the release of hostages. He also acknowledged the ensuing devastation without explicitly naming Palestinians in Gaza.
“The death and destruction that has followed in the region is deeply disheartening, and my prayers are with all families here in New York and abroad who continue to feel this pain,” he said.
The mayoral race coincides with a dramatic shift in how New Yorkers view Israel. According to a New York Times/Siena poll last month, 44% of New Yorkers said they had greater sympathy for Palestinians, compared with 26% who sympathized more with Israel. Voters also preferred Mamdani’s approach to the Israeli-Palestinian conflict — once viewed as a fringe left stance in the city’s political landscape — over the other candidates’ by a wide margin.
—
The post Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates appeared first on Jewish Telegraphic Agency.
Uncategorized
In Good Faith: A Jewish/Muslim Night of Comedy and Conversation
Date and time: Wed, Oct 22, 2025 / 6:30 PM – 9:30 PM EDT
Location: Youngplace, 180 Shaw Street, Toronto, ON, M6J 2W5
In a post-Oct. 7 world, news feeds are filled with videos, podcasts and reports of Jews and Muslims talking at each other, about each other—but rarely with each other. This limited series brings together Jews and Muslims, Israelis and Palestinians, from across the country and the political divide, to sit down and have difficult conversations—in good faith.
In this live podcast recording, we’re bringing comedy sets from Adrienne Fish, Nour Hadidi, Foad HP and Dan Rosen before a panel discussion with all four about what it’s like performing as Muslim and Jewish comics in 2025—including all the pitfalls they have to navigate as they speak their minds onstage.
Included: Entrance to Koffler Arts and post-event reception.
Parking: Free and paid options available, but spots are limited.
All proceeds will go to charity
Hosted by The Canadian Jewish News, in partnership with the Canadian Race Relations Foundation and the Ronald S. Roadburg Foundation.
The post In Good Faith: A Jewish/Muslim Night of Comedy and Conversation appeared first on The Canadian Jewish News.
Uncategorized
Cycling team Israel–Premier Tech is ditching the ‘Israel’ brand. But was it entirely their decision?
After a tumultuous season, international cycling team Israel–Premier Tech, co-owned by Canadian-Israeli billionaire Sylvan Adams, is officially going to change its name and remove the word “Israel”. The decision comes after repeated anti-Israel protests across Europe disrupted the team—whose international roster of 31 cyclists includes just three Israelis—during their open-road events, which can last hundreds of kilometres across the continent. Several cyclists crashed due to protester intervention. The decision to remove Israeli branding from Israel–Premier Tech led co-owner Adams to announce he would step away from day-to-day involvement with the team.
There’s a lot to be said about the political ramifications of wearing the Israeli name on your shirt in 2025, but our sports podcasters have a different theory about the shift. Israel–Premier Tech enjoyed a successful season that brought them back to full status with the UCI World Tour, after being relegated down to the secondary UCI ProSeries since 2023. That means the stakes are higher, the stage is bigger, and the league’s propensity for risk and disruption may well have shrunk. Is this purely a political decision, or are UCI executives trying to prevent more bad press in the coming year?
Also on the docket: the boys talk about the Toronto Blue Jays’ run to the American League championship series, big baseball moves, early NHL impressions and a quick NFL check-in.
Transcript (excerpt)
James Hirsh: We want to talk about a recent story. There’s been some news with a cycling team, Israel Premier Tech, which is owned by Canadian billionaire Sylvan Adams. And it’s not going to be Israel Premier Tech anymore.
Gabe Pulver: They’ve been called Israel Premier Tech for, I guess it’s been around five years. They’ve been an official UCI squad, you know, for the last, I think, since 2020—
James Hirsh: Which means they compete in the big cycling races like the Tour de France and Giro d’Italia, things like that.
Gabe Pulver: Exactly. They were called Israel Start-Up Nation for a number of years and Israel Cycling Academy before that. They were a part of the Vuelta a España that had to be shut down due to anti-Israel protests going on across Spain. And for a while, they took the name off the jersey and just called themselves Premier Tech for the week. That seemed to not assuage the protesters, and they’ve decided to, as a quote, “move away from its current Israeli identity”.
James Hirsh: And part of that is Sylvan Adams, we should say, who has a pretty big job right now as president of the World Jewish Congress, has said that he can’t continue to be part of the team that’s not putting Israel in the name. It seems like they acquiesced to demands, I think, based on his statement.
Gabe Pulver: So what’s interesting is that Premier Tech is a Canadian company. They’re, you know, a Quebecois tech company, and Premier Tech and its president own a chunk of it. A good chunk of the riders are Canadian and previously have been pretty supportive of the team’s Israeli identity. Another interesting part of this is that Sylvan Adams is sort of, like you said, busy with his other job, but you wonder what the future of the team holds given that, you know, sort of the face of their team and, you know, a huge part of their Canadian connection is no longer going to be day-to-day running things, you know, with their identity. Sylvan Adams is a pretty proud guy, and as their identity changes and he steps back, you wonder if he’ll continue to support the team financially as much as he has.
James Hirsh: Yeah, I think it’s very interesting to see this. This is sort of a test case for Israel’s continued involvement in certain international sports or sports that have an international component. We’ll see if that will change. Obviously, there’s been great news today about the peace deal being signed. And if anyone is getting that news on that from a Jewish sports podcast, you’ve got to tune in a little bit more.
Gabe Pulver: Yeah, yeah, yeah, exactly. Check out, close this and go to CNN and see what’s happening with that.
James Hirsh: But look, there have been calls for Israel to be removed from FIFA. We’ve talked about that. There have been calls for Israel to be excluded from other international sporting events. There have been on-the-ground protests that we’ve covered, you know, including at lower-tier sporting events. We’ll see what will come. This certainly seems like the first step of an Israeli team removing—continuing to be owned by an Israeli, is affiliated with Israeli coaches, owned by Israeli teams, all Israeli people, all that. But no longer having Israel in the name is not just a symbolic gesture.
Gabe Pulver: No. And I have a theory. It’s not a very charitable theory, but Israel Premier Tech had sort of been relegated to semi-conditional status on the World Tour this year. They had riders at a bunch of events, but they weren’t at every single event. They weren’t full Tour members. Next year, they have regained their position back in full Tour members. And after the disaster where virtually every rider on Tour was furious about all of the protesters in the Vuelta, I think they’re choosing to decide, I think they’re choosing to say we’re not going to have this shit anymore.
Like they’re going to get rid of Israel, the name, when you’re back on the Tour. Because we didn’t like the news, we didn’t like the coverage, we didn’t like the protests. You know, you can stay involved, the Israeli money. Obviously, they’ll take the Israeli money, they’ll support the Israeli riders. However, they’re very unlikely—they just don’t want the name Israel to be running around on the Tour so more people can show up and disrupt the Tour de France, which would be an enormous disaster for the sport. Maybe there are enough Jews in France and enough harmony in the international community in France that that won’t be a problem. I doubt it. But I think it’s probably a self-preservation move by the UCI before something a little bit bigger than the Vuelta a España has to get cancelled.
James Hirsh: Yeah, that makes total sense. And if there’s one thing, I don’t know much about the cycling federations and whoever runs that, but there’s one thing I know about European technocrats who run sporting organizations is that they’re all cowards and will always do the easiest thing in the goal of self-preservation.
Gabe Pulver: Yeah, self-preservation.
James Hirsh: They are about cycling, but I believe it, no matter what.
Gabe Pulver: No, they are all there. The show must go on in any possible way.
James Hirsh: Yeah.
Gabe Pulver: You know, I think if a single rider was to ever say something political, they would literally, you know, deflate their tires, like to, you know, steal a metaphor.
James Hirsh: Yeah. So when countries like Spain decide to, you know, continue their millennia-old tradition of anti-Semitism and protesters start protesting Israeli teams and non-Israeli riders at cycling events that they don’t care about in the first place—
Gabe Pulver: Yeah.
James Hirsh: —You can bet that whoever’s in charge of that cycling event is going to cave to those protesters. Absolutely.
Show Notes
Credits
- Hosts: James Hirsh and Gabe Pulver
- Producer: Michael Fraiman
- Music: Coby Lipovitch (intro), chēēZ π (main theme, “Organ Grinder Swing“)
Support The CJN
- Follow the podcast on Twitter @menschwarmers
- Subscribe to The CJN newsletter
- Donate to The CJN (+ get a charitable tax receipt)
- Subscribe to Menschwarmers (Not sure how? Click here)
The post Cycling team Israel–Premier Tech is ditching the ‘Israel’ brand. But was it entirely their decision? appeared first on The Canadian Jewish News.