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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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Trump highlights last year’s Iran strikes in State of the Union delivered as US forces prep for possible new ones
(JTA) — President Donald Trump devoted most of his State of the Union address Tuesday night to familiar themes of economic strength and immigration enforcement, but about an hour into the speech he turned to foreign conflicts and issues closely watched by Jewish audiences, including Gaza and Iran.
Speaking to a joint session of Congress for the first State of the Union address of his second term, Trump cast his administration as a global peacemaker while also emphasizing military power.
“We’re proudly restoring safety for Americans at home, and we are also restoring security for Americans abroad,” Trump said, declaring that the United States had “never been stronger.”
In a speech that coincided with the fourth anniversary of the ongoing war between Russia and Ukraine, Trump claimed credit for ending a series of international conflicts, listing flashpoints across multiple regions. Among them, he cited tensions involving Israel and Iran and what he described as “the war in Gaza, which proceeds at a very low level, it’s just about there.” He thanked Steve Witkoff and his son-in-law Jared Kushner, both of whom have played advisory roles on Middle East policy, along with Secretary of State Marco Rubio.
Turning specifically to Gaza, Trump highlighted a ceasefire agreement and efforts to secure the release of hostages. “Under the ceasefire I negotiated, every single hostage, both living and dead, has been returned home,” Trump said. He described the recovery of the bodies of deceased captives in emotional terms, recounting conversations with grieving families and praising the cooperation of Israeli authorities.
The president’s remarks echoed his longstanding effort to frame himself as uniquely capable of brokering Middle East agreements, a message likely aimed at both domestic supporters and international audiences. The status of Gaza and the fate of hostages have been central concerns for many American Jews since the outbreak of the war.
Trump then shifted to Iran, adopting a more confrontational tone. He referenced the U.S. military’s Operation Midnight Hammer which he said “obliterated Iran’s nuclear weapons program.” The strikes targeting Iranian facilities are believed to have caused significant damage but the extent of the impact has not been confirmed by independent assessments.
Reiterating a core pillar of U.S. policy, Trump said his administration would not allow Tehran to acquire a nuclear weapon.
“My preference is to solve this problem through diplomacy, but one thing is certain, I will never allow the world’s number one sponsor of terror, which they are by far, to have a nuclear weapon,” Trump said. “No nation should ever doubt America’s resolve. We have the most powerful military on Earth.”
At least two dozen Democrats stood in a show of approval following Trump’s pledge to prevent Iran from obtaining nuclear arms.
Iran’s nuclear ambitions and regional influence have long been top priorities for pro-Israel advocates and many Jewish organizations, making the issue a recurring feature of Trump’s rhetoric.
While Trump’s comments on Gaza and Iran drew attention, the president did not address other issues that have loomed large in Jewish communal discourse. He made no mention of rising antisemitism in the United States, nor did he acknowledge increasingly visible divisions within his own political coalition over Israel.
Instead, Trump quickly returned to domestic themes, closing the speech, which lasted nearly two hours, as he began it — emphasizing economic performance, border security and what he portrayed as stark contrasts with Democrats.
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Forverts podcast, episode 7: Purim
דער פֿאָרווערטס האָט שוין אַרויסגעלאָזט דעם זיבעטן קאַפּיטל פֿונעם ייִדישן פּאָדקאַסט, Yiddish With Rukhl. דאָס מאָל איז די טעמע „פּורים“.
אין דעם קאַפּיטל לייענט שׂרה־רחל שעכטער פֿאָר אַן אַרטיקל פֿונעם אַרגענטינע־געבוירענעם ייִדיש־אַקטיוויסט דניאל גלאַי, „ווען מײַן מאַמע און מומע האָבן זיך אַרויסגעגנבֿעט צום פֿאַרבאָטענעם קאַרנאַוואַל“, וואָס איר קענט אַליין לייענען דאָ און אַ צווייטן אַרטיקל פֿון איציק גאָטעסמאַן, „ווי ייִדן האָבן געפּראַוועט פּורים אין מיזרח־אייראָפּע פֿאַרן חורבן,“ וואָס איר קענט לייענען דאָ.
צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
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How Christian Zionism explains Mike Huckabee’s expansive view of Israel’s borders
In a recent interview with Tucker Carlson, U.S. Ambassador to Israel Mike Huckabee went viral for claiming that Israel has the right to control much of the Middle East based on the Bible — what may have been one of the clearest expressions of Christian Zionism by an American diplomat.
In the interview, which took place during Carlson’s recent visit to Israel, Carlson, who has routinely questioned the U.S.-Israel dynamic, asked Huckabee about whether he believes Israel has the right to all the land God promised the Jews in the Bible. Citing scripture, Carlson described the territory as stretching from the Nile to the Euphrates, “essentially the entire Middle East.”
Huckabee replied, “it would be fine if it took it all,” but clarified several times that Israel is not seeking to do so, stating: “They’re not asking to go back to take all of that, but they are now asking to at least take the land that they now live in, they now occupy, they now own legitimately, and it is a safe haven for them.”
Later in the interview, Huckabee referred to his remarks as “somewhat of a hyperbolic statement” and subsequently took to X to say that his comments were edited and taken out of context by Carlson. He said that Carlson had asked him “as a former Baptist minister about the theology of Christian Zionism.”
While Huckabee’s statements on Tucker Carlson may not have aligned with official U.S. policy, they were consistent with the theological worldview he has articulated for years — one rooted in Christian Zionism, a movement that sees the modern state of Israel as the fulfillment of biblical prophecy. For some believers, the modern state of Israel is viewed as a prerequisite for the second coming of Jesus. Many adherents cite the Abrahamic covenant in Genesis — “I will bless those who bless you” — as a theological mandate to support Israel. Others frame their support less in apocalyptic terms and more in the language of shared “Judeo-Christian” heritage.
While Huckabee is the first evangelical Christian to serve as U.S. ambassador to Israel, the Christian Zionist movement he is part of has a formidable political and financial infrastructure within the United States and has become a major force in the U.S.–Israel relationship.
Growing Groups
Christian Zionism has been one of the most reliable pillars of pro-Israel sentiment in American politics for decades. A 2025 survey by the Pew Research Center found that seven in ten white evangelical Christians has a favorable view of Israel, compared with approximately half of Americans who have an unfavorable view. Another study found that U.S. evangelicals are as supportive of Israel as they were before the Gaza war.
Israeli leaders have openly acknowledged that support. Ron Dermer, former Israeli ambassador to the U.S. and a close advisor of Prime Minister Benjamin Netanyahu, once called evangelicals “the backbone of Israel’s support in the United States.”
That support goes far beyond positive sentiment. The International Fellowship of Christians and Jews, which Huckabee has been affiliated with, says it has raised $3.6 billion for Israel since 1983, with 92% of its donors identifying as Christian. In 2023, the organization raised more money than AIPAC or the ADL. Another major organization, Christians United for Israel, founded in 2006 by Texas pastor John Hagee, claims 10 million members, a figure larger than the total Jewish population of the United States.
A 2018 investigation by Haaretz estimated that evangelical organizations raised between $50 million and $65 million from 2008 to 2018 for projects in the West Bank.
The movement has also maintained a physical presence in Jerusalem. The International Christian Embassy Jerusalem was founded in 1980 after several foreign embassies left the city in protest of Israel’s declaration of Jerusalem as its capital. The embassy hosts annual gatherings during the Jewish holiday of Sukkot that draw thousands of evangelical pilgrims, and it funds assistance programs for Jews who wish to immigrate to Israel, emergency aid, housing for Holocaust survivors, and other initiatives.
The Christian Broadcasting Network, an evangelical news network that reaches millions of viewers worldwide, operates a dedicated Jerusalem bureau that “offers a biblical and prophetic perspective to the daily news events that shape our world.”
Huckabee, a former Baptist minister and Arkansas governor, has long existed within this ecosystem and is one of Christian Zionism’s most visible public figures. He has said that he has visited Israel over 100 times and was among the evangelical leaders who advocated for President Donald Trump to move the U.S. embassy from Tel Aviv to Jerusalem in 2018, a decision widely celebrated within Christian Zionist circles. In 2018, Huckabee laid ceremonial bricks in the settlement of Efrat as a symbol of support.
He has also made controversial statements regarding the West Bank, stating in 2017, “There is no such thing as a West Bank. It’s Judea and Samaria. There’s no such thing as a settlement. They’re communities, they’re neighborhoods, they’re cities. There’s no such thing as an occupation.”
Personal theology vs. diplomacy
During Huckabee’s Senate confirmation hearing, Huckabee described the U.S.–Israel relationship as “not geopolitical” but “also spiritual,” stating that “to deny that would be to make it very difficult for us to ever understand how to go forward in a relationship with them.” He also acknowledged that while he had previously supported the possibility of Israeli annexation of the West Bank, his duty as ambassador would be to carry out the president’s policy rather than set it.
His interview with Carlson hearkened back to that moment and the tension between Huckabee’s role as an ambassador and his personal convictions.
The Trump administration has repeatedly stated that the United States does not support formal Israeli annexation of the West Bank. That position is tied in part to Trump’s effort to expand the Abraham Accords, the normalization agreements between Israel and several Arab and Muslim-majority states. Potential future participants — most notably Saudi Arabia — have explicitly conditioned normalization on credible steps toward a two-state solution, a framework that annexation would almost certainly undermine.
In response to Huckabee’s interview, more than a dozen Arab and Muslim-majority governments, joined by major regional bodies including the Organization of Islamic Cooperation, the Arab League, and the Gulf Cooperation Council, issued a joint statement condemning Huckabee’s remarks. The statement described his comments as “dangerous and inflammatory” and said they “directly contradict the vision put forward by U.S. President Donald J. Trump” and the Comprehensive Plan to End the Gaza Conflict. Just three days before the statement’s release, many of those same governments had met in Washington for the inaugural meeting of the Board of Peace and pledged significant funding to the initiative.
According to reports, members of the Trump administration sought to reassure those governments that Huckabee’s comments reflected his personal views rather than official U.S. policy.
For his part, far-right Israeli Finance Minister Bezalel Smotrich — a supporter of West Bank annexation — posted Saturday on X, riffing on a movie title: “I (heart) Huckabee.” And no wonder: last year the ambassador had declined to oppose plans for a large West Bank settlement Smotrich had declared “will bury the idea of a Palestinian state,” with Huckabee declaring it “incumbent on all of us to recognise that Israelis have a right to live in Israel.”
Trump, however, has said he opposes annexation of the West Bank, reflecting growing rifts in the U.S. and even his own supporters, with the rise of a Christian Nationalist movement that includes many at odds with Christian Zionism.
At the same time, generational shifts within the republican party suggests an uncertain future for Christian Zionism. A recent study found that 20% of Republicans overall believe the United States is providing too much military aid to Israel. The generational divide is pronounced: 27% of Gen Z Republicans say the U.S. is giving too much aid, compared with 16% among Republicans in the Silent, Baby Boomer, and Generation X cohorts. Influential figures within this camp — including Candace Owens, Tucker Carlson, and Rep. Marjorie Taylor Greene, and on the more extreme fringe, Nick Fuentes — have gained prominence in part by criticizing the scope of U.S. support for Israel.
For now, however, the evangelical Christian Zionist movement remains deeply embedded in American politics. With Huckabee in the ambassador’s residence, that worldview occupies an official diplomatic post.
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