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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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German Lawmakers, Jewish Leaders Push for Mandatory Imam Certification Amid Rising Antisemitism
Ali Erbas, president of Diyanet, speaks at a press conference following an August 2025 gathering in Istanbul, where 150 Islamic scholars called for armed resistance and a boycott against Israel. Photo: Screenshot
German lawmakers and the country’s Jewish community are calling for a mandatory certification process for all imams amid a surging wave of antisemitism, including multiple cases of religious leaders promoting anti-Jewish violence.
“Mosques must not be places where hatred against Jews is spread. It is our responsibility to ensure that Jews in Germany can study, work, celebrate, and pray in safety,” Klaus Holetschek, a member of the Bavarian State Parliament in southern Germany, told the German newspaper Bild.
With more than five million Muslims in Germany, many turn to imams for spiritual guidance.
Most of these religious leaders are trained abroad — especially in Turkey — and brought to local mosques by large Muslim organizations on multi‑year contracts, shaping the religious education and messaging that reaches the community.
“We must ensure that imams are trained in Germany without the influence of Islamist associations, or that they complete an integration course before assuming their duties,” Holetschek said.
Amid Germany’s push to train more imams domestically and curb the import of foreign clergy, Holetschek emphasized that the effort is not an attack on Muslims, but “a key measure for effective prevention.”
“Many of the people who have reached out to us over the years come from countries where antisemitism is state-sponsored and children are taught to hate Israel in schools,” the German lawmaker said.
The Conference of European Rabbis (CER) has joined the new initiative, praising it as a vital step toward combating antisemitism and promoting safe, inclusive communities
“The impact of hate preachers and foreign-controlled extremist networks in Europe has long been underestimated,” CER’s president, Rabbi Pinchas Goldschmidt, told Bild.
“Imams must demonstrate a clear commitment to democracy, the rule of law, equality, religious freedom for all, and social cohesion — and embody these values in their daily practice,” he continued.
Last year, amid a rising wave of anti-Jewish hate crimes, the German government urged the country’s main mosque association to publicly break with Turkish President Recep Tayyip Erdogan’s antisemitic and anti-Israel rhetoric, citing the association’s close ties to him.
According to local reports, German authorities told the Turkish-Islamic Union for Religious Affairs (DITIB) — the country’s largest mosque network — to formally break with Erdogan’s hateful statements or risk losing government support and cooperation.
For years, the German government has supported DITIB in training imams, as well as helping to foster community programs and religious initiatives.
In 2023, then-Interior Minister Nancy Faeser signed an agreement with the Turkish government’s Directorate of Religious Affairs (Diyanet) and DITIB for a new imam training program.
By sending imams from Turkey and paying their salaries, the Diyanet oversees DITIB and its hundreds of communities across Germany, shaping the ideological direction of more than 900 mosques and influencing the training of their imams.
Under a new program, the Diyanet no longer sends imams directly from Turkey. Instead, Turkish students are trained in Germany in cooperation with the German Islam Conference (IKD).
With this new agreement, imams live permanently in German communities and have no formal ties to the Turkish government. Still, experts doubt that this alone would curb the Diyanet’s political influence.
In the past, DITIB has faced multiple controversies, with some members making antisemitic remarks and spreading hateful messages.
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North Carolina Democratic Party Muslim Chair Says Zionists Are Nazis, and a ‘Threat to Humanity’
In May, Students for Justice in Palestine poured red paint which resembles spilled blood on the steps of the South Building, an office for administrative staff and the chancellor at the University of North Carolina at Chapel Hill. Photo: UNCSJP/Screenshot
Elyas Mohammed, president of the North Carolina Democratic Party’s (NCDP) Muslim Caucus, recently posted on social media, “Zionists = Modern day #Nazis.”
Mohammed, also a member of the NCDP’s State Executive Committee (SEC), posted, “#Zionists are a threat to #Humanity.” He has publicly referred to Israel as “IsraHell.”
The Muslim Caucus was founded in 2024, is in the review process, and seeking final approval by the party.
Jibril Hough, first vice president of this same caucus, publicly said, “Zionism is a branch of racism/white supremacy and must be fought with the same intensity.” He has described Zionists as the “worst of humanity.”
Numerous leaders and members of the NCDP are out of step with the Democratic Party’s platform, which expresses its support for Israel nearly 30 times, prominently leading with an endorsement of Israel as “a Jewish and democratic state.”
I contacted NCDP leadership for comment on Mohammed’s posts, including Governor Josh Stein and his Communications Director; State Party Chair Anderson Clayton; and First Vice Chair Jonah Garson. None responded.
The NCDP’s acquiescence and silence concerning the extreme and hateful remarks made by some of its leaders about Israel is anticipated at this point. The NCDP has been targeting Israel for years instead of focusing on statewide issues. For example, on Saturday, June 28, 2025 — during Shabbat — the NCDP’s State Executive Council passed six anti-Israel resolutions.
Rather than publicly clarify these actions, the NCDP quickly removed information about the resolutions from public view. This decision, or coverup, has left many with the impression that the party is attempting to bury the issue. Before the resolutions were taken offline, I made a copy.
One of the resolutions that passed, titled “Resolution for Democratic Unity,” actually claimed that Israel had taken “Palestinian hostages.”
Just a few months after this resolution passed, Mohammed shared a grotesque post on Facebook, suggesting that the hostages taken by Hamas on Oct. 7 could or should be considered “prisoners of war.” The post continued, “If they [the hostages] were CIVILIANS, ISRAEL IS GUILTY OF A WAR CRIME FOR PLACING THEM THERE.”
Many Democrats have left the party over its obsessive focus on Israel. Former Raleigh City Council member Stefanie Mendell recently switched her party affiliation to Unaffiliated, telling me:
While in my heart I am a Democrat, after the anti-Israel resolutions passed at last year’s NC Democratic Party convention, I am no longer comfortable being associated with the party. I feel like they bent over backwards to focus negatively on Israel when there were so many more critical issues that North Carolinians care about — the cost of living, education, healthcare, etc. I will vote for, campaign for, and support individual Democrats, but I will no longer contribute to the party itself until and unless they stand up to this extremist fringe that seems more intent on virtue signaling than on electing people who can positively impact the people in our state.
According to the NCDP Plan of Organization, SEC members, such as Mohammed, are expected to uphold the values of the Code of Conduct.
The “Code of Conduct for the North Carolina Democratic Party Officers and Leaders” clearly states that leaders are expected to act in ways that do not “negatively impact other members … or the party’s reputation” and “to be sensitive to other people’s feelings.” When communicating electronically, the Code of Conduct encourages leaders to ask, “Am I acting in the party’s best interest?”
Leaders are also asked to consider, “Is what I am doing in line with our Plan of Organization and the Spirit of the Party Platform?”
According to a document recently posted to the NCDP’s website, “The Muslim Caucus is being recommended for Conditional Approval until the Summer SEC Meeting.”
I firmly believe that the Muslim community, as with any religious group, should be robustly represented and included in government and political parties. The question I ask is: What will the North Carolina Democratic Party do concerning caucus leaders who are making hateful and divisive statements that contribute to Democrats leaving the party?
Lisa Jewel, president of the NC Democratic Jewish Caucus, told me:
We understand that Mr. Mohammed is resigning his position as Chair of The NCDP Muslim Caucus. It is our hope that, under its next Chair, as the Muslim Caucus works its way through the approval process — and beyond — it will pivot its focus and efforts, to uplifting democracy here in North Carolina.
Last summer, Democratic Gov. Josh Stein, Lt. Gov. Rachel Hunt, and former Democratic Gov. and senatorial candidate Roy Cooper expressed their opposition to their party’s anti-Israel resolutions. It is now the moment for Democratic Party leaders at the state level to announce a reset and reclaim the party from the divisive, anti-Israel extremists within it.
The North Carolina Democratic Party needs to decide if they want to represent all Democrats in the state or just those Democrats who hate Israel.
Peter Reitzes writes about antisemitism in North Carolina and beyond.
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Anti-Israel Activists Prepare New Flotilla to Break Israel’s Gaza Blockade
A Palestinian flag is seen as people gather at the port of Ermoupolis before the departure of two sailing boats, Electra and Oxygen, part of the Global Sumud Flotilla aiming to reach Gaza and break Israel’s naval blockade, on Syros island, Greece, Sept. 14, 2025. Photo: REUTERS/Giorgos Solaris
Organizers of a pro-Palestinian flotilla said Thursday they will make a renewed attempt next month to reach the Gaza Strip with more than 100 boats, once again challenging Israel’s blockade of the war-torn territory.
During an event at the Nelson Mandela Foundation in South Africa, the Global Sumud Flotilla (GSF) announced that it will embark on a new “mission” to break Israel’s blockade of Gaza in late March, with speakers urging the international community to prevent Israeli forces from intercepting the operation.
The anti-Israel flotilla represents the latest attempt by activists to defy Israel’s naval blockade of Gaza, even as Israel has reopened the Rafah crossing to allow Palestinians to travel to Egypt for medical care.
Before the war, the Rafah border crossing with Egypt served as the only direct exit for most Gazans and a crucial entry point for humanitarian aid. The crossing has been largely closed since May 2024 and remains under Israeli military control on the Gazan side.
COGAT, the Israeli military unit responsible for humanitarian coordination, said the crossing will reopen in both directions for Gaza residents on foot only, with operations coordinated alongside Egypt and the European Union.
The GSF described its latest initiative as a “coordinated, nonviolent effort to challenge the illegal Israeli siege on Gaza, confront global complicity, and stand alongside Palestinians.”
According to organizers, more than 1,000 activists — including medical doctors, war crimes investigators, and engineers — will take part in the flotilla. A land convoy is also expected to bring thousands more from countries such as Tunisia and Egypt, while the boats depart from Spain, Tunisia, and Italy toward the enclave.
“This time, we expect hundreds of thousands to sign up and to mobilize entry through Egypt, Lebanon, Jordan, and every other feasible border to reach occupied Palestine and Gaza,” Mandla Mandela, grandson of the late South African president and anti-apartheid activist Nelson Mandela, said in a statement.
“We want to mobilize the entire global community to join forces with us,” he continued.
The anti-Israel campaigners have also organized previous flotillas carrying symbolic humanitarian aid, including a similar mission last year that Israeli officials repeatedly denounced as a publicity stunt.
About 50 vessels carrying 500 activists took part in last year’s mission, but all were intercepted by Israeli forces and deported, including Mandela, climate activist Greta Thunberg, and European Parliament member Rima Hassan.