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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’

(New York Jewish Week) —  While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.” 

Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.

And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival

The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.

“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.” 

French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)

These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist. 

Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe. 

After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive). 

In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.” 

For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work. 

As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943. 

While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses. 

Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.” 

“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.

The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life. 

“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film. 

Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity. 

“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”

Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here


The post A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’ appeared first on Jewish Telegraphic Agency.

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Jewish Democrats split over Trump’s Iran military strikes as Congress weighs war powers

The joint U.S.-Israel military campaign against Iran, launched with a stealth strike early Saturday, has also prompted a political battle in Washington over waging war without authorization from Congress as required by the constitution.

President Donald Trump has offered mixed signals about the operation’s duration, suggesting that it could be prolonged but also floating a possible immediate return to negotiations with Tehran.

At least 10 Israelis and four U.S. servicemembers were killed in Iranian missile strikes over the weekend.

In recent weeks, as the likelihood of war loomed, Jewish Democrats on the Hill highlighted the need for congressional oversight and a formal vote before the U.S. deepens its role in a war with Tehran. Now, as Israeli civilians shelter under sirens and endure repeated missile strikes, the divide has sharpened between members of Congress with longstanding personal and political ties to Israel and those firmly opposed to expanding American involvement in another Middle East conflict.

The divide reflects wider tensions within the Democratic Party in the wake of the Gaza war that are likely to shape the midterm elections. Recent national polls show that Democratic voters as a group have become less sympathetic to the Jewish state. The latest Gallup annual survey found that only 17% of Democrats sympathize more with the Israelis in the Israeli-Palestinian conflict, while 65% say they are more aligned with the Palestinians. A new Reuters poll showed that 74% of Democrats disapprove of the attack on Iran, and 87% of them think Trump is willing “too much” to use military force to advance U.S. interests.

Rep. Jerrold Nadler of New York, co-chair of the Congressional Jewish Caucus, called the joint US-Israeli mission an “illegal” and unjustified war that “will bring needless death and destruction.” Nadler is among 84 members who co-sponsored the bipartisan War Powers Resolution, introduced by Republican Rep. Thomas Massie of Kentucky, an open critic of Israel. The measure reasserts the 1973 war powers law, which would limit the president’s ability to deploy U.S. forces or declare war without congressional approval.

The House and the Senate could vote on such a measure this week, though the Republican leadership is opposed to it.

“Congress must do everything in our power to stop Trump from continuing his illegal war,” Nadler said in his statement on Saturday. ”I will vote to pass the resolution to bring an end to these illegal attacks, and I urge my colleagues to do the same.”

In contrast, Reps. Josh Gottheimer of New Jersey and Jared Moskowitz of Florida, two Democrats who have at times crossed party lines in support of Israel, have offered forceful support for action against the Iranian regime both before and after the strikes began.

But after previously declaring their opposition to congressional restrictions, Gottheimer is now urging the Trump administration to follow the war powers law, while Moskowitz is asking the president to follow the provision that requires briefing the full Congress within 48 hours of military action. Rep. Debbie Wasserman Schultz of Florida echoed Moskowitz, saying that Trump should immediately consult and fully brief Congress before any further action is taken. “President Trump does not possess a blank check to act without consulting Congress or telling the American people what comes next,” she said.

Rep. Brad Schneider of Illinois, the other co-chair of the Jewish Caucus, said he shifted his position in favor of the war powers resolution after Trump ordered the first wave of strikes in Iran and supported the killing of Ayatollah Khamenei without any engagement with Congress. Yet, like House Democratic leader Hakeem Jeffries and Senate Minority Leader Chuck Schumer, he did not explicitly condemn the strikes.

Sen. Elissa Slotkin of Michigan highlighted Trump’s lack of communication in a speech on Saturday. “He’s taken more military action in his first year than any president in our history,” Slotkin, a former CIA intelligence analyst who served three tours in Iraq, said.

“He’s really become a foreign policy president. He seems to like it and seems to sort of easily engage in it,” added Slotkin, a former Pentagon official who served in the Central Intelligence Agency. “I don’t think he’s interested in the views of many others beyond his maybe inner circle. But whether it’s Venezuela or Iran or the Caribbean, he has shown that he is quick to military action, quicker than most presidents we’ve seen in their first year.”

Sen. Bernie Sanders of Vermont, a longtime critic of U.S. military action and Israeli policy, claimed that Israel and Saudi Arabia pressured the United States into attacking Iran. He added that Israeli Prime Minister Benjamin Netanyahu’s conduct in Gaza and Saudi Crown Prince Mohammed bin Salman’s authoritarian rule are at odds with their declared support for freedom in Iran.

What Jewish groups are saying

The divide was reflected in the statements from Democratic-aligned Jewish groups. The Jewish Democratic Council of America said the need to confront Iran’s nuclear ambitions requires close coordination with Congress and said it backed the bipartisan measure to limit Trump’s executive powers. “We are gravely concerned about the safety and security of American troops, Israelis, and other civilians in the region, given the lack of a clearly articulated strategy from this White House about its military objectives and what comes next,” JDCA said in a statement.

Meanwhile, J Street, the self-described pro-Israel, pro-peace organization, said it was opposed to open-ended military action, claiming “Iran does not present an imminent threat that requires launching a ‘preventive’ war.”

Speaking at J Street’s annual conference in Washington, D.C. on Sunday, Sen. Chris Van Hollen of Maryland thanked the Jewish advocacy group for its stance on the war. “I would argue it’s not in the interest of the people of Israel or the region.” He added, “We should not be sending America into war for the political ambitions of Prime Minister Netanyahu and the Saudi Crown Prince.”

The Democratic Majority for Israel called the action against Iran a “positive development.” It also urged the Trump administration to consult with Congress and outline a “credible plan” to prevent escalation and “clear criteria for success and drawdown.”

National Democrats on the war in Iran

Jewish Democratic leaders outside of Congress, including Illinois Gov. JB Pritzker, Pennsylvania Gov. Josh Shapiro and former Chicago Mayor Rahm Emanuel — all considered possible presidential candidates in 2028 — also chimed in.

“Americans asked for affordable housing and health care, not another potentially endless conflict,” Pritzker posted on X.

Shapiro, whose staunch defense of Israel and criticism of the pro-Palestinian protests after the Oct. 7, 2023, Hamas attacks made him a target of progressive backlash, criticized Trump for what he described as a lack of clear objectives and insufficient international backing for the mission.

Emanuel, who was White House chief of staff to former President Barack Obama, said Trump’s remarks that he would seek regime change were a declaration of war that required authorization. It’s a change of government and overthrowing a government,” he said on CNN. “This is not a limited military action.”

The post Jewish Democrats split over Trump’s Iran military strikes as Congress weighs war powers appeared first on The Forward.

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Irish Jews report 143 antisemitic incidents in 6 months through a new reporting system

(JTA) — Jews in Ireland reported over 100 antisemitic incidents through a communal reporting system within six months after it launched, according to a new report.

The findings published early Monday by the Jewish Representative Council of Ireland constitute the first attempt to document antisemitic incidents in Ireland.

Irish Jews, a small community of about 2,200, reported 143 incidents between July 2025 and January 2026. These were dominated by verbal abuse, vandalism, threats, exclusion or discrimination and direct digital hate messages. Physical assault was less common, with only three instances reported.

All incidents were self-reported to the JRCI, which cannot independently investigate or adjudicate them. Ireland does not have an official state mechanism for recording antisemitic incidents, the group said. And while the police record hate crimes based on nationality, ethnicity or religion, they do not isolate crimes motivated by antisemitism.

The JRCI said that 30% of incidents were triggered by cues of Jewish identity or Israeli origin, such as a Jewish symbol, an accent or speaking Hebrew in public. Such patterns often crossed the boundaries of hate driven by nationality, ethnicity and religion.

“These dynamics cannot be adequately addressed through generalized anti-racism frameworks alone,” JRCI chair Maurice Cohen said in a statement. “Antisemitism presents distinct characteristics requiring targeted policy responses.”

Cohen called for “a dedicated, standalone national plan to combat antisemitism in Ireland.”

Of the reported incidents, 25 included “Holocaust distortion” or antisemitic conspiracy theories. These findings add to a Claims Conference survey in January, which said that 9% of Irish adults believed the Holocaust was a myth, while another 17% believed the number of Jews killed had been greatly exaggerated. Half of Irish adults did not know that 6 million Jews were killed in the Holocaust.

At the same time, a November 2025 survey by the European Commission surfaced broad recognition of antisemitism in Ireland. 41% of respondents said that antisemitism was a problem in the country and 47% said it had increased over the past five years.

At a ceremony for International Holocaust Remembrance Day in January, Ireland’s taoiseach (or prime minister) Micheál Martin said, “I am acutely conscious that our Jewish community here in Ireland is experiencing a growing level of antisemitism. I know that elements of our public discourse has coarsened.”

Martin has strenuously criticized Israel’s actions in Gaza, saying at the United Nations last year that Israel committed genocide and demonstrated “an abandonment of all norms, all international rules and law.” Catherine Connolly, a socialist politician who has faced backlash for saying Hamas is “part of the fabric of the Palestinian people,” was elected as Ireland’s president in October.

Ireland has historically supported the Palestinians, a stance often linked to the country’s own history of British imperial rule, and formally recognized a Palestinian state in 2024.

In Martin’s Holocaust commemoration speech, he also condemned the most recent event to inflame the Irish Jewish community. Late last year, a proposal to rename Herzog Park in Dublin — named for Chaim Herzog, the son of the first Irish chief rabbi who became Israel’s sixth president in 1983 — was decried by Irish Jews who said it would erase Irish Jewish history. The proposal was later tabled.

Martin, who also denounced the proposal when it was active, said the Jewish community “has every right to be deeply concerned and to express that concern.”

Gideon Taylor, president of the World Jewish Restitution Organization and an Irish Jew who grew up in Dublin, said the JRCI report showed a picture of antisemitic incidents that were separate from “a debate about the policies of Israel or a debate about the Palestinian state.”

“When you have discontinuation of service because somebody is heard speaking Hebrew, or has a Jewish-identifying symbol on them, that’s not about a political position on the spectrum towards Israel,” said Taylor. “That’s something that crosses into antisemitism.”

Ireland’s chief rabbi Yoni Wieder said the report reflected experiences he already heard from his congregants.

“The report does not claim that antisemitism has become a daily reality for all Jewish people in Ireland — it has not,” said Wieder. “What it does show is that antisemitism surfaces often enough, and in ordinary enough settings, that it cannot be dismissed as rare or confined to the margins of society. This means that for many, Jewish belonging in Ireland feels more fragile than it should.”

The post Irish Jews report 143 antisemitic incidents in 6 months through a new reporting system appeared first on The Forward.

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Yet again, Israel’s public shelters become sites of camaraderie amid steep danger

(JTA) — TEL AVIV — Spirits ran high inside a large public bomb shelter in the Israeli coastal city of Jaffa, with loud chatter, singing and greetings of “Happy Iran Holiday,” an incongruous soundtrack to the joint U.S.-Israeli strike on Iran and the hundreds of missiles that followed.

The room itself looked much cheerier than most shelters, with a ball pit and bright Gymboree mattresses left over from its other job in peacetime, when it doubles as a kindergarten.

A day earlier, the shelter became the accidental venue for a bar mitzvah celebration, when worshipers from the synagogue across the road took refuge there.

One particularly raucous group was made up mostly of American-Israelis from the neighborhood. One of them, Steph Graber, said she was in a good mood despite being exhausted from middle-of-the-night runs to the shelter.

“I’m not sure why, maybe it’s the adrenaline of war or something,” she said on Sunday morning. “But also it’s amazing to see the U.S. and Israel as allies working together to reduce the threat from Iran.”

Graber said she had been sheltering elsewhere but had “FOMO” about not being with her friends, so she switched over in the brief lull between sirens.

Martine Berkowitz, a friend of Graber’s, also said the community around her was what made the disruption feel manageable. Sirens kept interrupting even basic tasks, she said, including her attempt to take a shower, which she tried five times.

“My friends live on my corner, so I’m doing great. We’re all together all the time,” she said. During the last Iran flare-up in June, she didn’t have that kind of built-in circle nearby, she said. “Being alone then was really rough.”

The mood wasn’t confined to Jaffa. Across the country, similar scenes played out in shelters and spread on social media, including one from Nachlaot in Jerusalem of people singing “For the Jews There was Light and Joy,” a Purim song marking the story’s turn after Haman’s plot to kill the Jews was thwarted. The parallel to the current moment, as the Jews once again sought to topple a Persian rule who had called for their death, was not lost on anyone.

In a sprawling underground parking lot turned shelter at Dizengoff Center in central Tel Aviv, Shabbat prayers gave way to dancing and songs of “Don’t Be Afraid, Oh Israel” and “Am Yisrael Chai.” Saul Sadka, who was there, posted a video of the revelers, captioning it “joy and stoicism.”

Sadka later said he was struck by the “sense of solidarity,” and noted that it was Shabbat Zachor, when Jews read the passage about Amalek, a nemesis that they are commanded never to forget. “People seem willing to suffer for a while if it means the defeat of the IRGC,” he said.

Another bomb shelter in Tel Aviv struck a less pious tone, turning into a makeshift night club with red lights, a DJ and people dancing.

In one video, one of hundreds of comedic shelter clips circulating online, a comedian quipped, “The nation of Israel lives” — but only as long as the shelter “has wifi and the iPads have battery.”

Natalie Silverlieb was in the mamak, the communal reinforced safe room on her building’s floor. She said the logistics of repeated alerts had become harder since she became a mother.

“Doing this with a baby is crazy,” she said. The room was packed, including other babies and dogs, and she and her partner tried to follow a system that would get their baby back to sleep quickly.

“I’m so, so, so exhausted,” she said. “When I was doing this on my own the last time, I could at least come back to my apartment and just lay on the couch. But now there’s no laying on the couch. It’s go, go, go.”

For Silverlieb, the uncertainty of the past few weeks hadn’t disappeared so much as changed shape. “The waiting for it to end is more stressful than the waiting for it to begin,” she said. “I just hope it ends quickly. It’s a lot, period.”

In a nearby grocery store, another siren, the 30th or so in as many hours, sent shoppers scrambling. In the residential building next door, the shelter downstairs was decrepit and doorless. Children played limbo with a strip of red cloth. One woman began pitching HAAT, a new, mostly Arab-run delivery service she said was giving Wolt a run for its money. A few people pulled out their phones to download the app, trading jokes about whether it would deliver to shelters, and during sirens. Because it is Ramadan, Muslims in Israel are doubly on edge, from fasting on top of the missiles.

Sasha, who lives in the building, said she was “half happy” the waiting was over. The repeated dashes up and down the stairs, she joked, were at least getting her to her daily goal of 10,000 steps. Still, she said, it “won’t help us if the [Iranian] regime doesn’t fall.”

A Ukrainian who grew up under Soviet rule, taught her what it meant to live without freedom, she said. “We want to see the Iranian people free and a better Middle East for everyone.”

Evyatar said he doubted the regime would fall “unless the Iranian citizens themselves finish the job.”

Ma’or, another neighbor, said he would “happily sit in my bomb shelter if it meant giving my Iranian friends, both in Iran and out, a chance at a normal life.” He pointed to a friend in Tehran who works as a tattoo artist, an illegal trade under the regime.

“I mean, he’s not even free to give someone a tattoo without going underground,” he said. “I’m baffled by the people cheering [on] the IRGC. People who say this war is illegal are out of their goddamn minds.”

Evyatar said he began Saturday uneasy, but grew calmer as the hours passed and he gauged the pattern of the strikes. The alerts came far more often than the 12-day war, but the blasts felt less intense. “At the beginning I felt scared, like it was June all over again.” Over time, he said, he has learned to tell the difference between the sounds of interceptions, shrapnel and direct impacts.

As he spoke, a loud boom hit outside, rattling the shelter and stopping the conversation. “That, for example, was a June sound,” he said.

It turned out to be shrapnel coming down not far away. The impact was part of a wider series of strikes across central Israel, including one that turned lethal in Beit Shemesh, west of Jerusalem, when a public bomb shelter was hit. Nine people were killed including multiple from the same family. Dozens more were wounded, and others still were unaccounted for.

In Beit Shemesh, the strike changed the atmosphere in a city that had so far heard only occasional sirens, during both this round and the last one.

Netanel Alkoby, a Beit Shemesh resident who spent 12 years in the reserves with the Home Front Command, said he has always taken alerts seriously, but that over time a degree of complacency still set in. The strike, he said, “changed our perspective a lot,” forcing him to be more careful, more on guard, and to treat every warning “with the utmost seriousness.”

In the underground shelter at Wolfson Medical Center in Holon, a sign overhead read “the safest shelter in existence.” Patients hobbled in, some with casts and crutches. With doctors also sheltering there, patients used the moment to buttonhole them with questions.

One staffer watched a line of women form to speak to a physician. “Poor thing, he can’t even enjoy the siren in peace,” she said.

Back in the central Jaffa shelter, a couple in black leather and dark glasses stood apart from the banter around them.

“Any fear and terror that Israeli citizens are feeling right now is a direct result of this violent racist Islamophobic power hungry greedy fascist government,” said the woman, who declined to give her name, referring to the Netanyahu-led coalition.

Asked whether she thought attacking Iran was a bad idea, she said: “I think it’s a bad idea to attack anyone in 2026. We teach toddlers not to fight and here we have fully grown men doing this, dooming all of us.”

“It’s time we take the power from aging white men,” she said.

Nearby, Martine Berkowitz agreed — in part. “Yep, they are behaving like toddlers. And they are aging white men. Who are fighting evil brown men. If it brings freedom to Iran then it was worth it. But if it doesn’t, then it was all for nothing.”

The post Yet again, Israel’s public shelters become sites of camaraderie amid steep danger appeared first on The Forward.

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