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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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The post A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’ appeared first on Jewish Telegraphic Agency.
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Is supporting peace illegal in Israel? A shocking arrest carries a warning
A Jewish man is wearing his kippah at a local café when an angry customer accosts him. The kippah is against the law, the man is told; the other customer calls the police.
Within minutes, officers arrive. They confiscate the Jewish man’s belongings, and place him in a cell without water for around 20 minutes. He is not allowed to call his wife. Near release, the officers threaten to put him back in the cell if he does not leave the station without his kippah.
The man refuses. And so an officer of the law takes a blade to the man’s sacred religious symbol. “She’d taken my possession, a religious ritual object, something that is very dear to my heart, and destroyed it,” the man said.
This was not Europe in the 1930s. It was Israel in 2026. And it all happened because Alex Sinclair, 53, had a Palestinian flag embroidered onto his kippah.
That Sinclair is a Zionist — his kippah also featured an Israeli flag — meant little to his fellow citizen, or to the police, who have taken an increasingly authoritarian tack against Palestinian symbols.
Israeli censorship of innocuous political expression isn’t new, especially for Palestinian citizens of Israel. But the egregious case of a Palestinian flag being cut off of Sinclair’s kippah shows the predictable consequences for Jews of policies that repress others’ speech in our name. A government that lets officers cut a Jew’s kippah is taking a page out of the playbook of antisemites by defining what it means to be a good Jew who gets to live freely in society
A kippah built for complexity
Sinclair is a Jewish education lecturer at the Hebrew University of Jerusalem. His 2013 book Loving the Real Israel: An Educational Agenda for Liberal Zionism — a finalist for a National Jewish Book Award — argues that Jewish education should be built around principles including complexity, conversation and empowerment.
He has spent his career insisting that you can love a country honestly only if you confront its flaws. As part of that effort, he has worn a kippah bearing both an Israeli and a Palestinian flag for nearly 20 years.
“The reasons behind the kippah are long and complex,” he wrote on Facebook after his detention, “and related to the messy ambivalence of my Jewish-Zionist identity.”
The kippah was, in part, his way of expressing his religious commitment without being folded into assumptions about what a kippah-wearing Jew stands for politically.
His wearing of it has sometimes sparked meaningful reactions from other Israelis, especially Palestinians. Once, a cashier in Sinclair’s neighborhood supermarket told him: “Thank you on behalf of all of us.” Another time, the mechanic fixing his flat tire saw the kippah and burst into tears. Among Jews, the kippah acts as necessary friction in a country sometimes desperate to maintain a smooth narrative.
In a 2024 essay called “The Two Most Important Flags for Liberal Jews Today,” Sinclair argued that the dual flags answer extremism from both Hamas and the Israeli right:
“By portraying the Israeli flag and the Palestinian flag together, we show Hamas and other Palestinian terrorists that we will not give up our country and our national identity, but we show potential Palestinian partners that we accept their national identity and wish to live in security, mutual dignity, and peace with them.”
Cutting the Palestinian flag out of Sinclair’s kippah was the state literally cutting complexity out of acceptable Jewish vocabulary.
The gap between what the law is and what it does
What happened to Sinclair was not a case of bad laws so much as police taking matters into their own hands despite the law.
No Knesset law makes the Palestinian flag illegal in Israel. Israeli legal authorities and courts have repeatedly affirmed the Palestinian flag as protected political expression, while allowing police only narrow authority in cases where there is a high probability of a breach of the peace or genuine suspicion that someone identifies with or supports a terrorist organization
Israel once used the power of the state to discipline Jewish radicals. The country’s first anti-terror law, passed in 1948, was directed at Jews. It was used to designate Lehi, a Jewish paramilitary group that assassinated United Nations mediator Folke Bernadotte because his proposed partition plan was seen as too favorable to Arabs. (This despite the fact that the Swedish nobleman’s “White Buses” operations rescued tens of thousands of prisoners, including Jews, from Nazi camps in 1945.)
Now, police contorted the statutory tradition descended from that law against a Jew for the peaceful connotations of his kippah. Politicians and law enforcement whose beliefs are arguably influenced by extremists like Lehi are abusing their power to harass peaceful citizens of the state.
Foremost among them is National Security Minister Itamar Ben-Gvir. In January 2023, days after being sworn in, Ben-Gvir directed the Israeli police to remove “terror-supporting flags” from public spaces — a directive that in practice included the Palestinian flag. Senior police commanders quickly said that the order was not legally sound. None of that has stopped censorship from happening.
The legal-rights organization Adalah has documented at least 645 people arrested for speech-related offenses since the Hamas attack of Oct. 7, 2023. The overwhelming majority of that number are Palestinian citizens of Israel, many of whom were eventually indicted. By contrast, human rights organization Yesh Din has found that nearly 94% of investigations into settler violence against Palestinians in the West Bank have been closed without indictments.
There was never going to be a firewall
It was always naïve to assume that the coercive apparatus used against Palestinians could be cordoned off from the democracy Jews live in.
Unchecked power, as critics like the Orthodox Jewish philosopher Yeshayahu Leibowitz warned, corrodes everything it touches. A state’s abuses undermine democracy for the citizens in whose name they are carried out.
The Israeli right may object that Hamas and its supporters have used the Palestinian flag in hateful contexts, including in imagery surrounding the Oct. 7 massacre and at rallies celebrating Hamas’s attack. (Hamas has its own, separate flag). That’s true, and it helps explain why many Israelis experience the Palestinian flag as threatening.
But just as the Israeli flag does not mean that every Jew who flies it endorses every action of Prime Minister Benjamin Netanyahu, the Palestinian flag does not mean that every Palestinian who waves it endorses Hamas. Flags, and nations, contain multitudes. Many Palestinians wave their flag out of a sincere desire for self-determination.
“I, like every Israeli, know people who lost loved ones on Oct. 7 or in the war thereafter,” Sinclair himself said. “Hamas is my enemy: an enemy who seeks my destruction, an enemy who is not interested in coexistence.” His kippah does not pretend otherwise.
If officers had cut a Jew’s kippah in any other country in the world, Israeli MK Gilad Kariv noted last week, “there would have been an uproar here in Israel.” He’s right.
Instead, the Israeli police have publicly described what they did to Alex Sinclair as a “clarification process.” That sounds like the bureaucratic vocabulary of a state that no longer trusts its citizens to exercise their rights and liberties. Following his detention, Sinclair filed a complaint with the Department for Internal Police Investigations. He requested compensation for the kippah and a written commitment that he could walk through Modiin without harassment.
“I’m not holding my breath,” he said.
His assessment is haunting: “If we are looking ahead, oh my God, is this what is in store for us?” The answer, if things continue along these lines, is a government that is increasingly authoritarian, deeply insecure and farcical. Days after Sinclair’s detention, Israeli police seized another suspect flag that was red, green, and white at an anti-Netanyahu protest. It was Hungarian.
The post Is supporting peace illegal in Israel? A shocking arrest carries a warning appeared first on The Forward.
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Iran Expected to Ramp Up Chemical, Biological Weapons Programs
Symbolic mock-ups of Iranian missiles are displayed on a street, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 22, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Amid sustained international scrutiny of Iran’s nuclear program, missile development, and regional proxy network, new assessments point to a quieter and more troubling front as allegations grow that Tehran may be expanding work related to chemical and biological weapons capabilities.
According to a new report from the Begin-Sadat Center for Strategic Studies at Bar-Ilan University in Israel, the Islamist regime in Iran may be advancing efforts to significantly develop its chemical and biological weapons programs — a move experts warn would pose serious risks not only to Israel but also to the wider region and the Iranian population itself.
Iran’s chemical and biological research programs allegedly focus on a range of toxic agents, including blister agents like mustard gas, nerve agents such as sarin and Novichok, and substances that attack the lungs or blood and can cause suffocation.
These reportedly also include biological threats such as anthrax, ricin, and botulinum toxins, as well as certain viruses, all of which can cause severe illness or death by disrupting the body’s nervous system, organs, or immune response.
Israeli officials have previously warned that the Iranian government has been developing dual-use chemicals, with both civilian and military applications, and may be channeling them to its regional proxy terrorist forces, raising fears they could be used to intensify proxy conflicts and destabilize the wider Middle East.
Tehran is also suspected of having used such agents to help suppress the nationwide anti-government protests earlier this year, which were violently crushed by security forces in a crackdown that left tens of thousands of demonstrators tortured, imprisoned, or killed.
Similar allegations have repeatedly emerged in the past, adding to a wider pattern of reported abuses against civilians and violations of human rights.
According to a report from Iran International, a medical staff member in Karaj said some detainees released during the January protests had reported body aches, lethargy, weakness, loss of appetite, nausea, and vomiting — all symptoms that may indicate possible drug-related poisoning.
Iran first began developing chemical weapons-related capabilities in the 1980s. In recent years, those efforts have reportedly evolved to include pharmaceutical-based agents and other compounds designed for incapacitation or riot control.
US government assessments have indicated for decades that Iran has been researching and developing chemical agents, including anesthetic compounds designed to incapacitate individuals by targeting the central nervous system.
These reports point to Iran’s academic sector playing a key role in this area, with Imam Hossein University and Malek Ashtar University of Technology — military-linked institutions associated with the Islamic Revolutionary Guard Corps and the Ministry of Defense — reportedly conducting research since at least 2005 into chemical agents designed for incapacitation.
Since the start of the war earlier this year, the Israeli Air Force has carried out sustained strikes targeting sites linked to chemical weapons research, development, and production, aiming to disrupt facilities embedded within Iran’s broader military-industrial infrastructure and associated pharmaceutical-based programs.
Even though Tehran has long denied pursuing chemical or biological weapons and remains a party to the Chemical Weapons Convention, Western governments continue to accuse the regime of violating international norms.
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Germany Reports ‘New Normal’ of Antisemitism as Islamist and Left-Wing Extremist Networks Fuel Rising Threats
Graffiti reading “Kill all Jews” was discovered on a residential building in Berlin-Pankow on April 26, 2026, part of a wave of antisemitic vandalism reported across the German capital over the past week, including swastikas and other hate-filled slogans scrawled on multiple sites. Photo: Screenshot
Germany is confronting what Jewish leaders describe as a “new normal” of antisemitism, with nearly half of Jewish communities across the country reporting incidents and officials warning that Islamist and left-wing extremist networks are driving a surge in hostility amid ongoing Middle East tensions.
According to a new survey released on Friday by the Central Council of Jews in Germany, 46 of more than 100 Jewish communities nationwide have been targeted in antisemitic incidents, underscoring the growing scale and urgency of the crisis.
Among the most commonly reported incidents were verbal abuse, threatening phone calls, hate speech, property damage, and antisemitic graffiti, with 68 percent of respondents saying they feel “very unsafe.”
“Following the explosive rise in antisemitism after Oct. 7, a ‘new normal’ has emerged,” Central Council President Josef Schuster said in a statement, referring to the Hamas-led invasion of and massacre across southern Israel over two years ago.
“A situation in which Jewish communities require constant protection and antisemitism has become normalized as part of the public sphere,” he continued.
In the wake of the recent war with Iran, 62 percent of respondents said their sense of insecurity has further intensified.
“This finding clearly shows that the war in the Middle East was always just a pretext, never a reason for antisemitic attacks and hate speech in Germany,” Schuster said.
Only 35 percent of respondents reported feeling a sense of solidarity and support from broader society, underscoring a widespread perception of isolation.
Even though religious and communal life continues largely with only minor restrictions in most communities, many Jews increasingly avoid displaying visible signs of their identity in public.
“Things that used to be taken for granted — openly wearing religious symbols, walking carefree to the synagogue — are now often accompanied by caution and more conscious consideration. At the same time, the emotional strain has increased significantly,” said one unnamed survey participant, according to the Central Council.
Amid a sharply deteriorating security climate in Germany, officials warn that surging antisemitism and hostility toward Israel are increasingly being driven by Islamist networks and left-wing extremist groups, with threats against Jewish and Israeli communities intensifying nationwide.
According to a study by the Hessian State Office for the Protection of the Constitution, Islamist and left-wing extremist actors are exploiting the Middle East conflict and rising regional tensions to spread antisemitic rhetoric, contributing to an increase in violence and harassment against Jews and Israelis.
The newly released report warns that such antisemitic narratives have become a central mobilizing force since the Oct. 7 atrocities, shaping public discourse and being used to justify acts of violence and intimidation.
“Antisemitism is no longer an isolated phenomenon, but a cross-cutting issue that connects various extremist groups,” the study notes.
After more than two years of escalation, German officials warn that the threat to Jewish life has risen dramatically, with antisemitic hate speech surging as extremist actors deliberately exploit the war in Gaza for propaganda.
The report points to extremist groups merging anti-imperialist ideology with entrenched antisemitic narratives in their propaganda around the Israel–Hamas war, including claims of a “genocide in Gaza,” depictions of the Jewish state as a “colonial power,” and labels such as “child murderer.”
These narratives are being used to justify violence against Israel and to exploit the humanitarian crisis to increase hostility and advance their agenda.
German Interior Minister Roman Poseck, who commissioned the report, warned of a deteriorating social climate, saying that “antisemitic sentiments are becoming increasingly intolerable, even in public spaces.”
“Antisemitism is one of the greatest threats to our social cohesion – especially from Islamism and the left-wing extremist spectrum,” the German official said in a statement.
“I am deeply ashamed of what Jews in Germany have to endure 80 years after the end of the Second World War,” he continued. “We Germans, in particular, bear a lasting responsibility never to forget what happened.”
According to Germany’s Radicalization Monitoring System and Transfer Platform, 45 percent of Muslims under the age of 40 in the country show an inclination toward Islamism — defined as support for Islamist ideas, preference for Sharia-based principles over the constitutional order, and the presence of antisemitic prejudices.
Among those surveyed, 23.8 percent view an Islamic theocracy as the most desirable form of government.
Even though right-wing extremism may be less normalized in mainstream discourse, the study warns it “remains a danger, as antisemitic prejudices and conspiracy myths continue to be deliberately spread there as well.”
The western German state of Hesse has seen a particularly visible surge in antisemitic expression, with chants such as “Child-murderer Israel,” “From the river to the sea,” and “Resistance is international law” heard at pro-Palestinian demonstrations, across social media, and on university campuses.
The study notes that these narratives act as a unifying thread, bringing together Islamist, left-wing, and right-wing extremists who adopt similar rhetoric to reinforce shared enemies and legitimize violence.
Notably, the German Left Party has repeatedly been at the center of controversy and public outrage over its continued use and promotion of anti-Israel rhetoric, reinforcing a recurring pattern of incidents within its ranks that have sparked allegations of antisemitism.
Last year, the party’s youth wing passed an anti-Israel resolution labeling the world’s lone Jewish state a “colonial and racist state project.”
More recently, Andreas Büttner, the commissioner for antisemitism in the state of Brandenburg in northeastern Germany, resigned from the Left Party, citing a rise in antisemitism within the ranks, relentless personal attacks, and a party climate that has become intolerable.
Beyond extremist circles, the report also points to antisemitism extending across segments of society, finding resonance in mainstream discourse where it is often disguised as legitimate criticism of Israel.
“This is shifting the boundaries of what society considers acceptable, normalizing antisemitic thinking while trivializing, legitimizing, and in some cases even glorifying violence against Jews,” the study says.
Earlier this month, the Hesse government introduced new legislation that would criminalize denying Israel’s right to exist, as authorities move to confront a surge in anti-Israel demonstrations and a growing tide of antisemitic rhetoric and attacks that have intensified pressure on Jewish communities across the country.
The proposed legislation would close what officials describe as a legal loophole by explicitly criminalizing the denial of Israel’s right to exist, with penalties of up to five years in prison or a fine, aligning it with existing provisions that punish Holocaust denial.