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A new film brings to life ‘the largest single work of art created by a Jew during the Holocaust’
(New York Jewish Week) — While hiding from the Nazis, the German Jewish artist Charlotte Salomon began a series of autobiographical paintings and texts with a painfully simple description of her aunt, and namesake’s, suicide: “Scene 1: 1913. One November day, a young girl named Charlotte Knarre leaves her parents’ home and jumps into the water.”
Intense and memorable, that image is the launching point for “Life? or Theatre?”, a series of hundreds of gouaches Salomon made between 1940 and 1942. Best described as an “autobiographical play,” it features personal stories illustrated with vibrant paintings and cues for music. Salomon, in her 20s when she made the body of work, called it a “singspiel,” a play with music.
And now, a new film directed by French sisters Delphine and Muriel Coulin, delivers a cinematic representation of her best-known work. “Charlotte Salomon: Life and the Maiden” will make its world premiere at Lincoln Center on Weds., January 18 as a centerpiece of the New York Jewish Film Festival.
The film lies somewhere between cinema and art installation: Aside from a brief opening and conclusion, Salomon’s expressive paintings take up most of the screen time. Sound design brings the paintings to life, as does the music Salomon indicated in her original script, along with text read by the actress Vicky Krieps (“Phantom Thread,” “Corsage”), who plays protagonist Charlotte.
“We didn’t want to make a pure documentary of her,” co-director Delphine Coulin told the New York Jewish Week. “What had never been done was to make a true film with the painting, the music and the text, and to imagine what Charlotte was visualizing when she was painting… Because the neighbors said they could hear her singing while she was painting.”
French sisters Muriel Coulin, left, and Delphine Coulin are co-directors of “Charlotte Salomon: Life and the Maiden.” (Richard Schroeder)
These days, Salomon — who died at Auschwitz at age 26 in 1943 — is something of a cult favorite among art lovers and Jewish historians. In a 2017 New Yorker article, writer Toni Bentley notes that “Life? or Theatre?” is “the largest single work of art created by a Jew during the Holocaust.” She is also sometimes compared to Anne Frank. Critics have noted this comparison does neither artist justice, distinguishing between the youthful directness of Frank’s writing as an adolescent in hiding with the more mature, sophisticated representations made by Salomon as a young artist.
Born in Berlin in 1917, Salomon grew up in a cultured German Jewish family. Her mother died when she was 8. She studied at the German capital’s prestigious Academy of Arts until the Nazis’ rise to power made it impossible for her to continue. In 1938, her father spent a brief period in an internment camp — after his release, he sent his daughter to stay with her grandparents in the south of France, where he hoped she’d be safe.
After Salomon’s arrival at Villefranche-sur-Mer in 1939, her grandmother attempted suicide and eventually died. Only then did Salomon learn that her mother had died by suicide as well, and that the women in her family had a history of depression (though it isn’t covered in the film, there is some evidence that her grandfather may have been abusive).
In “Life? or Theatre?” Salomon writes: “My life began when my grandmother ended hers, when I learned that my mother too had ended her life, and that deep down I felt the same predisposition to despair and death. I thought to myself: either I kill myself too, or I create something really crazy and extraordinary.”
For the next two years, Salomon did just that, creating some 1,300 paintings about her life in exile. She accompanied these paintings with text and musical cues that included Bach, Schubert, Mahler and the German anthem “Deutschlandlied,” creating an entire multimedia body of work.
As the Nazi grip tightened in France, Salomon, realizing the danger she faced, brought a box containing all her paintings to a friend, the town’s doctor. The film recounts what she tells him: “Take care of it. This is my whole life.” Just weeks later, Salomon, five months pregnant, was sent to Auschwitz, where she died on Oct. 10, 1943.
While Salomon’s work includes depictions of Nazis, antisemitism and persecution, the majority of “Life? or Theater?” — and therefore the film — is dedicated to the explosive inner life and autobiography of its creator. She explores suicide, Freudian lust, psychological distress, music, philosophy and her own artistic impulses.
Yet “Life? or Theatre?” is unmistakably a product of its time, and as such the film includes historical images of Hitler’s rise. Though the French filmmakers don’t identify as Jewish themselves, Delphine said that she and her sister have some Jewish family, and she noted the film’s content is more relevant than ever. “Antisemitism never did end, but now in France and in Europe, it is stronger and stronger than ever, since 1945,” she said. “We really see it and we talk to it nearly each day. We can’t ignore it.”
“With all these strange times we’re living in, Charlotte gives you strength, because she really crossed the times with a strong belief in art and love,” she added.
The film ends with astonishing footage from the early 1960s of Salomon’s father and stepmother, who survived hiding in the Netherlands, looking through their daughter’s paintings as they are interviewed about her. “I was surprised when I discovered her work,” says her father Albert Salomon. He had known nothing of his late daughter’s project until the couple visited Villefranche-sur-Mer after the war, hoping to find some traces of Charlotte’s life.
“The work is very, very vivid — very expressive of life in all its aspects,” said Delphine of Salomon’s art — and the Coulin sisters, in turn, were inspired to bring the work to a broader audience. In 2019, Muriel directed her first theater piece, “Charlotte,” a rendition of Salomon’s work for the stage that played in Paris at the Théâtre du Rond Point. When the COVID-19 pandemic shut down the production, the Coulins transposed their medium to film.
Delphine added that they were also drawn to what she called the “poignant story” of Salomon’s brief life, now immortalized by her singular creative impulse in the face of adversity.
“In difficult times — and her times were probably the most difficult times ever — she really believed in art,” she said. “How art makes you survive. How it can give you a piece of eternity. We wouldn’t speak about her this way if she had not been able to make this wonderful work.”
“Charlotte Salomon: Life and the Maiden” will screen on Weds., January 18 at 12:00 p.m. and 6:00 p.m. at the Walter Reade Theater at 165 West 65th St. For additional information on the New York Jewish Film Festival, which runs through Monday, January 23, click here.
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TikTok Removes Videos by Antisemitic Polish Lawmaker After Hate Speech Complaint
Grzegorz Braun, member of far-right political alliance Confederation, speaks during a session at the Parliament in Warsaw, Poland, Dec. 12, 2023. Photo: REUTERS/Aleksandra Szmigiel
TikTok has removed six videos posted by a Polish far–right politician best known for provoking international outrage by using a fire extinguisher on Hanukkah candles in the country’s parliament, an anti-racism organization said on Wednesday.
Once viewed by many Poles as a fringe extremist, Grzegorz Braun has become an increasingly important figure in right-wing politics, with his Confederation of the Polish Crown party regularly polling in double digits.
Those numbers could give it a say in the formation of a future coalition, but Braun’s antisemitism and aggressive social media stunts have led the government to say his party may be banned, while the leader of opposition nationalists Law and Justice (PiS) has ruled out working with him.
Rafal Pankowski, from the “Never Again” Association, which advises social media companies on eliminating hate speech and flagged the videos to TikTok, said the films, including one about the Hanukkah candles, were just the “tip of the iceberg.”
“There is simply a whole lot of such material, such content, which is evidently saturated with hostility, primarily towards Jews and often also towards various other minorities … I think that the worst thing in all this is that there is this element of glorification, incitement to violence,” he said.
TikTok confirmed that it had removed certain videos for violating its rules on hate speech.
A spokesperson for the Confederation of the Polish Crown did not immediately respond to an emailed request for comment. Braun has said he is trying to protect predominantly Catholic Poland from the influence of Jews and Ukrainians.
Pankowski said the “Never Again” Association had reported more of Braun’s films to TikTok.
From launching into an antisemitic tirade outside the site of the Auschwitz-Birkenau camp, where Nazi Germany killed more than 1.1 million Jews, to tearing down Ukrainian flags or demolishing exhibitions about LGBT rights, Braun’s actions have outraged many Poles but have also generated significant publicity.
Braun, a Member of the European Parliament, has had his immunity from prosecution lifted by the legislature. Polish prosecutors have charged him with seven offences including public disorder and offending religious sentiments.
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Clashes in Syria’s Aleppo Deepen Rift Between Government, Kurdish Forces
A woman carries her child as she flees, following renewed clashes between the Syrian army and the Syrian Democratic Forces (SDF), in Aleppo, Syria, Jan. 7, 2026. Photo: REUTERS/Karam al-Masri
Fierce fighting in Syria’s northern city of Aleppo between government forces and Kurdish fighters drove thousands of civilians from their homes on Wednesday, with Washington reported to be mediating a de-escalation.
The violence, and statements trading blame over who started it, signaled that a stalemate between Damascus and Kurdish authorities that have resisted integrating into the central government was deepening and growing deadlier.
Deadly clashes broke out on Tuesday between Syrian government troops and the Kurdish-led Syrian Democratic Forces (SDF).
After relative calm overnight, shelling resumed on Wednesday and intensified in the afternoon, Reuters reporters in the city said.
A spokesperson for Aleppo‘s health directorate told Reuters that four civilians had been killed on Tuesday and more than two dozen wounded on Tuesday and Wednesday. Security sources separately told Reuters that two fighters had also been killed.
The health directorate said there were no civilian fatalities on Wednesday, and that it was not authorized to comment on deaths among fighters.
By Wednesday evening, fighting had subsided, the Reuters reporters said. Ilham Ahmed, who heads the foreign affairs department of the Kurdish administration, told Reuters that international mediation efforts were underway to de-escalate. A source familiar with the matter told Reuters the US was mediating.
THOUSANDS OF CIVILIANS FLEE
The directorate for social affairs said on Wednesday night that more than 45,000 people had been displaced from Aleppo city, most of them heading northwest towards the enclave of Afrin.
The Syrian army announced that military positions in the Kurdish-held neighborhoods of Sheikh Maqsoud and Ashrafiyah were “legitimate military targets.” Two Syrian security officials told Reuters that they expected a significant military operation in the city.
The government opened humanitarian corridors for civilians to flee flashpoint neighborhoods, ferrying them out on city buses.
“We move them safely to the places they want to go to according to their desire or to displaced shelters,” said Faisal Mohammad Ali, operations chief of the civil defense force in Aleppo.
The latest fighting has disrupted civilian life in what is a leading Syrian city, closing the airport and a highway to Turkey, halting operations at factories in an industrial zone and paralyzing major roads into the city center.
The Damascus government said its forces were responding to rocket fire, drone attacks, and shelling from Kurdish-held neighborhoods. Kurdish forces said they held Damascus “fully and directly responsible for … the dangerous escalation that threatens the lives of thousands of civilians and undermines stability in the city.”
During Syria’s 14-year civil war, Kurdish authorities began running a semi-autonomous zone in northeast Syria, as well as in parts of Aleppo city.
They have been reluctant to give up those zones and integrate fully into the Islamist-led government that took over after ex-President Bashar al-Assad’s ousting in late 2024.
Last year, the Damascus government reached a deal with the SDF that envisaged a full integration by the end of 2025, but the two sides have made little progress, each accusing the other of stalling or acting in bad faith.
The US has stepped in as a mediator, holding meetings as recently as Sunday to try to nudge the process forward. Sunday’s meetings ended with no tangible progress.
Failure to integrate the SDF into Syria’s army risks further violence and could potentially draw in Turkey, which has threatened an incursion against Kurdish fighters it views as terrorists.
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Israel-Backed Militia Says It Killed Two Hamas Operatives in Gaza
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
An Israeli-backed Palestinian militia said on Wednesday it had killed two Hamas operatives in southern Gaza, marking a renewed challenge to Hamas after Israel empowered its rivals in areas under Israeli military control.
The armed group, known as the Popular Forces, said in a statement it had carried out a raid in Rafah, killing two Hamas members who refused to surrender and detaining a third. It shared a photo that it said depicted one of the slain men.
Hamas, which brands such groups as “collaborators,” declined to comment on the claim, which Reuters couldn’t independently authenticate. Rafah sits in territory under Israeli control under the terms of an October Israel–Hamas deal.
The Popular Forces, founded by an anti-Hamas armed Bedouin leader, Yasser Abu Shabab, is believed to be the largest group operating in Israel-controlled areas.
Abu Shabab was killed in December in what the group described as a family feud. He was replaced by his deputy Ghassan Duhine, who vowed not to let up in the fight against Hamas, the terrorist group that has ruled Gaza for nearly two decades. The Popular Forces and others have reported more recruits since the October deal took effect.
The emergence of the groups, though they remain small and localized, has added to pressures on Islamist Hamas and could complicate efforts to stabilize and unify a divided Gaza, shattered by two years of war.
Nearly all of Gaza‘s two million people live in Hamas-held areas, where the group has been reestablishing its grip and where four Hamas sources said it continues to command thousands of men despite suffering heavy blows during the war.
But Israel still holds well over half of Gaza – areas where Hamas‘s foes operate beyond its reach. With US President Donald Trump’s plan for Gaza moving slowly, there is no immediate prospect of further Israeli withdrawals.
Prime Minister Benjamin Netanyahu acknowledged Israeli backing for anti-Hamas groups in June, saying Israel had “activated” clans. Israel has given little detail since then.
The Popular Forces deny receiving support from Israel.