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Advocates for Netanyahu’s judicial reforms are increasingly pressing their case in English
(JTA) — The video gives a “Schoolhouse Rock” vibe: Cartoon figures climb the names of the three branches of the U.S. government — “legislature” at the base, “judiciary” at the top and “executive” sandwiched in the middle — as part of a lesson on governance.
But while the video is in English, the government it refers to is not American but Israeli. And the video was produced not by an educational television company but by the Kohelet Policy Forum, a think tank that is widely understood to have influenced the rightward shift within Israeli politics.
The video’s release on Twitter Wednesday appears to be part of a wave of efforts to sell one particularly controversial aspect of that shift — proposed reforms to Israel’s judiciary — to skeptical English speakers. While the many critics of the proposed changes say they would bring Israel out of line with other democracies, all of the English-language efforts press the case that the opposite is true.
“The reforms in progress will address the anomalies of the Israeli system and bring Israel just a few steps closer to the rest of the Western democracies,” concludes the Kohelet Forum video, which features a caped jurist superhero.
Israel’s judicial reform: strengthening democracy pic.twitter.com/k4rL88NlaU
— פורום קהלת Kohelet (@KoheletForum) January 25, 2023
Israeli Prime Minister Benjamin Netanyahu has forcefully defended the proposed changes, which include allowing the parliament to overrule the Supreme Court and would have the added benefit of insulating himself from his ongoing corruption prosecution. But he appears to have underestimated opposition to the reforms, which has come not just from liberal Israelis and American Jews but from traditionally nonpartisan think tanks, legal scholars and even right-leaning Americans.
Unlike some of the other changes called for by members of Netanyahu’s governing coalition, which includes far-right extremists and religious parties, the judicial changes are raising questions about core values held by most pro-Israel American conservatives: that Israel is a democratic oasis in the Middle East and that business savvy is an Israeli strength. Foreign investors and international credit agencies have both signaled that if the reforms go through, they will downgrade their estimation of the country.
“The conservative right was with [Netanyahu] and now he seems to be riding the tiger of the radical right,” David Makovsky, a fellow at the Washington Institute for Near East Policy, said in December on the day the government was sworn in, before it had begun turning its ideas into policy proposals. “And I think that is bound to alienate the very people who counted on him being risk-averse and to focus on the economy.”
In a notable symbol of this shift, Bret Stephens, the New York Times columnist who has been a staunch defender of Netanyahu, publicly broke with him on Wednesday, writing that the judicial reforms convinced him that the prime minister had “moved along the current of illiberal democracy whose other champions include Hungary’s Viktor Orban and Brazil’s Jair Bolsonaro.” Meanwhile, Alan Dershowitz, the constitutional lawyer who is usually a stalwart supporter of Israel, has also criticized the reforms.
“It’s a high bar for conservatives in contemporary American politics to criticize Israel, but there have been some cracks,” said Scott Lasensky, who teaches on U.S.-Israel relations at the University of Maryland.
Whether the English-language defenses emanate from any kind of coordinated public relations strategy is unclear. But Lasensky said Netanyahu may feel that he needs to explain why he is dismantling the judiciary to American conservatives, who cherish a judicial system independent of the pressures of successive liberal Democratic administrations.
“American conservatives have a majority on their courts — they don’t want to change their courts,” he said.
It’s unlikely that the Kohelet video will reach an audience anywhere the size that Stephens has. But another defense of the judicial reforms released this week certainly can: that made by Ben Shapiro, the American Jewish right-wing pundit with more than 20 million followers across platforms, on his Daily Wire podcast, which says it has more than 1 million paid subscribers.
“They want the judges of the Supreme Court to be appointed by the prime minister and approved by the Knesset, which sounds like the system in the United States,” Shapiro said in the segment. “They want to ensure, because Israel does not have a constitution, that the Supreme Court will not be able to come up with a constitution in a move of judicial dictatorship. … It’s ridiculous.”
Netanyahu briefly shared a video of Shapiro’s comments on Twitter before his tweet was removed. The version that Netanyahu shared features Hebrew subtitles as well as a message from the person who made it suggesting that Shapiro — who spoke in Israel for the first time last summer — can convince Israelis and Americans alike: “Ben Shapiro supports the judicial reform and not just that he explains why. Watch and join in.”
In yet another English-language defense of the proposed judicial reforms, Tablet, the online Jewish magazine that is known for airing conservative and often inflammatory ideas, published an essay by Gadi Taub, a prominent Israeli conservative.
“The press has got it backwards. Yariv Levin, Netanyahu’s new justice minister, is not out to destroy democracy,” Taub wrote in the essay published Wednesday. “He is out to restore it.”
The English-language defenses are particularly notable given Netanyahu’s longtime boast that he does not care about winning over Americans to his domestic agenda. But Josh Block, a former spokesman for the American Israel Public Affairs Committee, said Netanyahu is interested in having Americans be convinced that he is driving changes, not the extremists with whom he is aligned in government.
“He clearly feels the need to try to reassure people across the political spectrum in the United States, that he’s in charge of his government,” said Block, who is now a fellow at the conservative Hudson Institute. “That the decisions that will be made rest with him and not with people who are subordinate to him, who may have ideas that are anathema to some of us in the United States.”
Netanyahu may be sensitive to a major criticism of his immediate predecessors, Naftali Bennet and Yair Lapid, who accused the current prime minister of alienating Israel’s most important ally, said a former senior U.S. official who dealt with Israel policy.
“It cuts against one of the arguments of the opposition that these reforms, or this plan, will weaken Israel’s standing in the community of democracies, including its relationship with the United States,” said the official, who asked for anonymity to speak candidly. “‘Well, look, there are Americans who are endorsing it and saying good things about it,’ Bibi can say.”
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
The post Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel appeared first on The Forward.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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