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Amid criticism, Columbia University announces a new research center in Tel Aviv
(JTA) — Columbia University has announced that it will launch a “Global Center” in Tel Aviv amid dueling letters from faculty supporting and opposing the decision.
The university’s Global Centers act as hubs for local scholars and researchers to work with the New York City school’s faculty, students and alumni to study and address a range of local and global issues. The center in Tel Aviv will join 10 others across the globe.
The Tel Aviv Global Center will enable the university “to connect with individuals and institutions, as well as with the alumni community in Israel, drawing them closer to the ongoing life of the University,” Columbia President Lee C. Bollinger said in a statement Monday. He added that the center will focus on climate change, technology, entrepreneurship, arts, the humanities, biology, health and medicine.
Columbia already has ties to Tel Aviv through Tel Aviv University, with which it began a dual degree program in 2019, despite also facing faculty and student objections.
For decades, Columbia has been the site of heated debate among both faculty and students over the Israeli-Palestinian conflict, and in the months leading up to the announcement, a group of Columbia faculty urged the school to halt plans for a center in Tel Aviv. In February, law professor Katherine Franke began circulating an open letter against the center, which as of Tuesday morning had received 95 faculty signatures, according to the Columbia Daily Spectator, a student publication.
The letter references accusations of Israeli human rights violations, as well as the policies of Israel’s governing coalition, which includes far-right parties and which has put forward a proposal for a judicial overhaul that has led to massive street protests and upheaval in the country.
“We are particularly concerned that Columbia University would take the bold step of opening a Global Center in Tel Aviv at this particular moment, with the newly seated government that is widely, if not almost universally, regarded as the most conservative, reactionary, right wing government in Israel’s history,” the letter reads. “For Columbia to preemptively invest in a new Global Center in Israel at the very moment when the domestic and international community is pulling away as part of a concerted and vehement objection to the new government’s policies would render Columbia not only an outlier, but a collaborator in those very policies.”
While the letter notes broadly that Global Centers have served as a “liberal academic footprint” in other countries with restrictive regimes, it does not reference the individual human rights records of any of the other countries where the centers are located. The 10 existing centers are in Amman, Jordan; Athens, Greece; Beijing; Istanbul; Mumbai, India; Nairobi, Kenya; Paris; Rio de Janeiro; Santiago, Chile and Tunis, Tunisia.
The letter also argues that Israel would ban Columbia alumni and affiliates based on their citizenship, identity and politics.
Franke herself was barred from Israel in 2018, along with attorney Vincent Warren of the Center for Constitutional Rights, based on accusations that they supported the Boycott, Divestment and Sanctions movement, or BDS, against Israel. Both denied the accusations at the time, according to Haaretz. Around that same time, according to an opinion column by Roger Cohen in The New York Times, Bollinger was in Israel to discuss plans for the Global Center.
The letter also notes “substantial concern about the power of donor money to direct major decisions, such as the establishment of this Global Center in Tel Aviv, in lieu of consultation with the faculty.” The letter does not name any specific donors or detail how the alleged donor pressure was deployed.
In response to the opposition letter, faculty supporters of the Tel Aviv Global Center composed their own statement. They argue that the centers are independent of their governments’ host countries and do not signal approval or disapproval of each country’s government.
“The decision to locate a center in all of these countries was never determined by political considerations, but rather to enhance Columbia as a global research university,” the statement reads. “For a country its size, Israel has an unusually rich infrastructure of universities and other scholarly, cultural, religious, scientific, technological, legal, and artistic resources that have intellectual connections to every school at Columbia University.”
The statement of support, signed by more than 170 full-time faculty, was written by political science professor Ester R. Fuchs; Nicholas Lemann, dean emeritus of the Columbia Journalism School; David M. Schizer, dean emeritus and professor at the Columbia Law School and law professor Matthew C. Waxman.
The supportive letter says that Israel has a better human rights record than other countries that host the university’s centers — such as China or Jordan — and adds that many signatories do not approve of Israel’s current government.
“One does not have to support the policies of the current government of Israel — and many of us do not — to recognize that singling out Israel in this way is unjustified,” the letter says. “To apply a separate standard to Israel — and Israel alone — would understandably be perceived by many as a form of discrimination.”
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The post Amid criticism, Columbia University announces a new research center in Tel Aviv appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
