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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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The post An ahead-of-its-time klezmer album will be performed live for the first time appeared first on Jewish Telegraphic Agency.
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Why the ‘No Kings’ marches reminded me of Germany in 1933
Germany’s parliamentary election on March 5, 1933 was the most fateful in the nation’s history, securing Hitler’s hold on power and launching 12 years of despotic rule and, eventually, a world war.
Like Germany nearly a century ago, as the United States enters the campaign season for our midterm elections, we too stand at destiny’s threshold. The outcome will determine whether Donald Trump can continue his assaults on democratic institutions, or whether he is checked by a Congress he has rendered virtually powerless since beginning his second term.
The moods of Germans in the spring of 1933 and Americans in the spring of 2026 are strikingly similar — a shroud of foreboding hangs over defenders of democracy. Yet beneath the gloom runs a pulse of defiance. In the United States, that defiance took visible form this past Saturday, when millions joined anti-Trump No Kings marches and rallies across the country.
As impressive as the Saturday protest was, America’s protectors of the republic would do well to heed what happened in Germany in the run-up to the two parliamentary elections of 1932 and the Weimar Republic’s final parliamentary election in March 1933 — moments when democratic hopes briefly rose, only to be extinguished.
In America under Trump, Indivisible has emerged as the most visible national organization in the anti-Trump resistance. During the Weimar Republic, its counterpart was a broad pro-democracy coalition called the Reichsbanner, led by the Social Democrats. Over the past century, memory of the Reichsbanner has nearly vanished, which is a shame given its dauntless devotion to democracy in the face of constant danger.
During the Weimar Republic’s final election campaigns, multitudes of Germans — rank upon rank, singing and chanting — marched through Berlin and other cities and towns across the country, gathering at rallies where orators denounced the fascists and vowed to defend the republic.
“1932 will be our year, the year of final victory of the republic over its enemies,” declared Karl Höltermann, the Reichsbanner’s national leader.
As the Weimar Republic was attacked by extremists on the right and left in its early years, and after Hitler’s abortive Beer Hall Putsch in 1923, the Social Democrats, the German Democratic Party, and the Center Party joined forces in 1924 to create a pro-republic defense organization, which they called the Reichsbanner.
In 1931, the Nazis, the German National Peoples’ Party, the veterans’ association Stahlhelm, and other anti-democratic forces joined to form the Harzburg Front. The Reichsbanner and its allies countered by marshaling Germany’s democratic constituencies — workers, veterans, liberals, Catholics — into a coordinated force known as the Iron Front.
As the Great Depression threw millions out of work, street violence intensified, cracks widened, and fragile coalition governments collapsed. The ranks of the Nazi and Communist parties swelled. Votes for Nazi candidates in the July 1932 election more than doubled — from 6.4 million to 13.1 million — making Hitler’s party the largest in the Reichstag with 230 seats, about 100 more than the Social Democrats, although short of a majority.
Enthusiasm for Hitler waned as Germany’s economic crisis eased, reflected in the November 1932 election. The Nazi bloc fell from 230 to 196 seats. It was a blow, but they remained the largest party.
The Reichsbanner’s years of defending democracy hurtled toward an ignominious end as Hitler used the burning of the Reichstag as a pretext to suspend civil liberties, the Nazis won a slim majority of parliamentary seats in coalition with the Nationalists in the March 5, 1933 election, and the last nail was driven into the republic’s coffin 14 days later when the parliament voted to give Hitler complete power.
During these tumultuous months defenders of democracy were intimidated, beaten, murdered and tortured, and many wound up in concentration camps, including Reichsbanner members. Höltermann fled to Britain, where he lived out the rest of his life in exile, dying in 1955.

This past Saturday’s No Kings protests looked nothing like the anti-Hitler demonstrations led by the Reichsbanner nearly a century ago. But the posters carried by anti-Trump activists, their anti-fascist slogans, the frogs, unicorns and other creatures cavorting among the marchers, and above all, the dauntless defiance, all came from the same impulse that drove the defenders of the Weimar Republic.
As in communities across the nation, Saturday’s rally and march here in Portland, Ore. was truly impressive. There were so many people in the march that they simultaneously filled two bridges spanning the broad Willamette River dividing downtown from the east side.
A drum corps of anti-Trump activists was so precise in close-order drill that they might have surprised out-of-town visitors who think of Portland as a hipsters’ paradise. But the Portlandia stereotype was rescued by a guy on a unicycle riding in front of the drum corps — wearing a frog costume and juggling tennis balls.
Equally striking were three 13-foot puppets created by an Indivisible Oregon arts team and towed along the parade route — Donald Trump stuck in an oil barrel and holding a Boeing 747 in one of his tiny hands, Stephen Miller dressed as Dracula, and RFK Jr. as a mad scientist with a giant worm coming out of his head.
Although the Saturday nationwide protests appeared peaceful, confrontations broke out that night outside Portland’s ICE facility and at the Los Angeles Metropolitan Detention Center. Federal officers in Portland used tear gas to move protesters away from the gates, and in Los Angeles, authorities arrested dozens during a brief clash outside the detention center.
What’s next?
Indivisible co-founder Ezra Levin — sort of a Karl Höltermann of the 21st century — said plans are in the works for a general strike on May 1 to protest government policies that favor billionaires over workers. It is an idea inspired by a January 2026 general strike in Minneapolis, shuttering more than 700 businesses, to demand a halt to an escalation of federal immigration enforcement that led to the shooting deaths of two activists. Labor unions, religious organizations, community advocacy groups, teachers and students were among those involved.
“The next major national action of this movement is not just gonna be another protest. It is a tactical escalation,” Levin said at the No Kings rally in Saint Paul. “It is an economic show of force, inspired by Minnesota’s own day of truth and action,” .
I wish Levin well. But I worry.
General strikes are extremely rare in the United States. And there are reasons for that. Before Minneapolis, the last one occurred in Oakland, Calif., in 1946, when 100,000 workers staged a two-day walkout. Over the decades, as labor muscle has weakened, general strikes have become more difficult to organize. While workers have the right to strike, the Taft-Hartley Amendments of 1947 prohibit strikes organized for political purposes or directed at secondary targets..
A nationwide general strike in Germany in 1920 indicates some potential pitfalls.
In March 1920, when right-wing officers attempted to overthrow the republic in the far-right Kapp Putsch, the nation’s democratic forces responded with a general strike so vast that it quickly brought the coup to its knees. But the victory came at a steep price. Instead of unifying Germans around the defense of their republic, the strike widened the fissures already running through the nation.
As I was riding the bus to Portland’s protest on Saturday, I thought back to Karl Höltermann and the Reichsbanner. And I reflected on this fact: Germany’s anti-Hitler movements failed because not enough Germans thought democracy was worth preserving. Back then, democracy was not a historic tradition in Germany, unlike our 250 years of experience.
If we rescue our democracy, it will be because enough of us chose to.
The post Why the ‘No Kings’ marches reminded me of Germany in 1933 appeared first on The Forward.
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Outrage First, Facts Later: Jerusalem’s Palm Sunday Story
Pope Leo XIV delivers a homily during the Palm Sunday Mass in Saint Peter’s Square at the Vatican, March 29, 2026. REUTERS/Francesco Fotia
News that Israeli police had blocked Latin Patriarch Cardinal Pierbattista Pizzaballa from entering the Church of the Holy Sepulchre in Jerusalem on Palm Sunday spread rapidly across social media this week.
The reaction was swift and severe, with Israel accused of restricting Christian worship and violating religious freedom at one of Christianity’s holiest sites.
But much of the outrage was missing key facts.
Israeli police, along with the Prime Minister and President, said the measures were driven by security concerns at Jerusalem’s holy sites during wartime.
With Iranian missile fire ongoing and fragments already landing near religious locations, authorities cited the risk of mass casualties in an area with limited shelter and difficult emergency access.
The decision, they said, was about protecting both the cardinal and worshippers.
What was also largely overlooked is that the situation was quickly resolved.
Following coordination between Israeli authorities and the Catholic Patriarchate, an agreement was reached allowing prayer under agreed limitations, and access was restored.
There is room to criticize what was, at best, a clumsily handled situation that should have been resolved before escalating publicly. But there was no evidence of malice — only an attempt to enforce safety regulations under wartime conditions.
That context, however, was almost entirely absent from the viral narrative.
Pro-Palestinian accounts on X portrayed the incident as a deliberate act against Christians. Some framed it as persecution; others as proof of systematic religious discrimination.
One widely shared post by Quds News Network claimed Israel had prevented the cardinal from entering the church with no reason given, omitting any reference to security measures or crowd control, and reinforcing the perception of deliberate obstruction.
Israeli police just prevented Roman Catholic cardinal Pierbattista Pizzaballa from entering the Church of the Holy Sepulchre in occupied Jerusalem to hold the Palm Sunday service, which marks the beginning of the Catholic Easter observances. pic.twitter.com/WNvcGsLfh5
— Quds News Network (@QudsNen) March 29, 2026
In another post, Palestinian writer Mosab Abu Toha — previously criticized for disparaging Israeli hostages in Gaza — cast the incident as part of a broader pattern of restrictions on worship, again without mentioning the security rationale cited by Israeli authorities.
Israel is preventing Christians from celebrating one of the holiest days in Christianity for the first time in centuries.
Israel must realize that Jerusalem is not its city to decide who enters or leaves.
Al-Aqsa Mosque has been closed to Muslims for over a month, particularly… pic.twitter.com/m4CzE9V2YN
— Mosab Abu Toha (@MosabAbuToha) March 29, 2026
Susan Abulhawa went further, using the incident to promote inflammatory rhetoric about “parasitic Jewish supremacists,” falsely claiming that Jews were granted unrestricted access while Christians and Muslims were barred.
Israel closed the holiest sites to Muslims and Christians, but they’re allowing parasitic Jewish supremacists into the compounds to defile these sites.
Israel must be destroyed for humanity’s sake. https://t.co/PQn46UZ4Qd— susan abulhawa | سوزان ابو الهوى (@susanabulhawa) March 29, 2026
Other commentators, including Ethan Levins, Carrie Prejean, and longtime Israel critic Mehdi Hasan, echoed similar claims — all reinforcing the same stripped-down narrative: denial of access, devoid of context.
For the first time in centuries, Christians were blocked by the Israeli government from celebrating Palm Sunday at the Church of the Holy Sepulchre.
The Latin Patriarch of Jerusalem Cardinal Pierbattista Pizzaballa was prevented from entering Church by Israel Police.
The… pic.twitter.com/UJAyUg0Nqw
— Carrie Prejean Boller (@CarriePrejean1) March 29, 2026
Israeli police STOPPED Sunday mass for Palm Sunday.
Israel is the enemy of Christianity. https://t.co/2F1ubfqWaW
— Ethan Levins
(@EthanLevins2) March 29, 2026
Missing from much of the online reaction was the perspective of Cardinal Pizzaballa himself. He stated that he was treated with politeness and emphasized the importance of respectful dialogue moving forward.
Cardinal Pizzaballa: “It is true that the police had said that the orders from the internal command prevented any kind of gathering in places where there is no shelter, but we had not asked for anything public, just a brief and small private ceremony to preserve the idea of the… https://t.co/uGNwus8RAw
— Rich Raho (@RichRaho) March 29, 2026
In reality, Israel faced a difficult choice: allow unrestricted access during Holy Week amid an active war and credible security threats, or impose temporary limitations and face international backlash.
Either option carried consequences. Had a mass casualty event occurred, the criticism would likely have been far more severe.
This is the nature of a lose-lose scenario.
Events in Jerusalem, particularly around religious sites, do not unfold in a vacuum. They are shaped by security realities, historical sensitivities, and the challenge of balancing competing religious claims.
Reducing such incidents to a single viral image strips away that complexity.
The Palm Sunday episode is a case study in how quickly a misleading narrative can take hold when context is omitted, and how rarely subsequent clarifications receive the same attention as the initial outrage.
In the end, the situation was resolved not through outrage, but through dialogue.
That, too, is part of the story.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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The Media Ignores Iran’s Crimes, Because It Wants to See the Regime Prevail
Members of the Islamic Revolutionary Guard Corps (IRGC) attend an IRGC ground forces military drill in the Aras area, East Azerbaijan province, Iran, Oct. 17, 2022. Photo: IRGC/WANA (West Asia News Agency)/Handout via REUTERS
Start with three facts from this past week.
Not rumors. Not slogans. Not social media noise.
Facts — reported in mainstream outlets, documented by international human rights bodies, and, in part, reflected in the regime’s own conduct and admissions.
First, a 19-year-old wrestler — Navid Afkari — was executed by the Iranian regime after a trial widely condemned by international observers. Hung. Killed. His crime: protesting.
Second, officials tied to the Islamic Revolutionary Guard Corps (IRGC) advancing frameworks where children as young as 12 can be integrated into war-support roles — patrols, logistics, internal enforcement. Not speculation. Not anonymous leaks. Positions reflected in both external reporting and Iranian media.
Third, multiple independent investigations — and mainstream media reports — documenting the systematic use of rape and sexual violence by the IRGC and Basij against detainees, particularly protesters, as a tool of repression.
Stop there.
You don’t need embellishment. You don’t need a fourth example. You don’t need a roundtable parsing “context.” What you need is to understand what kind of regime produces all three of these facts consistently, predictably, and without apology.
Because in the Islamic Republic of Iran, these are not aberrations. They are not excesses at the margins of an otherwise functioning system. They are the system.
Authoritarian systems do not need to announce what they are. They demonstrate it. Not in their slogans — which are often framed, for many Western audiences, in the language of justice and resistance — but in what they do to people, particularly their own citizens.
For 47+ years under this Iranian regime, the pattern is direct and repeatable. That is not hyperbole or metaphor. It is a description of how the Iranian regime operates.
And yet — and this is where the second scandal should begin — this regime still receives the benefit of the doubt, if not outright support, in significant parts of Western discourse.
Watch almost any show on MSNBC or CNN and you can hear it happen in real time.
The language shifts. It hedges. Or it flips into outright advocacy.
Iran becomes “complicated.”
The regime becomes “reactive.”
Its brutality is sometimes acknowledged, but immediately diluted with qualifiers — history, geopolitics, grievance. Explanations that are rarely extended to democratic states defending themselves.
And then there is the next tier — those who go further and actively sanitize what is happening as they also effectively cheerlead for this regime in its current war against America, Israel, and every moderate Sunni Arab state in the region.
They do not talk about the crimes happening in Iran, because those facts are disqualifying.
Once stated plainly, without euphemism or ideological filtering, these facts collapse the narrative that these groups rely on to excuse or deflect from the regime’s conduct.
You cannot claim moral seriousness or concern for human rights and dignity while excusing executions of protesters, the integration of children into state security structures, and the systematic use of sexual violence as a tool of repression.
You can argue politics. You can criticize Israel. You can debate foreign policy or military strategy.
But if you ignore or minimize these facts about the Iranian regime, you are not making an argument tied to human rights. You are abandoning it.
There is a sad, long and well-documented history of this kind of intellectual evasion and duplicity.
In the 1930s, Western journalists like Walter Duranty downplayed or denied Stalin’s famine in Ukraine while millions died. Soviet show trials and purges were explained away as internal necessities. In Mao’s China, the Great Leap Forward and Cultural Revolution were rationalized or ignored by sympathetic observers even as tens of millions perished. Later, Pol Pot’s Cambodia was dismissed by some Western voices as exaggerated propaganda until the killing fields could no longer be concealed.
Evidence is available. Documentation exists. But it is discounted, reframed, or ignored because it conflicts with a preferred political narrative.
If you excuse or downplay executions after sham trials, as well as these other crimes, you are providing political cover for a regime routinely and regularly engaged in brutality and systematic repression.
Large parts of the anti-Israel, self-described “pro-Palestinian” movement are not engaged in a human rights campaign. They are engaged in a selective political project that ignores abuse when it is inconvenient and amplifies (and lies about) it when it is useful. If human rights were the standard, the Iranian regime would be at the center of their outrage. It isn’t.
And that tells you everything you need to know.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, Zionism, antisemitism, and Jewish history. He serves on the board of Herut North America.
