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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Britain to Legislate to Tackle Threats From Hostile State Proxies After Wave of Antisemitic Attacks
Orthodox Jews stand by a police cordon, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay
Britain will legislate to strengthen its ability to deal with proxies for malign state actors, taking powers to make it possible to ban them in light of increased activity in Britain and a rise in antisemitic attacks.
Prime Minister Keir Starmer has said the government has to “deal with malign state actors” in the wake of a series of attacks on Britain‘s Jewish community.
In a speech outlining the government’s agenda, King Charles said it would “introduce legislation to tackle the growing threat from foreign state entities and their proxies,” and would also take urgent action to tackle antisemitism.
POSSIBLE BAN ON THE IRGC?
Several British lawmakers have called for the proscription of Iran’s Islamic Revolutionary Guard Corps (IRGC).
The IRGC is an elite military force whose purpose is to protect Shi’ite Muslim clerical rule in Iran. It controls large parts of Iran’s economy.
While Starmer has not publicly named the IRGC as being the target of the legislation, in an introduction to the King’s Speech, he said that Britain would tackle extremism “including where it is sponsored by foreign powers that are hostile to the UK, such as Iran.”
The move comes after a spate of arson attacks on sites in London linked to the Jewish community and the targeting of Iranian dissidents, with police saying they were examining possible Iran links.
Britain‘s security chiefs have for years warned about threats from “hostile“ states such as Iran, Russia, and China, with a number of convictions of people who had been accused of carrying out spying or other offences on their behalf.
The new law would allow the government to specify state-backed organizations that threaten national security through espionage, sabotage, interference, or other means. A review last year found that Britain‘s existing framework had a legal difficulty in proscribing state entities.
There will be new offenses created for belonging to such organizations or raising support for them, and the government said that collectively the measures would create a “tougher operating environment for foreign intelligence services and their proxies.”
The king’s speech also promised a new National Security Bill which would address those who were fixated on violence and planning mass killings, but were not obviously inspired by a particular ideology.
The new law would aim to criminalize the creation and sharing of the most harmful online material.
As part of an approach to align countering state threats with addressing terrorism risks, the bill would add “polygraph testing as an available license condition for state threat offenders,” the government said.
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‘Shame on Hollywood’: Cannes Jury Member Defends Actors ‘Backlisted’ for Anti-Israel Activism Over Gaza War
Workers set up a giant canvas of the official poster featuring actors Geena Davis and Susan Sarandon from Ridley Scott’s road movie “Thelma & Louise” on the facade of the Festival palace before the start of the 79th Cannes Film Festival in Cannes, France, May 10, 2026. Photo: REUTERS/ Marko Djurica
A jury member of the 79th Cannes Film Festival on Tuesday condemned the Hollywood film industry for “blacklisting” actors who have spoken out against Israel’s military actions in the Gaza Strip during the country’s war against Hamas terrorists controlling the enclave.
At the festival’s jury press conference, Cannes award-winning Scottish screenwriter Paul Laverty mentioned Susan Sarandon, Javier Bardem, and Mark Ruffalo, all three of whom have been outspoken in criticizing Israel’s military campaign against Hamas in Gaza. Sarandon’s character in “Thelma & Louise” is on the official 2026 Cannes poster.
“The Cannes Film Festival [and] the wonderful poster they have,” Laverty said at the end of the press conference on Tuesday, held before the opening of the film festival in France. “Absolutely iconic. Brilliant. And isn’t it fascinating to see some of them like Susan Sarandon, Javier Bardem, Mark Ruffalo blacklisted because of their views in opposing the murder of women and children in Gaza? Shame on Hollywood people who do that. My respect and total solidarity to them. They’re the best of us, and good luck to them.”
“I just hope we don’t get bombed now, because we’ve got this poster in Cannes,” the BAFTA winner added in conclusion.
Sarandon was dropped by her talent agency for castigating Israel while participating in a pro-Palestinian demonstration in New York City in November 2023. At the protest, the Oscar winner accused Israel of war crimes, encouraged others to have the “courage to speak out” in support of Palestinians, and compared the Hamas-led Oct. 7 massacre across southern Israel just weeks earlier to hardships Palestinians endure in Gaza.
She talked about the fallout with her agency during an interview in 2024, saying: “I was dropped by my agency, my projects were pulled. I’ve been used as an example of what not to do if you want to continue to work.” Earlier this year, Sarandon further spoke about being shunned in Hollywood for her views about the Israel-Hamas war.
“I was fired by my agency, specifically for marching and speaking out about Gaza, for asking for a ceasefire. And it became impossible for me to even be on television,” she said at a press conference in February before receiving a career achievement honor at the 40th Goya Awards in Spain. “I don’t know lately if it’s changed, but I couldn’t do any major film, anything connected with Hollywood. I found agents ultimately in England and in Italy, and I work there … I know this Italian director that just hired me — he was told not to hire me, so that’s still recently. He didn’t listen, but they had that conversation. Right now, I kind of specialize in tiny films with directors who have never directed, in independent films.”
At the Cannes jury press conference on Tuesday, Laverty further talked about Gaza in remarks about this year’s film festival.
“You see so much violence, genocide in Gaza and all these terrible things,” he said. “The idea of coming to a festival – which is a celebration of diversity, imagination, tenderness — when there’s such vulgar, vicious, systematic violence. The idea of attending to a festival where there’ll be contradiction and nuance and beauty and inspiration. It knocked me out, to be honest.”
Before the start of the Cannes Film Festival last year, more than 350 members of the film industry — including Bardem, Sarandon, Ruffalo, and Richard Gere — signed an open letter condemning the festival’s “silence” over Israel’s military campaign in Gaza targeting Hamas terrorists.
Emmy-winning actress Hannah Einbinder recently criticized Hollywood’s silence about the Israel-Hamas war during a guest appearance on an episode of Zeteo’s “Beyond Israelism” podcast that was released in full on Tuesday.
“It pisses me off,” said the “Hacks” actress. “Because I’m sitting here with [Algerian-Palestinian activist] Mahmoud [Khalil], who has so much to risk and who has risked so much who has sacrificed so much … And I look at these people who have absolutely every privilege imaginable to mankind and they cannot utter a single word. I guess it makes me naive, but I cannot understand it. I really can’t understand it. And I hear people say that they don’t know enough and I — I don’t, it’s like, OK, so what do you do all day?”
“People in Hollywood, unfortunately, need these issues to affect a white person for them to see it as relating to them,” she stated. “Like, they see Jimmy Kimmel getting taken off the air suddenly, they see Stephen Colbert’s show being canceled by CBS, which is owned by the Ellisons, and they go, ‘How could this possibly happen?’ And it’s like, we know how because we saw students and professors and journalists and authors and Palestinian folks be silenced and fired and expelled and imprisoned … it took it happening to these white men for people to be like, ‘Oh my God.’”
In her acceptance speech at the Emmys last year, Einbinder declared “Free Palestine.”
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Netanyahu Held Secret Meeting With Emirati President in the UAE During Iran War, PM’s Office Says
Israel’s Prime Minister Benjamin Netanyahu speaks during a ceremony commemorating Israel’s Remembrance Day for fallen soldiers, or Yom HaZikaron, at the Military Cemetery on Mount Herzl in Jerusalem, April 21, 2026. Photo: ILIA YEFIMOVICH/Pool via REUTERS
Israeli Prime Minister Benjamin Netanyahu visited the United Arab Emirates and met the Emirati president during the war with Iran, the Prime Minister’s Office said on Wednesday in what would be their first confirmed meeting.
According to the statement, the meeting resulted in an “historic breakthrough” in relations between Israel and the UAE.
A source familiar with the meeting said Netanyahu and Sheikh Mohammed bin Zayed (MBZ) met in Al-Ain, an oasis city by the Oman border, on March 26 and that their meeting lasted several hours.
The source said that Mossad Chief Dedi Barnea made at least two visits to the UAE during the war with Iran to coordinate military actions. The intelligence chief’s visit was first reported by the Wall Street Journal.
Especially after coming under attack during the Iran war, the UAE has strengthened its relationships with the United States and Israel, with which it opened ties in the 2020 Abraham Accords. It views the relationship with Israel as a lever for regional influence and a unique channel to Washington.
Israel sent batteries for its Iron Dome interception system and personnel to operate them to the UAE during the war, US Ambassador to Israel Mike Huckabee said on Tuesday.
The UAE is a regional business and financial hub and one of Washington’s most important allies. It has pursued an assertive foreign policy and carved its own sphere of influence across the Middle East and Africa.
Iran‘s strikes on Gulf states in response to the US-Israeli attacks targeted the UAE more than its neighbors, hitting civilian infrastructure and energy facilities.
Unlike several Gulf peers, the UAE has a pipeline that allows it to divert some oil exports around the blockaded Strait of Hormuz, making it more able to withstand prolonged disruption. But the war risks severely damaging its role as a global economic center that offers security and ease in the region.