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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Jewish Georgetown Student Defeats $10 Million Lawsuit Filed by Fired Official Who Promoted Antisemitism
Anti-Israel demonstration on the campus of Georgetown University in Washington, DC in September 2024. Photo: Bryan Olin Dozier via Reuters Connect
A Jewish undergraduate student has defeated a $10 million lawsuit brought by a fired Georgetown University administrator who filed the claim because the student’s efforts to criticize the official’s sharing of antisemitic invective on social media contributed to the termination of their employment.
The student’s victory parries a barrage of accusations which the former administrator, Aneesa Johnson, lobbed at the student, Georgetown, and others. It also vindicates the free speech rights of Jewish students denouncing antisemitism at the highest levels of university governance, according to the student’s legal counsel, provided by The Louis D. Brandeis Center for Human Rights Under Law and Gibson Dunn.
“This ruling is a victory for every student who has ever feared speaking out against antisemitism on campus,” Brandeis Center chairman Kenneth Marcus said in a statement. “A young woman raised her voice about hateful content posted by a university administrator — and was sued for it. Today, the court made clear that kind of retaliation has no place in our legal system. The Brandeis Center will always stand with those who refuse to stay silent.”
As previously reported by The Algemeiner, Johnson’s appointment to Georgetown’s Walsh School of Foreign Service (SFS) in 2023 drew widespread criticism, as she had a history of writing hateful statements about Jews and Israel.
Those statements went back as far as 2015, according to an investigation of her social media activity that was led by Canary Mission. In July of that year, Johnson tweeted: “Ever since going to [Northwestern University] I have a deep seated [sic] hate for Zio [sic] b—ches. They bring out the worst in me.” Johnson also said, “You know why I call them Zio b—ches, because they’re dogs.”
“Zio” is an antisemitic slur brought into prominence by former Ku Klux Klan leader David Duke. While the term, derived from “Zionist,” has generally been deployed by white supremacists and other far-right extremists, it has more recently been used as well by anti-Israel activists on the progressive far left to refer to Jews in a derogatory manner.
A week following the aforementioned posts, Johnson, a member of Students for Justice in Palestine (SJP), retweeted an unflattering picture of an Orthodox Jew and captioned it, “When the whole world hates you bc you a thief and you grow up looking like shaytan [the devil] #GrowingUpIsraeli.”
Six years later, in 2021, Johnson said on a podcast that US support for Israel is due to the influence of “the really powerful Zionist lobby that advocates for policies, statements, voting patterns that benefit the State of Israel.”
Having been hired to be the “primary point of contact” for master’s students on “everything academic” at the SFS, Jewish advocacy groups protested that any Jewish student should be forced to interact with Johnson. Georgetown University heeded their complaints and ultimately fired Johnson and in doing so set off the events which placed a Jewish undergraduate in the middle of a lawsuit seeking a windfall of damages.
The March 31 ruling dismissed the complaint as undermining the “marketplace of ideas,” freeing the student to move on with life.
“This retaliatory lawsuit … sought to punish her exercise of First Amendment rights and chill the expression of countless others,” Gibson Dunn partner Elizabeth Papez said in a statement. “We’re especially pleased that the court agreed our client’s First Amendment defense ‘packs a strong punch’ and compels dismissal with prejudice. The ruling sets a precedent that courts will not tolerate the use of the judicial system to punish those who speak out against antisemitism.”
The Brandeis Center’s legal advocacy has delivered a slew of victories for Jewish students and faculty in 2026.
In March, the organization negotiated a major agreement to settle a lawsuit it filed against the University of California, Berkeley in 2023 over its allegedly failing to address a series of incidents of campus antisemitism which culminated in anti-Zionist students establishing “Jewish-free zones” where pro-Israel advocates were barred from speaking.
The details of the settlement call for for Berkeley’s using the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism as a reference tool, stating a “reaffirmation” of antisemitism as a violation of the code of conduct, conducting an annual survey of the Jewish student body, and appointing an official to manage the school’s compliance with Title VI of the Civil Rights Act, which prohibits discrimination at universities receiving taxpayer money to fund research and other operations. UC Berkeley will also pay the Brandeis Center $1 million as reimbursement for “outside attorneys’ fees and costs incurred” during litigation of the suit.
Joined by the StandWithUs Saidoff Law, the Brandeis Center announced on April 1 that City College of San Francisco (CCSF) upheld the findings of an investigation which found that a Jewish professor, Abigail Bornstein, experienced antisemitic discrimination during a series of explosive confrontations in which now-former CCSF employee Maria Salazar-Colon called her “colonizer,” “Dumb-stein,” and demanded that she “shut the f—k up.”
Those utterances, combined with other comments related to Israel, indicated Salazar-Colon’s awareness of Bornstein’s Jewishness and her willingness to degrade her over it, the Brandeis Center and StandWithUs said — noting that a trivial discussion on college “governance,” not politics or the Middle East conflict, set the staff member off. Salazar-Colon then continued targeting Bornstein through email, denouncing her again as a “colonizer” and making other crude statements. She ultimately drove Bornstein off campus, where she attempted to work remotely while filing formal complaints with the university and the local police department.
“The college did the right thing here. They brought in an independent investigator. They made clear that this was about discrimination based on Bornstein’s protected identity, that being Jewish — not union advocacy — and that’s important and a necessary distinction that we don’t often see being recognized,” Brandeis Center counsel Deena Margolies told The Algemeiner during an interview. “I’m seeing many more of these disciplinary matters in the employee context, and I notice that what often happens is that when a Jewish professor or staff member is targeted or files a complaint, there is often a cross complaint, a baseless complaint which is retaliatory. And yet, they always end up coming through.”
Follow Dion J. Pierre @DionJPierre.
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Iran’s Internet Blackout Hits Record Length as Regime Tries to Crush Dissent in Digital Darkness
People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran’s internet blackout became the longest such nationwide shutdown ever recorded over the weekend, as the regime continued to face mounting military pressure, internal unrest, and growing isolation.
According to NetBlocks, an internet-monitoring watchdog that tracks global connectivity disruptions, Iran’s blackout entered its 37th consecutive day on Sunday, making it the longest nation-scale internet shutdown on record after authorities severed internet access as the war with the US and Israel broke out in late February.
The blackout continued on Monday, with the general public cut off from international networks for over 888 hours.
With the regime attempting to suppress internal opposition and silence domestic dissent, the blackout has effectively cut millions of Iranians off from independent reporting on the war and access to global news.
“We constantly find ourselves searching for ways to reconnect, just to be able to hear reliable news,” a 47-year-old woman in the central city of Isfahan told AFP on Saturday.
“Being without internet feels like being without oxygen to me. I feel trapped and suffocated,” a 53-year-old man in Tehran also said.
Iranian authorities have even warned that citizens suspected of accessing internet through virtual private networks (VPNs) — tools that bypass government censorship — could face arrest or imprisonment.
According to state media reports, Iranian security forces have arrested several citizens in recent weeks for using the Starlink satellite internet system, which allows users to bypass state-controlled terrestrial infrastructure.
Iran’s latest internet shutdown marks the second nationwide blackout in less than two months, after authorities previously imposed an 18-day outage in January during mass anti-government protests, which security forces violently crushed, leaving tens of thousands of demonstrators tortured or killed.
Human rights groups warn the regime has repeatedly used nationwide internet shutdowns as a tool to intensify its crackdown on opposition movements and conceal ongoing abuses from international scrutiny.
In recent years, Iranian authorities have accelerated efforts to sever the country’s reliance on the global web by advancing the regime-backed “National Internet” project aimed at consolidating state control over digital communications and information flows.
Meanwhile, the Islamist regime continues to face relentless pressure from US and Israeli strikes as the conflict escalates and prospects for negotiations become increasingly fragile.
In one of its latest attacks, Israel announced that Iran’s Islamic Revolutionary Guard Corps (IRGC) intelligence chief Brig. Gen. Majid Khademi and Quds Force special operations commander Asghar Bagheri were both killed over the weekend.
This latest strike on leadership represents a “significant blow to Iran’s intelligence leadership at a time when the regime is already under sustained pressure,” an Israeli security official told Fox News.
According to the Israel Defense Forces (IDF), Khademi orchestrated overseas terrorist operations and oversaw surveillance targeting Iranian civilians during the regime’s brutal crackdown on protests.
Part of Iran’s elite military force, Bagheri coordinated the recruitment of terrorist operatives across the Middle East and directed deadly attacks against US and Israeli targets abroad.
On Monday, Israeli Defense Minister Israel Katz announced the IDF also struck Iran’s largest petrochemical facility in Asaluyeh, a blow that has effectively taken offline the two plants responsible for roughly 85 percent of the country’s petrochemical exports, crippling a key pillar of Iran’s economy and export capacity.
Katz described the strikes as “a severe economic blow to the Iranian regime, amounting to tens of billions of dollars.”
“Israeli Prime Minister Benjamin Netanyahu and I have instructed the IDF to continue to attack the national infrastructure of the Iranian terror regime with all its might,” the Israeli defense chief said.
“The Iranian terror regime will discover that the continued aggression against Israel and the cowardly and criminal fire at Israeli citizens will lead to the deepening of the economic and strategic damage it is paying and the collapse of its capabilities,” he continued.
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Pressure Mounts on UK Government to Ban Kanye West After Festival Backlash
Rapper Kanye West holds his first rally in support of his presidential bid in North Charleston, South Carolina, US, July 19, 2020. Photo: REUTERS/Randall Hill
The British government was under growing pressure on Monday to bar US rapper Kanye West from entering the country after he was named as the headline act for the Wireless Festival of rap and hip-hop music set for July.
West, now known as Ye, has been criticized in the past for antisemitic remarks and celebration of Nazism, which have led on several occasions to his social media accounts, including X, being barred.
The decision to book Ye prompted several companies to pull their sponsorship of the festival, while the main opposition Conservative Party wrote to Home Secretary [interior minister] Shabana Mahmood urging her to ban him from coming to Britain.
Asked by Reuters for comment, a Home Office source said ministers were currently reviewing his permission to enter the country.
The Home Office does not usually comment on individual cases, but Mahmood has powers to personally request Ye to be excluded from the UK. In January, the department revoked the Electronic Travel Authorization of Eva Vlaardingerbroek, a Dutch far-right activist for spreading false information.
Festival organizers and Ye’s representative did not respond immediately to a request for comment.
The Jewish Leadership Council last week condemned the organizers for booking Ye after a rise in attacks on Jewish people and Jewish targets.
‘DEEPLY CONCERNING’
Prime Minister Keir Starmer also described as “deeply concerning” the decision to book Ye for the London festival.
“Antisemitism in any form is abhorrent and must be confronted firmly wherever it appears,” Starmer said in comments first reported by the Sun on Sunday.
“Everyone has a responsibility to ensure Britain is a place where Jewish people feel safe and secure.”
A spokesperson for London mayor Sadiq Khan said the rapper’s comments did not reflect the city’s values and that the decision had been made by festival organizers.
Australia cancelled the rapper’s visa last July after he released “Heil Hitler,” a song promoting Nazism. The ban came a few months after Ye advertised a swastika T-shirt for sale on his website.
Ye took a full-page advertisement in the Wall Street Journal in January to apologize for his antisemitic remarks, attributing his behavior to an undiagnosed brain injury and an untreated bipolar disorder. He also apologized for his past expressions of admiration for Adolf Hitler and use of swastika imagery.
The 48-year-old has not performed in Britain since he headlined Glastonbury in 2015.
Drinks companies Diageo and Pepsi, a long-running sponsor, said they had withdrawn their support for the Wireless event over the decision to invite Ye. Pepsi-owner PepsiCo also confirmed its Rockstar Energy brand had pulled its sponsorship.
A spokesperson for PayPal told Reuters on Monday its branding would not appear in any future Wireless festival promotional materials.