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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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The Psychology Behind the Rise in Right-Wing Antisemitism
Tucker Carlson speaks on July 18, 2024, during the final day of the Republican National Convention at the Fiserv Forum in Milwaukee, Wisconsin. Photo: Jasper Colt-USA TODAY via Reuters Connect
Over the past year or so, there has been a strange and unsettling shift on parts of the political and cultural right. Figures who built their influence by pushing back against progressive excess, moral confusion, intellectual laziness, and the erosion of democratic values have begun drifting into territory that should have been left behind long ago — antisemitic tropes, conspiratorial thinking, and flirtations with ideas they themselves once would have dismissed as corrosive and dangerous.
It has been very upsetting to watch, not least because many of these voices rose to prominence by presenting themselves as more serious, more grounded, and more responsible than the alternatives they criticized.
Some have pointed to foreign money and malign external influences – with Qatar chief among them as a reliable patron of some of the most destructive forces in the modern world – as an explanation. It would be naïve to deny that such actors play a role. But that explanation, on its own, is not enough to explain this phenomenon.
Even if Qatari money helps shape narratives at the top of the pyramid – and their possible involvement absolutely deserves scrutiny – it does not explain the sheer number of willing followers who nod along to contentious statements and ridiculous conspiracies without being paid a cent by anyone.
Elite influencers may be driven by incentives tied to financial or political power, but the grassroots level is clearly motivated by something else. Money may help light the match, but it does not explain why so many people are eager to watch the fire burn – and then cheer it on.
The instinctive response is to frame all of this as ideological betrayal – and then to draw battle lines, or to declare that the political culture of Western democracies is fundamentally broken. But that reaction is the wrong approach. It shuts down thought precisely when careful thinking is needed most. Because at its core, something more human – and far more familiar – seems to be going on.
What makes this moment so counterintuitive is that this regression on the right has not emerged from defeat or marginalization. It has emerged from success.
The stunning political victory by the Republicans in November 2024 should, in theory, have been followed by a period of consolidation – a sharpening of ideas and a renewed sense of responsibility. Instead, we are witnessing a growing rift between principled conservatism and a darker, more reckless version of right-wing beliefs. That paradox suggests we are dealing less with ideology than with a psychological response to the sudden expansion of freedom and power.
We tend to assume that success produces stability and confidence. History suggests otherwise. When people or movements feel genuinely embattled, they often develop discipline, clarity, and a strong sense of shared purpose – an understanding of what matters and what must be set aside for the greater good.
But when the wind is at their backs, and a threat – real or imagined – appears on the horizon, the result is often anxiety: “We might lose what we have!” And anxiety is dangerous. It clouds judgment and tempts people to reach for ideas they already know are corrosive, simply because they feel familiar.
History offers some sobering examples. After years of devastating war under Napoleon, France in 1814 finally rid itself of him and he was exiled to Elba. The country had a rare opportunity to step back, recover, and build something more stable and restrained. But when Napoleon escaped from Elba a year later and returned to France, large parts of the country welcomed him back.
Soldiers sent to arrest him joined him instead. Within weeks, France had re-embraced the very man who had brought it to ruin, and 100 days later, they paid for it at Waterloo. The regression was not imposed from above. It was embraced from below – and it was an utter disaster.
Ancient Rome offers a similar lesson. The Roman Republic was built on restraint, combined with a sophisticated system of checks and balances and a healthy suspicion of the concentration of power into the hands of one man. And yet Julius Caesar’s rise was welcomed by many as a solution to a period of dysfunction.
He was appointed dictator, and what followed was not renewal but the oppressive age of emperors. Rome gained order but lost its liberty. Once again, faced with uncertainty, a civilization chose a familiar system that was bad over the harder work of repair and healing — and they called it progress.
The Torah identifies this same flaw in human nature at the very beginning of Jewish history, in Parshat Beshalach. Just days after experiencing one of the most dramatic liberations ever achieved by a slave nation – the Exodus from Egypt – the newly freed Jewish people find themselves trapped between the sea and Pharaoh’s approaching army.
Despite everything they know – that God has redeemed them, that awesome miracles have carried them this far – panic sets in. They turn on Moses and cry out: “Was it because there were no graves in Egypt that you took us out to die in the wilderness?”
And then comes a line so jarring that it almost feels like parody (Ex. 14:12): טוֹב לָנוּ עֲבֹד אֶת־מִצְרַיִם מִמֻּתֵנוּ בַּמִּדְבָּר – “It would have been better for us to serve Egypt than to die in the wilderness.”
How is this even possible? These are people who have just witnessed the collapse of the most powerful empire on earth for their benefit – who are, in that moment, at the very top of their game. And yet, even as they bask in the glow of victory, the instant their freedom begins to feel fragile, their instinct is not to move forward into the rational unknown but to retreat into what they already know is irrational evil.
That is the crucial point. It is not a calculation that makes sense, nor is it a carefully thought-out strategy; it is a psychological reflex, and a dangerous one. Faced with what feels like an existential threat, people often reach for the familiar – even when that is the worst possible thing they could do.
Which is what makes the current flirtation with antisemitism and conspiracy thinking on certain parts of the right so disturbing. These are old instincts, long known to be destructive, that have now resurfaced because they feel familiar, as some on the right feel tinges of anxiety.
But familiarity is not necessarily wisdom; far more often, it is a dangerous trap. A recent study suggests that engagement with antisemitic conspiracy theories on the right has risen dramatically since the November 2024 election. Unless this trend is halted, it won’t end well.
The Torah’s message at the sea is uncompromising. The way forward is not to turn backward. Redemption does not come from retreating into the habits and ideas that once enslaved and degraded us. The sea will open up and offer salvation only when someone is willing to step into it – to take the risk, and to trust that moral clarity and courage still matter.
Regression may feel comforting, but it leads nowhere. The only way forward is through.
The author is a rabbi in Beverly Hills, California.
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Karen Jones and the Institutionalization of Medical Dhimmitude
Illustrative: Health workers move a woman on a stretcher to an ambulance after a deadly terrorist shooting at a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. Photo: Screenshot
The reports emerging from Sydney’s Liverpool Hospital are not merely a localized administrative failure; they represent a chilling indicator of a new, institutionalized “dhimmitude” taking root in the heart of Western society.
Rosalia Shikhverg, a survivor of the horrific Bondi Beach Hanukkah massacre on Dec. 14, was admitted for treatment of shrapnel and gunshot wounds to the head. While she lay in her hospital bed, terrified and recovering from a terror attack that claimed 15 lives, staff — without her knowledge or consent — snipped her medical wristband and replaced it with a new one. Her name was gone. In its place was the alias “Karen Jones,” with her religious status completely scrubbed from official records.
The hospital’s defense, offered through state health officials, is perhaps more terrifying than the act itself. Officials claimed the name change was a “protective measure” to shield a high-profile victim from media intrusion following the heightened risks in Sydney. But Shikhverg’s own account points to a more sinister and systemic motivation: the hospital administration apparently did not trust its own staff to provide equal, safe care to a patient identified as Jewish. Shikhverg recounted how the switch left her more focused on a fear of her caregivers than her physical injuries, crying incessantly and pleading for an early discharge because she felt profoundly unsafe.
This incident represents the logical culmination of a process by which the values of the Middle East’s most regressive ideologies are imported into Western civil society. When a premier medical institution in a Western democracy feels compelled to erase a Jewish patient’s identity to ensure her safety from the very people hired to heal her, we are no longer talking about a mere “spillover” of the Gaza conflict. We are witnessing the surrender of Western professional ethics to the mob.
This is the rebirth of dhimmitude. In the classical tradition, the dhimmi was a protected non-Muslim subject granted life and property only on the condition of submission and the public erasure of their distinct identity.
In 2026, a modern hospital has effectively recreated this status. By stripping Shikhverg of her name and her religion, the hospital sent a clear message: Jewish identity is a provocation and a “safety risk” that the state can no longer manage. It suggests that the only way to protect a Jew in a modern metropolis is to ensure that they are no longer recognizable as a Jew.
This betrayal is not an isolated event. It follows the recent suspension of nurses at other nearby facilities who were caught on video bragging about their refusal to treat Israelis and expressing a desire to kill Jewish patients. The “Karen Jones” incident shows that instead of purging these radical elements from the health-care system, administrators have chosen a path of appeasement. They have decided that it is easier to erase the patient than to confront the radicalization of the workforce.
The “long march through the institutions” by radical ideologues has finally reached the bedside. We have seen this pattern on campuses, where “Jew-free zones” are established under the guise of “safe spaces,” and in the courts, where legal harassment is used to silence critics of extremism. Now, the hospital ward has become the next frontier of exclusion. If a nurse or a doctor cannot look at a patient with a Jewish name without the administration fearing for the patient’s life, then the social contract of the Western democracy has been fundamentally breached.
If the West is to survive this ideological assault, the response must be uncompromising. There must be a full, independent audit of radicalization within the public health systems of major Western cities. The administrators who authorized the erasure of Rosalia Shikhverg’s identity must be held legally and professionally accountable for civil rights violations. Furthermore, governments must recognize that non-violent subversion of Western values is just as dangerous as the violent jihad that targeted Boni Beach on Hanukkah.
Rosalia Shikhverg survived the bullets of a terrorist only to be erased by the bureaucracy of a hospital. We must ensure that “Karen Jones” is the last alias a Jew is forced to wear in a Western democracy. Peace and security cannot be built on a foundation of coerced invisibility. The survival of pluralistic society depends on the ability of every citizen to exist openly, without fear that their identity will become a death warrant in the hands of those sworn to protect them.
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Palestinian Terrorists Admit Their Own Rockets Kill Gazans, and the Media Look the Other Way
People inspect the area of Al-Ahli hospital where Palestinians were killed in a blast from an errant Islamic Palestinian Jihad rocket meant for Israel, in Gaza City, Oct. 18, 2023. Photo: REUTERS/Ahmed Zakot
A document seized in Gaza and reported by Israel’s Kan public broadcaster exposes a reality that sharply contradicts much of the global coverage of the Israel-Hamas war: Palestinian civilians have long been killed by Palestinian rockets and terrorist leaders knew it, discussed it, and accepted it.
The document records a meeting between Hamas and Palestinian Islamic Jihad officials held before Hamas’s Oct. 7, 2023, massacre across southern Israel and the war that followed. In it, Hamas representatives confront Islamic Jihad leaders over a deadly and recurring problem: rockets misfiring and landing inside Gaza, killing civilians.
“Your rockets are falling on people’s homes, and this is a recurring issue,” a Hamas official is quoted as saying.
The response from Islamic Jihad is even more damning. “We are at war,” a senior representative of the terrorist group replies. “Even if a thousand people are killed by friendly fire, that is the price of war.”
This is not a battlefield mishap acknowledged after the fact. It is an explicit, pre-war admission that Palestinian terrorist groups were aware their weapons routinely killed civilians and that they viewed those deaths as acceptable.
The document also records Islamic Jihad officials admitting that they knew their rockets were defective. According to the report, the weapons were manufactured using blueprints supplied by Iran’s Islamic Revolutionary Guard Corps. In other words, unreliable rockets were knowingly produced, launched from densely populated areas, and expected to fall short.
Image of the seized document, as presented by Kan Public Broadcaster
This matters because it directly undermines a central assumption that has dominated coverage of Gaza for years and intensified after Oct. 7: that civilian casualties are almost entirely the result of Israeli fire.
Kan’s report does not quantify how many Gazans have been killed by Palestinian rockets. But it does establish something journalists have consistently avoided confronting: terrorist groups themselves acknowledge that their own fire kills civilians and that this has been happening for years.
That reality burst briefly into view 10 days after the war began, when a PIJ rocket exploded in the courtyard of a Gaza hospital, killing hundreds of Palestinians. Israel was immediately blamed across much of the international media. Only later did evidence emerge that the blast was caused by a misfired Palestinian rocket.
This newly revealed document shows that the incident was not an anomaly. It was a known risk discussed internally long before Oct. 7.
So, why has this revelation barely registered outside Israel?
Journalists often justify their reliance on casualty figures and on the fog of war. But here, there is no ambiguity. This is a primary source document describing internal discussions between terrorist groups, criticizing each other for weapons failures and explicitly accepting civilian deaths as collateral.
If such a document emerged showing Israeli officials dismissing civilian deaths as “the price of war,” it would dominate headlines worldwide. When terrorist groups say it among themselves, it is met with silence.
This selective attention has consequences. Media outlets routinely report Gaza casualties without asking how many were caused by Palestinian fire. They rarely revisit earlier claims when new evidence emerges. And they almost never scrutinize the conduct of terrorist groups with the same intensity they apply to Israel.
The Kan report exposes not just the recklessness of Palestinian terrorist organizations but the media’s unwillingness to reckon with it. By ignoring evidence that complicates a simplified narrative, journalists deprive audiences of essential context and accountability.
This document does not absolve Israel of scrutiny. But it does demand that journalists stop treating Palestinian armed groups as passive actors whose actions are irrelevant to civilian harm.
Terrorists killing their own civilians is not a footnote. It is a central fact of this conflict. The question is no longer whether the evidence exists.
It is why so many in the media choose not to report it.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.