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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Forverts podcast, episode 8: Subway stories
דער פֿאָרווערטס האָט שוין אַרויסגעלאָזט דעם אַכטן קאַפּיטל פֿונעם ייִדישן פּאָדקאַסט, Yiddish With Rukhl. דאָס מאָל איז די טעמע „די אונטערבאַן“.
אין דעם קאַפּיטל וועט איר הערן צוויי אַרטיקלען: משהלע אַלפֿאָנסאָס פּערזענלעכן עסיי „און אַלץ צוליב אַ יאַרמלקע!“ וואָס איר קענט אַליין לייענען דאָ, און אַ צווייטן אַרטיקל פֿון שׂרה־רחל שעכטער, „זכרונות פֿון אַן אונטערבאַן־פּאַסאַזשיר“, וואָס איר קענט לייענען דאָ.
צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
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New York City Police Investigate Antisemitic Subway Assault
New York City Police Department (NYPD) vehicles are seen in Brooklyn, New York, United States. Photo: Kyle Mazza via Reuters Connect
The New York City Police Department (NYPD) is investigating an antisemitic incident in which an African American male assaulted a Jewish public transit commuter on the subway, according to local reports.
The victim, Jeremy Garrett, told an ABC affiliate that he was reading a psalm on Monday morning when the assailant struck him on the head, knocking off his kippah in the process. Garrett later received treatment at a local hospital, WABC-TV reported.
“I thought the window of the subway fell on me,” Garrett recalled. “We tussled a bit, I was trying to hold him on the train, and then the doors closed, and they opened the doors again, and he ran off … it’s horrible because it happened on Purim, you know, right before the holiday.”
Garret added, “I still want justice, but I do forgive the man … They keep coming for us. We still keep living, so we’re not going to stop.”
New York City has seen similar incidents in recent months. In January, a woman was punched in the face while riding the New York City subway for wearing a hat that said “F—k Antisemitism,” according to a local report.
“F—k Jews,” the suspect, described as a “Black man in his 40s,” allegedly said to her before striking the blow, the New York Daily News reported, citing local law enforcement.
The victim then “fled” the railcar at the 116th St. – Columbia University subway station in Morningside Heights, Manhattan, while the assailant remained on board, the News added. She was reportedly not seriously injured, as medics did not treat her following the incident’s being reported to law enforcement.
Just last month, a 17-year-old student who attended the Renaissance Charter School in the Jackson Heights section of the Queens borough called on his classmates to “rise up and kill the Jews.”
Antisemitic hate crimes in New York City have seen a dramatic rise in recent years. The latest NYPD hate crime statistics show a 182 percent increase in January 2026, Mayor Zohran Mamdani’s first month in office, compared to the same period last year.
Mamdani, a far-left democratic socialist who has made anti-Israel activism a cornerstone of his political career, has repeatedly accused Israel of “apartheid” and refused to recognize its right to exist as a Jewish state.
Such positions have raised alarm bells among not only New York’s Jewish community but also Israeli business owners and investors, who fear a hostile climate under Mamdani’s leadership.
Jews were targeted in the majority (54 percent) of all hate crimes perpetrated in New York City in 2024, according to other data issued by the NYPD.
A recent report released in December by the Mayor’s Office to Combat Antisemitism noted that figure rose to a staggering 62 percent in the first quarter of 2025, despite Jewish New Yorkers comprising a small minority of the city’s population.
As The Algemeiner has previously reported, antisemitism in New York City has eroded the quality of life of the city’s Orthodox Jewish community, which is the target in many antisemitic incidents.
In just eight days between the end of October and the beginning of November 2024, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.
In 2025, New Yorkers have seen organized antisemitic harassment. In November, hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.
“The Jewish community is filled with anxiety and trepidation. We know that it’s open season,” Rabbi Mark Schneier, president of the Foundation for Ethnic Understanding, said in a statement to NY1 in February. “We’ve encountered these kinds of threats for the last 2,500 years, but if anything, there’s never been a greater time to be alive as a Jew than today.”
Follow Dion J. Pierre @DionJPierre.
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Gavin Newsom just confirmed the demise of the Democratic party’s support for Israel
“Let no American imagine that Zionism is inconsistent with patriotism,” said Louis Brandeis, American Jewish leader and Supreme Court justice, in 1915. “To be good Americans, we must be better Jews, and to be better Jews, we must become Zionists.”
For much of the next century, most American Jews stacked their liberalism on top of their patriotism on top of their Zionism. They overwhelmingly voted for the Democratic Party, and overwhelmingly supported both Israel and the United States-Israel alliance.
In recent years, however, many have found it increasingly difficult to deny is that support for Israel is, at present, hard to square with liberalism. And a statement this week by California Gov. Gavin Newsom, the probable 2028 Democratic candidate for president, made clear exactly how profoundly that shift has changed the Democratic party.
Israel is discussed by some “appropriately as sort of an apartheid state,” Newsom said on a podcast, adding that the U.S. would likely have no choice but to reconsider its military aid to the Jewish state.
Given that Newsom is broadly a centrist, his words made a clear statement: Politicians understand that uncritical support for Israel is no longer compatible with the Democratic mainstream. Democratic voters are pushing politicians to, if not abandon Israel entirely, then at least condition their support for it. And the future of American Jews and the Democratic Party is now not only up to Democratic politicians who decide how much to give Israel and under what conditions.
It is also up to American Jews, who have to decide whether those politicians, in doing so, are moving away from their values, or bringing them back into alignment.
Shifting sympathies
A Gallup poll released last month found that Americans’ sympathies now lie more with Palestinians than with Israelis. Up until last year, the opposite had held true. For Democrats, whose sympathies already “flipped strongly” — per Gallup — to Palestinians in 2025, the difference is more stark: 65% said they sympathize more with Palestinians, while just 17% say they sympathize more with Israelis.
Those tempted to write the change off as the result of a party captured by a young far-left should consider that, last year, Pew found that 66% of Democrats over the age of 50 have an unfavorable view of Israel, up from just 43% in 2022. (For those ages 18 to 49, the number was 71%.) A full 73% of Democrats over 50 said they had “none at all” or “not too much” confidence in Israeli Prime Minister Benjamin Netanyahu.
I have no doubt that some will say that the change is because people don’t understand the complexity of the situation in the Middle East; because they have forgotten the lessons of history; or because the Democratic Party is comfortable embracing antisemitism.
These claims ignore a simpler explanation: That the voters who are registered with the one major U.S. political party that still claims to care about liberalism, democracy, and human rights watched as Israel, by its own admission, killed some 70,000 Palestinians in Gaza.
They saw Israel’s leaders make it next to impossible for civilians in the Strip to receive necessary food and humanitarian aid. They see settler violence rising in the West Bank, including against American citizens, amid increased talk of annexation. They hear Netanyhau continue to insist that there can be no Palestinian state, and understand that the alternative he foresees is not one state with equal rights, but either a future of endless wars, or an undemocratic state in which Palestinians live under Israeli control without the rights of citizens.
In that context, many voters see that unflinching support for Israel is no longer in line with the values that drew them to their party. And since they cannot change Israel, they are trying to change their party.
No more cognitive dissonance
Democratic voters, in insisting that their politicians not walk in lockstep with Israel, are insisting that the party break its cognitive dissonance around Israel. Which means that the future of American Jews in the Democratic Party depends not only on how sensitively Democratic politicians navigate criticizing and checking Israel without elevating antisemitism. It also depends on whether American Jews are willing to admit this dissonance to ourselves.
For some, this is not an open question. There are American Jews who have no relationship to Israel, or whose relationship is an overwhelmingly critical one. Per last year’s Jewish Federations of North America National Survey, a combined 32% of American Jews aged 18-34 identify as either anti-Zionist or non-Zionist.
(Only 7% of American Jews overall consider themselves to be anti-Zionist, and just 8% say non-Zionist,. But most don’t subscribe to the label “Zionist,” either, with just 37% describing themselves as such).
In 2021, one poll of American Jews found that a quarter deemed Israel an apartheid state, well before Newsom likened it to one.
There’s also the reality that the vast majority of American Jews do not name Israel as their top issue when they go to the voting booth, and that the Republican Party is undergoing its own schism over Israel.
Still, that same JFNA poll found that most American Jews — 71% — do say that they feel emotionally attached to Israel. And 60% say that Israel makes them proud to be Jewish, even as 69% say that they “sometimes find it hard to support the actions taken by Israel or its government.”
What this means: For many American Jewish Democrats, encouraging politicians to break with Israel — or accepting that break is already in process — is likely more emotionally challenging than it is for American Democrats generally.
What Newsom’s comments show is that this is an emotional problem American Jewish voters will need to face sooner rather than later. Democratic voters are forcing Democratic politicians to resolve a disconnect, and they want it resolved quickly. The year is no longer 1915. Democratic American Jews are going to need to decide what it means to be “good Americans and better Jews.” If it can no longer involve being both liberal and staunchly pro-Israel, we will need to decide which of those items we find most important.
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