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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Amsterdam’s New Warning to Europe on Antisemitism
Anti-Israel protesters clash with police outside Amsterdam’s Concertgebouw, breaking through barricades and setting off smoke bombs during a demonstration against a performance by the IDF’s chief cantor. Photo: Screenshot
Amsterdam likes to present itself as a city of tolerance. It celebrates diversity, prides itself on openness, and often reminds the world of its history as a refuge for those seeking freedom. Yet something deeply troubling happened in Amsterdam last week that should concern not only the Netherlands, but all of Europe:
A municipal debate about antisemitism had to be held at a secret location because of security concerns.
Pause for a moment and consider what that means. In a democratic European capital, a discussion about protecting a Jewish minority could not take place openly for fear of threats and intimidation. If that does not signal a serious problem, what does?
That’s in addition to the bombing of a Jewish school, and another attack that just occurred.
During the meeting, a 15-year old Jewish boy addressed the room. His testimony cut through political rhetoric and statistics with the clarity only a young voice can bring. Since the October 7, 2023, massacre in Israel, he said, life for Jewish students in Amsterdam has changed dramatically. Many of his friends have already left the city. They no longer see a future there.
Imagine hearing those words in 2026 in one of Europe’s most celebrated liberal cities. A teenager speaking calmly about the disappearance of his community.
Amsterdam alderman Melanie van der Horst was visibly moved and struggled to hold back tears. The emotional moment showed that some political leaders understand the gravity of what is happening. Yet empathy alone will not solve the problem.
Another participant in the debate raised a painful but necessary question: How must it feel for Jewish residents to walk daily through public spaces where demonstrations take place in which their country and their people are shouted down? Pro-Palestinian protests have become a constant presence in parts of the city. Political protest is a democratic right, but when rhetoric turns into open hostility toward Jews, society has crossed a dangerous line.
One proposal during the debate illustrated the level of frustration. A politician suggested sending undercover police officers into the streets wearing a kippah in order to identify those who harass Jews. Critics called the idea controversial. But the fact that such a measure is even being discussed reveals how serious the situation has become.
The problem extends beyond the streets. Jewish organizations in the Netherlands increasingly report difficulties renting venues for events. Cultural gatherings and lectures sometimes struggle to find halls willing to host them. It rarely makes headlines, but this quiet exclusion sends a clear message: you are welcome in theory, but not visibly.
History has taught Europe where that kind of atmosphere can lead. Antisemitism rarely begins with violence. It begins with discomfort, social pressure, and the slow normalization of hostility toward Jewish identity.
Meanwhile, another factor fuels the problem. Much of the European media landscape presents Israel through a lens that reduces a complex reality to a simple narrative of aggressor and victim. When context disappears and facts are replaced by slogans, public perception shifts. The hostility directed at Israel easily spills over into hostility toward Jews living thousands of kilometers away.
That is why factual education and responsible journalism matter so much. Civil society organizations that work to counter misinformation often struggle to be heard. Yet without a commitment to truth, public debate becomes an echo chamber for activism rather than a search for understanding.
There is also a question for Jewish communities themselves. When fear grows, the instinct to become less visible is understandable. But invisibility comes at a cost. If intimidation forces people to hide their identity, those spreading hatred learn that their tactics work.
The lesson of Jewish history is painfully clear. Silence has never protected Jewish communities.
Strength does not mean confrontation. It means refusing to surrender identity and dignity to intimidation. It means raising a generation that is proud rather than afraid. It means understanding that resilience is sometimes the only answer to those who seek to erase a people’s presence.
The young boy in Amsterdam asked a simple question without even intending to pose a challenge to Europe: will the Jewish community still exist here in the future?
That question should echo far beyond the walls of the municipal chamber where he spoke. Because if a Jewish teenager in Amsterdam already doubts his future in the city, then Europe is facing not just a Jewish problem.
It is facing a moral test of its own values.
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Billy Crystal Leads Tribute at Oscars for His Late Best Friend, Jewish Filmmaker Rob Reiner
Billy Crystal speaks about Rob Reiner during the Oscars show at the 98th Academy Awards in Hollywood, Los Angeles, California, US, March 15, 2026. Photo: REUTERS/Mike Blake
Billy Crystal delivered an emotional tribute to his late best friend and legendary actor-turned-director Rob Reiner at the 98th Academy Awards on Sunday night, and was joined on stage by several of Reiner’s other Hollywood friends and stars of his iconic films.
While eulogizing Reiner at the Dolby Theatre in Los Angeles, Crystal, 78, spoke about his longtime friend as a “master storyteller” and mentioned his long list of memorable projects. The longtime collaborators first met in 1975, when Crystal was cast as Reiner’s best friend in an episode of “All In The Family.”
“My friends, Rob’s movies will last for lifetimes, because they were about what makes us laugh and cry, and what we aspire to be far better in his eyes: far kinder, far funnier, and far more human,” Crystal said. He then talked about Reiner’s marriage to the late Michele Singer Reiner, who was killed alongside her husband on Dec. 14. Crystal called the two “unstoppable” together and said the couple’s loss is “immeasurable.”
“A gifted photographer, she not only produced films with Rob, but it was her energy that had them working tirelessly to fight social injustice in the country that they both loved,” he added. “Rob and Michele Reiner became the driving force in the landmark decision for marriage equality across the United States.”
“To the millions who have enjoyed his films all these years, I want you to know, here and around the world, how many times Rob told me that it meant everything to him, that his work meant something to you — and for us who had the privilege of working with and knowing him and loving him,” Crystal continued.
After the “When Harry Met Sally” star concluded his speech — by saying “Buddy, what fun we had storming the castle” — over a dozen actors who worked alongside the director on films joined Crystal on stage and stood silently together. They included Meg Ryan, Michael McKean, Jerry O’Connell, Mandy Patinkin, Kathy Bates, Annette Bening, John Cusack, Demi Moore, Kiefer Sutherland, Daphne Zuniga, Christopher Guest, Wil Wheaton, Fred Savage, Cary Elwes, Carol Kane, and Kevin Pollak. They had worked with the late filmmaker on movies that included “When Harry Met Sally,” “The Princess Bride,” “This Is Spinal Tap,” “Misery,” “A Few Good Men,” and “Stand by Me.”
Sunday night’s tribute came three months after the director died at the age of 78 on Dec. 14.
Crystal was introduced to the stage by Conan O’Brien, who was hosting the Oscars on Sunday night but was also one of the last people to see the Reiners alive. The couple was found stabbed to death in their Brentwood home hours after they attended a holiday party at O’Brien’s house on Dec. 13. Two sources who attended the party said they witnessed a loud verbal exchange between the Reiners and their middle son, 32-year-old Nick Reiner. He was arrested the following night and charged with murdering his parents.
The younger Reiner is charged with two counts of first-degree murder with special circumstances, including the use of a knife. He pleaded not guilty and has remained in custody without bail since his arrest. Reiner is next due in court on April 29 and could face life in prison without parole, or the death penalty, if convicted.
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Israel Says It Has Plans for At Least 3 Weeks of War as Airstrikes Pound Iran
Emergency personnel work at the site of a strike on a residential building, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 16, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Israel said on Monday it had detailed plans for at least three more weeks of war as it pounded sites across Iran overnight, while Iranian drone attacks temporarily shut Dubai airport and hit a key oil facility in the United Arab Emirates.
The US-Israeli war on Iran is now entering its third week with no clear end in sight, largely shutting the Strait of Hormuz, through which 20% of the world’s oil and liquefied natural gas flow, pushing up energy prices and raising fears of a spike in global inflation.
US President Donald Trump on Sunday called for a coalition of nations to help reopen the strait and said the US-led NATO defense alliance faced a “very bad” future if its members failed to help.
But while allies voiced support for diplomatic efforts to reopen the route, they were cautious about joining any military action.
ISRAEL STILL HAS ‘THOUSANDS’ OF TARGETS IN IRAN
Israeli military spokesperson Lieutenant Colonel Nadav Shoshani told reporters there were detailed operational plans for the war with Iran for the next three weeks, and other plans extending further ahead.
Israel has said it wants to weaken Iran‘s capacity to threaten it, striking ballistic missile infrastructure, nuclear facilities, and the security apparatus, and that it still has thousands of targets to hit.
“We want to make sure that they are as weak as possible, this regime, and that we degrade all their capabilities, all parts and all wings of their security establishment,” Shoshani said.
Iranian Foreign Minister Abbas Araqchi for his part said Tehran had not asked for a ceasefire or exchanged messages with the US, according to Iran‘s semi-official Student News Network.
In a post on X, Araqchi also said that some “neighboring states” that host US forces and permit attacks on Iran were also actively encouraging the killing of Iranians.
“Stances should be promptly clarified,” he said.
He said 200 children were among the hundreds of Iranian civilians killed in US or Israeli bombings.
Fars News Agency reported that several civilians had been killed in a strike near Tehran’s Martyrs’ Square, without giving figures.
ISRAEL CLAIMS STRIKES ON IRAN‘S SPACE PROGRAM
The Israeli military said on Monday it was carrying out air strikes on Tehran, Shiraz, and Tabriz.
It said its Air Force had also struck sites linked to Iran’s space program, including destroying a research facility in Tehran involved in developing a satellite launched in 2024.
One Tehran resident told Reuters that there had been no internet overnight and Iranians felt isolated from the world.
“People are being killed,” Shahnaz, 62, said via WhatsApp. “Just days before Nowruz (Iranian New Year, on March 20), but people are not in the mood to celebrate. When will this end?”
Asked if she supported the Islamic Republic, Shahnaz said: “No, I don’t. How can I? They killed my granddaughter in [January’s] protests. We want this regime to go. We want this misery to end.”
In Israel, air raid sirens warned of Iranian missiles. Iran‘s Revolutionary Guards said Tehran had launched attacks on areas In Tel Aviv, the US al-Dhafra air base in Abu Dhabi, the US naval base in Bahrain, and Bahrain’s Sheikh Issa air base.
Furthermore, oil loading operations at the UAE port of Fujairah on the Gulf of Oman were suspended following an Iranian drone strike.
Fujairah is a key exit point for the UAE’s Murban crude – a volume equivalent to roughly 1% of global demand.
Flights at Dubai International Airport, one of the world’s busiest, were suspended for several hours after a drone strike on a nearby fuel storage facility sent plumes of black smoke into the sky. Saudi Arabia intercepted 34 drones in its eastern region in one hour, state media said. No injuries were reported in either incident.
Later on, Reuters reporters also heard booms in the Qatari capital, Doha.
OIL SLIPS ON BESSENT SHIPPING COMMENTS
Despite the turbulence, oil prices, which had been above $100 a barrel, fell sharply and stocks rallied after US Treasury Secretary Scott Bessent told CNBC the US was “fine” to let some Iranian fuel vessels sail through the strait, and believed Indian and Chinese tankers had also passed through.
Ship-tracking data showed a Pakistan-bound oil tanker had passed through the Strait of Hormuz over the weekend, indicating that some countries are able to negotiate safe passage for their vessels.
On Sunday, Trump had demanded that countries relying heavily on oil from the Gulf should help protect the strait, and said he hoped China, France, Japan, South Korea, Britain, and others would participate.
However, many – including Germany, Italy, Greece, Japan, and Australia – said they would not send warships.
Israel continued to strike Lebanon and Gaza, attacking Iran-backed Hezbollah and Palestinian Hamas terrorists. The Israeli military said its troops had begun limited ground operations against Hezbollah positions in southern Lebanon.