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As Israel turns 75, we should celebrate by fighting for it to live up to its ideals
(JTA) — I spent July 4, 2017, at Trump Tower protesting the ban on travel from Muslim countries, enacted earlier that year. For me, standing side by side with Muslim, Christian and other faith leaders to fight discrimination was the best possible way to celebrate America’s independence.
This month, Israel marks the monumental occasion of its 75th anniversary. There is much to celebrate: The establishment of the State of Israel is, without doubt, one of the greatest accomplishments of the Jewish people in the last century. The country has provided safety for millions of Jews fleeing oppression, helped revive Hebrew language and culture, and allowed Jews access to our most sacred historical sites.
And there is much to mourn and protest, beginning with the 56-year-old occupation that violates the human rights of Palestinians every single day; the ongoing discrimination against Palestinian citizens of Israel, Mizrahi and Ethiopian Jews, asylum seekers and foreign workers; and, this year, the all-out attack on democracy perpetuated by the current government.
For the last four months, hundreds of thousands of Israelis have been in the street every week protesting the efforts by the current government to eliminate the power of the High Court to serve as a check on legislation that violates Israel’s Basic Laws, the closest thing the country has to a constitution. And yet the response by too much of the American Jewish community has been more or less business as usual. While many legacy organizations have issued tepid statements criticizing attempts to destroy the judiciary, these groups have not rallied American Jews to actively oppose this coup or taken actions that would put direct pressure on the Israeli government.
Following President Donald Trump’s inauguration, millions of Americans took to the street — many for the first time — to protest his administration’s attacks on democratic institutions and on immigrants and minorities. We did so not out of hatred for the United States, but rather out of love, and out of a commitment to build a multiracial, multifaith, multiethnic democracy for the future.
Those of us who care about the future of Israel, and who dream of a state rooted in democracy and human rights, must mark this 75th anniversary by fighting for that vision.
This anniversary comes at an inflection point for the country’s democracy. What happens this year will determine whether Israel has a chance at living up to the values enshrined in its declaration of independence, or whether it becomes a fascist theocracy that codifies discrimination against women, LGBTQ people, Palestinian citizens and other minorities and that permanently occupies another people.
On Sunday night, Prime Minister Benjamin Netanyahu and Knesset Member Simcha Rothman, the architect of the judiciary coup, will address the Jewish Federations of North America’s General Assembly meeting in Israel – despite calls from Israeli Jews for JFNA to cancel their appearance. Many Jewish communities have announced Yom Haatzmaut plans that pretend that nothing is amiss — falafel, Israeli music and dancing, and celebratory visits to Israel. And in June, the Celebrate Israel parade — which bans any political signs — will proceed down New York City’s Fifth Avenue as though nothing is amiss.
I also love a good falafel, but this moment calls for much more.
Since the new Israeli government took power, I have stood on the street in New York and Washington, D.C., with hundreds of Israeli Americans and American Jews who came out to protest Finance Minister Betzalel Smotrich speaking at an Israel Bonds dinner, the (temporary, as it turns out) firing of Defense Minister Yoav Gallant and the ongoing attacks on the High Court. As someone who has been working for human rights in Israel for decades, I am thrilled to see more and more American and Israeli Jews join these protests.
But we have not yet seen a call to the streets from most of our legacy organizations or synagogues. Nor has JFNA altered its regular General Assembly programming to instead take 3,000 American Jews into the streets of Tel Aviv — or even host protest organizers or civil society leaders, rather than the leaders of the coup.
Why are American Jews so terrified to protest Israeli actions, even when the country is being taken over by people whose values are anathema to most of ours?
Yeshayahu Leibowitz, an influential and prophetic 20th-century Jewish thinker, warned of the danger that the nascent state of Israel would become an object of worship. “The state fulfills an essential need of the individual and the national community,” he wrote, “but it does not thereby acquire intrinsic value — except for a fascist who regards sovereignty, governmental authority, and power as supreme values.” In a 1991 lecture, he went so far as to call any religious Jews who supported occupation and settlement “descendants of the worshippers of the Golden Calf, who proclaimed ‘this is your God, Israel.’ A calf doesn’t necessarily need to be golden; it can also be a people, a land, or a state.”
In Israel, the religious settler movement that Leibowitz disparaged three decades ago now runs the state, and — as he warned — its agenda puts the occupation of land first, and the treatment of people second.
Many Jews in the United States find it hard to see that reality because the State of Israel has become an object of worship, rather than a real country where real people live, and where fascist-leaning politicians are working to fundamentally change its government and culture into something unrecognizable and dangerous. American Jewish conversations about Israel too often become conversations about Jewish identity, a slippery slope that makes it easy for criticisms of the State of Israel — a political entity subject to international human rights standards — to be misinterpreted as attacks on Jews more generally. It is easier to celebrate a fantasy with no hard edges than deal with the reality of a beloved, but flawed state.
According to the Torah, Abraham was 75 when he left his parents’ house and set out on his own. At 75, Israel is a strong, modern country, more than able to stand on its own on the international stage and healthy enough for vibrant debate about its future. Real celebration of Israel demands fighting for it to live up to the highest ideals of democracy, dignity and human rights for all.
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The post As Israel turns 75, we should celebrate by fighting for it to live up to its ideals appeared first on Jewish Telegraphic Agency.
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Orthodox Jewish man stabbed in midtown Manhattan
(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.
Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.
The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.
He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.
According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.
The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.
In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.
Louis Keene contributed reporting.
The post Orthodox Jewish man stabbed in midtown Manhattan appeared first on The Forward.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
