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As long as there are movies about Nazis, there will be movies about the art they looted
Early on in Pascal Bonitzer’s film Auction, Andre (Alex Lutz). a self-serving and sleazy art dealer, is placating a condescending, cruel, and racist art owner. “You have to stop at nothing for a sale,” he tells his intern.
The French film vividly brings to life the deceptive and hypocritical high-stakes world of prestigious art dealers operating in a Parisian universe of money grubbing and bad faith.
Based on a true story, it recounts what transpired in 2005, when a major work by Expressionist artist Egon Schiele, “Wilted Sunflowers,” was discovered in a home in a suburb of Mulhouse, France.
The 1914 painting originally belonged to the Jewish Austrian collector Karl Grunwald and had last been seen in public at the Jeu de Paume in Paris in 1937. In 1938 Grunwald fled Vienna for Paris, saving as many paintings as he could in a storage unit. They were ultimately looted and auctioned off.
Grunwald made it to America, while his wife and children were killed in concentration camps. For the rest of his life he futilely tried to recover his stolen paintings. Following his death in 1964, one of his sons persevered in his late father’s pursuit.
Bonitzer places the Schiele in the home of Martin (Arcadi Radeff) a highly moral, arguably sentimentalized, young factory worker who has no idea of its monetary value or backstory. Concepts of “provenance” are alien to him; he could use some money and just wants to do the right thing. So do the rightful heirs.
The whole story ends on a positive note as the painting gets sold at auction and the young worker is given an equal share in the sale.
It is estimated that more than 600,000 paintings, decorative items and other aesthetically and culturally valued items were summarily stolen from Jews during the War. Approximately, 100,000 have never been recovered.
Auction is only the latest in a long line of works centering on Nazi-looted art.
Perhaps the best known film in this sub-genre is 2015’s The Woman in Gold, which starred Helen Mirren as the patrician Maria Altmann, who works in tandem with her dogged attorney to retrieve six paintings by Gustav Klimt, one of which was a portrait of Maria’s aunt, Adele Bloch-Bauer I.
The Klimts were ripped off by the Nazis during World War II and exhibited in Austria at the Österreichische Galerie Belvedere until 2006. After a lengthy and byzantine legal battle, a number of the works were returned to the Altmann Family, which sold the Adele portrait for $135 million to Ronald Lauder who proudly displays the work in his Neue Galerie.
It would seem axiomatic that any stolen art should be restored to its original owners or, more usually, their heirs. For some, however, it’s a grayer area filled with moral and legal questions, starting with how the work was obtained. Was it purchased in good faith? If the current owners(let’s add “s”) truly didn’t know its origins should they be allowed to keep it? If not, how much compensation, if any, should they receive?
And, more broadly, who should own great art — a private collector or a museum? Doesn’t the public have a right to see great art? Wouldn’t it be better for a museum to have and display the work rather than a family who may hide it in its basement?
One of the most interesting elements in the “Gold” story, which was also addressed in the documentaries Adele’s Wishes and Stealing Klimt was the Austrian government’s contention that Adele, who succumbed to meningitis in 1925, had in fact left the painting to her husband with the stipulation that when he died it would go to the Austrian gallery. Therefore it was rightly theirs.
But if the will existed — and that was debatable — was it legally binding since Adele’s husband was forced to flee the country in the wake of Germany’s annexation of Austria, which Adele had no way of anticipating? Her will, if there was one, was predicated on the idea that he would die at home and that his art collection would remain intact and in his possession when he passed.
The Rape of Europa, a comprehensive and detailed documentary on pillaged art also touches on the dilemma surrounding Adele’s portrait, but it places the crime in a wider context, considering the questions that emerge when one country or culture appropriates the art of another. Still, it makes clear that the most egregious example is the Nazi seizure of Jewish art.
Much of the art in question, modern, abstract and acclaimed by the likes of Picasso, Kandinsky, Klee, much of it owned by Jewish collectors, fell into the category that Hitler dubbed “degenerate,” which gave him the opportunity to further dehumanize those owners. Most of the paintings were destroyed while others were sold for enormous profits in order to underwrite a massive build up of armaments for the Third Reich.
The documentary, The Portrait of Wally, is a searing indictment of MoMA and other major American art institutions that supported MoMA in a less-than-exemplary 1997 episode.
The film recounts the brouhaha surrounding Egon Schiele’s painting of his mistress Wally, owned by Lea Bondi, a Jewish Austrian art dealer before it was grabbed by the Nazis in 1939.
Prior to landing at MoMA it was housed in Rudolph Leopold’s Austrian museum. Leopold was a classic double dealer, pretending to be on the side of the original owners and their heirs when in fact he had no intention of handing over the painting.
But when the painting was on loan to MoMA, the Bondi heirs demanded that it be returned to them. Rudolph refused, which led to a 13-year criminal investigation launched by New York District Attorney Robert Morgenthau, during which time the painting was held by the United States government.
According to the film, MoMA and other art institutions sided with Rudolph because they were afraid that aligning themselves with the Jewish family would mean that museums across the globe would no longer lend their works to American museums for fear that they might potentially lose their art or have to pay big bucks to have it returned.
Ultimately in 2010 the Bondi heirs prevailed. The Leopold Museum paid them $19 million for the painting’s return. That case succeeded in opening the floodgates to many others. And a surge of films on the topic followed.
Movies centering on Nazi-looted art have been around for decades, such as John Frankenheimer’s 1965 action thriller The Train starring Burt Lancaster; and 39 years later George Clooney’s The Monuments Men, both loosely inspired by factual events.
Set in 1944, shortly before the end of the war, The Train is a suspenseful and well-acted account of a French resistance fighter (Lancaster) determined to intercept a train carrying Nazi looted art from France to Germany without destroying the art.
Set in the same era, the starry Monuments Men, co-written and directed by George Clooney and featuring Clooney, Matt Damon, Bill Murray, and Cate Blanchett, among others, depicts a unit of historians and archivists on a mission to locate and salvage works of art across Europe before the Nazis had a chance to steal and destroy them.”
Despite the caliber of talent involved, e.g., the film was seen as problematic because of its failure to point out that many, if not most, of these art works had belonged to Jews and were brutally confiscated from the original owners, many of whom had been carted off to concentration camps to be killed.
Clooney and his Jewish co-writer said that their purpose was to explore not the experience of any one group but the profound significance of great art and the violation that’s perpetrated when it is stolen, or worse, destroyed.
Both Clooney and Frankenheimer’s films also touch on the moral quandary of whether a great painting is more valuable than a human life. If the risk to save the art is that high is it worth taking?
For me the most affecting film on lost art is Elizabeth Rynecki’s 2018 documentary Chasing Portraits, her freshman endeavor. Even though — perhaps precisely because — at times it feels more like a home movie than a professionally honed flick it reveals an emotional core that is unexpectedly moving.
Equally relevant, her film centers on paintings that were scattered after the War. They may or may not have been looted, but their fate was directly tied to the Nazi regime that forced Jewish residents to escape without their precious belongings.
Rynecki grew up surrounded by the art of her great-grandfather Moshe Rynecki, who was murdered at Majdanek in 1943. His evocative expressionistic works portray the day to day life of Polish Jews prior to the Holocaust. Of his estimated 800 works, 120 remain in Polish and Israeli museums and private collections abroad.
Throughout her life Rynecki had wanted to see these works, not to reclaim them, but to uncover how they ended up where they were. She serves as a historian and witness, her great grandfather’s art a link to her family and Jewish heritage and a world that is gone forever.
The film follows her as she travels from Canada to Poland and Israel where she is, by turns, regarded with suspicion or more usually snubbed outright. Many owners, some Jewish, cannot believe that she is not there for restitution. In one of the strongest scenes, a Polish collector, a gentile, wraps up and hands over to Elizabeth one of her great grandfather’s paintings, unsolicited.
It’s a story that lingers and will no doubt continue to inspire more documentaries and feature films. Just this week, The Guardian reported that the heirs of a Jewish couple are suing The Metropolitan Museum of Art in New York over a Vincent van Gogh painting they say was plundered by the Nazis.
‘Auction’ is currently screening in New York at Film Forum.
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Herzog calls for crackdown on violent West Bank settlers as olive harvest tensions mount
(JTA) — BUDAPEST, Hungary — Israeli President Isaac Herzog is backing senior Israel Defense Forces commanders in taking decisive action against violent settler attacks in the West Bank, he told the Jewish Telegraphic Agency.
His comments came a day before Israeli forces detained New York Democratic congressional candidate Brad Lander along with 90 rabbis and activists accompanying Palestinian farmers during the olive harvest.
At a press briefing in Budapest, JTA asked Herzog what action had been taken to curb settler violence following his previous calls for a stronger government response. Herzog pointed to a meeting he held earlier this month with the IDF’s West Bank division commander and other senior officers.
“I looked them in the eye and I gave them full backing to do whatever it takes to stop this terrible phenomenon,” he said.
The goal was to end the settler violence “at its roots,” Herzog said, adding that “major efforts” were underway.
Israeli police arrested 10 suspects following a series of settler attacks over the weekend, including a violent assault on Washington Post photojournalist Heidi Levine. Nine of those suspects were released from custody, Haaretz reported on Wednesday.
IDF Chief of Staff Lt. Gen. Eyal Zamir ordered the deployment of an additional Border Police company to the West Bank to combat extremist violence. The unit is expected to begin operations in late November.
Herzog had personally called Levine on Saturday to apologize for the attack, which left her with four broken vertebrae and other injuries. “I was morally tormented during Shabbat when I thought about it, and I express deep sorrow and apologize for what you went through,” he told her.
The attacks have drawn condemnation from the U.S. and European governments. On Sunday, the European Union called for Israel to take “full accountability” in preventing further violence against Palestinians, journalists and diplomats.
During his visit Tuesday, Herzog met with Hungarian President András Baka and Prime Minister Péter Magyar, whose government ended its predecessor’s opposition to EU sanctions against extremist Israeli settlers.
Herzog’s visit was the first by a senior Israeli leader since Magyar defeated longtime Prime Minister Viktor Orbán, a close ally of Israel and Prime Minister Benjamin Netanyahu, in April. At a joint appearance, Baka described relations with Israel as “cordial and stable,” while Herzog called Hungary a “friend and an ally.”
Asked later at the press briefing whether he had received a cooler reception than under Orbán, Herzog dismissed the suggestion, describing his meetings with both leaders as “fantastic.”
Pressed on Baka’s reference to the Palestinians, Herzog said the issue had been discussed “very politely” but had not dominated the talks, adding that it was “a perfectly legitimate subject to discuss.”
Herzog called the new prime minister “a brilliant person, a very impressive leader.”
The Hungarian leaders had “opened their hearts” to him, Herzog said, citing the attendance of several senior ministers at a lunch hosted by Magyar among other gestures that he said went beyond diplomatic protocol.
The visit also had personal significance for Herzog, whose father, former Israeli President Chaim Herzog, made the first state visit to Hungary by a sitting Israeli president in 1991, shortly after the restoration of diplomatic relations between the countries.
Herzog also addressed the closing gathering of Voice of the People, his initiative bringing together 150 Jews from Israel and the diaspora. He warned that combating antisemitism would be a “long-range battle” and stressed the need to engage millions of unaffiliated Jews.
“Ask the average Israeli – he has no clue about the diversity of Jewish life,” Herzog said, adding that many Jews in the Diaspora were similarly unfamiliar with Jewish life in Israel.
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El-Sayed campaign hires Jewish liaison
(JTA) —
DETROIT – Abdul El-Sayed’s campaign for Michigan’s U.S. Senate seat has hired a Jewish liaison in the final weeks of the election season, part of a new push to swing undecided Jewish voters as the contentious race enters its homestretch.
Lenore Goldman is a veteran political consultant with Michigan ties whose work has included One Fair Wage, a national movement to raise the minimum wage that has prompted years of back-and-forth in the Michigan state legislature and courts.
She also consulted on Voters Not Politicians, a 2018 Michigan campaign that successfully passed a ballot measure to create a nonpartisan redistricting commission in the state. She has also consulted for Jewish groups, including the Jewish Community Federation of San Francisco.
Multiple figures close to the campaign confirmed her hire to the Jewish Telegraphic Agency on Wednesday. The El-Sayed campaign did not immediately make Goldman available for comment, but she has already been a presence at some local events staged by Jewish supporters.
News of her hire comes nearly two months after the Democratic candidate’s campaign first told JTA they were interviewing for a Jewish liaison position.
Goldman enters the campaign at a precarious moment for El-Sayed, who has struggled to win over skeptical Jewish voters in his tight race with his Republican opponent, former U.S. Rep. Mike Rogers.
Recent polls show a tight race, with El-Sayed holding a narrow advantage. A Marist poll released Wednesday put him ahead of Rogers, 50% to 48% among likely voters, within the survey’s margin of error.
Jews have bristled at the former county health director’s strong criticism of Israel, including when he stated earlier this week that the country is “not an ally.” They have also objected to his campaign’s prior association with left-wing streamer Hasan Piker, whose remarks about Jews have drawn accusations of antisemitism. El-Sayed has since distanced himself from Piker.
Some Jews have criticized El-Sayed’s initial remarks to this spring’s Temple Israel attack, which he has since apologized for. Rogers called his opponent “anti-Jew” in a JTA interview this week.
A new letter from El-Sayed to Jewish Michiganders is also being circulated as part of an effort to warm relations.
“I care deeply about the threat of antisemitism to our communities, and I am committed to protecting all Michigan Jews against hatred and injustice,” El-Sayed writes in the letter, which was shared on social media.
A spokesperson for the Michigan Democratic Party, which is named as a sponsor in the letter, did not respond to JTA requests for comment by press time. The El-Sayed campaign also did not respond to a request for comment about the letter.
Michigan Democratic U.S. Senate candidate Abdul El-Sayed meets with concerned Jewish voters during the state Jewish Democratic caucus’s “Summer Simcha” event, Birmingham, Mich., Aug. 30, 2026. (Andrew Lapin/JTA)
In the campaign’s final days, Jewish surrogates for El-Sayed are hitting the pavement hard. A new Jewish canvassing initiative led by the progressive voter-mobilization group Seed the Vote hopes to engage voters in an effort to boost support for El-Sayed. Seed The Vote is working with the Jewish advocacy groups Bend the Arc Action and IfNotNow.
Most of the Jewish canvassers have come from out of state. One Jewish Michigander who is canvassing, Ronit Wagman, said the activists have sometimes experienced hostility from Jewish households.
“People just don’t want to put themselves on a limb and open themselves up to name-calling,” Wagman, who lives in the Detroit suburb of Oak Park and has canvassed in the nearby, largely liberal town of Huntington Woods, told JTA. “So I’m not too surprised that local Jews don’t really want to door-knock.”
In her own family, Wagman said she has been an El-Sayed supporter for a while but that her parents “took some convincing” to vote for him.
The argument that worked on them, she said, was pulling back from the candidate’s remarks about Israel and the Temple Israel attack. Instead, she asked them to consider the prospect of how Jews would fare long-term under what she described as continued Republican attacks on “constitutional democracy and civil rights.”
“Ultimately, we talked about how Jews have been able to enjoy so much safety and security in America because of the protections offered to all people by our constitution,” she said. “And when you start to erode that, nobody is safe.”
Conversations like the Wagmans’ could prove the tipping point for a Jewish population that largely considers itself liberal but has often been troubled by El-Sayed. Jewish organizers for him have also staged a series of small-room meet-and-greets with progressive politicians who are either Jewish, or who have close ties to the Jewish community. These figures have made their own pitches for the senate candidate.
One of those surrogates, Jewish Illinois congressional candidate Daniel Biss, spoke at a Detroit private Jewish residence on Monday to about 50 people. Goldman was also present at the event.
Biss was targeted by far-left activists during his own primary this spring, some of whom accused the candidate of being AIPAC-aligned himself. In fact, he is backed by the liberal Zionist lobby J Street and he fended off millions in spending that the pro-Israel group dropped in favor of an opponent.
Yet Biss told JTA he had no qualms about supporting El-Sayed, some of whose followers have targeted Jewish Democrats in the state in similar fashion.
“I don’t think it is ever healthy to associate any leader with the ugliest thing that anyone who supports them does,” Biss told JTA. “I absolutely never saw anything like that from Abdul himself.”
He continued, “It is possible to fight for Jewish safety in America with a variety of different positions on foreign policy. I think if we don’t accept that, we make ourselves vulnerable unnecessarily.”
To the group, he also argued that some Jewish concerns regarding El-Sayed were misplaced, particularly concerns about his language around AIPAC, which spent heavily against El-Sayed in his primary.
The lobbyists also spent heavily against Biss in his own primary, and, according to Biss, are fair game for criticism because they employed pernicious tactics in hiding their ad spending and paying for ads that often obscure their pro-Israel motivations.
“To be a little bit cheeky, I would say you can’t perform an antisemitic trope and then accuse me of antisemitism when I describe the thing you just did,” Biss told the Jewish crowd.
AIPAC announced Wednesday that it would cease endorsing and soliciting donations for its preferred candidates, though its associated super PAC, United Democracy Project, would continue operations.
El-Sayed will campaign in Detroit this weekend with former President Barack Obama. He and Rogers face off in their final scheduled debate tonight.
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Why many Israelis are silent on West Bank violence even as it escalates
In the last month, Jewish terrorists in the occupied West Bank boasted on Telegram and in Whatsapp groups that they burned 56 Palestinian vehicles, torched 13 buildings, injured 146 Palestinians, smashed numerous windshields, cut down thousands of olive trees and burned hundreds of dunams of fields and orchards. The tally was accompanied by a video with upbeat music showcasing the violence and injured Palestinians.
This escalation of Jewish terrorism in the West Bank is hardly invisible in Israel. Israeli security data show a sharp rise: Serious incidents of “nationalistic crime” increased 63% in the first half of 2026 compared with the same period a year earlier. Israeli newspapers report attacks, arson and assaults with depressing regularity. Prime Minister Benjamin Netanyahu himself reportedly described the phenomenon in a closed cabinet discussion as a “metastasizing cancer.”
And yet, as Israel heads toward elections, the scale and severity of this violence have not been matched by serious political attention. Why?
The easiest explanation would be that Israelis approve of it. Some do. There is an ideological minority for whom the answer is straightforward: the land belongs exclusively to the Jewish people, Palestinian claims to it have no legitimacy, and violence that drives Palestinians from contested areas can be understood as serving a national and religious purpose.
But that does not explain the broader silence or caution among the majority of Israelis who don’t share this ideology, including most mainstream political leaders and a growing number of rabbis and settlement figures who have explicitly condemned violence against and theft from Palestinians.
There are three primary reasons why mainstream Israelis who oppose the violence have nevertheless been cautious about making it a central political issue.
The first and perhaps most important reason is distrust. In mainstream Israeli discourse, there is widespread skepticism about the way settler violence is described by international organizations and parts of the media. That skepticism does not amount to denial of the phenomenon itself: a 2026 INSS poll found that 65% of Israelis viewed nationalist violence by Jews as either Jewish terrorism that must be stopped or serious violence requiring prevention. Still, many Israelis believe its scale is vastly inflated, stripped of context and folded into a larger campaign to portray Israel as uniquely monstrous. Palestinians, in this view, are perceived not as isolated civilians but as part of a hostile population, and the international institutions, NGOs and media documenting their victimization are themselves viewed with profound suspicion.
That reaction is not without cause. Israelis have spent three years hearing accusations they experience as grotesquely false, from sweeping charges of genocide to rhetoric questioning whether a Jewish state should exist at all, alongside repeated minimization or erasure of what Israelis endured on October 7. When many accusations really are distorted, it becomes instinctive for Israelis to dismiss all accusations. Suspicion of the accusers thus replaces the need to examine their claims, tragically removing any responsibility for self-reflection or the need to acknowledge wrong-doing.
The second reason is trauma and security. Palestinian terrorism in the West Bank has declined dramatically in recent years. According to IDF figures reported in the Israeli press, attacks fell from roughly 850 in 2023 to 260 in 2024 and about 60 in 2025. The security establishment attributes much of that decline to aggressive Israeli counterterrorism operations and unprecedented freedom of military action in Palestinian cities. But many Israelis draw a broader, less provable conclusion: Palestinian terror has declined because Jewish settlers became more aggressive and Palestinian communities more intimidated.
The implied logic is uncomfortable but powerful — lawlessness is ugly, but perhaps it is also keeping us alive. There is no good evidence that settler violence caused the decline. In fact, senior Israeli officials have argued the opposite: that Jewish rioters divert troops and damage counterterrorism efforts. But elections are shaped by perceptions, not causal studies. For a society still traumatized by Oct. 7, the possibility that confronting Jewish extremists might somehow weaken Jewish security is enough to make many voters reluctant to look too closely.
The third explanation is electoral politics. The Israeli left talks about Jewish terrorism frequently. The Democrats have sent lawmakers and activists to provide “protective presence” for Palestinians under threat. Different Israeli groups, including Rabbis for Human Rights, Bnei Avraham, Reservists Against Terrorism, and others, regularly accompany Palestinian farmers and shepherds; some of their activists have themselves been beaten by settlers. There are also, increasingly, leaders inside the settlement movement who have condemned the violence, issued halachic rulings against it, and demanded enforcement by the state.
But for much of the opposition bloc, making Palestinian victimization a central campaign issue carries a political risk. The opposition is trying to reach beyond its existing base, especially toward softer right-wing voters, while avoiding being cast as “the left.” In that political environment, condemning Jewish terrorism is one thing; centering Palestinian suffering is another. That does not mean opposition leaders are unaware of the problem of settler violence or unwilling to confront it. It means they are reluctant to make wrongdoing against Palestinians a defining campaign issue.
None of this should excuse the silence. Explaining why Israelis look away is not the same as justifying it. Violence against innocent Palestinians is a moral corruption before it is a diplomatic problem.
The attacks – and the lack of consequences that follow – corrode Israeli democracy and the rule of law, and undermine the conviction that Jewish power must remain bound by morality and the sanctity of human life. But the growing number of settlers, rabbis, reservists and activists who refuse to look away is also part of the Israeli story. After the election, those voices need to move from the margins toward the center.
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