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Bulgarian Jews skipped an official ceremony marking 80 years since their rescue from the Nazis. Why?
(JTA) — Bulgaria’s president was on hand on Friday for a ceremony marking the 80th anniversary of the country’s dramatic decision to save its 48,000 Jews from the Nazis.
So were representatives of the Bulgarian Orthodox church whose predecessors instigated the rescue, as well as a prominent Bulgarian-born Israeli historian and politician, Michael Bar Zohar, who published an early history of the episode, which was barely known until after the fall of communism.
Together they marched from Bulgaria’s national library — where an exhibition about Bulgaria’s World War II-era king, Tsar Boris III, is being held — to Sofia’s oldest church, where they lay flowers on a memorial to Boris and his wife, Tsarina Joanna.
But conspicuously absent from the ceremony with President Rumen Radev were any representatives of Bulgaria’s contemporary Jewish community,
Community leaders were invited only at the last possible minute, on Thursday afternoon, according to Alexander Oscar, president of Shalom The Organization of Bulgarian Jews. His group had already planned its own observance of March 10, known by Bulgarian Jews as “Day of Salvation.”
But Oscar said he would not have attended even if he’d been invited earlier — and he thought no one else from the local Jewish community would have either.
“Nobody from the community would have taken part in an event honoring the imaginary role of King Boris in rescuing the Bulgarian Jews and presenting a distorted history of the Holocaust,” Oscar told the Jewish Telegraphic Agency.
Oscar’s comments point to a longstanding and increasingly potent dispute over how Tsar Boris III should factor into Bulgaria’s Holocaust memory. Though Boris did sign off on the order to halt the deportation of the country’s Jews, he was also the leader of a fascist government that allied with Nazi Germany, imposed oppressive racial laws on its Jews and facilitated the murder of more than 11,000 Jews in territory it occupied. Boris died under mysterious circumstances shortly after returning from Germany where he met with Hitler in 1943.
Bulgarian troops deported more than 11,000 Jews living in Western Thrace, Vardar, Macedonia and the town of Pirot in today’s Serbia to Nazi death camps, where almost all were murdered.
St. Sophia Church, where the president’s ceremony took place, is home to plaques honoring Tsar Boris III and his wife that briefly stood in Jerusalem’s Bulgarian Forest. The plaques were removed in 2000 after protests by Bulgarian Jews and their descendants who were uncomfortable with lionizing someone who oversaw the murder of Jews during the Holocaust.
Past “Day of Salvation” commemorations have not specifically exalted Boris. But the wartime leader is a favorite of Bulgaria’s far right and those who admire the country’s pre-communist governments, and his profile has only risen in recent years as Bulgaria, like many other countries, has experienced a strengthening of its right wing.
“What we choose to remember and what we choose to omit when telling our own story is a mark of wisdom, courage and dignity,” wrote Bulgarian Jewish journalist Emmy Barouh in an open letter to Radev before the commemoration event.
“There is no morality to be found in the sinister arithmetic that the lives of 50,000 were ‘paid for’ by the lives of 11,343,” Barouh wrote. “Skipping half of this sad ‘equation’ turns ‘80th anniversary of the rescue’ into another episode of political use of Bulgarian Jews.”
Immediately after the war, the Jewish population of Bulgaria was still about 50,000, its prewar level, according to the United States Holocaust Memorial Museum. But unlike in most communist countries, the government allowed Jews to emigrate in large numbers and in fact encouraged them to do so; the vast majority departed for Israel in the late 1940s. Today, the World Jewish Congress estimates the country’s Jewish population at between 2,000 and 6,000; the country recently saw the creation of a Jewish school in Sofia and a cultural center in the remains of a crumbling synagogue in the coastal city of Vidin.
The former sanctuary of the central synagogue in Vidin, Bulgaria, built in 1894, is today crumbling and missing a roof. (Jonah Goldman Kay)
Local Jewish leaders marked the anniversary in other ways. Earlier in the week, some traveled to Kavala, Greece, for a ceremony at the site where Bulgarian soldiers deported thousands of Jews to Treblinka in 1943. On Friday, they also held their own ceremony at a different monument in Sofia commemorating both the rescue and the murder of the Jews in Bulgarian-occupied regions. They were joined by public figures including Sofia’s mayor and Bulgaria’s foreign minister, Nikolay Milkov, and its prosecutor general.
Some Bulgarians had openly called for their country to pay greater homage to Tsar Boris III at this year’s March 10 commemorations. Daniela Gortcheva, a Dutch-Bulgarian right-wing media figure, circulated a petition calling for him to be recognized.
The petition asserted that leaving Boris out of the commemoration would be akin to what happened in the Macedonian city of Ohrid last year, when a Bulgarian cultural club named after Boris drew protests from those who noted that Boris’s government was responsible for the murder of thousands of Macedonian Jews.
That incident, the latest in a long-running conflict between the two Balkan nations over World War II history, rocketed Tsar Boris back into the national spotlight in Bulgaria and made his rehabilitation a focus of Bulgarian nationalists.
After Jewish groups rebuffed the petition, Gortcheva attacked her critics on Facebook as ungrateful “heirs of Communists,” “a fifth column of Moscow” and traitors — claims that Jewish leaders say echo antisemitic smears made against Jews in the past.
Shalom, Bulgarian Jewry’s leading organization, has filed a complaint against Gortcheva with Bulgaria’s prosecutor general — the same official who last month ruled that Bulgaria could bar a neo-Nazi march honoring a Nazi collaborator.
“Gortcheva — a great supporter of the Lukov march — has been persistently involved in the spread of Holocaust denial and distortion,” World Jewish Congress Executive Vice President Maram Stern said in a letter to Milkov. “She combines such statements with slanderous claims that the Organization of the Jews in Bulgaria SHALOM and the Organization of the Bulgarian Jews in Israel are disloyal to Bulgaria.”
Following last week’s ceremonies, a group of Bulgarian scholars have circulated their own appeal this week, calling on Bulgarian leaders to acknowledge the deportations of Jews under the country’s rule during the Holocaust.
“Our state never tried to find the appropriate language to mark two inseparable and yet antipodal historical facts: the preserved life of the Jews from the prewar territories of Bulgaria and the deportation to Treblinka (4-29 March 1943) of those from the lands occupied in April 1941,” the appeal reads. “The Bulgarian state should acknowledge publicly, sincerely and unconditionally its responsibility by apologizing for the persecutions and deportations of Jews during World War II.”
“It is a matter of basic decency and tactfulness that emphasizing the salvation should be done by those who were saved and not by the savior,” the petition added. “Here, exactly the opposite occurs: Bulgarians are engaging in self-glorification and inviting the Jewish community to pay them eternal gratitude.”
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Stories of ghosts, grief and Shabbat gladness win top prizes in Jewish children’s literature
(JTA) — Anna is a misunderstood sixth-grade girl who communicates with the ghosts of her Jewish ancestors. Teased by her classmates and worried-over by her family, she finds comfort and understanding with her Bubbe and her beloved Jewish traditions.
“Neshama,” Marcella Pixley’s lyrically written novel-in-verse, won the gold medal for Jewish children’s literature for middle-grade readers from the Association of Jewish Libraries. Its Sydney Taylor Book Awards were announced today in a virtual livecast from Chicago.
The award committee called Pixley’s “a lyrical, deeply Jewish story about identity, grief, and resilience.”
The annual award, named in memory of Sydney Taylor, the author of the “All-of-a-Kind Family” series, “recognizes books for children and teens that exemplify high literary standards while authentically portraying the Jewish experience,” according to the award committee’s announcement.
Other winners include “D.J. Rosenblum Becomes the G.O.A.T,” a coming-of-age mystery by Abby White, which won in the young adult category, and “Shabbat Shalom: Let’s Rest and Reset,” a lively board book written and illustrated by Suzy Ultman, which won the picture book award.
The Sydney Taylor committee named Uri Shulevitz, whose 2008 book “How I Learned Geography” drew on his boyhood experiences fleeing Poland after the Nazi invasion in 1939, as the winner of its Body-of-Work award. Shulevitz, a multi-award winning storyteller and illustrator, died last year.
In addition to the top winners, the Sydney Taylor committee named five silver medalists and nine notable titles of Jewish content.
“This year’s winners and honorees exemplify excellence in Jewish children’s literature through vibrant storytelling and rich perspectives that foster empathy, understanding, and a deep appreciation for culture and community,” said Melanie Koss, chair of the award committee.
Winners will receive their awards in June in Evanston, Illinois at the AJL’s annual conference.
In “D. J. Rosenblum Becomes the “G.O.A.T,” an about-to-be bat mitzah-age girl is determined to prove that her beloved cousin did not die by suicide. Abby White lightens the emotional subject with a teen’s authentic, humorous voice.
“She wrestles with her Torah portion and faith, finding strength to face loss and begin moving forward,” the committee noted.
“Shabbat Shalom” may be the first board book to garner the award, Heidi Rabinowitz, a long-time podcaster about Jewish children’s books, told the Jewish Telegraphic Agency.
“The sophisticated board book combines succinct text with playful art,” the committee wrote in its release.
In awarding its Body-of-Work award to Shulevitz (1935-2025), who lived with his family in Israel before settling in New York, the committee recognized him as a “foundational voice in Jewish children’s literature.” His books “illuminate Jewish culture and reflect universal experience,” the committee wrote.
Many of Shulevitz’s titles reflect his Jewish roots, including “The Golem,” by Isaac Bashevis Singer and “The Travels of Benjamin of Tudela,” an illustrated travelogue for children based on the real-life voyages of the 12th-century Jewish traveler who visited Rome, Constantinople, Baghdad and Jerusalem. Shulevitz garnered the Caldecott medal, children’s literature’s top honor for illustrated books, for “The Fool of the World and the Flying Ship.”
Earlier, the AJL announced that Jessica Russak-Hoffman, a journalist for Jewish media outlets, won the organization’s new manuscript award for “How to Catch a Mermaid (When You’re Scared of the Sea),” a novel set in Israel for ages 8-13.
Last week, the AJL named Jason Diamond as the 2026 winner of its Jewish Fiction award for his novel, “Kaplan’s Plot.”
At Tuesday’s event, the Youth Media Awards hosted by the American Library Association, the winners were also announced for the Caldecott, Coretta Scott King, Newberry and Printz awards, among others. The Asian American Picture Book award went to “Many Things All At Once,” by Veera Hiranandani and illustrated by Nadia Alam, the story of a girl with a Jewish mother and a South Asian father.
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NJ church deletes video of pageant featuring antisemitic character but says critics took it ‘out of context’
(JTA) — A New Jersey church says it is “committed to engaging in dialogue, and teaching others about our heritage” after putting on a Christmas pageant that drew criticism for reflecting antisemitic stereotypes.
St. Mary Protectress Ukrainian Orthodox Church’s pageant, known as a vertep, featured an antagonist named Moshko who danced with the devil while wearing faux Hasidic garb like side locks and a black hat. The character was referred to as “zhyd,” a Ukrainian slur for “Jew.”
“We do not have any intention to promote harm or hatred with this pageant,” the church said in a statement issued on Facebook on Friday night. “However, we recognize some outside of our culture may assign elements of the performance to stereotypes when taken out of context which is inclusive of peoples historically present in eastern Europe.”
The church did not respond to a Jewish Telegraphic Agency request for comment prior to an initial report on the vertep earlier this month. It did not respond to an additional request for comment on Monday, following the statement. The church removed photos and video of the pageant from its Facebook page following the JTA report.
The vertep is a centuries-old Slavic Christmas tradition that emerged from puppet theater. In recent years, many Ukrainian Orthodox churches have removed material criticized as offensive. Since the current war between Russia and Ukraine began in 2022, one popular replacement for the Jewish antagonist has been a Russian character.
In its statement, St. Mary Protectress Ukrainian Orthodox Church emphasized that “the event does not target any specific group” but indicated that it could make changes in future pageants.
“The church is reflecting on this matter seriously and is committed to engaging in dialogue, and teaching others about our heritage while ensuring that future events continue to uphold the dignity, respect, and safety of all people,” it said.
The Anti-Defamation League of New Jersey, which said earlier this month that it was reaching out to St. Mary Protectress, told JTA on Monday that it had not been able to communicate with anyone from the church.
The church’s apology rang hollow for Lev Golinkin, a Jewish writer born in Ukraine who has advocated against the antisemitic elements of the traditional vertep.
“It’s not an apology, it’s more of an insult,” Golinkin said. “The problem is not the context. The problem is exactly that. It is in context perfectly.”
He added, “They’re making it seem that the people who are criticizing them … are the ones who have a problem because they don’t understand the culture.”
St. Mary Protectress is not the only Ukrainian church in the United States to import the antisemitic elements of the vertep from the old country. A church in Connecticut erected a backdrop poster for its pageant this year that included a Moshko character standing next to the devil.
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A new exhibit honors writer Lore Segal, a child survivor and lifelong skeptic of easy truths
(JTA) — I’ve never read a Holocaust chronicle quite like Lore Segal’s autobiographical 1964 novel, “Other People’s Houses.” Mordant, unsentimental and sometimes painfully honest, it’s the story of an Austrian girl sent to England on the Kindertransport, as well as a portrait of the artist as a young refugee.
More than one of her legions of admirers have noted that Segal, who died in 2024 at the age of 96, was only one year younger than Anne Frank, and grew up to become the kind of writer Anne too might have become had she not died in Bergen-Belsen.
Segal’s work, which includes decades of stories in The New Yorker as well as a delightful children’s book, “Tell Me a Mitzi,” is also remarkable in its humility. Segal was adamant that memory — especially of traumatic events like the Holocaust — cannot be a perfect repository of truth. It’s not that authors couldn’t be trusted, but that neither the writer nor the reader should take anything for granted.
That challenge is captured in the title of a new exhibit mounted by the Leo Baeck Institute in New York: “And That’s True Too: The Life and Work of Lore Segal.” The title is a quote from “King Lear,” a favorite of Segal’s and a reminder to hold opposing truths in the same sentence, of resisting the false comfort of a single, final version.
“We tried to give you an insight into Laura’s ability to look at the world from many angles,” Karin Hanta, the exhibit’s curator, said at the exhibit’s opening on Thursday, just days before International Holocaust Remembrance Day.
At the event, actress Toni Kalem, who played Angie Bonpensiero on “The Sopranos,” read an excerpt from “Other People’s Houses.” Kalem, who met Segal years ago and discovered that their mothers shared the experience of the Kindertransport, spoke of Segal’s “unbridled curiosity” — a quality that runs through the display of photographs, manuscripts and family keepsakes.
Lore (pronounced “Laura”) Groszmann was born in Vienna in 1928; one month after the Nazi pogrom on Kristallnacht, she was sent to England and raised in a series of foster homes (her refugee parents would eventually arrive and find work as domestics). Later she would join her family in the Dominican Republic, and they eventually found refuge in Washington Heights, the Manhattan redoubt for German-speaking Jews. After she established herself as a writer, she became part of a circle of mostly Jewish writers in New York, including Cynthia Ozick, Vivan Gornick, Grace Paley, Norma Rosen and Gloria Goldreich. Her husband, book editor David Segal, was 40 when he died in 1970.
Hanta had hoped to write a biography of Segal, but when that project stalled, she pivoted. “With all the materials I had gathered,” she recalled at the opening, “why not stage an exhibition?”
The first iteration, mounted in Vienna’s Bezirksmuseum Josefstadt — located in the district where Segal grew up, and, as Hanta later discovered, near the hospital where she was born — drew thousands of visitors. The New York version, expanded and sharpened, shifts the focus westward, tracing Segal’s journey from prewar Vienna to Manhattan, where she lived for decades, taught generations of writers, and, according to the New York Times, came “closer than anyone to writing the Great American Novel.”
That novel, “Her First American,” appeared in 1985 and explored the uneasy intersection of race and Holocaust history through the relationship of a Jewish refugee and a Black intellectual. (LBI has scheduled an online event about Horace Cayton, Segal’s real-life lover and the inspiration for the novel.) “Other People’s Houses,” her first book, earned Segal a Guggenheim Fellowship, and her short-story collection “Shakespeare’s Kitchen” (2007) became a Pulitzer Prize finalist. All three books will be reissued in the spring of 2026 by the New Press, while Melville House is publishing a posthumous collection, “Still Talking.” Introduced by Gornick, it features the linked “Ladies’ Lunch” stories she wrote late in her career, about elderly Manhattan friends dealing frankly and often hilariously with the daily indignities of growing old.
The exhibit at the Center for Jewish History, where LBI catalogues the history and culture of German-speaking Jews, includes notebooks from Bedford College in London, where Segal studied after the war, filled with short stories entered into competitions. There are manuscripts marked and re-marked in a hand that never stopped revising. There are address books kept by her parents — one from England, one from the Dominican Republic — opened to pages that quietly testify to vanished worlds: cousins who hid behind kitchen curtains in France, friends who assumed false identities, children who never made it onto the trains.
One small object carries particular weight: a childhood friendship book, the sort in which relatives and friends inscribe poems and well-intentioned advice. Segal’s includes an entry from her first English foster mother, urging her to cherish friendship — advice that reads differently if you know, as Segal later wrote, that their relationship was fraught. Her father’s contribution, a drawing of a boy hiking in the mountains, echoes a story Segal drafted as a young woman about a prewar hike in the Alps with him. She revised that story at 90 and retitled it “Dandelion.” The New Yorker published it in 2019, 70 years after its first draft.
The exhibition is accompanied by a season of in-person and virtual programs, and Hanta has her own wish list of commemorative projects: She hopes that a park in Vienna where Segal played as a child might be renamed in her honor; that the exhibition might travel; that “Other People’s Houses” might be distributed free in Austria in 2028, the centenary of Segal’s birth and the 90th anniversary of the Kindertransport.
On opening night, before reading from “Other People’s Houses,” Kalem paused to apologize for the necessary cuts she made. “As you know, all her life, Lore was a master of meticulously crafting and scrupulously revising her work,” said Kalem. “So it feels like literary malfeasance on my part to attempt to edit a word of Lore’s story. It feels akin to cutting Shakespeare by shortening Hamlet’s soliloquy…. So Lore, I hope you understand and I hope you will forgive me.”
The exhibition also includes a video produced by Hanta and Segal’s grandson, Benny, which captures Segal late in life, still circling her subjects, still attentive to the elusiveness of truth. At the opening, Segal’s son Jacob spoke of his mother’s ambition and her modesty, her seriousness about art and her refusal to be undone by success or disappointment.
“She always made the world larger,” he said. “It’s smaller now.”
“And That’s True Too: The Life and Work of Lore Segal” runs through April 15 at the Center for Jewish History, 15 W. 16th St., New York, New York.
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