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Bulgaria’s ambassador to Israel condemned for skipping Holocaust history conference
(JTA) — Bulgaria’s ambassador to Israel did not attend a conference on Bulgarian Holocaust history last week, in a move that organizers said displays her government’s attempts to whitewash that history.
An embassy spokesperson told the Jewish Telegraphic Agency that Ambassador Rumiana Bachvarova had received “a last-minute invitation to greet the conference” and “decided that it was good for the conversations and discussions to remain at an expert historical level, without any political presence or participation in them.”
The three-day event, titled “Persecution and Collaboration, Rescue and Survival: New Perspectives Regarding Bulgaria and the Holocaust 80 Years Later,” was hosted by Yad Vashem, Bar-Ilan University and the Tel Aviv Cinematheque from May 22-24.
“We believe that in the future the conversations and discussions between Bulgarian and Israeli historians will continue,” the spokesperson wrote, “and will contribute to an objective and comprehensive clarification of historical events.”
This year marks 80 years since protests in Bulgaria famously thwarted the deportation of its Jewish population. But respected historians have argued that King Boris III delivered over 11,000 other Jews to Nazi camps from the Bulgarian-occupied zone, in what is today North Macedonia. It’s a story that Bulgaria doesn’t want to face, critics say.
“The gruesome unvarnished truth that it was the Bulgarian government of King Boris III — not Nazi Germany — that rounded up 11,343 Jews from Macedonia, Thrace and Pirot and knowingly sent them to be murdered at Treblinka is an ‘historical event’ that does not require ‘clarification,’ comprehensive or otherwise,” historian and attorney Menachem Rosensaft, who had delivered a keynote speech at the event, told JTA.
“By refusing to even greet the conference participants, Ambassador Bachvarova, perhaps acting under orders, seems intent on continuing her government’s obfuscation of history by studiously refusing to admit that Bulgaria has the blood of these 11,343 Jews on its conscience,” Rosensaft, also associate executive vice president of the World Jewish Congress, added via a WhatsApp text.
Event organizer and filmmaker Jacky Comforty, author of “The Stolen Narrative of The Bulgarian Jews and The Holocaust” (2021) and director of a film about how Bulgaria foiled Hitler, told JTA that Bachvarova’s approach to the history is “propaganda oriented.” He added that in Bulgarian “neo-Nazi circles” it can often be read that “Jews are not grateful that they were saved.”
Comforty said Bachvarova was previously invited to give audience feedback on a film of his about this history while it was in progress. “She said she would not come because it was an anti-Bulgarian event,” Comforty said.
“Bulgarian officials have tried to use this story” of the rescue of Jews “and they are overdrawing on their humanitarian credit,” he said.
Jacky Vidal, chair of the Jaffa-based Bulgarian Jewry Heritage House, said he had sent the invitation to the ambassador. “I didn’t hear back, and I don’t know the reason,” he said, adding that he understood she was attending a ceremony honoring the memory of Dimitar Peshev, “one of the biggest rescuers of Bulgarian Jews.”
Peshev was a pro-German politician who nevertheless intervened to prevent King Boris from deporting its Jews in 1943.
“Bulgaria does have a very laudable credit with respect to the Holocaust,” Rosensaft said. “It is a fact that 48,000 Jews from Bulgaria were not deported to the death camps and therefore survived. It is also a fact that his process was not led by King Boris.”
The rescue was, he said, initiated by Bulgarian Orthodox church bishops, Metropolitan Stephan of Sofia and Metropolitan Kiril of Plovdiv — both of whom were posthumously recognized together with Peshev by Yad Vashem, Israel’s Holocaust history authority and memorial.
In March, according to the online publication Balkan Insight, Bulgarian journalist Emmy Barouh sent an open letter to Bulgarian President Rumen Radev, saying that she feared the anniversary of the rescue of Bulgarian Jews might be “used for political purposes.”
“The names of all 11,343 people put into sealed wagons and deported to Treblinka by the Bulgarian police and army are known. The manner in which the Bulgarian soldiers and officers treated them on behalf of the state and under the Bulgarian flag is also known. The astonishing cruelty in the last days of their lives is documented. The indifference to the tragedy of those whose last life was spent under the control of the Bulgarian army and police shows a particular moral bankruptcy,” she wrote.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”