Pro-Hamas demonstrators marching in Munich, Germany. Photo: Reuters/Alexander Pohl

As Jews and Israelis face a relentlessly hostile climate in Germany, the Jewish community in Potsdam, a city just outside Berlin, fears it may not be safe to open a new Jewish daycare center amid growing security concerns.

First reported by the German newspaper Märkische Allgemeine, the local Jewish community plans to establish a new Jewish kindergarten in Potsdam’s Stern district, a residential neighborhood in the city’s southeast, but rising antisemitism has slowed the project amid growing concerns over security and protection.

Initially launched in 2020, the project began when community leaders approached Potsdam city hall for support, with officials backing the plan and exploring the possibility of establishing the kindergarten in an existing, underutilized facility.

However, with antisemitic incidents on the rise and Jews and Israelis increasingly targeted, community leaders now warn that opening the kindergarten could heighten their vulnerability, making it impossible to predict when the facility might open. 

“People are afraid of the growing antisemitism,” Evgueni Kutikow, chairman of the Jewish Community of Potsdam, told Märkische Allgemeine. “One mother called me crazy when I asked her if she would enroll her child in a Jewish daycare center.”

Kutikow explained that the daycare center would require specific security measures, but he expressed concern that doing so might draw greater attention to the facility and make it a more visible target.

“As things stand now, I’m skeptical. But I’m also not prepared to abandon the project,” he continued.

Across Germany, synagogues, schools, and other Jewish institutions have had to increase security and protection against antisemitic attacks and potential terror threats — a reality that has intensified and loomed over the community since the start of the war in Gaza.

“But if we take three steps outside, we are completely on our own. We don’t live in a bubble — we see what’s happening around us and across the world,” Kutikow said.

Despite lingering skepticism, he said advocates of the project will continue working with city officials, who remain committed to advancing discussions, exploring new ideas, and promoting the daycare center.

Even though daycare places in the city currently exceed demand, a town hall spokesperson explained the city would still consider establishing a new center if an additional need can be demonstrated.

City officials will determine the costs of renovating and securing the proposed building, while planning to consult the state government on financing.

However, the German Ministry of Education, which has not yet received an application for an operating license, holds the final decision on the project.

Like most countries across Europe and the broader Western world, Germany has seen a shocking rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Most recently, unknown individuals vandalized the memorial at a local synagogue in Kiel, a city in the northwestern part of the country, destroying items left by people honoring the victims of the Holocaust — including a Star of David, candles, and a photograph.

According to newly released figures from the German Ministry of the Interior, antisemitic incidents continued to rise last year, with 2,122 offenses reported in Berlin alone, including 60 violent attacks.

This represents a significant increase of 80 percent compared with the already high number of incidents in previous years, with Berlin police recording 901 such offenses in 2023 and 1,622 in 2024.

Last month, the commissioner to combat antisemitism in the German state of Hesse sounded the alarm after an arson attack on a synagogue in Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across the country.

Steven Spielberg. Photo: BANG Showbiz via Reuters

Steven Spielberg officially became an EGOT winner on Sunday night after winning a Grammy for producing the “Music by John Williams” documentary that won in the best music film category.

The Jewish filmmaker took home his first Grammy win during a non-televised ceremony that took place before the main awards show. This was also the first year that he was nominated for a Grammy.

Spielberg is the 22nd person to have won an Emmy, Grammy, Oscar, and Tony in their careers. That list includes Rita Moreno, Audrey Hepburn, Mel Brooks, Elton John, Whoopi Goldberg, John Legend, Andrew Lloyd Webber, Jennifer Hudson, Viola Davis, and composers Marvin Hamlisch, Richard Rodgers, and Alan Menken.

Spielberg is also reportedly the ninth Jewish person to reach EGOT status. The most recent Jewish person to secure the EGOT title before Spielberg was songwriter Benj Pasek in 2024.

Spielberg previously won four Emmys, for “The Pacific,” “Band of Brothers,” “Steven Spielberg Presents: A Pinky & The Brain Christmas,” and “Steven Spielberg Presents Taken.” He has three Oscars, including two for “Schindler’s List” and one for “Saving Private Ryan,” and a Tony award for producing the Broadway show “A Strange Loop.”

“Music by John Williams” is about the famed composer and conductor who has had 54 Oscar nominations and five wins. He has composed music for film franchises — such as “Star Wars,” “Home Alone,” “Jurassic Park,” “Harry Potter” and “Indiana Jones,” — as well as other iconic films and television shows including “Gilligan’s Island,” “Schindler’s List,” “Jaws,” “E.T.: The Extra-Terrestrial” and “Saving Private Ryan.”

The new PBS series Black and Jewish America: An Interwoven History is not the first piece of media to investigate the relationship between the two communities. But what’s unique about the program, narrated by scholar and Finding Your Roots host Henry Louis Gates Jr., is that it doesn’t shy away from the historic complexities of this partnership — and the many times it almost fell apart.

Alarmed by the recent rise in white supremacist hate crimes, Gates reconnected with Paul Bertelsen and Sara Wolitzky, who had worked on some of his past projects and are co-directors and co-producers of the series.

“I think we all felt collectively the same kind of revulsion at this rise of white supremacist hate,” Bertelsen, who was a producer on Gates’ Peabody Award-winning series The African Americans: Many Rivers to Cross, told me over Zoom. “The hoods came off, you know, and so we all, as storytellers and historians, grew concerned, and found this to be a great opportunity to kind of show the importance of shared experience and coalition building.”

Narrated by Gates, the four hour-long episodes recount chronologically Black and Jewish history in America from 1492 through the present using archival footage and interviews with historians and cultural scholars, such as Cornel West and Derek Penslar. From the first episode, they establish that the two identities have never been mutually exclusive. Gates sits around a seder table with white Jews, including author Abigail Pogrebin, and Black Jews, such as chef Micahel Twitty and Shais Rison, the African-American Orthodox Jewish writer known as Ma Nishtana.

By describing times when Black and Jewish people were allies as well as when they were in conflict with one another, the series feels more authentic — and more convincing — than other media about allyship that are often rooted in platitudes and a romanticization of the past. It’s impossible to have honest partnership without confronting uncomfortable truths: There were Jewish slave owners, there were members of the Black Power movement who subscribed to virulent antisemitism, and not all Jews were allies with the Civil Rights movement.

Wolitzky told me that Susanna Heschel, daughter of Rabbi Abraham Heschel, who famously marched with Martin Luther King Jr. in Selma in 1965, recounted a department store called Tepper’s that was near the march. It was owned by Jewish businessman Sol Tepper who was a member of the supremacist organization the White Citizens Council.

“These communities are not monoliths in any shape or form, and at every moment you have differences of opinion,” Wolitzky said

Because many Jews were seen as white, they had legal and economic advantages that weren’t afforded to their Black neighbors, even while they faced social discrimination, such as university quotas and country club bans. Some Jews used this privilege to help Black people, and others used it to take advantage, such as Louis Armstrong’s manager Joe Glaser, who, according to jazz artist Ben Sidran, was likely not giving Armstrong his fair share of money.

The Jewish manager-Black artist dynamic has caused conflict throughout music history, in rock, rap, and hip-hop, although these other incidents aren’t mentioned directly in the series. Given the depth of the history of Black and Jewish relations, some stories and details had to be left on the cutting room floor.

“One of the things we couldn’t afford to do is tell the same story twice, even if it featured different characters,” Bertelsen said. “We were very eager to kind of look at Def Jam Records, and Rick Rubin, and Russell Simmons, and that crew. But we had told it in Episode #2, in essence, through Louis Armstrong and Joe Glazer.”

The creators have packed a lot into a relatively short amount of time, including both well-known incidents of Black and Jewish allyship — such as Jews co-founding the National Association for the Advancement of Colored People — and stories that aren’t as broadly discussed — such as Black-Jewish partnership in Merriam, Kansas, to advocate for better Black educational facilities in the 1940s.

Black and Jewish ends by touching on the political fallout after Oct. 7, but offering hope in the form of an intercultural student dialogue group at UCLA founded in the wake of campus protests and led by professor David Myers, an occasional Forward contributor.

Of course, the story isn’t over. Since filming ended in 2025, new developments in national politics and concerning Israel have already popped up. The show mentions the Anti-Defamation’s League role in combatting Black labor exploitation in the Bronx, even as the organization has recently stepped back from broader civil rights causes.

Wolitzky mentioned the recent accusations of antisemitism in DEI initiatives as another issue that’s relevant to the ongoing story of how Black and Jewish people relate in America. However, like the changing ADL, it’s a story that we are still living through.

“These films are really a historical lens, and it’s always really hard to have that same sense of perspective on the current moment,” Wolitzky said.

The first episode of Black and Jewish America: An Interwoven History premieres on PBS on Tuesday, February 3rd at 9pm EST. On Feb. 5, Henry Louis Gates Jr., the filmmakers, and Sen. Corey Booker will discuss the series at 92NY.

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