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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon
(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.
“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.”
In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person.
The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career.
“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.”
As is often the case with documentaries, the film evolved a bit from its original purpose.
The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)
“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.”
The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization.
The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)
In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.”
“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.”
“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA.
The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.)
The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine.
“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.”
The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand.
“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.”
Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)
“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”.
“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary.
“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.”
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In a Mamdani-era primary, J Street backs pro-Israel incumbent — and, in a first, his challenger
Rep. Dan Goldman, a two-term Democrat facing a tough primary in New York’s 10th District, has been endorsed again by J Street, but in an unusual move, the pro-Israel advocacy group will also “approve” Goldman’s opponent, former City Comptroller Brad Lander, who has made Goldman’s centrist stance on Israel and ties to AIPAC central to his campaign.
J Street said it is “proud” to support Goldman for reelection for his “pro-Israel, pro-peace, and pro-democracy leadership” in Congress. “Goldman has worked toward a better future for the Middle East as Congressman, co-leading letters opposing demolition of Palestinian homes and calling for sanctions on some of the most violent extremist settlers in the West Bank,” Jeremy Ben-Ami, J Street’s president, said in a statement shared with the Forward.
Goldman called J Street a “vital organization that squarely aligns with my support for Israel as a Jewish and democratic state” and one that “represents many of my Jewish and progressive values, like justice, equality, freedom, and the pursuit of peace.”
J Street first endorsed Goldman, an heir to the Levi Strauss fortune who was elected in a competitive primary in 2022, in the 2024 election; as an incumbent, he was automatically included on J Street’s early endorsement list of 117 House members. The group is now reaffirming its backing of Goldman as he faces an uphill battle in a district that voted for Zohran Mamdani, a democratic socialist and strident critic of Israel, in the Democratic primary for Mayor — after Lander cross-endorsed him, and overwhelmingly backed him in the general election against former Gov. Andrew Cuomo.
Mamdani is backing Lander’s bid, while Goldman has the support of Gov. Kathy Hochul, House Democratic Leader Hakeem Jeffries, former House Speaker Nancy Pelosi, and Manhattan Borough President Brad Hoylman-Sigal.
Palestinian rights and the Gaza war have increasingly become a litmus test for progressive candidates seeking to define themselves against establishment Democrats. The stakes are heightened by the makeup of the district’s electorate and the fact that both candidates are Jewish, making Israel a key issue in the race. Jewish voters are estimated to comprise more than 20% of the Democratic primary electorate in the 10th Congressional District, which encompasses the Brooklyn neighborhoods of Borough Park and Park Slope, along with a swath of lower Manhattan.
At his campaign launch in Chinatown last week, Goldman said that his Israel positions reflect where most voters in the district are: supportive of Israel’s security while finding a pathway for a two-state solution, sharply critical of Prime Minister Benjamin Netanyahu’s right-wing government, and opposed to settlement expansion and settler violence. Last November, Goldman co-led a letter to President Donald Trump urging for the re-imposition of the Biden era sanctions on West Bank settlers.
Goldman was also an early supporter of humanitarian pauses in the war against Hamas to allow the flow of humanitarian aid. Recently, he told The New York Times, he would “likely vote differently” on a resolution to censure Rep. Rashida Tlaib, the only Palestinian American House member, for her comments on Israel. More than 1,000 constituents protested outside his district office after his vote in favor of the Republican-led measure.
Goldman diverged from J Street on key Gaza-related efforts, including his opposition to Democratic-led measures to block or condition U.S. arms transfers to Israel or his refusal to sign onto a letter opposing Trump’s initial vision of the U.S. taking control of Gaza and turning it into the “Riviera of the Middle East.”
Risa Levine, an advocate and an active member of J Street, said it’s a “no brainer” to reaffirm support for Goldman given that on Israel and issues related to the Jewish community, he is “100% where the J Street membership is” and “very amenable to everything that J Street says” even when there are disagreements about certain policies.
Levine, who as a constituent has attended private meetings with Goldman, said that describing Goldman as being owned or directed by AIPAC is “kind of silly,” given his personal wealth, estimated at up to $253 million. Goldman loaned his campaign $4 million in 2022; AIPAC’s super PAC later said it contributed $350,000 to a local super PAC opposing his chief rival at the time, Yuh-Line Niou, who supports the boycott Israel movement.
Lander’s J Street seal of approval
The endorsement of Goldman underscores the bind J Street now faces, placing itself squarely in the middle of a complex and contentious primary.
Lander is widely regarded inside the organization as a family figure. He is a regular speaker at its annual conferences, and activists and donors view Lander as a natural standard-bearer for the group in the post–Gaza war and Mamdani era.
J Street is expected to break with past practice and list Lander as one of seven “primary-approved” House candidates, but the only challenger to an incumbent it supports. That designation would allow donors to contribute to his campaign through the J Street PAC portal but stops short of organizing events or offering active campaign support.
In an interview on Monday, Lander called the group’s decision to approve his candidacy “significant.”
Lander also insisted that he is “better aligned” with the views of this district on the Israeli-Palestinian conflict, an issue, he said, which will be important for voters in the race.
Though Lander opposes the Boycott, Divestment, Sanctions movement, he supported Ben & Jerry’s decision to end sales in the occupied West Bank in 2021. Since Oct. 7, Lander has regularly attended a weekly rally against the Israeli government’s handling of the war in Gaza, has backed calls for a permanent ceasefire and has met with families of Israeli hostages.
In September, he expressed regret for not doing enough “to speak out against Israel’s war crimes, against ethnic cleansing, against forced starvation of Palestinians.” More recently, he described the war as “genocide,” inspired by the writings of Raphael Lemkin, who coined the term, which his daughter had given him. J Street’s head said he was “persuaded” by arguments that Israel is committing genocide in Gaza.
As comptroller, Lander also ended New York City’s half-century practice of investing millions in Israeli government debt securities in 2023.
Ruth Messinger, the trailblazing Jewish political leader who in 1997 became the first and only woman to win the Democratic nomination for New York City mayor, praised J Street for having “flexibility” in maintaining their relationship with Goldman, but also designating Lander as an approved candidate.
Lander, she said, “speaks really directly to the perspective of the people in this district on these issues, and J Street is correct in recognizing that.” Messinger, who endorsed Mamdani after the primary and said his views on Israel were not central to the job he was seeking, added that Lander would be a strong fit to succeed retiring Rep. Jerry Nadler — the longtime dean of the Congressional Jewish Caucus — and to “play this critical role” in shaping the thinking of both Jewish and non-Jewish members of Congress.
Levine said the endorsement of Goldman “speaks for itself” and that she would prefer J Street not feature Lander’s name as a primary challenger, so as not to create divisiveness within the party. She added that the endorsement could help Goldman appeal to voters who may have supported Lander’s mayoral candidacy.J Street’s Ben-Ami told the Forward, “At the end of the day, it is a win for the district and the nation to have two J Street-aligned voices in this race.”
The post In a Mamdani-era primary, J Street backs pro-Israel incumbent — and, in a first, his challenger appeared first on The Forward.
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A hypnotic new album inspired by a unique Yiddish recording
Folklore scholar Barbara Kirshenblatt-Gimblett doesn’t remember interviewing and recording the Yiddish folksinger Rose Cohen in 1968 in Toronto. But this recording may turn out to be one of the most significant ones that made it into the storied archives at the YIVO Institute for Jewish Research.
In it, Cohen sings ten songs from her childhood in the Kyiv region of Ukraine, in Yiddish, Hebrew, Ukrainian and Russian. A handful of these songs have never been found anywhere else.
Cohen, who came to Toronto after World War II, was from a dynasty of what she called khazonishe, or singing rabbis, and learned many of these songs listening to them singing in her home.
This recording became the inspiration for a new album, The Rose Cohen Experience, released last month on Borscht Beat Records. Her songs are performed here by Cantor Sarah Myerson and Ilya Shneyveys, a married couple of talented multi-instrumentalists. The duo, called Electric Rose, took nine of the ten songs Kirshenblatt-Gimblett recorded and created their own elaborate, imaginative versions of them.
In the recording, Myerson — who serves as spiritual leader and cantor at Roosevelt Island Jewish Congregation in New York City — sang them as she and Shneyveys played an array of instruments over loops, creating a surreal, hypnotic sound. Shneyveys was no stranger to this, having once been part of the Yiddish “psychedelic” rock group Forshpil.
One of the songs, Berosh Hashone (On Rosh Hashone) begins with a segment from the solemn High Holidays prayer Unetaneh Tokef, about how our destiny is determined by God, depending on what deeds we’ve done. But then there are other Yiddish verses about an unhappy woman asking her children if she should divorce their father. “We don’t have that as a Yiddish song elsewhere in the repertoire,” Myerson said in an interview. “We don’t know of that song existing in other languages either.”
The album is structured, at least at first, as an imagined narrative of Cohen’s own life. “Ikh heyb mikh on tsu dermonen” (I’m beginning to remember) possesses a driving rhythm and a powerful recollection of an immigrant in North America dreaming of going back to his wife in Europe. Even though it’s a folk song, it’s possibly autobiographical when she sings it, as Cohen’s father immigrated to Toronto before the rest of his family. Myerson and Shneyveys aimed to draw out the autobiographical aspect of this song by playing selections of the Cohen interview where she recalls where she is from and how old she is.
The song transitions to Bay mashin (At the machine), a folk song about a woman slaving over a sewing machine, looking forward to getting married after having assembled her dowry. In an interesting twist, Myerson actually uses the sound of a sewing machine throughout the track, both in recorded and live performances. It’s a small hand-crank sewing machine from the early 20th century, “possibly developed for child labor,” Myerson said.
Myerson contributed a special track, Kale Tfile (Bride’s prayer), to supplement the nine Cohen songs. Kale Tfile is taken from an excerpt of a tkhine (a Yiddish-language women’s prayer) that a woman would recite on the night before the wedding. She found the prayer in an 1897 prayerbook known as the Siddur Korban Minchah.
Myerson said she decided to include this text after trying to imagine how Cohen may have felt singing Bay mashin, where the ending indicates that the female narrator is about to marry. The words are plaintive (“O God, please hear my youthful prayer, receive my hot tears that I now spill before You”), raising the possibility that she is unhappy about the match. Myerson’s performance delivers the song in that spirit, utilizing a vocoder, a keyboard that allows her to harmonize with herself.
From here, the album drops its autobiographical train of thought and moves into a more experiential mode. Mayim Rabim (mighty waters), also known as Psalm 93 — a psalm recited during the Shabbat evening prayer service — is remarkable because, as Myerson said, “we just don’t have many recordings of women of her generation singing liturgy.” Here, we see how Electric Rose made use of ambient recordings; in this case — ocean waves from Miami Beach.
You can catch Electric Rose on their upcoming tours throughout the East Coast, California and Germany.
The post A hypnotic new album inspired by a unique Yiddish recording appeared first on The Forward.
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China Warns Against Foreign ‘Interference’ in Iran as Trump Mulls Response to Regime Crackdown
A demonstrator lights a cigarette with fire from a burning picture of Iran’s Supreme Leader Ayatollah Ali Khamenei outside the Iranian embassy during a rally in support of nationwide protests in Iran, in London, Britain, Jan. 12, 2026. Photo: REUTERS/Toby Melville
China on Monday expressed hope that the Iranian regime would “overcome” the current anti-government protests sweeping the country, warning against foreign “interference” as US President Donald Trump considered how to respond to Iran’s deadly crackdown on nationwide protests.
“China hopes the Iranian government and people will overcome the current difficulties and uphold stability in the country,” Chinese foreign ministry spokesperson Mao Ning told reporters during a press conference.
“China always opposes interference in other countries’ internal affairs, advocates that all countries’ sovereignty and security should be fully protected by international law, and opposes the use or threat of force in international relations,” she continued. “We call on parties to act in ways conducive to peace and stability in the Middle East.”
The comments came as Iran continued to face fierce demonstrations, which began on Dec. 28 over economic hardships but escalated into large-scale protests calling for the downfall of the country’s Islamist regime.
If the regime in Tehran was seriously weakened or potentially collapsed, it would present a problem for a strategic partner of Beijing.
China, a key diplomatic and economic backer of Tehran, has moved to deepen ties with the regime in recent years, signing a 25-year cooperation agreement, holding joint naval drills, and continuing to purchase Iranian oil despite US sanctions.
China is the largest importer of Iranian oil, with nearly 90 percent of Iran’s crude and condensate exports going to Beijing. Traders and analysts have said that Chinese reliance on Iranian oil will likely increase and replace Venezuelan oil after US forces captured Venezuela’s President Nicolas Maduro earlier this month.
Iran’s growing ties with China come at a time when Tehran faces mounting economic sanctions from Western powers, while Beijing itself is also under US sanctions.
According to some media reports, China may be even helping Iran rebuild its decimated air defenses following the 12-day war with Israel in June.
The extent of China’s partnership with Iran may be tested as the latter comes under increased international scrutiny over its violent crackdown on anti-regime protests.
US-based rights group HRANA said by late Monday it had verified the deaths of 646 people, including 505 protesters, 113 military and security personnel, and seven bystanders. The group added that it was investigating 579 more reported deaths and that, since the demonstrations began,10,721 people have been arrested.
Other reports gave indicated the number of protesters killed by the regime numbers well into the thousands, but with the regime imposing an internet blackout since Thursday, verification has been difficult.
Trump has said he will intervene against the regime if security forces continue killing protesters. Adding to threats of military action, Trump late on Monday announced that any country doing business with Iran will face a new tariff of 25 percent on its exports to the U.S.
“This order is final and conclusive,” he said in a social media post.
According to reports, Trump was to meet with senior advisers on Tuesday to discuss options for Iran, including military strikes, using cyber weapons, widening sanctions, and providing online help to anti-government sources.
Iran has warned that any military action would be met with force in response.
“Let us be clear: in the case of an attack on Iran, the occupied territories [Israel] as well as all US bases and ships will be our legitimate target,” Iranian parliament speaker Mohammad Baqer Qalibaf told a crowd in Tehran’s Enqelab Square on Monday, adding that Iranians were fighting a four-front war: “economic war, psychological warfare, military war against the US and Israel, and today a war against terrorism.”
However, the White House stressed that Trump hopes to find a diplomatic resolution.
“Diplomacy is always the first option for the president,” White House press secretary Karoline Leavitt told reporters on Monday.
“What you’re hearing publicly from the Iranian regime is quite different from the messages the administration is receiving privately, and I think the president has an interest in exploring those messages,” she said.
Iranian Foreign Minister Abbas Araqchi told Al Jazeera that he and US envoy Steve Witkoff have been in contact.
Trump said on Sunday the US could meet Iranian officials and he was in contact with Iran’s opposition.
