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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon
(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.
“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.”
In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person.
The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career.
“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.”
As is often the case with documentaries, the film evolved a bit from its original purpose.
The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)
“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.”
The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization.
The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)
In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.”
“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.”
“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA.
The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.)
The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine.
“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.”
The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand.
“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.”
Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)
“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”.
“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary.
“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.”
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The new U.S. passport design is fueling a Star of David conspiracy theory. Here’s what’s really there.
When Secretary of State Marco Rubio unveiled a new U.S. passport design last week, online sleuths zeroed in on a curious detail: “Is that the star of david???” one TikTok user commented on a video of Rubio showing off the document’s revamped look.
“Why do we rock the Star of David on American passports?” asked an X user in a post that garnered 1.6 million views.
The symbol was not, in fact, the Star of David, but rather 13 stars arranged in a hexagram, representing the original 13 colonies. The design is part of the official Great Seal of the United States, approved by the Continental Congress in 1782 as the official symbol for the newly sovereign country.
The hexagram shape wasn’t a new addition to the passport, either. The Great Seal has long been a fixture of the U.S. passport cover; the new design just enlarges it. The seal — including the cluster of 13 stars in a hexagram — appears on all sorts of government materials, including military uniforms, official presidential documents, and the dollar bill.
The shape’s resemblance to the Magen David, however, has long fueled conspiracy theories about secret Jewish or Israeli influence over the U.S. government. To some online commentators, the redesigned passport was fresh confirmation of that belief.
“It’s a colony of israel (sic) so it makes sense to pay homage to their owners,” a TikToker commented about the new design.
The seal’s history
Shortly after they adopted the Declaration of Independence, the Founding Fathers had another important matter to attend to: appointing a committee to design a seal for the United States.
Benjamin Franklin, Thomas Jefferson and John Adams made up the all-star team. Franklin suggested an image of Moses parting the Red Sea. Jefferson wanted “the children of Israel in the wilderness, led by a cloud by day and a pillar of fire by night.” Adams preferred an image of Hercules, the Greek hero known for his strength.
Evidently, none of them had a great eye for graphic design. Congress tabled their proposals.
Two more committees took up the project. In 1782, Secretary of the Continental Congress Charles Thomson integrated the various committees’ ideas into a new design, which featured a bald eagle, a shield, an olive branch and arrows, and a constellation of 13 stars. Congress approved the seal that year.
Thomson described the design as featuring “thirteen stars forming a constellation”; he did not specify a hexagram or six-pointed star. Original sketches, in fact, show the stars in a seemingly random arrangement.

Robert Scot, the chief engraver of the United States Mint, is credited with arranging the 13 stars into the six-pointed geometric star.
According to legend, George Washington ordered the 13 stars arranged as a Star of David as a tribute to Haym Salomon, a Jewish financier who aided the Revolutionary cause. But there’s no historical evidence of that, nor that Washington or Salomon had any role at all in designing the seal.
One plausible theory is that Scot may have simply been emulating the arrangement of stars on the American flag at the time, rearranging the 13 stars to fit symmetrically inside a circular field.
Even so, the myth of the Star of David intentionally appearing on the seal has reached as far as former presidential candidate Ben Carson, who in 2015 suggested that “Salomon gave all his funds to save the U.S. Army and, some say, no one knows for sure, that’s the reason there’s a Star of David on the back of the one dollar bill.”
Historians were quick to correct the record.
“If you squint, you can say there’s some resemblance but that certainly was not the intention of the designers, that we’re aware,” Wayne Homren of the Numismatic Bibliomania Society, which studies currency, told ABC News.
The theory behind the theory
Kent Harber, a professor of psychology at Rutgers University who studies conspiracy theories, said the passport claim fits within the emerging zeitgeist, in which “conspiracy beliefs about Jews and Israel are getting an increasing amount of currency.”
In this case, gaps in the historical record surrounding the hexagram’s design may have helped the theory take hold.
“We can’t take ‘no reason’ for an answer,” Harber said. “We have to have an explanation, and we will fill in that blank with other explanations, even bogus, sometimes sort of seemingly silly ones.”
Harber’s research has found a strong relationship between conspiracy theories, antisemitic attitudes, and hostility toward Israel.
Conspiracy theories are like “epistemological junk food,” he said. “They satisfy this craving by giving you exactly what you want, even though it’s not particularly good for you or for society.”
The post The new U.S. passport design is fueling a Star of David conspiracy theory. Here’s what’s really there. appeared first on The Forward.
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Swastikas, racist slurs painted on a playground and a golf course outside Philadelphia
The police were still there when neighbors arrived to clean up the Philadelphia playground where vandals had struck.
They had come to a playground in Abington Township, just outside Philadelphia, on Saturday morning with cleaning supplies. Officers had been called and were still collecting evidence from the swastikas that someone had spray-painted on the playground equipment and the blacktop, and from the N-word painted on the playground’s sign. So the volunteers waited. Then dozens of them, along with volunteer firefighters and school district staff, went to work.
Abington Township police have several investigative leads, Deputy Chief Ed Quinn told the Forward. “I’m confident we’re making an arrest and holding those responsible accountable for their actions,” he said, adding that it is too early to say whether charges would include a hate crime.
A week earlier, about 25 miles away, someone carved swastikas and a racial slur into the greens at Yardley Country Club, a private golf course. The similar incidents occurred at both the start and the close of the festival of Sukkot.
No arrests have been announced in either case. Neither police department knew about the other’s case until the Forward called. Quinn said he had never heard of the golf course, and Yardley’s police chief, William Golden, said the same of the playground. Golden declined to discuss leads or whether the vandalism would be charged as a hate crime.
Golden said he had also learned of a golf course about five miles away in Morrisville that was vandalized a week before Yardley’s. The course, he believed, did not report it to police and repaired the damage on their own. Golden said there were no swastikas in that vandalism, but that it included a racist slur.
The Yardley Country Club is adjacent to the Abrams Hebrew Academy, a Jewish elementary school with close to 200 students. Rabbi Ira Budow has run the school for more than four decades. His car is parked beside the hole that was hit, he said, and golf balls sometimes sail onto the school grounds.
“I really think it was probably a prank,” he said, noting that he can’t recall any other local antisemitic incident in his time there. “This is a good town.” Yardley, where Budow lives, is also home to three synagogues. The local police work with the school on security, and he is scheduled to speak to the Borough Council on Tuesday night.
The school already receives state security money. Applications ask whether a school feels threatened and requires them to provide an example – which gave Budow a message for whoever did this.
“This person should know that because of him, the school will be able to get more security grants,” he said. “They did the job for me.”
Why Shapiro is watching
Abington Township is also home to Gov. Josh Shapiro’s private residence.
“Gov. Shapiro has always been clear: antisemitism and hate have no place in Pennsylvania,” Rosie Lapowsky, a spokesperson for Shapiro, told the Forward. “These acts are intended to intimidate our neighbors and we condemn them unequivocally. Every Pennsylvanian deserves to feel safe in their community.”
For Shapiro, it is close to home in more than one way. His wife, Lori, went to elementary school at Abrams, in the building beside the golf course. Shapiro was Pennsylvania’s attorney general on Oct. 27, 2018, when a gunman killed 11 worshippers at the Tree of Life synagogue in Pittsburgh. That anniversary is three weeks away. He was sworn in as governor on three Bibles, one of them rescued from the synagogue.
His own brush with violence opens his memoir, Where We Keep the Light. In April 2025, hours after the Shapiro family hosted a Passover seder, a man firebombed the governor’s residence in Harrisburg while the family and guests slept inside. Shapiro writes that it sharpened his sense that antisemitic violence is a lived reality, even for a governor with a police detail. “The bubble burst that morning,” he writes.
Shapiro is up for reelection next month. He is also widely seen as a possible Democratic candidate for president in 2028, which would make him the nation’s first Jewish president if he won.
Two communities, one response
Jason Holtzman, who runs the Jewish Community Relations Council at the Jewish Federation of Greater Philadelphia, has been watching the headlines pile up. The region’s Jewish community, which he puts at between 250,000 and 300,000 people, now responds to incidents “far more often than we were a few years ago,” he said.
In August, the Weitzman National Museum of American Jewish History in Philadelphia was vandalized, the third attack on it in one year. “These headlines are regular to us,” he said.
What worries Holtzman this week is the setting. “It’s really concerning that it’s also moving into everyday spaces,” he said, like a playground and a golf course. The one in Yardley, beside a Jewish school, “definitely affects children and it definitely affects people in our community.”
He also sees an opening. Antisemitism and anti-Black racism, Holtzman said, “grow from the same root,” and local churches, synagogues and elected officials have rallied together. “While this is a horrible thing, we’re hoping that this is an opportunity to actually bring people together in both communities.”
The Salem Baptist Church of Abington said much the same in a statement. The church called the N-word “the nuclear weapon in the English language” and the swastika “the symbolic equivalent.” Ignorance, it said, “has shown its vile face. At a park. The symbol of civic unity.” It called the vandalism “yet another opportunity for Blacks and Jews to be reminded that our enemies are two sides of the same coin. Unity. Not polarity. Not isolation.”
On Thursday, the town is set to hold a vigil at the park. The idea, the invitation says, is to “reclaim a shared community space from hate.”
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What do Germans talk about when they talk about antisemitism?
In today’s Germany, an accusation of antisemitism can end careers, shutter institutions and put political alliances beyond consideration. That gravity is understandable in the country responsible for the Holocaust. What has become less clear, particularly since the Hamas-led attacks on southern Israel on Oct. 7, 2023, and the ensuing war in Gaza, is what Germans mean when they use the word “antisemitism.”
Days before Berliners went to the polls on Sept. 20, Germany’s chancellor Friedrich Merz provided a particularly awkward illustration. At a campaign event for his party, the CDU, Merz called antisemitism “the most perfidious form of xenophobia.” German Jews were quick to point out a glaring problem; they were not foreigners. The contentious IHRA framework officially embraced by Germany stresses that antisemitism and hostility toward foreigners are separate phenomena.
The confusion has become politically consequential since Berlin voted. Die Linke, a democratic socialist party, won 25.7%, more than doubling its 2023 share and finishing nearly seven points ahead of the CDU, which came in at 18.8%. The far-right AfD came third with 16.3%, itself an extraordinary gain of 7.2 points. Yet, since the election, the question consuming German politics has been whether Die Linke is too antisemitic to govern.
Israel’s ambassador, Ron Prosor, described antisemitism within Die Linke as systemic. The Central Council of Jews warned the SPD and Greens against joining a Linke-led coalition. Bavaria’s premier, Markus Söder, called Die Linke “deeply antisemitic.”
Philipp Peyman Engel, editor in chief of the Jüdische Allgemeine, the weekly newspaper of the Central Council of Jews in Germany, distilled the case against Die Linke in Britain’s Jewish Chronicle. The party, he wrote, was “riddled with people who hate Jews and Israel” and represented “the elimination of Israel.” Even voters drawn by rents and social policy had tolerated its hatred of Israel; SPD and Green politicians would forfeit any claim to moral seriousness by governing with it. “No non-Jewish democrat should simply accept this election result either,” he wrote.
That is an extraordinary indictment of a party that just received more votes than any other in the German capital. It is also hard to reconcile with the party that actually exists.
Die Linke does carry unusual historical baggage. It was formed in 2007 from a movement of trade unionists and Social Democrats alienated by Gerhard Schröder’s welfare reforms and the PDS, successor to East Germany’s ruling communist party. The GDR pursued an anti-Zionist foreign policy, strands of which survived reunification; the modern party also absorbed a western anti-imperialist tradition in which hostility toward Israel has at times shaded into antisemitism.
A 2011 analysis published by Germany’s Federal Agency for Civic Education found serious hostility toward Israel in parts of Die Linke but rejected describing the party itself as antisemitic. A year later, Die Linke nominated Beate Klarsfeld — the Nazi hunter who spent decades pursuing German war criminals and famously slapped former Chancellor Kurt Georg Kiesinger over his Nazi past — for the German presidency. She received 126 votes in the Federal Assembly.

Die Linke’s current official position is markedly different from Engel’s characterization in the Jewish Chronicle. At its federal congress in June, Die Linke explicitly affirmed Israeli and Palestinian self-determination and the right of both Israel and Palestine to exist. It passed a separate resolution condemning antisemitism and describing its sharp rise since Oct. 7. While one may regard those positions as inadequate, contradictory or politically naïve, they do not amount to a program for eliminating Israel.
The party that won Berlin last month has changed in other ways as well. Its candidate for mayor, Elif Eralp, a trained lawyer, was born in Munich to Turkish socialist trade unionists who fled the 1980 military coup. Her campaign centered on housing, rent controls and migrant rights, and borrowed consciously from Zohran Mamdani’s campaign in New York; Linke activists even traveled there to meet his advisers.
That helps explain why this election has rattled Germany’s political center. Die Linke is no longer easily dismissed as the residual party of eastern German communism. In Berlin, it has assembled a young, urban and increasingly diverse electorate around an issue — the cost of housing — that the governing parties have conspicuously failed to solve. Unlike the AfD, it also has potential coalition partners. A Linke-SPD-Green government could remove the CDU from power and seek to implement the result of a 2021 referendum, approved by 57.6% of voters, calling for the socialization of large housing companies.
There are nonetheless questions about parts of its Berlin organization, especially in Neukölln. A rapper at a campaign event sang “Yalla Yalla Intifada” and “Death to the IDF.” Ferat Koçak, the district’s Linke Bundestag member, was photographed on election night with Ibrahim Ibrahim, described by Democ, an anti-extremist monitoring group, as a longtime activist with the Popular Front for the Liberation of Palestine, which the EU lists as a terrorist organization. Ibrahim has also been reported to have praised Hamas leader Yahya Sinwar as a “steadfast leader” and “martyr hero.”
Beyond Berlin, a June investigation by Bayerischer Rundfunk into internal forums and chats of Linksjugend, the party’s youth organization, found messages by a spokesman for Die Linke’s youth organization in Rhineland-Palatinate referring to Israeli “concentration camps” and a “genocide in the name of Judaism” and telling Israel to “drop dead!”
Wolfgang Benz, who directed the Center for Research on Antisemitism at Berlin’s Technical University for more than two decades and edited an eight-volume handbook on antisemitism, told the Tagesspiegel that the term Antisemitismus is undergoing an Ausverkauf — an inflationary depletion of its meaning.
“Die Linke is not antisemitic,” he said. Anti-Israel slogans can be crude, denunciatory, even “misanthropic,” without thereby becoming Jew-hatred. His answer when asked whether the chant “Death to the IDF” was antisemitic was no.
In the same interview, Benz also argued that Die Linke’s leadership should deal loudly and decisively with genuinely unacceptable conduct and singled out Bodo Ramelow, who became Linke’s first minister-president in 2014, and Petra Pau, a veteran Linke politician and former Bundestag vice president, as politicians with strong records against antisemitism. Benz’s successor, Stefanie Schüler-Springorum, has likewise called the debate around Die Linke “overblown” and warned that antisemitism is being used to influence coalition formation.
The consequences of collapsing antisemitism and anti-Zionism have extended beyond electoral politics. In Verfassungsblog, an open-access forum on constitutional law and politics, scholars Dörthe Engelcke and Ilyas Saliba documented Palestinian-related events at German universities losing rooms or being canceled, while antisemitism commissioners intervened in debates over terms such as “genocide,” “apartheid” and “settler colonialism.” Berlin’s Jews, meanwhile, are hardly unanimous. An open letter signed by 150 Jewish Berliners, including Susan Neiman, Deborah Feldman and Eva Menasse, accused parts of the media and Jewish community of instrumentalizing antisemitism against Die Linke while the far right advances.
The signatories also point out some obvious facts that, I imagine, tend to get overlooked: that Jews in Berlin pay rent, send children to schools, use hospitals and, like their neighbors, worry about economic insecurity.
Britain’s Labour Party under Jeremy Corbyn offers a cautionary precedent. As genuine failures over antisemitism became entangled with factional warfare, parts of Corbyn’s camp focused so heavily on the political motives behind the accusations that they appeared to minimize the underlying problem. The result was to strengthen the very attacks they regarded as politically motivated. Die Linke would be unwise to repeat that mistake.
Right now, far more than Die Linke’s reputation is on the line. The far-right AfD party won 43.8% in Saxony-Anhalt last month, an increase of 23 percentage points. On the same day Berlin voted, it won 38.2% in Mecklenburg-Western Pomerania, according to preliminary official results, while the CDU fell to 4.9% and disappeared from the state parliament. In Berlin, the AfD rose from 9.1 to 16.3% and finished third.
Those results should provide some perspective on the attempt to establish whether Die Linke’s 25.7% represents an antisemitic rupture in German democracy. Die Linke’s leadership will have to demonstrate that its stated opposition to antisemitism has real-world consequences. But the claim that Jew-hatred is baked into the party itself is unsupported by its program, its history or the records of many of its leading politicians.
What the controversy more clearly reveals is the alarm produced when a party long treated as marginal suddenly wins and becomes capable of leading its government. Antisemitism, the most devastating accusation available in German political language, offers Die Linke’s opponents a means of turning questions about the behavior of certain activists into a referendum on the party’s legitimacy.
Yet while Berlin argues over whether Die Linke is fit to govern, a far-right party with openly ethnonationalist positions and powerful antidemocratic currents, is winning close to 40% in parts of the former East. What’s shocking is that Germany’s political center is devoting its fiercest moral language to the left precisely when the far right is remaking the country’s electoral map.
The post What do Germans talk about when they talk about antisemitism? appeared first on The Forward.

