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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 

—
The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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Documentary reveals composer Dmitri Shostakovich’s empathy for the Jews

אין רוסלאַנד איז לעצטנס אַרויס אַ דאָקומענטאַר רעזשיסירט פֿון גריגאָרי אילוגדין, מיטן נאָמען „DSCH: סימפֿאָניע נומער 13‟, וועגן דעם וועלט־באַרימטן קאָמפּאָזיטאָר דמיטרי שאָסטאַקאָוויטש און די ייִדן. כאָטש ער איז נישט געווען קיין ייִד, האָט ער געשאַפֿן מוזיק פֿאַר ייִדישע לידער און געווידמעט זײַן 13טער סימפֿאָניע דעם חורבן פֿון די ייִדן.

מיט דער אַברעוויאַטור DSCH, וואָס פֿיגורירט אינעם טיטל פֿונעם דאָקומענטאַר, פֿלעגט שאָסטאַקאָוויטש אונטערשרײַבן זײַנע נאָטן. מיינען מיינט עס D. Schostakowitsch. דאָס ווייסן, מסתּמא, אַלע מוזיקער, וועלכע שפּילן זײַנע ווערק. ווייניקער איז אָבער באַקאַנט דעם קאָמפּאָזיטאָרס שײַכות נישט בלויז צו ייִדישע טעמעס אין אַלגעמיין, נאָר דווקא צו ייִדיש. געוויינטלעך זינגט מען אויס זײַנע ייִדישע לידער בלויז אין דער רוסישער איבערזעצונג; אויף דער וועבזײַט „ייִדיש־קולטור‟ קענט איר זיי אויסהערן אויף ייִדיש.

אין פּעטערבורג איז די פּרעמיערע פֿונעם פֿילם פֿאָרגעקומען אינעם קינאָ־טעאַטער „אַווראָראַ‟, וווּ שאָסטאַקאָוויטש האָט אין די 1920ער יאָרן אָנגעהויבן זײַן מוזיקאַלישע קאַריערע ווי אַ יונגער פּיאַניסט, וועלכער האָט אַקאָמפּאָנירט שטומע פֿילמען. דער אַלטער קינאָ־טעאַטער, געעפֿנט אין 1913, האָט דעמאָלט געהייסן „פּיקאַדילי‟.

אין 1961 האָט דער רוסישער דיכטער יעווגעני יעווטושענקאָ אָנגעשריבן זײַן קורצע פּאָעמע „באַבי־יאַר‟ וועגן דעם טרויעריק־באַקאַנטן אָרט אין קיִעוו, וווּ די נאַציס האָבן אומגעבראַכט איבער 100 טויזנט מענטשן, אַרײַנגערעכנט צום ווייניקסטן 33,771 ייִדן. די פּאָעמע הייבט זיך אָן מיט די ווערטער „אויף באַבי־יאָר זײַנען קיין דענקמעלער נישטאָ‟. דאָ ציטיר איך יוסף רובינשטיינס ייִדישע איבערזעצונג, וועלכע איז דערשינען דעם 8טן אָקטאָבער, 1961, אינעם פֿאָרווערטס.

שאָסטאַקאָוויטש, דעמאָלט שוין וועלט־באַרימט, האָט באַשלאָסן צו שאַפֿן אַ סימפֿאָניע מיט אַ באַס־זינגער, אַ באַסן־כאָר און אַן אָרקעסטער, וווּ עס ווערט אויסגעזונגען די דאָזיקע פּאָעמע, און האָט עס  פֿאַרענדיקט אין 1962. יעווטושענקאָ האָט ספּעציעל פֿאַר דער סימפֿאָניע אָנגעשריבן נאָך אַ ליד מיטן נאָמען „פּחדים‟. אין דעצעמבער 1962 האָט מען צום ערשטן מאָל אויסגעשפּילט שאָסטאַקאָוויטשעס 13טע סימפֿאָניע אין מאָסקווע, און אין מאַרץ 1963 אין מינסק.

דער פֿילם דערציילט, פֿאַר וואָס שאָסטאַקאָוויטש האָט זיך בײַם אָנהייב אָנגעטראָפֿן אויף גרויסע שוועריקייטן מיט אָט דעם ווערק. לויט דער סאָוועטישער שיטה איז געווען פּאָליטיש אומקאָרעקט צו דערמאָנען די טראַגעדיע פֿון באַבי־יאַר אין שײַכות באַזונדערס צו ייִדן, ווײַל דאָרטן זענען דערמאָרדעט געוואָרן – און, קוואַנטיטאַוו גערעכנט, מער ווי ייִדן – אויך סאָוועטישע געפֿאַנגענע און אַנדערע מענטשן. דערצו, האָט מען פֿאַרשוויגן די ראָלע פֿון די אוקראַיִנישע קאָלאַבאָראַנטן אין דער מאַסן־שחיטה.

די טעמע פֿונעם ייִדן־חורבן האָט מען בכלל אויסגעמיטן, ווײַל מצד דעם אָפֿיציעלן קוקווינקל זענען ייִדן געווען אַ רעלאַטיוו קליינער טייל צווישן די 26 מיליאָן אומגעקומענע סאָוועטישע בירגער. קיין דענקמעלער זענען אין באַבי־יאַר טאַקע נישט געווען ביז 1976, ווען מע האָט אויפֿגעשטעלט אַ מאָנומענט לזכּרון די דערמאָרדעטע „בירגער פֿון דער שטאָט קיִעוו און קריגס־געפֿאַנגענע‟. ערשט אין 1991 האָט זיך דאָרט באַוויזן אַ באַזונדערער ייִדישער דענקמאָל, און נאָך שפּעטער, אין 2016, אַ ציגײַנערישער.

אינעם דאָקומענטאַר ווערט דערמאָנט שאָסטאַקאָוויטשעס שײַכות צו דער ייִדישער שפּראַך. אין 1948, ווען אין סטאַלינס צײַטן האָבן אַ סך ייִדן געליטן פֿון רדיפֿות כּלומרשט צוליב זייער נאַציאָנאַליזם, האָט שאָסטאַקאָוויטש געשאַפֿן זײַן לידער־ציקל (אָפּוס נומער 79) „פֿון דער ייִדישער פֿאָלקס־פּאָעזיע‟, באַגרינדעט אויף יחזקאל דאָברושינס און אַבֿרהם יודיצקיס זאַמלונג „ייִדישע פֿאָלקס־לידער‟ (פֿאַרעפֿנטלעכט אינעם יאָר 1940 אין מאָסקווע).

איר קאָנט זיך באַקענען פּרטימדיק מיטן דאָזיקן ציקל פֿון שאָסטאַקאָוויטשן אויף ייִדיש און ענגליש אויף דער וועבזײַט „ייִדיש־קולטור‟, וועלכע האָט, ווי פֿריִער געזאָגט, אַ געוויסע שײַכות צום נײַעם דאָקומענטאַר. דער גרינדער פֿון דער דאָזיקער וועבזײַט, ד״ר מאַרק זילבערקוויט, איז אויך דער פּראָדוסער פֿונעם פֿילם. אילוגדין, דער רעזשיסאָר, האָט מיך פּערזענלעך פֿאַרבעטן אויף דער פּעטערבורגער פּרעמיערע פֿונעם נײַעם דאָקומענטאַר ווי אַ ייִדיש־שפּראַכיקן זשורנאַליסט. ער האָט מיר איבערגעגעבן, אַז ייִדיש שפּילט פֿאַר אים אויך אַ גרויסע ראָלע און ער האָפֿט ווײַטער צו פּאָפּולאַריזירן ר די שפּראַך.

וואָס שייך דער קאָמפּליצירטער באַציִונג פֿונעם ראַטן־פֿאַרבאַנד צו ייִדישע טעמעס איז כּדאַי צוצוגעבן, אַז אין 1961, דאָס זעלבע יאָר וואָס יעווטושענקאָ האָט אָנגעשריבן „באַבי־יאַר‟, האָט זיך אין מאָסקווע געעפֿנט דער ייִדישער ליטעראַרישער זשורנאַל „סאָוועטיש היימלאַנד‟. דאָרט און אין דער סאָוועטיש־ייִדישער ליטעראַטור בכלל האָט מען יאָ באַהאַנדלט דעם ייִדן־חורבן.

איין וויכטיקע זאַך ווערט נישט דערמאָנט אינעם פֿילם: ווען שאָסטאַקאָוויטש האָט געשריבן זײַן 13טע סימפֿאָניע, מיט וועלכע ייִדישע שרײַבער און דיכטער האָט ער זיך געחבֿרט?  דער ענטפֿער וואָלט טאַקע געווען גוט צו וויסן.

The post Documentary reveals composer Dmitri Shostakovich’s empathy for the Jews appeared first on The Forward.

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Chuck Schumer faces new challenges in the Senate — and now a challenger for majority leader

(JTA) — The clock may be running on Chuck Schumer, the most senior Jewish elected official in U.S. history as Democrats flipped at least seven Senate seats in midterm elections last week. The Democratic takeover of the Senate has led to some carping that he is too old, moderate or not aggressive enough against President Donald Trump to continue as leader. Maryland Sen. Chris Van Hollen, an outspoken critic of Israel who has led efforts to investigate the country’s human right practices and pressure its right-wing government, announced on Thursday that he will challenge in December’s election for Senate Majority Leader.

Schumer has led the Senate’s Democratic caucus since 2017, including as majority leader from 2021 until 2025. A pro-Israel stalwart who prides himself as a Shomer Yisrael (“guardian of Israel”), Schumer has found himself increasingly out of step on Israel-related matters with the party’s caucus and its voters. Progressives are also pushing for a bolder agenda that includes policies such as Medicare for All, which Schumer has not taken up.

Van Hollen told reporters on Monday that he is also kicking the tires on a 2028 presidential run. He has drawn blowback from some Jewish leaders in recent years over his criticism of Israel and of AIPAC, the pro-Israel lobbying group.

Vermont Sen. Bernie Sanders, an independent who caucuses with the Democrats, and Michigan Sen.-elect Abdul El-Sayed both said Thursday that they back Van Hollen. 59% of Democratic voters said they want “someone else” to lead Senate Democrats versus 22% who prefer Schumer, according to a poll commissioned last month by a progressive PAC.

Political strategist Hank Sheinkopf told JTA that a Van Hollen leadership would “move the Senate more to the left, unquestionably,” and cautioned that Van Hollen would “permit” discussions that would jeopardize defensive military assistance to Israel.

But he noted that it was difficult to imagine Van Hollen winning the leadership position for a number of reasons, not least of which, the Democrats just retook control of the Senate on Schumer’s watch.

“Unless the entire [class of] new Senate members are completely disloyal, it’s hard to imagine them saying no to Chuck Schumer and yes to Van Hollen,” he said. “Schumer just raised an extraordinary amount of money, has probably extracted pledges from them for committee positioning. You know, this is straight-ahead politics, not about ideology and not about Israel.”

Schumer, long an ally of Israel, broke with Israeli Prime Minister Benjamin Netanyahu in March 2024 when he said on the Senate floor that Netanyahu had “lost his way” and called for the country to hold new elections. Schumer also called for a two-state solution to the Israeli-Palestinian conflict and said the U.S. should use its leverage to push for its goals in the region if Netanyahu remains in power.

But Schumer’s leadership since then has not quieted critics who say that he should have done more to exert pressure on the Israeli government during its military campaign in Gaza and West Bank settlement expansion. He is among the small minority of Senate Democrats who have continued to vote against Bernie Sanders-led resolutions blocking weapons sales to Israel; all but seven out of 47 voted with Sanders earlier this year.

Van Hollen, meanwhile, has consistently voted to block those transfers and has said he would oppose selling offensive weapons to Israel “so long as Israel is violating international law and American law.” Van Hollen also said this year that there is “an important distinction” between selling offensive and defensive weaponry, and that he supports selling components for the Iron Dome missile system given that Israel is in “a tough neighborhood.”

Hadar Susskind, president and CEO of progressive Zionist group New Jewish Narrative, told JTA that Van Hollen would “meet the moment” and “prioritize and steer toward real, meaningful things that can leverage U.S. influence” as majority leader.

“I think he has always been and remains a proponent of a strong U.S.-Israel relationship — but one that is different than what we’ve seen between Trump and Netanyahu,” Susskind said.

“There are people who perhaps would stand up there and simply say, ‘OK, the Israeli government’s been doing bad and we don’t support it.’ Van Hollen is much more thoughtful than that,” Susskind said.

Van Hollen was long seen as a pro-Israel politician in his time as a Maryland congresman, though pro-Israel groups criticized him after he called for a ceasefire to end the 2006 Lebanon war.

In 2019, he opposed anti-BDS legislation, clarifying on the Senate floor that he disagrees with boycotting Israel but asserting that people should not be punished by the government for doing so. Schumer supported that legislation, which facilitated states’ ability to pass laws banning business with supporters of the boycott, divestment and sanctions movement against Israel.

Van Hollen has taken a more vocally critical stance on Israel and the pro-Israel lobby since the Israel-Hamas War started in 2023. Ron Halber, CEO of the Jewish Community Relations Council of Greater Washington, took aim at Van Hollen’s outspoken criticism of the Israeli government during a JCRC event last year, which prompted a Van Hollen spokesperson to call Halber an “apologist for the Netanyahu government” who is out of step with his constituents. Halber called the comment “laughable” and other Jewish leaders responded with outrage, while Susskind rushed to Van Hollen’s defense, saying he had “always been there for his Jewish constituents and in support of the people of Israel.”

Speaking at this year’s J Street national convention, held in Washington by the liberal Jewish Middle East advocacy group, Van Hollen panned AIPAC and said that it is neither pro-Israel nor pro-American, drawing pushback from some Jewish leaders.

Neither AIPAC nor J Street returned a request for comment on the possible battle for leadership in the Senate.

J Street’s president Jeremy Ben-Ami has written positively about Van Hollen, calling him “a true friend of Israel” in a 2024 opinion piece for the Washington Jewish Week. The piece came in response to an editorial claiming that Van Hollen is “not our friend” because of his “self-righteous spewing of anti-Israel accusations and positions,” and Ben-Ami countered by pointing to Van Hollen’s record of voting to send “tens of billions of dollars” in aid to Israel.

Van Hollen voted yes on a $14 billion security assistance package to Israel in February 2024, even as he accused the country of committing “war crimes.” (Van Hollen has since accused Israel of “ethnic cleansing” and said he agrees with organizations and scholars who say that Israel’s actions in Gaza meet the legal standard for genocide.)

This week, Van Hollen led a letter signed by a dozen Senate Democrats, addressed to House and Senate leadership, about the 2027 National Defense Authorization Act, urging them to remove provisions on U.S.-Israel military and intelligence cooperation.

Senate Democrats will pick their next majority leader in a December vote. A number of them have said they want new leadership and a fresh voice to steer the caucus and direct its legislative agenda.

Still, Schumer says he is “confident” that he will win the leadership election. Jim Kessler, vice president of the Democratic think tank Third Way and a former Schumer aide, agrees with him.

Kessler told JTA in an email that it’s “hard to imagine anyone mounting a serious challenge to Schumer after he led the most successful midterm for Democrats in 50 years.”

“He can say, well look at me, I was the leader when we had this big win,” said Democratic strategist Steve Jarding, in a JTA interview.

Schumer played an active role in recruiting candidates who won Senate seats in red and purple states, such as Sherrod Brown of Ohio, Roy Cooper of North Carolina, Josh Turek in Iowa and Scott Colom in Mississippi.

“It’s hard to imagine them saying no to Schumer and yes to Van Hollen,” said Sheinkopf, who pointed out that a number of the new Senate Democrats are moderates.

Progressive critics have said Schumer’s choices were too old and too moderate, and pointed out that his top choices in Michigan (Rep. Haley Stevens) and Maine (Gov. Janet Mills) were unsuccessful. Van Hollen said during an event on Tuesday that Schumer and the Democratic Senatorial Campaign Committee “sided with the crypto industry and AIPAC against” a pair of progressives who were elected, including presumably El-Sayed. (The Schumer-aligned Senate Majority PAC spent $30 million boosting El-Sayed in that election after he won the primary.)

Jarding, a past executive director of the South Dakota Democratic Party, opined that it would be “good for the party” for another senator to “emerge and at least test Schumer.” Should that happen, Jarding said, the leadership race could be “much closer than people think.”

“There’s a lot of people in that caucus that want a change. They may not say it publicly, but I know people in that caucus that want a change,” Jarding said.

Michigan Sen. Elissa Slotkin, who is Jewish, has said she would “certainly not vote for” Schumer without seeing a satisfactory 100-day plan from him, according to Politico.

Minnesota Senator-elect Peggy Flanagan said one day after her election that “it’s time for new leadership.” She has not said who she would support instead of Schumer, but told Politico that she has been “very impressed by Senator Van Hollen’s leadership.”

Incoming freshmen Troy Jackson of Maine and Juliana Stratton of Illinois have explicitly said that they would not support Schumer, while Annie Andrews of South Carolina says it is “time for a generational change on both sides of the aisle.” New Hampshire Senator-elect Chris Pappas has been noncommittal, saying that “this is a moment to see a passing of the torch.”

Kansas Senator-elect Adam Hamilton, meanwhile, has said that he won’t support Schumer because he is too far to the left, in the eyes of his constituents. Hamilton did not have a specific successor in mind, but said that there are senators who could “lead more from the center.”

Connecticut Sen. Richard Blumenthal, who is Jewish, told reporters on Monday that he would not endorse Schumer and that Democrats “need a conversation about leadership going forward because we need new energy and ideas.” But he changed his tune later that day, saying he will in fact support Schumer.

Pennsylvania Sen. John Fetterman, Arizona Sen. Ruben Gallego, Rhode Island Sen. Sheldon Whitehouse and Sherrod Brown have said they will support Schumer, while most senators have not publicly committed either way.

This article originally appeared on JTA.org.

The post Chuck Schumer faces new challenges in the Senate — and now a challenger for majority leader appeared first on The Forward.

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Call Your Mother bagel shop, JCC were refuge during deadly DC shooting

As a deadly shooting unfolded Thursday in Washington, D.C., people fleeing the scene in the Logan Circle neighborhood took refuge in a bagel shop and a local Jewish Community Center.

The shooting took place at VIDA gym, and outside the gym in the street, just north of the White House. One person was killed, four were injured, and the suspect took his own life, authorities said, after barricading himself in his apartment.

The bagel chain Call Your Mother, located just around the corner from the gym, helped locals stay safe.

“We tried to get as many people who were running out into the building,” general manager Oscar Vazquez told reporters. “After that we locked the doors.”

The shop posted about the incident on its Instagram page. Many users commented thanking Vazquez for ushering people to safety during the crisis.

“We are proud of our shop’s General Manager for leading with care and composure through such a difficult situation, and we thank our entire team for supporting one another,” said the bagel shop in a statement to the Forward.

About 8-10 employees were in the store at the time, Call Your Mother owner Andrew Dana told The Washington Post.

The shop closed for the rest of the day following the incident.

“Obviously, selling bagels is not important,” Dana told the Post.

The Edlavitch DC Jewish Community Center, located a few minutes away from the gym, sent an email to its community members Thursday afternoon assuring them it wasn’t a target of the shooting and noted certain programs would be canceled for the rest of the day:

“Throughout today’s events, we have been grateful that the EDCJCC could serve as a safe, welcoming space for our community, including neighbors who were evacuated from their homes and the law enforcement officers responding to the incident.”

The post Call Your Mother bagel shop, JCC were refuge during deadly DC shooting appeared first on The Forward.

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