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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon
(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.
“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.”
In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person.
The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career.
“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.”
As is often the case with documentaries, the film evolved a bit from its original purpose.
The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)
“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.”
The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization.
The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)
In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.”
“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.”
“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA.
The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.)
The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine.
“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.”
The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand.
“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.”
Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)
“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”.
“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary.
“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.”
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Hamas Expands European Reach, Posing ‘High Likelihood’ of Terror Attack in Next Six Months, Intel Report Warns
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
Hamas operatives have pushed far beyond Gaza, embedding themselves across Europe — and now posing a growing threat inside the United Kingdom, where covert arms caches and active attack plots have put intelligence services on high alert, according to a new report.
Even though Hamas has traditionally focused its operations in Israel, Gaza, and the West Bank, the Palestinian terrorist group has been steadily cultivating foreign attack capabilities — a trend highlighted in a new report obtained by The Daily Mirror, which warns of a looming threat of Hamas-led attacks in Europe.
Intelligence assessments indicate that the terrorist group, backed for years by Iran, Qatar, and Turkey, has been gradually expanding its presence in Europe through a network of charities, NGOs, and criminal gangs, with Israeli diplomatic missions, Israel-linked businesses, and Jewish religious sites among its top targets.
The report also notes that the group has not only stockpiled weapons such as AK-47s and ammunition but is increasingly turning to drone warfare, bolstered by backing from Lebanon and Iran and supported by Eastern European crime networks that help it acquire advanced weaponry.
“The Oct. 7, 2023, assault fundamentally altered Israel’s threat perceptions, but also reshaped Hamas’s calculations,” the report says, referring to the Hamas-led invasion of and massacre across southern Israel.
“Following catastrophic damage to its infrastructure in Gaza and significant leadership attrition, the group’s remaining command nodes particularly those in Lebanon began activating contingency plans long under development,” it continues.
“The organization’s leadership now appears more willing to accept the strategic risks of external operations. If Hamas sustains further attrition, external operations may grow in relative importance within the group’s strategy,” the intelligence report adds.
According to the United Kingdom’s domestic counter-intelligence and security agency, MI5, and the Joint Terrorism Analysis Center, the current threat level of a terror attack in the UK is assessed to be “substantial.”
Over the next six months, the report warns, there is a “high likelihood of continued attempts at external operations, particularly in Europe, as Hamas seeks to demonstrate resilience.”
This assessment comes amid multiple intelligence findings showing that Hamas has expanded its terrorist operations beyond the Middle East, leveraging a long-established network of weapons caches, criminal alliances, and covert infrastructure quietly built across Europe over the years.
In October, West Point’s Combating Terrorism Center released a study detailing how Hamas leaders in Lebanon have directed operatives to establish “foreign operator” cells across Europe, collaborating with organized crime networks to acquire weapons and target Jewish communities abroad.
For example, a failed Hamas plot involved an alleged operative in Germany traveling to Lebanon to “receive orders from the Qassam Brigades [Hamas’s military wing] to set up an arms depot for Hamas in Bulgaria,” part of a broader, multi-year effort to cache weapons across Europe.
German authorities foiled the plan, detaining four Hamas members in late 2023 on suspicion of planning attacks.
Earlier this year, the four suspects went on trial in Berlin in what prosecutors described as Germany’s first-ever case against members of the Palestinian terrorist group.
During the investigation, German authorities also found evidence on a defendant’s USB device showing that the Hamas operatives were planning attacks on specific sites in Germany, including the Israeli embassy in Berlin.
Similar weapons depots were established in Denmark, Poland, and other European countries, with Hamas members repeatedly trying to retrieve them to support their operations and plan potential attacks.
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Jerusalem-Based Policy Center Seeks to Forge Inroads With US Lawmakers to Safeguard Israel’s Capital
Thousands of Jews gather for a mass prayer for the hostages in Gaza at the Western Wall in the Old City of Jerusalem, Jan. 10, 2024. Photo: Yaacov Cohen
Amid increasing uncertainty over the future of the US-Israel relationship, a Jerusalem-based organization committed to safeguarding Israel’s capital city has decamped to Washington, DC in an attempt to make inroads with federal lawmakers in the US.
The Jerusalem Center for Applied Policy (JCAP), a research and policy center, aims to help protect and bolster the security, sovereignty, economy, and international standing of “Israel’s indivisible capital” in the face of “existential challenges,” according to its website.
To expand its mission, JCAP has opened a new office in Washington, DC, where some its principals are currently touring to meet with lawmakers on Capitol Hill.
As part of its work, JCAP seeks to mitigate potential threats from terrorist groups and their sponsors and has adopted the goal of spreading awareness about Islamist propaganda campaigns targeting the West, arguing that malevolent entities are trying to undermine the legitimacy of Western democracies and corrode them from within.
Chaim Silverstein, founder and chairman of JCAP, told The Algemeiner in an interview in Washington, DC this week that protecting Jerusalem is critical to preserving the security and existence of Israel from terrorists. He described Jerusalem as “the heart of Israel,” arguing that adversarial entities understand that “if they harm the head” of the Jewish state, “the rest of the body will implode.”
Silverstein added that Jerusalem is particularly vulnerable because it is home to Israel’s largest Arab population, explaining that countries such as Turkey and Iran have been effectively radicalizing Arab citizens of Israel with the hope of turning them against their home and “Islamicizing” Jerusalem.
“Radical Islamic enemies are trying to destroy Jerusalem,” he said, stressing that they want to “liberate it for Islam.”
Thus, according to Silverstein, JCAP “formulates policy initiatives” to protect Jerusalem from looming threats. The organization maintains a “unique approach” to combatting Islamic extremism, he argued, touting its extensive efforts to monitor and track the Muslim Brotherhood’s global Islamist network. JCAP aims to share the organization’s findings and methodologies with US lawmakers, equipping them with the ability to thwart extremism in their own borders, Silverstein said.
JCAP aims to enhance “Jerusalem’s international standing through proactive diplomacy while countering the influence of hostile international agitators,” its website states, adding that the goal is “advancing strategic partnerships and advocacy to reinforce Jerusalem’s role as Israel’s united and sovereign capital.”
In addition to information about terrorist cells, JCAP also wants to spread awareness about the pervasive influence campaign waged by Qatar against Israel and Western countries. According to Silverstein, Qatar has attempted to soften its image through elevating its prominence in sports, entertainment, and academia while simultaneously spreading misinformation regarding Israel’s domestic policies and military campaign in Gaza. Moreover, he argued that this influence campaign aims to spark chaos within the borders of Western countries such as Canada, Australia, and the US.
US Director of National Intelligence Avril Haines warned in 2024 that actors tied to adversarial governments such as Iran have encouraged and provided financial support to rampant protests opposing Israel’s defensive military operations against the Palestinian terrorist group Hamas in Gaza.
Meanwhile, analysts have revealed in recent reports that Qatar, a longtime supporter of Hamas and the Muslim Brotherhood’s global network more broadly, has spent tens of billions of dollars to influence US policy making and public opinion in Doha’s favor. At the same time, the country has provided the Hamas-run government in Gaza with an estimated $1.8 billion and allows the terrorist group to host an office in Doha.
JCAP acknowledged that the popularity of Israel has declined precipitously in the US, complicating efforts to forge strong ties with certain American lawmakers. Nonetheless, the organization said it believes that US policymakers will understand that their national security interests are intertwined with Israel’s. The organization suggested that despite the souring reputation of the Jewish state among younger US voters, the American military and defense industry still recognize that Israel is a valuable asset. Moreover, the group claimed that their mission — focusing more on Jerusalem rather than Israel writ large — helps to emphasize the shared Christian-Jewish Biblical heritage of the land rather than politics.
Amid the Israel-Hamas war in Gaza, many recent polls have shown a precipitous decline in support of Israel among Democrats and, increasingly, even Republicans, especially younger voters.
Though JCAP claims to stay neutral on domestic US issues, it explicitly identifies as “pro-Trump,” praising US President Donald Trump’s policies toward Israel. The group hopes to form inroads with the Trump administration and Republicans to help guide policies on Israel.
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Irish Three-Time Eurovision Winner Backs Ireland’s Withdrawal From Song Contest Over Israel’s Participation
Irish-Australian singer Johnny Logan sings during a rehearsal for the first semi-final in the supporting program of the Eurovision Song Contest (ESC) 2024. Photo: Jens Büttner/dpa via Reuters Connect
Ireland’s three-time Eurovision winner Johnny Logan said he supports the country’s national broadcaster in its decision to pull out of the 2026 Eurovision Song Contest after organizers said Israel will be allowed to participate.
Johnny Logan said he was “proud” of RTÉ’s decision and thinks the European Broadcasting Union (EBU), which organizes the competition, should have Israel “removed” from next year’s Eurovision contest, set to take place in May in Vienna, Austria. “I really feel that in this case, RTÉ definitely made the right decision,” he said on RTÉ’s radio news program “This Week.”
“I don’t think that Israel should be allowed to hide under the umbrella of the Eurovision … make it look as though, everything’s OK, business as usual, because it’s not. I think most people in Ireland would agree with that,” Logan added. “I think that the EBU should have made a decision regarding Israel, a decision removing them from the show and taking that decision away from individual countries. But being as it is. I really think that what Ireland, what RTÉ, have done is exactly the right thing to do. I support them 100 percent.”
The EBU ruled last week that Israel can compete in next year’s contest, despite backlash over Israel’s participation because of its military campaign against Hamas terrorists in the Gaza Strip. Following the EBU’s decision, the national broadcasters of Spain, the Netherlands, Ireland, and Slovenia confirmed their withdrawal from the competition. Logan called on the national broadcasters of other countries to also boycott the 2026 Eurovision because of Israel’s involvement.
“And it’s not about the Israeli people, it’s about the people in charge of Israel, the governments that have been making these decisions,” he added. Logan said he believes Israel being allowed to participate “adds a kind of respectability to the way they’ve behaved.”
Logan noted that the Eurovision Song Contest has turned political in the past, and cited as an example Russia being removed from the competition following its invasion of Ukraine. “They did it with Russia in the Eurovision. They say that the Eurovision is nonpolitical but the reality of it is when it is necessary it becomes political,” Logan said. “The Eurovision has been really good to me, but I do feel very strongly about it.”
