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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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US Rep. Byron Donalds Opens Wide Lead Over Anti-Israel Candidate, Rest of Field in Florida GOP Primary for Governor

US Rep. Byron Donalds (R-FL) speaks on stage during the Turning Point USA Student Action Summit on July 11, 2025, in Tampa, Florida. Photo: Luis Santana/Tampa Bay Times via ZUMA Press Wire via Reuters Connect

US Rep. Byron Donalds (R-FL) has firmly established himself as the frontrunner in Florida’s Republican primary for governor, new polling shows, building a substantial lead over the field, which includes anti-Israel investment firm CEO James Fishback. 

The survey, carried out by The American Promise, finds Donalds leading the field with 38 percent support among likely Republican voters. Lt. Gov. Jay Collins trails far behind at 9 percent, while Azoria CEO James Fishback registers 2 percent and former Florida House Speaker Paul Renner garners just 1 percent. Nearly half of respondents, 49 percent, say they remain undecided.

Donalds, a stalwart conservative and strident ally of US President Donald Trump, has established himself as a firm ally of Israel. Donalds expressed support for Israel’s right to self-defense in the wake of Hamas’s Oct. 7, 2023, massacre across southern Israel. As skepticism about Israel has surged within the Republican Party in recent months, Donalds has maintained strong vocal support for the Jewish state.

During an interview with Fox Business this week, Donalds lamented rising antisemitism and anti-Israel sentiment within the country and around the world. 

“This level of antisemitism, this hatred against Jewish people and against Israel, it’s out of control. It’s insane,” Donalds said. 

Donalds also reflected on the antisemitic terrorist attack at Bondi Beach in Sydney, Australia on Sunday, connecting the rise of extremism in Western countries to relaxed migration policies. 

I mean, this rhetoric around hating Israel, hating the Jewish people, that has to stop because there are real-world consequences. There are crazy people who will carry this out,” he said.

“And to Joe Biden and what he did on the southern border for four years, this is the reason why Republicans and President Trump, we are taking border security so seriously in the face of Democrats who had no problem leaving our borders wide open. It’s actually put the nation at risk,” he added. 

Fishback, a successful investor, entered the gubernatorial race on a slate of populist agenda items. He has raised eyebrows in recent weeks by flirting with members of the antisemitic Groyper movement and signaling acceptance of its leader, Nick Fuentes. 

During a December appearance on Rift TV, a podcast hosted by antisemitic social media pundit Elijah Schaffer, Fishback said that he finds “the audience of young men who follow and watch Nick Fuentes to actually be incredibly informed and insightful.”

After receiving substantial blowback over his comment, Fishback released another campaign video in which he reiterated his defense of Fuentes’s supporters. 

“I want to clarify some comments I made this week rather abruptly” about “the young men in our country who watch and follow Nick Fuentes,” Fishback said. 

“I want to clarify and apologize for absolutely nothing,” he continued, adding that his interactions with Fuentes supporters at his campaign events were “respectful” and “civil.” 

“We had a great conversation, and they have a real pulse for what is going on in the country,” Fishback said. 

Fuentes, a 27-year-old antisemitic internet personality and provocateur, has experienced an increase of popularity in recent months, propelled by a surge of viewership from young men. Fuentes has repeatedly parroted Holocaust denial talking points and suggested that Jewish people are more “loyal” to Israel than to the United States.

Amid the uproar, Fishback released a subsequent video on Tuesday defending the free speech rights of those who believe that Israel is committing a so-called “genocide” in Gaza and that Israeli Prime Minister Benjamin Netanyahu should be considered a “war criminal.” He falsely suggested that those who criticize Israel are facing legal repercussions. 

“Is Netanyahu a war criminal? Did Israel commit genocide? If you say either of those statements in public, you could be convicted of antisemitism. Criticizing a foreign government or any government is always protected under our constitution,” he said. 

Observers have noted that Fishback’s attempts to entice younger, more online portions of right-wing audiences are a microcosm of the growing rupture between Gen Z and older conservatives on the topic of Israel. Recent polls have indicated a collapse of support for Israel among young Republicans, with this portion of the party expressing more skepticism of providing military aid to the Jewish state. Large swaths of GOP voters under 30 have voiced vocal criticism of US support for Israel and the supposed influence of the America Israel Public Affairs Committee, a prominent pro-Israel lobbying group, in US politics.

Recent surveys have also shown a substantial rise of antisemitic views among younger cohorts of the Republican Party.

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Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light

During the pandemic, teenager Simone Elias found solace in movies from the Golden Age of Hollywood. The glamorous sets, the romantic storylines, the studio-styled movie stars all held a nostalgic appeal.

“There’s something so magical about going back in a time machine,” Elias, 16, said. “Like, wow, I can go back and see the 1930s on my computer randomly at 9 p.m.”

A friend suggested starting a podcast together about old Hollywood in hopes of bolstering their college applications. As Elias began to do research, she discovered that her attachment to the Golden Age of Hollywood was more than just a fun interest — her great-great-grand uncle was the blacklisted Jewish screenwriter H. S. Kraft.

Born Hyman Solomon Kraft, he was known professionally as Hy or H.S. Kraft to avoid antisemitism. Among his best-known credits are the comic musical Top Banana, starring Phil Silvers, and the Lena Horne film Stormy Weather. In the early 1950s, bandleader and author Artie Shaw (born Arthur Jacob Arshawsky) connected Kraft to the Communist Party in comments to the House Un-American Activities Committee. Like many other artists at the time, Kraft found himself blacklisted despite lack of evidence. In order to continue writing, Kraft began working under the pseudonym Harold Kent.

After learning about her family history, Elias threw herself deeper into Hollywood history.

“I reached out to all my family. I looked in all the archives,” Elias said. “It was really kind of another window into the real life working world of Hollywood at the time.”

At 15 years old, Elias’ marshaled her research into a book. The resulting tome, A Teenage Take on Hollywood’s Golden Age, explores the history of classic films and the lessons contemporary audiences can take from them. For Gen Z viewers especially, Elias presents movies that may seem outdated in a way that is more accessible and relatable. She dedicated an entire chapter exploring the prominent role Jews played in creating Hollywood.

Despite the fact that Jews were integral to the Hollywood studio system, their stories were often not shown on television. Elias writes in her book that antisemitism dissuaded writers and directors from having Jewish elements in their movies. Joseph Breen, a censor in charge of making sure films followed the Motion Picture Production Code — a set of rules also known as the Hays Code that forced movies to follow certain moral guidelines —  accused Jews of putting “sex, violence, and moral depravity” into films. Some government officials also believed Jewish media moguls were secret Communist agents. Elias said that having her ancestor’s story as an example of the persecution in Hollywood gave her a new perspective on the risks writers had to consider in their work.

Soon after being blacklisted, Kent moved to London, but found much fewer opportunities for film work. “I don’t think his career ever really recovered,” Elias said.

In her research, Elias found that It’s Jews weren’t the only ones pushed off screen by McCarthyism and the Hays Code era of Hollywood. All sorts of stories were written out of Hollywood at the time, as studios attempted to push wholesome, Christian narratives. that Elias is interested in uncovering, but also feminist perspectives that have been erased from discussions of classic Hollywood.

“Culture has always gone in waves and so non-monogamy was actually really popular in the early 1930s in film and so were working women,” Elias explained. “When the Hays Code actually outlawed all that in movies, we sort of forgot that even happened.”

Elias continues to do film analysis on her Instagram page in a series called “Girls on Film” and hopes to write more books about Hollywood. She’s presenting this month on the Turner Classic Moves channel as part of their Kid Fans series. But it hasn’t been easy for Elias to be taken seriously in an industry primarily dominated by men — and people much older than her.

“There’s a certain amount of time that I’ve been alive so I can’t have seen every movie like Leonard Maltin has,” Elias said. “That doesn’t mean that I don’t have something to say about the movies I have seen.”

The post Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light appeared first on The Forward.

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Mamdani’s Father Blasts Columbia University Over Antisemitism Policies, Says Anti-Israel Students ‘Terrorized’

Pro-Hamas demonstrators at Columbia University in New York City, US, April 29, 2024. Photo: REUTERS/Caitlin Ochs

New York City Mayor-elect Zohran Mamdani’s father — Mahmood Mamdani — denounced Columbia University’s efforts to combat antisemitism on Friday, exacerbating concerns that the incoming Mamdani administration will be an anti-Zionist coterie bent on fostering a hostile climate for Jews and supporters of Israel.

“Well, students are terrified; they are terrorized,” Mamdani said on the Substack of Peter Beinart, a prominent anti-Israel writer who earlier this year refused to classify Hamas as a terrorist organization, arguing that the designation carries racial undertones.

“In the smallest move they make, they are targeted,” Mamdani continued. “They are expelled. They are suspended. They are warned. Which means we have less and less of an idea of what they think and how they might respond to their situation.”

He added, “The university is in a vindictive mood.”

As previously reported by The Algemeiner, Columbia University was, until the enactment of recent reforms, the face of anti-Jewish hatred in higher education in the aftermath of the Hamas-led Oct. 7, 2023, massacre across southern Israel. Dozens of reported antisemitic incidents transpired on its grounds, including a student’s proclaiming that Zionist Jews deserve to be murdered and are lucky he is not doing so himself and the participation of administrative officials, outraged at the notion that Jews organized to resist anti-Zionism, in a group chat in which each member took turns sharing antisemitic tropes which described Jews as privileged and grafting.

The shocking acts of hatred alone did not militate the university’s adopting a new posture to confront antisemitism on its campus. A slew of civil rights complaints, lawsuits, and the federal government’s impounding $400 million in taxpayer funds did. In July, it agreed to pay over $200 million to settle the cases, which alleged that school officials allowed Jewish students, faculty, and staff to suffer antisemitic discrimination and harassment.

Additionally, Columbia pledged to hire new coordinators to oversee complaints alleging civil rights violations; facilitate “deeper education on antisemitism” by creating new training programs for students, faculty, and staff; and adopt the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism — a tool that advocates say is necessary for identifying what constitutes antisemitic conduct and speech. Columbia also announced new partnerships with the Anti-Defamation League (ADL) and vowed never to “recognize or meet with” the self-titled “Columbia University Apartheid Divest” (CUAD), a notorious pro-Hamas campus group which has serially disrupted academic life with unauthorized, surprise demonstrations attended by non-students.

Last week, Columbia University’s Antisemitism Task Force implored the school to foster “intellectual diversity” with respect to the subjects of Zionism and the Israeli-Palestinian conflict, concluding its fourth and final report on the origins of antisemitism on the campus. The task force found several instances of Jewish and Israeli students being harassed on campus as well as an overwhelming anti-Israel bias among faculty.

Mamdani took issue with the establishment of the task force in the first place.

“As you know, they created a task force on antisemitism. And then they followed suggestions that … why don’t we have a task force on Islamophobia? Why don’t we have a task force on XYZ? Student experiences cover lots of, you know, grievances,” he said.

Mamdani’s reversing the roles of victim and perpetrator is a staple of anti-Israel activism in the West, which thrives on misrepresenting the power dynamic between Israelis and Palestinians while insisting that antisemitic expression, conduct, and even terrorism are legitimate means of advocating Palestinian statehood.

Earlier this year, the Council on American-Islamic Relations (CAIR) sued Northwestern University to cancel a course on antisemitism prevention. The group argued that the course, which aims to discourage discrimination, violated Title VI of the Civil Rights Act of 1964, an anti-discrimination law. CAIR added that the antisemitism Northwestern University strives to prevent manifest as legitimate “expressions of Palestinian identity, culture, and advocacy for self-determination.”

Weeks earlier, the American-Arab Anti-Discrimination Committee (ADC) sued California to stop the enactment of a law to combat K-12 antisemitism. ADC said that Arabs are victims of discrimination and that fighting antisemitic harassment in accordance with the new law undermines First Amendment protections of speech unfettered by governmental interference. Furthermore, the ADC argued that the law amounts to a hijacking of American policy by Israel, an argument advanced by neo-Nazis, including Nicholas Fuentes, and commentators who promote their views such as Tucker Carlson and Candace Owens.

Such notions appear to have convinced many anti-Israel activists that escalating their conduct is acceptable.

In November, for example, hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.

Mamdani’s son, Zohran, received widespread backlash from Jewish leaders and pro-Israel advocates after issuing a statement that appeared to legitimize the gathering. The younger Mamdani, who was elected the city’s next mayor last month, issued a statement that “discouraged” the extreme rhetoric used by the protesters but did not unequivocally condemn the harassment of Jews outside their own house of worship. Mamdani’s office notably also criticized the synagogue, with his team describing the event inside as a “violation of international law.” The protesters were harassing those attending an event being held by Nefesh B’nefesh, a Zionist organization that helps Jews immigrate to Israel, at Park East Synagogue in Manhattan.

Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.

Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.

Follow Dion J. Pierre @DionJPierre.

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