Connect with us

Uncategorized

Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Jewish Student Leader Targeted in Two Antisemitic Incidents in Berlin

Graffiti reading “Kill all Jews” was discovered on a residential building in Berlin-Pankow on April 26, 2026, part of a wave of antisemitic vandalism reported across the German capital over the past week, including swastikas and other hate-filled slogans scrawled on multiple sites. Photo: Screenshot

Amid a relentless wave of hostility toward Jews across Germany, the president of the Union of Jewish Students revealed he was targeted in two antisemitic incidents in Berlin within a single week, intensifying alarm within an increasingly embattled community.

In an interview with the German Jewish newspaper Jüdische Allgemeine, Ron Dekel described a string of confrontations that began last Thursday after he left a discussion on antisemitism at the Bundestag, Germany’s federal parliament, marking the start of a troubling sequence of incidents.

While walking near Berlin’s government district, he and another union member were allegedly followed by a car blasting loud music. Inside the vehicle, the driver and two female passengers reportedly shouted “Free Palestine” and “To hell with Israel,” while also making obscene gestures.

After Dekel shared a video he recorded of the incident online, it quickly drew hundreds of thousands of views before being taken down, with him also facing a barrage of insults and threats demanding its removal.

At the time, Dekel said one of his friends filed a police complaint in connection with the incident, but authorities have yet to identify any suspects.

A few days later, Dekel recounted encountering the same group of people again outside a synagogue following an event at a Jewish community center, where they approached him and demanded he delete the video.

According to his testimony, the group remained in a car outside the synagogue, while one of the women sat at a nearby café appearing to monitor those entering and leaving the building.

Dekel said the woman even attempted to enter the synagogue, trying to persuade security guards to let her inside before a rabbi intervened and asked her to leave.

“I still do not know how she knew where I was,” Dekel told Jüdische Allgemeine. “It makes me uncomfortable.”

Even after reporting the second incident to police, Dekel said he no longer feels safe, describing what he sees as a broader pattern of harassment since he began openly wearing a kippah earlier this year.

Despite the intimidation, Dekel said he would continue visibly wearing Jewish symbols, underscoring the growing sense of unease surrounding Jewish life in Germany.

“It has religious meaning for me,” he said. “But it also hurts my sense of justice that Jews in Germany in 2026 are being advised not to appear visibly Jewish. I do not want to hide, and more young Jews today feel the same way.”

Like most countries across Europe and the broader Western world, Germany has seen a shocking rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

According to recently released figures, the number of antisemitic offenses in Berlin reached a record high in 2025, totaling 2,267 incidents, including violence, incitement, property damage, and propaganda offenses.

By comparison, officially recorded antisemitic crimes were significantly lower at 1,825 in 2024, 900 in 2023, and fewer than 500 in 2022, prior to the Oct. 7 atrocities.

Officials warn that the real number of antisemitic crimes is likely much higher, as many incidents go unreported.

In one of the latest antisemitic incidents in the country, a synagogue in Cottbus, a city in eastern Germany, was defaced on Monday with a swastika painted on its facade, marking the second time in just four days that the Jewish house of worship had been vandalized.

Separately, authorities also discovered antisemitic graffiti on Sunday across several apartment buildings in Berlin-Pankow, including messages reading “Kill all Jews,” a swastika, and the statement “Only a dead Jew is a good Jew,” in a series of disturbing incidents over the week.

Continue Reading

Uncategorized

Duke University Lifts Suspension of Students for Justice in Palestine Despite Acknowledging Group’s Antisemitic Post

April 22, 2026: The entrance to Duke University campus, located in Durham, North Carolina. Photo: ZUMA Press Wire via Reuters Connect.

Duke University’s Office for Institutional Equity (OIE) has reversed an earlier decision to suspend Students for Justice in Palestine (SJP) for sharing an antisemitic political cartoon on Instagram, arguing that the action fell short of violating the school’s code of conduct despite acknowledging that it “alludes to antisemitic tropes.”

The puzzling move was first reported on Monday by The Duke Chronicle, the official campus newspaper. In correspondence between the office and SJP shared by the outlet, OIE official Sharon Gooding told the group that “the post, while offensive, in that it alludes to antisemitic tropes, does not violate the Policy on Prohibited Discrimination, Harassment, and Related Misconduct because there was insufficient evidence to support the existence of a hostile educational environment.”

As previously reported by The Algemeiner, the illustration depicts a pig labeled “Zionism” hoisting a Star of David as its arm interlocks with another pig, labeled “US Imperialism,” hoisting the Torch of Liberty. It is the work of political cartoonist Emory Douglas, a Black Panther party official who harbored hostility toward the US and Israel.

Word of the social media post spread across the Duke Jewish community, the Chronicle said, prompting no fewer than 10 Jewish students to file formal complaints with the university on the grounds that its evocation of anti-Jewish hatred is obvious. Historically, depicting Jews as pigs has been done to reduce them to the status of animals and mock the fact that dietary restrictions forbid Jews to eat pork. The Nazis notoriously did so, but the practice reaches back further back into time, when medieval Germans proliferated the Judensau drawings which portrayed Jews drinking pig’s milk and excrement.

However, despite the context of the image, as well as SJP’s history of harassing and intimidating Jews on campuses across the US, Duke University has told the group it is closing its investigation into the matter and returning the organization to “full status.” The decision unfreezes thousands of dollars in funding and allows SJP to operate unfettered for the remainder of the academic year.

Speaking to the Chronicle, SJP argued that the group is a victim of censorship and expressed doubt that the university even has the authority to sanction it for breaking the rules.

“It took over a month of written correspondence, legal counsel, and public advocacy for our organization to access the basic procedural rights Duke’s own policies guarantee to every student organization,” the group said. “The fact that we had to fight at all is the problem.”

Meanwhile, Jewish advocacy groups and students told The Algemeiner on Tuesday that Duke University has missed an opportunity to send a clear anti-hate message.

“Since ancient times, Jews have been compared in derogatory terms to barnyard and wild animals,” the Louis D. Brandeis Center for Human Rights Under Law said in a statement. “Such disturbing discourse has long been markers for antisemitism and there should be no tolerance for it at Duke. It is essential that university administrators, faculty, and students on campus understand the types of tropes that characterize antisemitic discourse.”

Said Shira Shasha, a third year Duke University student and co-president of the school’s Students Supporting Israel (SSI) chapter, “They [SJP] used imagery rooted in Nazi-dehumanization. Regardless of the purpose behind it, it causes real harm and unequivocal hostility to Jewish students on this campus. And that harm does not disappear because an intent was disclaimed.”

Carly Gammill of StandWithUs Saidoff Law, a legal nonprofit based in California, told The Algemeiner, “Universities must be clear-eyed about contemporary attacks against Jewish peoplehood, which merely repackage historic forms of antisemitism, and how this misinformation fuels anti-Jewish bigotry.”

While Duke University has not seen the most extreme examples of campus antisemitism that became a near daily occurrence in higher education after the Hamas-led Oct. 7, 2023, massacre across southern Israel, it has been accused of selectively practicing its commitment to diversity, equity, and inclusion before. In May 2021, amid the Israel-Hamas conflict of that year, the Duke Student Government (DSG) refused to grant recognition to Students Supporting Israel, a status which qualifies student clubs for funding and reserving space in which to hold events.

DSG had originally voted to confer recognition to SSI, however, but then-DSG president Christina Wang vetoed the decision after an SSI member responded publicly to criticism that its presence on campus represented “settler-colonialism.” No hateful statements were uttered by SSI, but Wang cited the exchange as cause for preventing the establishment of a pro-Israel club on campus. Throughout the conflict, the university refused to intervene even as Jewish advocacy groups maintained that Wang had confected a false pretext to justify discriminating against a Jewish group.

Five years later, Duke Jewish students are seeing that same double standard again, SSI National president Ilan Sinelnikov told The Algemeiner.

“It just shows the reality we’re in,” he explained. “They’re just going to get a little tap on wrist.”

Follow Dion J. Pierre @DionJPierre.

Continue Reading

Uncategorized

Iran Has Executed At Least 21 People, Arrested Over 4,000 Since Start of War With US and Israel, UN Reports

A February 2023 protest in Washington, DC calling for an end to executions and human rights violations in Iran. Photo: Reuters/ Bryan Olin Dozier

The Islamic regime in Iran has intensified efforts to oppress the civilian population through arrests and executions since the beginning of the conflict with the US and Israel, according to the United Nations.

On Wednesday, the UN Office of the High Commissioner for Human Rights (OHCHR) revealed that Iran had executed at least 21 people and arrested more than 4,000 over the last two months, following the launch of joint US-Israeli strikes on Feb. 28.

Allegations which resulted in death sentences included espionage (two), opposition group membership (10), and involvement with protests (nine).

“In times of war, threats to human rights increase exponentially,” said Volker Türk, the UN High Commissioner for Human Rights.

Türk called for regime officials to “halt all further executions, establish a moratorium on the use of capital punishment, fully ensure due process and fair trial guarantees, and immediately release those arbitrarily detained.”

Iranian courts have reportedly fast-tracked convictions and sentencing in recent months, citing the war as justification.

According to the OHCHR, those detained face brutal conditions, overcrowding, and even torture to coerce confessions. The bodies of some detainees who have died in custody appear to show possible torture. Those detained also experience weaponized medical neglect, a human rights violation which has reportedly led to the deteriorating health of imprisoned Nobel laureate Narges Mohammadi.

In addition to forced confessions, Iranian judges can also resort to the principle of elm‑e‑qazi, a concept in Iran’s Islamic Penal Code which allows a guilty sentence based solely on circumstantial evidence.

Last week, Maryam Rajavi, president‑elect of the National Council of Resistance of Iran (NCRI), spoke about the regime’s executions at the European Parliament in Brussels.

“The mullahs are exploiting wartime conditions to resort to relentless executions to block the path of popular uprisings. Today, political prisoners face the threat of mass killing,” Rajavi said. “The silence of European Union leaders and member states is unjustifiable. And today, I wish to once again raise my voice in protest against this silence in the face of these executions.”

Rajavi added that “a number of young people have been arrested in recent weeks on charges of alleged contact with or support for the Mojahedin Organization,” referring to the People’s Mojahedin Organization of Iran (MEK), an Iranian opposition group.

“The names of a group of them have been submitted to and communicated to international bodies,” she said. “By order of the regime’s judiciary chief, pressure and torture on political prisoners have intensified, and their sham trials and the issuance of criminal sentences have been expedited.”

Stating that 11 political prisoners alleged to be members of the MEK face execution, Rajavi implored that “urgent action must be taken to save their lives. Our position is that a halt to executions in Iran, as a demand of the entire Iranian people, must be included in any international agreement.”

Last month, the Human Rights Activists News Agency (HRANA), an independent group monitoring, released a report documenting that from March 2025 to March 2026, police had arrested 78,907 people on ideological or political grounds.

Executions in the last Iranian year (covering much of calendar year 2025) reached at least 2,488, according to HRANA, with 63 of them women and two children. Drug offenses accounted for 955 executions, approximately three killings per day on average.

The Islamic regime chose to conduct 13 of the executions in public.

Earlier this month, the European groups Iran Human Rights (IHR) in Norway and Together Against the Death Penalty (ECPM) in France released a separate joint report finding that Iran executed at least 1,639 people in 2025, a 68 percent leap from the 975 killed in 2024 and the highest seen since tracking began in 2008. All known executions were reportedly conducted by hanging.

Differences in methodology partially explain the discrepancy in tallies. IHR warned in its report that the full body count is likely much higher, as the group requires two sources to confirm an execution.

Iran’s penal code offers a variety of options for killing a human being, including hanging, firing squads, and even crucifixion or stoning. Hanging was the only method used from 2008 until the firing squad execution of Kurdish political prisoner Hedayat Abdullahpour on May 11, 2020.

In executions for murder under a sentence known as qisas, the Islamic regime encourages the family members of the victim to carry out the killing themselves. IHR has received reports of family members taking advantage of what is regarded as a “right” to do so.

In cases of public executions, prison officials use cranes. This brutal method leaves the condemned suffocating and strangling, lifted above the crowds for as much as 20 minutes before their suffering can conclude.

Photographs have documented children in attendance at public executions in Iran to watch the violence and cruelty. A 2006 study found that 52 percent of 200 children who witnessed public executions in Iran later showed symptoms of post-traumatic stress disorder (PTSD), with “88 suffering re-experiences, 24 avoidance and 62 hyperarousal.”

IHR has not found any executions by stoning since 2010, following the international outcry of the sentencing of Sakineh Ashtiani whose sentence was commuted, allowing her 2014 release.

Given the historical impact of the global community’s condemnations, Iranian officials have sought to hide human rights abuses from the world, imposing an internet blackout for 61 days since the war with the US and Israel began.

“This is denying people across the country access to vital information, silencing independent voices, and inflicting enormous social and economic harm,” Türk said. “It is exacerbating an already precarious humanitarian and economic situation and must be lifted immediately.”

Concluding her address to the European congress in Brussels, Rajavi called on the gathered representatives to implement a new policy toward Iran.

Rajavi advocated an approach that “provides the necessary technical means to ensure the Iranian people’s access to a free internet. Conditions relations with the clerical regime on an end to the execution of political prisoners and the killing of protesters. Brings the regime’s leaders to justice for crimes against humanity and genocide.”

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News