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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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‘Spatial restructuring’ razes hundreds of residences in West Bank refugee camps

The Israel Defense Forces refers to the systematic demolition of hundreds of homes in the Jenin, Tulkarm and Nur Shams refugee camps as “spatial restructuring,” a bureaucratic euphemism for operations designed to create maneuvering space. For years, Israel has used house demolitions in the West Bank as a punitive measure against terrorists, but over the past 18 months, the purpose behind the policy has changed: Israel is now razing homes in order to widen roads inside the camps, which will allow for the easier passage of military vehicles.

The destruction is part of a trend whereby Israel is importing combat tactics it has used in the wars in Gaza and Lebanon to the occupied West Bank. The main difference is the Israeli settlers — who engaged in persistent efforts to expel Palestinian populations first from Israeli-administered areas of the West Bank, and now from zones under the control of the Palestinian Authority.

In the aftermath of Oct. 7, the IDF distributed thousands of firearms to the settlers, some of whom were recruited as “regional defense soldiers.” As a result, IDF weapons have been used in many of the violent clashes between settlers and Palestinians in the West Bank. Last month, N12 News reported that the IDF will scale back the number of regional defense soldiers — and that Shin Bet will vet the recruits.

But even without the settlers — looking solely from the perspective of the IDF’s military activity — a significant change is underway. From the IDF’s perspective, the West Bank is turning from a place that is home to millions of Palestinians who are not involved in any hostile activity, into a combat zone. And combat zones can be “restructured” according to the military’s needs, even if that includes the demolition of entire neighborhoods or population transfer.

According to the IDF, the change was actually sparked by the Palestinian side. Even before Oct. 7 2023, the army claims, Palestinian terrorist organizations were setting up battalions — larger fighting units that held training exercises and activities based on an organized military doctrine. In July 2023, the IDF responded by launching Operation Home and Garden in the Jenin refugee camp — the largest Israeli military operation since Defensive Shield in 2002. It was a short, targeted maneuver that lasted just two days.

In the aftermath of the Oct. 7 massacre, the IDF described an uptick in the activity of these battalions, which led, in August 2024, to Operation Summer Camps, during which the army entered the refugee camps in Tulkarm and killed the commander of a local battalion. The same month, as Israel Hayom reporter Amir Ettinger revealed, Israel Katz — then minister of foreign affairs and now minister of defense — made the IDF’s intentions quite clear: “The refugee camps are the root of the evil,” he said during a closed-door meeting with leaders of the Yesha Council. “They are not controlled by the Palestinian Authority, but by Iran. The Jenin refugee camp must be cleared of its residents and dealt with the same way we dealt with the Gaza Strip.”

In January 2025, Katz’s words became reality when the IDF launched Operation Iron Wall. According to figures issued by the military, 208 homes were destroyed in the Jenin refugee camp and 234 in the Tulkarm and Nur Shams camps. The goal was to allow armored Israeli vehicles to move within the camp. Satellite images leave no room for doubt as to the extent of the devastation.


The IDF currently has troops stationed permanently inside the refugee camps and is not allowing the tens of thousands of residents who left to return to their homes. Some Palestinians who were expelled have petitioned to Israel’s High Court of Justice, via the Association of Civil Rights in Israel and attorneys Hila Sharon and Reut Shaer. In February, the IDF told the court that it “does not intend to maintain a permanent presence in the refugee camps and, once the goals of the operation have been fully achieved, the current operation in the camps will be ended.” At the same time, the IDF added that “the necessary operational conditions have not yet been fully met.”

“We are a household of six people, including four children,” says Bassem — not his real name — who lived on the outskirts of the Tulkarm refugee camp and who was expelled around a year ago. “They gave us 10 minutes to leave. And that was that. Since then, we haven’t been home.”

According to Bassem, despite the IDF’s claim that it issues individual permits for residents to visit their homes, his request has been denied. He did manage to get access to the home one time — without permission — in the early hours of the morning. “All of the furniture was broken. The doors were open, there were cats and dogs inside, the trees in the yard had no fruit. Everything was dead. And I regret going to see it. I don’t have any security charges against me and I have committed no crime. Why would they do that to my home? And even if they do give me a permit — there’s no furniture left.”

Bassem and his family now live in rented accommodation. The financial assistance they got earlier is dwindling and he cannot see any kind of future. “UNRWA gave us some money at the start and a few cartons of oil, rice and things like that. Now, 80% of the aid has ended. In my opinion, there’s not even a 1% chance we’ll ever get back to our home.”


 

Delivering a message

“Spatial restructuring” is not a new concept, but, in the West Bank, its meaning has changed. In the past, it mainly referred to roadblocks designed to control the movement of Palestinian and Israeli vehicles and to allow the Israeli authorities to impose a military closure at will. In the past year it has taken on a new significance: the destruction of Palestinian homes and infrastructure.

For example, in August last year, Maj.-Gen. Avi Bluth, the head of the Central Command, ordered the uprooting of thousands of Palestinian olive trees from an area of about 300 dunams (74 acres) belonging to the village of Al-Mughayyir, following a shooting attack in which a Jewish Israeli was lightly wounded. “Every village and every enemy must know that if they carry out an attack against the [Israeli] residents, they will pay a heavy price. They will experience a curfew, they will experience a siege, and they will experience restructuring operations,” Bluth said. “We are now bearing down on this village, which has been responsible for quite a few attacks lately. We will also deliver this message to the village.”

Similar measures were also taken after the terror attack in May 2025 in which 30-year-old Tzeela Gez was shot dead while on her way to the maternity hospital to give birth. The IDF demolished homes in the adjacent village of Burkin overlooking Route 446 — including a four-story apartment block.

Another indication of the change in the IDF’s approach is the increase in the number of Palestinian fatalities in the West Bank since Oct. 7. According to data released by the Israeli human rights group B’Tselem, 478 and 474 Palestinians were killed by IDF fire in 2023 and 2024 respectively. In 2025, that figure dropped to 221. These have been by far the most deadly years for Palestinians in the West Bank since the early 2000s, at the height of the second intifada. Figures issued by the IDF’s Central Command show a similar trend.

One of the reasons for this increase is the order issued by Bluth — which was revealed last year by Haaretz — that expanded open-fire orders in the West Bank. Here, too, the IDF is importing its operating tactics from the Gaza Strip. The instructions appear to reflect a broader change in the IDF’s combat doctrine, possibly influenced by the fact that many of its soldiers also fought in Gaza.

“A lot of things have changed,” says Meir — not his real name — an officer in the reserves who served for many months in the West Bank before and after Oct. 7. “I’m not sure whether this is something imported from another region, or rather that the security reality has simply changed. Once October 7 happened, it was understood that we can no longer just take it. So, we’re beefing up security: adding posts, bringing back patrols — every patrol that was ever cut has been brought back and every patrol that never existed before has been added.”

Meir claims that the rules of engagement have not been changed and insists that “no one is firing indiscriminately.” At the same time, he adds: “It’s true that there was an understanding that we have to respond more forcefully. Before October 7, people were less eager to use firearms; afterwards, the IDF suddenly remembered that you can’t fight terrorism with the foul odor of tear gas. We are given weapons so that we can use them. When there was a need — we used them. There was a long period of time when we were afraid to shoot, when even shooting in the air would mean that all hell broke loose. You shoot your gun — that’s what it’s for. We don’t walk around with our weapons slung over our shoulders just because it looks good.”

Meir also believes that the change is primarily a response to Palestinian terror. “The Palestinians responded very strongly to October 7. There were Hamas flags, rallies — even violence. It was something out of the ordinary. So, we used the means at our disposal to quiet it down. The Palestinians did things we hadn’t seen before — three armed men tried to infiltrate Adora [a settlement northwest of Hebron], for example, and there were bomb-making factories. We found crazy amounts of terrorist infrastructure.”



 

‘There’s a problem here. We’ll pay the price’

Maj.-Gen. (Res.) Gadi Shamni, a former Central Command chief, sees things differently. “It’s all a question of proportionality,” he tells Shomrim. “There has been a significant increase in the threat level — a lot of underbelly IEDs and all of that organization [of Palestinian battalions]. That said, October 7 and everything that’s happened since, along with the footage coming out of Gaza, ultimately mean that in a lot of places [the IDF] is sometimes using a ton of force — more than is always necessary. There are some sensitivities which, in the past, [the IDF] treated very seriously. Today, those sensitivities have disappeared — and that’s not a good thing.”

“I have spoken to soldiers and officers, young and old, who used to see things very differently,” Shamni adds. “Today, what they say is: ‘Take no chances — shoot at everything.’ This is a problematic approach and the IDF, at some stage, will have to take control of the situation — because we will end up paying a price. Once, officers dealt with these sensitivities, they briefed their soldiers on how to treat civilians, how to behave in sensitive areas. Today, the lower-ranking soldiers are unaware of any of this, because nobody talks to them. Everything is black or white. There’s no middle ground. And that’s a problem when you’re operating in a civilian environment.”

“[The principle of] proportionality has vanished,” he adds. “When you talk about proportionality, you are told, ‘Now’s the time to kick ass.’ There is also intense pressure from the settlements, the government, from [ministers] Itamar Ben-Gvir and Bezalel Smotrich. Ultimately, the IDF carries out the government’s policies. You can see what Smotrich is doing on the ground and it is incumbent on the IDF to execute those policies. We have a problem here.”

IDF: Freedom of action remains a necessary condition for regional security

The IDF submitted the following response: “The intensive efforts of the IDF to thwart terrorism in Judea and Samaria began before the outbreak of the war. Terrorist infrastructure developed in the refugee camps of the northern Samaria region, from which attacks were launched. In light of this, the IDF launched Operation Iron Wall in January 2025, during which operational and engineering activities were carried out to enable freedom of action for security forces, dismantle terrorist infrastructure and prevent terrorist organizations from establishing a presence.

“In addition to these operational activities, there has been a decrease of about 80% in the volume of terror attacks in northern Samaria recently. Most of the measures implemented during the operation, including the clearing of access routes and other engineering work, were also reviewed by the Supreme Court in response to petitions that were subsequently dismissed following the submission of a formal response and a hearing attended by all parties.

“Vegetation clearing is carried out according to established protocols, with the approval of relevant authorities in Central Command and based on operational requirements. These measures are designed to ensure the safety of road users, protect travel routes and prevent infiltrations and terrorist attacks. Every operation is preceded by a professional assessment. The IDF operates in accordance with the law and its decisions are subject to judicial review. Security forces act against structures built without authorization, prioritizing enforcement against illegal construction near roads that poses a security risk. Such enforcement actions are carried out under the planning and building laws applicable in the region.

“IDF forces continue to operate throughout Judea and Samaria, focusing on targeted counterterrorism efforts to ensure the safety of citizens. The freedom of action maintained by the IDF in terrorist hubs across northern Samaria remains a necessary condition for regional security.”

The post ‘Spatial restructuring’ razes hundreds of residences in West Bank refugee camps appeared first on The Forward.

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Whether it’s viral dot cakes or Love Shack Fancy skirts, Chloe Hechter wants you to know that “Jewish-American Princesses did it first”

On the Upper East Side of Manhattan, Butterfield Market currently boasts hour-long lines for the viral “dot cakes,” which are entirely covered by tiny sprinkles. For influencer Chloe Hechter, however, these cakes are nothing new — she saw them at every college bed party, birthday and Bat Mitzvah she ever went to.

“Jewish-American Princesses did it first,” she claimed in a recent Tiktok.

Hechter, who is 25, regularly receives thousands of likes on her content which is centered around relatable modern Jewish experiences: summer relationships at Jewish summer camp, drama within Jewish sororities, coming home from college for Passover seder. She’s described her mission as reclaiming the “Jewish-American Princess” stereotype, which often brings to mind a girl who is spoiled, materialistic and boy-obsessed. Hechter hopes to present a different narrative.

“Jewish American Princess means a headstrong, confident Jewish woman who knows what she’s worth,” Hechter wrote in a February Substack post. “A girl who knows her place in the world as a woman and as a Jew, and who isn’t afraid to be exactly who she is in those spaces.”

The modern-day stereotype of a “Jewish-American Princess” is known for a dress code of sweat sets from Free City or Aviator Nation, Roller Rabbit pajamas and ruffly skirts from Love Shack Fancy. Before that, as Jamie Lauren Keiles discussed in a 2018 Vox article, the “JAP” uniform included Juicy tracksuits in the 2000s, Calvin Klein jeans in the ‘80s and cashmere sweaters in the ‘50s. But, as the ‘princess’ moniker suggests, these looks have always come at a price (Free City sweatpants currently retail for $168).

Keiles explains that JAPs’ historic reputation for dependence on “daddy’s money” stems from Jewish men in the 1950s, still seen by many as nouveau riche, who sought someone to blame. The Jewish-American Princess was encapsulated, Keiles writes, in Goodbye, ColumbusBrenda Patimkin, who, though educated and beautiful, is also characterized as vain, demanding and uncompromising. It is this kind of portrayal that Hechter hopes to challenge. Though she acknowledges her own privileged background, she also argues that privilege doesn’t necessarily mean out-of-touch.

Hechter’s upbringing was “a gift I’ve been given,” she said. Although she didn’t discuss her background in detail, Hechter expressed her admiration for her parents, who run their own businesses and worked hard to make sure that she grew up in comfort. As opposed to the stereotypical Jewish-American princess, searching for a wealthy husband to provide for her, Hechter said that she uses her background as motivation to be self-sufficient — and as inspiration for her content.

Hechter started out as a child actor, and later went to high school at LaGuardia, the famed performing arts school in New York. At heart, though, she says she was also a writer. Even from a young age, she told me, she would write down funny or ridiculous situations she observed. For a Reform Jewish girl going to New York City private school, there was a lot of material — particularly during B’nei Mitzvah season.

“I’d be like ‘why am I in a party bus to a country club?,’” she joked.

For Hechter, Jewish experiences like these — along with her summers at sleepaway camp — were primarily cultural as opposed to religious. She observed the major holidays, but didn’t go to services regularly; she found the teachings of the Torah interesting but didn’t follow them to the letter.

After she graduated from Syracuse, Hechter began posting skits, which eventually began to go viral. Her first big video, currently at over 660,000 likes, was themed around getting ready for a camp social. In an interview with her college newspaper, she joked that she “would’ve put on makeup” if she had anticipated the video’s success.

Inspired that social media could be her calling, Hechter initially pushed herself to post five times a day, a pace that now seems inconceivable to her. It paid off, though; Hechter currently boasts over 186,000 followers on TikTok and 79,000 on Instagram.

In her videos, Hechter is dedicated to representing a version of her Jewish experience that is rarely shown on screen. Most Jewish characters in film, she says, tend to follow a limited set of archetypes: they’re deeply religious, there’s a depressing undertone or, like Shoshanna Shapiro from Girls, their religion isn’t discussed. When a funny, secular Jew appears on screen, he’s almost always a man.

“I love Adam Sandler and Larry David as much as the next girl, but I wish growing up that I had a cool, fun Jewish girl to look up to,” Hechter said.

Hechter explained that many of her skits draw from experiences she observed on the outskirts; as she tells it, she went to camp but wasn’t the mean girl, she attended lavish Bat Mitzvahs but didn’t have a party of her own, she was in a Jewish sorority but wasn’t super involved. Still, her characters are immediately recognizable.

“People either are experiencing these things firsthand and are like ‘oh my god, this is so me,’” she said. “Or they see it and they make fun of it, like ‘oh my god, this is so my daughter. Oh my god, this is so the people in my sorority.’”

Hannah Wiener, a high school senior from Oceanside, Long Island, is a longtime fan of Hechter. For Hanukkah one year, her sister gifted her a personalized Cameo video in which Hechter talked about their similarities and common interests.

Wiener said that she loves Hechter’s content because she finds it relatable. There are a lot of influencers who make similar videos about Jewish life, but Wiener feels like they make fun of it, rather than treat it “as a normal event like Chloe does.” For Wiener, who went to sleepaway camp herself, Hechter’s camp videos are her favorite. She said that she finds them “to be so funny and also just so heartwarming.”

Middle and high schoolers make up a large proportion of Hechter’s audience — she told me that summer “camp girls”, like Wiener, are her biggest fans. Hechter believes her younger self would have been one of them.

“I genuinely think I would have been my own favorite creator,” she said.

The post Whether it’s viral dot cakes or Love Shack Fancy skirts, Chloe Hechter wants you to know that “Jewish-American Princesses did it first” appeared first on The Forward.

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The Iran war ended terribly for the US, and even worse for Israel

A war that began with immense ambition has ended with profound setbacks for both the United States and Israel.

With an emerging U.S.-Iran peace agreement, what initially appeared to be a historic demonstration of military dominance evolved into a vivid illustration of the limits of both Israeli and American power. The conflict also exposed profound failures in strategic competence within that alliance. Washington and Jerusalem planned effectively for the initial decapitation strikes, but were unprepared for the economic and geopolitical consequences that followed.

The result is a war that may ultimately strengthen the Iranian regime politically, despite the damage it suffered militarily; has weakened international perceptions of American military might; and has diminished both Israel’s own strategic circumstances and its most important alliance.

The opening phase of the war appeared spectacularly successful. Israeli intelligence and airpower decapitated large portions of Iran’s military and security leadership with astonishing speed, including by assassinating Supreme Leader Ali Khamenei. Key military infrastructure suffered major damage, and for a brief moment, it seemed plausible that the Iranian regime might genuinely face collapse or surrender on terms dictated by Washington and Jerusalem.

That perception proved short-lived.

Iran shifted the battlefield away from conventional military confrontation and toward economic coercion. Its closure of the Strait of Hormuz exposed the extraordinary vulnerability of the global economy to relatively inexpensive forms of pressure. Energy markets panicked almost immediately. Governments across Europe, Asia, and the Gulf pushed urgently for de-escalation.

The central strategic reality became impossible to ignore: the U.S.could not tolerate sustained economic disruption, and the Iranian regime has a strong stomach for suffering. The overwhelming military superiority of the U.S. and Israel effectively ceased to matter.

That asymmetry changed the balance of the conflict. And the resulting agreement appears to preserve much of Iran’s architecture of mischief, which the regime’s many critics had hoped to see dismantled.

Iran’s ballistic missile capabilities have been harmed but can be rebuilt; long-term reductions to that firepower are reportedly not on the table in a planned 60-day negotiation. The regime’s regional proxy network — including Hezbollah, the Houthis, Iraqi militias, Hamas, and Islamic Jihad — survives, even though Hezbollah and Hamas have been battered.

And as Israel is not a party to the ceasefire, it cannot advocate for more stringent terms on this front.

The regime itself remains firmly in power and may receive enormous sanctions relief and renewed economic access. Demands for democratic reforms seem to have been set aside, as has any kind of punishment for the regime’s massacre of thousands — and by some reports tens of thousands — of domestic protestors in January.

The latter aspect is especially galling given that President Donald Trump was driven to intervene because of the January massacre, after he promised Iranians that “help is on its way.” Upon launching the war, he declared that it would enable Iranians to “take your country back.”

Ironically, Trump in his first term pulled out of former President Barack Obama’s 2015 nuclear deal over objections that it provided funds for the regime while allowing it to run riot. Now, he is settling for an effective reconstitution of that deal — except one with substantially less American leverage.

The implications extend far beyond Iran itself. The war demonstrated that Tehran can generate immediate global economic panic through relatively cheap tools and can leverage that panic into diplomatic concessions. Before the war, fears about Iran’s ability to blackmail the world economy remained somewhat theoretical. After the war, those fears became a demonstrated geopolitical reality.

There is little evidence that either the American or Israeli governments understood in advance the degree to which the global economy had become vulnerable to this form of coercion. This, even though the blocking of the Strait of Hormuz was completely predictable and indeed expected by every strategist I’ve spoken to for decades.

This outcome may be most devastating for the Iranian people themselves. Many Iranians who despise the regime interpreted the opening phase of the conflict as evidence that the dictatorship might finally face genuine collapse. Instead, the regime not only survived but also regained leverage. The machinery of repression remains intact.

But this result is damaging for every party to this war aside from the Iranian regime.

The war has transformed perceptions of American power. For decades, the U.S. has anchored a global system built on the assumption that Washington could manage regional crises with some strategy in mind. That strategy wasn’t always brilliant, but it was rarely clueless. With the Hormuz confrontation, the world watched the U.S. confront a regional adversary with vastly inferior capabilities and fail to control events.

For Israel, the alliance Prime Minister Benjamin Netanyahu has spent years cultivating with the American right and with Trump personally has become dangerously fragile. As pressure mounted to stabilize energy markets and prevent wider regional escalation, Trump increasingly presented himself not as a partner coordinating with Israel but as a superior authority managing Israeli actions. He repeatedly framed Israeli military action as dependent on his approval. He cursed Netanyahu in public. He presented Israel as a vassal doing his bidding — something no U.S. president has previously done.

This will destabilize Israel, where much of the governing right previously viewed Trump as a uniquely reliable ally who would support Israeli military objectives without hesitation or conditions.

Previous American presidents pressured Israel privately while still preserving the outward presentation of a relationship between sovereign allies. Trump discarded much of that convention. The new perception weakens Israel’s deterrence dramatically. Plus, with bipartisan support for Israel in Washington even more completely collapsed than after the deleterious war in Gaza, and relations with much of Europe — Israel’s top trading partner — similarly deteriorated, Israel finds itself at a new peak of dangerous international isolation.

This strategic shipwreck bears no resemblance to the sweeping regional transformation that supporters of the war — myself included — initially envisioned. I assumed, partly because of the first days’ successes, that Trump and Netanyahu had a plan. This is not a mistake serious people are likely to make again.

The post The Iran war ended terribly for the US, and even worse for Israel appeared first on The Forward.

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