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Emma Goldman, superstar? The Jewish anarchist has a surprising role to play in American musical theater
Lately I’ve been thinking about Emma Goldman, the Russian-born Jewish anarchist who attracted droves of followers in her 30-plus years in the United States. I’ve not really been focused on her place in history writ large, more her surprisingly robust soap box in the world of musical theater. For all her import to the American left, on Broadway she’s mostly a bit part. And that bothers me.
Lynn Ahrens and Stephen Flaherty’s Ragtime, now in a lauded revival at Lincoln Center, devotes a song to her 1906 speech at Union Square. From there she interprets the subtext of a meeting between the WASPy, rich character “Younger Brother” and Black pianist Coalhouse Walker Jr. As a featured player, minus ensemble numbers, she’s in the mix for less than 10 minutes — she features more in E.L. Doctorow’s novel.
When I saw the Encores production at New York’s City Center last year, I remembered that Goldman has a cameo in Stephen Sondheim’s Assassins; in a brief encounter that would later haunt her, she hands a pamphlet to William McKinley’s future assassin Leon Czolgosz. Her role there, played by a member of the ensemble who doubles other parts, is even smaller.
While on vacation in Colorado over New Year’s (I skied; the chair lift conked me in the head), I got an email about an upcoming production of a chamber opera called E.G.: A Musical Portrait of Emma Goldman. I had to know more. Was she finally getting her due?
The piece, which began performances at Theater for the New City on Jan. 8, is by composer Leonard Lehrman and librettist Karen Ruoff Kramer. It’s actually not new at all, just the most recent production of a story they’ve been telling — or gospel they’ve been spreading — for over 40 years. To date they’ve presented the piece, together with educational slides, in five countries, at universities and synagogues, for groups like the Workers Circle and to mark important anniversaries, like the centennial of the Haymarket Riot that helped radicalize Goldman. They believe the work is more topical than ever.
“She’s talking about how war drains the economy from everything else, and militarism, to stay alive, will look for an enemy or even create one artificially,” said Lehrman, whose piece features him on piano and acting as Goldman’s lover, friend and partner Alexander Berkman. (Caryn Hartglass plays the title role.)
“It’s happening right now,” added Lehrman, “the creation of an enemy in order to distract from domestic failure.”
Lehrman and Kramer began work on the musical in 1984, first basing it on historian Howard Zinn’s play Emma. As the pair researched Goldman’s life, the story took a different tack. The pair met as expats in Germany, and, given that connection, gravitated toward her life in exile, which began in 1919 when the U.S. deported her as a radical “alien.” The action of the piece tells her life story through the various parts of a visa application she filled out from St. Tropez in 1933. (The section on the form for “name” deals with identity and her marriages for which she took other surnames; for “sex” she offers the Austin Powers “Yes, please” — though Lehrman and Kramer wrote it first — and goes on like that, even covering her 1916 arrest at the Forward building for giving a talk about birth control.)
“I need America,” she says in the opening moments. “And I need to know: Does America need me now?”
It makes a certain sense for Goldman to express her ideas through song. Les Miserables, if nothing else, has shown the anthemic potential of staging a revolution. (Its signature anthem shows up in real-world protests with some regularity.)
Goldman is credited with saying, “If I can’t dance, it’s not my revolution,” a quotable that gets its own number in Lehrman’s musical. Speaking over Zoom, Lehrman wore a shirt with those words and a portrait of Goldman.
Lehrman noted that in addition to his opera, there are two other ones about Goldman they know of — one by Elaine Fine, made in collaboration with Zinn, and another by Canadian composer Gary Kulesha.
Given her radical bona fides and thoughts about capitalism, some may wonder if Goldman might clash with the format of musical drama. We don’t have too much to go on for musicals, as the form as we now know it arguably wasn’t established until around 13 years before her death, with Showboat (it debuted in 1927, after her deportation; one suspects she would approve of how it addressed racial prejudice).
In her time, opera for the bourgeois and Vaudeville for the masses were popular musical entertainment. While Goldman turned down offers to appear on Vaudeville stages, Samantha M. Cooper, professor of Jewish Studies at the University of Kansas, observed in a 2023 lecture, Goldman was a fan — if also a critic — of opera, writing about it with some frequency in her magazine Mother Earth, and even in a lecture notes in admiration of Richard Wagner.
Cooper argues that perhaps Goldman’s most pivotal reference to opera comes in her memoir, Living My Life. In it Goldman recounts how, after watching a performance of Carmen at the Met, her mentor Johann Most asked her to recall her first experience at the opera in Königsberg.
She vividly recounted seeing Il trovatore as a school girl, where she “first realized the ecstasy music could create in me.” Hearing her impassioned reflection, Most told Goldman she had talent and must “begin soon to recite and speak in public.”
“He grinned and emptied his glass to my ‘first public speech,’” Goldman recalled.
Could it be that we have opera, then, to thank for Emma Goldman’s oratory, and so, her future presence in musicals?
E.G. makes clear that the firebrand activist is not so uni-dimensional as Ragtime and Assassins make her seem. Her life was limned with contradictions. She enjoyed the finer things — and also railed against fatcat industrialists up to the point of attempted murder.
Drawing from letters historian Candace Falk found in the back of a record store — the owner showed them to her when she learned her dog was named “Red Emma Goldman” — Lehrman and Kramer’s piece reveals Goldman as a sexual creature with a biting wit. And it makes the case that while she was condemned to a life away from America for her so-called subversion, she was nonetheless a patriot.
“It’s important that people see that there was a courageous way of being very much American that was not the same thing as just buckling under when McCarthy comes and says, ‘You guys have to shut up now,’” said Kramer.
Though the portrait in E.G. makes for a more comprehensive profile than the one now at Lincoln Center, it also presents something larger in its invitation to consider her legacy.
“E.G. means ‘For example, take this example,’” said Kramer. “Not in the sense of cloning Emma in all respects, but certainly the insistence on understanding and the courage to push for things that are right, even if they’re not popular, and that others should do that too.”
In the canon of musical theater, there are many examples to choose from. I like the one who dances. Sign me up for a shirt.
The post Emma Goldman, superstar? The Jewish anarchist has a surprising role to play in American musical theater appeared first on The Forward.
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French Jewish Community Marks 20 Years Since Ilan Halimi’s Brutal Murder
A crowd gathers at the Jardin Ilan Halimi in Paris on Feb. 14, 2021, to commemorate the 15th anniversary of Halimi’s kidnapping and murder. Photo: Reuters/Xose Bouzas/Hans Lucas
France’s Jewish community on Tuesday commemorated the 20th anniversary of the death of Ilan Halimi, a young Jewish man who was brutally tortured to death, as his memory continues to be defaced amid a rising tide of antisemitism threatening Jews and Israelis across the country.
“Twenty years on, Ilan Halimi’s memory still needs to be protected and honored, yet it continues to come under attack, as recent vandalism at his memorial site shows,” the Representative Council of Jewish Institutions of France (CRIF) — the main representative body of French Jews — wrote in a post on X.
“Antisemitism remains a persistent threat in France today,” the statement read.
Le 20 janvier 2006 marque l’enlèvement et le début de la séquestration d’Ilan Halimi, 23 ans, parce qu’il était Juif.
20 ans plus tard, alors que la mémoire d’Ilan Halimi doit être protégée et honorée, elle continue d’être atteinte, comme l’ont montré les récents actes de… pic.twitter.com/Htu9ntMHhq
— CRIF (@Le_CRIF) January 20, 2026
Last week, another olive tree planted to honor Halimi’s memory was vandalized and cut down, as French authorities continue efforts to replant trees in remembrance of the young Jewish man who was murdered in 2006.
“We will bring those responsible to justice,” French Interior Minister Laurent Nunez wrote in a post on X. “Our collective outrage is matched only by our unwavering determination to combat antisemitic and anti-religious acts that continue to tarnish the memory of an innocent man.”
This latest antisemitic act came after a plaque honoring Halimi was vandalized in Cagnes-sur-Mer, a town in southeastern France, prompting local authorities to open an investigation for “destruction and antisemitic damage.”
According to local reports, a 29-year-old man with no prior criminal record has been arrested. While he admitted to the acts, he denied any antisemitic motive and is now awaiting trial.
Last year, a tree planted in memory of Halimi was also vandalized and cut down in Épinay-sur-Seine, a suburb north of Paris.
Two Tunisian twin brothers were arrested and convicted for cutting down the tree, but were acquitted of the antisemitism charges brought against them.
Both of them were sentenced to eight months in prison, but one of them received a suspended sentence, meaning he will not serve time unless he commits another offense or violates certain conditions.
According to local media, one of the brothers has reportedly been deported from France.
Halimi was abducted, held captive, and tortured in January 2006 by a gang of about 20 people in a low-income housing estate in the Paris suburb of Bagneux.
Three weeks later, Halimi was found in Essonne, south of Paris, naked, gagged, and handcuffed, with clear signs of torture and burns. The 23-year-old died on the way to the hospital.
In 2011, French authorities planted the first olive tree in Halimi’s memory. However, the young Jewish boy’s memory has faced attacks before, with two other trees planted in his honor vandalized in 2019 in Essonne, where he was found dying near a railway track.
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Mourner’s Kaddish for Bondi Beach victims recited in Australian parliament as tougher hate crime laws pass
(JTA) — A Jewish member of Australian Parliament recited the Mourner’s Kaddish in an address Monday to honor the victims of the Hanukkah massacre on Bondi Beach.
The address, delivered by Jewish parliamentarian and former attorney general Mark Dreyfus, came over a month after two gunmen motivated by what authorities said was “Islamic State ideology” opened fire on a celebration in Sydney, killing 15 and injuring dozens more. Most of the victims were Jewish, and Dreyfus read all of their names aloud.
Dreyfus, who wore a kippah for the presentation, then commended the “acts of extraordinary courage” by bystanders and emergency workers during the attack, naming Ahmed al-Ahmed, the Muslim man who received widespread support from the Jewish community after he was shot while disarming one of the attackers. He also told the Australian House of Representatives that the country’s “response cannot be confined to grief,” exhorting his fellow lawmakers to take action around “upholding our laws against hate.”
Then he invited everyone present to rise for the Mourner’s Kaddish, recited in Jewish communities in memory of the dead.
“You don’t have to be Jewish to feel this in your chest, an attack like this hurts all of us,” Dreyfus said, describing the prayer as “a prayer about life, dignity and the hope for peace at times of profound loss.”
The public recitation was redolent of the decision of the Pittsburgh Post-Gazette to publish the Hebrew text of the prayer on its front page following the murder of 11 Jews in their synagogue there in 2018.
https://www.instagram.com/p/DTtw-r7Dehs/?hl=en
Late Tuesday, Australia’s parliament passed anti-hate speech and gun reform bills initiated in the wake of the attack. The gun reform bill included new checks on firearm license applications and a national gun buy-back program, while the anti-hate speech bill banned hate groups and imposed penalties for preachers who promote hate.
The hate speech component won support from liberal lawmakers who said they had free-speech concerns after it was weakened from its initial version.
“The terrorists at Bondi Beach had hatred in their hearts and guns in their hands,” wrote Prime Minister Anthony Albanese in a post on X. “Today we passed new laws that deal with both. Combatting antisemitism and cracking down on guns.”
The new laws come as Australia grapples with another searing antisemitic incident. Late in the day on Monday, five Jewish teenagers in Melbourne were chased for several minutes by a car whose occupants chanted “Heil Hitler” and performed Nazi salutes at them.
The boys, aged 15 and 16 and easily identifiable as Orthodox Jews, were walking home from Adass High School when the incident occurred in the proximity of Adass Israel Synagogue, which was firebombed in December 2024. No arrests were immediately made.
“The antisemitic hate incident last night in St Kilda targeting young Jewish boys has no place in our country,” Albanese in a statement, according to The Australian. “At a time when Australians are joining with the Jewish community in sorrow and solidarity, it is beyond disgusting to see these cowards shouting Nazi slogans at young people.”
The post Mourner’s Kaddish for Bondi Beach victims recited in Australian parliament as tougher hate crime laws pass appeared first on The Forward.
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Number of UK Schools Marking Holocaust Has Dropped by Nearly 60% Since Oct. 7 Massacre
Tens of thousands joined the National March Against Antisemitism in London, Nov. 26, 2023. Photo: Tayfun Salci/ZUMA Press Wire via Reuters Connect
The number of British schools commemorating the Holocaust has plummeted by nearly 60 percent following the Palestinian terrorist group Hamas’s Oct. 7, 2023, invasion of southern Israel.
Since Hamas-led Palestinian terrorists perpetrated the largest single-day massacre of Jews since World War II, the number of secondary schools across the UK signed up for events commemorating Holocaust Remembrance Day, which takes place annually on Jan. 27, dropped to fewer than 1,200 in 2024 and 854 in 2025, according to data from the Holocaust Memorial Day Trust.
The figure had been rising each year since 2019, reaching more than 2,000 secondary schools in 2023.
There are about 4,200 secondary schools in the UK.
Sir Ephraim Mirvis, chief rabbi of the UK, commented on the figures in an essay published in The Sunday Times, expressing alarm about an increasingly hostile environment for the British Jewish community.
“I fear for what will happen this year,” Mirvis wrote. “For if we cannot teach our children to remember the past with integrity and resolve, then we must ask ourselves what kind of future they will inherit.”
Mirvis urged readers to put themselves in the shoes of a UK teacher preparing a Holocaust memorial event. “Now imagine that as you begin to organize such an event, you learn that some parents of pupils at your school are unhappy about it,” he added. “One of the claims that Holocaust education is a form of “propaganda”; another insists that the event must not go ahead unless it also highlights the awful suffering of Palestinians in Gaza.”
Karen Pollock, chief executive of the Holocaust Educational Trust, described to The Times how some students “arrive in the classroom with views shaped by social media trends rather than evidence.”
The European Jewish Congress (EJC) released a statement on Monday reflecting on the drop in UK schools recognizing the Holocaust.
“Holocaust Memorial Day is not about politics. It is about memory, responsibility, and education. It exists to honor the 6 million Jews murdered in the Holocaust and to remind future generations of the consequences of hatred, indifference, and extremism,” the EJC stated. “Avoiding commemoration out of fear of controversy undermines the very purpose of education. When remembrance becomes optional, memory itself becomes fragile.”
The EJC continued, “Now is precisely the moment when Holocaust education matters most: when misinformation spreads easily, when antisemitism is openly visible, and when fewer survivors remain to bear witness. Schools play a vital role in preserving this memory, not only for Jewish communities, but for society as a whole.”
Dwindling commemoration of the Holocaust comes amid a steep surge in antisemitism across the UK.
The Community Security Trust (CST) — a nonprofit charity that advises Britain’s Jewish community on security matters — recorded 1,521 antisemitic incidents from January to June this year. This was the second-highest number of antisemitic crimes ever recorded by CST in the first six months of any year, following 2,019 incidents in the first half of 2024.
In total last year, CST recorded 3,528 anti-Jewish hate crimes — the country’s second worst year for antisemitism, despite an 18 percent drop from 2023’s record of 4,296.
“When a trigger event such as the Oct. 7 attack occurs, antisemitic incidents initially spike to a record peak; then gradually recede until they plateau at a higher level than before the original trigger event occurred,” CST stated.
These figures juxtapose with 1,662 antisemitic incidents in 2022, 2,261 in 2021, and 1,684 in 2020.
The struggles of the UK’s educational establishment to counter the rising antisemitism problem mirror the ongoing challenges confronted by its medical institutions.
In November, UK Health Secretary Wes Streeting called it “chilling” that some members of the Jewish community fear discrimination within the NHS, amid reports of widespread antisemitism in Britain’s health-care system.
The comments came weeks after British Prime Minister Keir Starmer unveiled a new plan to address what he described as “just too many examples, clear examples, of antisemitism that have not been dealt with adequately or effectively” in the country’s National Health Service (NHS).
One notable case drawing attention involved Dr. Rahmeh Aladwan, a trainee trauma and orthopedic surgeon, who police arrested on Oct. 21, charging her with four offenses related to malicious communications and inciting racial hatred. In November, she was suspended from practicing medicine in the UK over social media posts denigrating Jews and celebrating Hamas’s terrorism.
Other incidents in the UK included a Jewish family fearing their London doctor’s antisemitism influenced their disabled son’s treatment. The North London hospital suspended the physician who was under investigation for publicly claiming that all Jews have “feelings of supremacy” and downplaying antisemitism.