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ESPN’s Jeff Passan opens up on his Hebrew school upbringing, interviewing Sandy Koufax and Jewish baseball history
(JTA) — For tuned-in baseball fans, Jeff Passan is everywhere. As ESPN’s senior MLB insider, he frequently breaks some of the sport’s biggest news and appears on several of the global sports network’s television, radio and podcast programs.
After two decades of reporting, can anything make him nervous? There is one athlete who does: Jewish legend Sandy Koufax.
“Generally speaking, when I’m talking to people, I’ll call them by their first name. He was Mr. Koufax,” Passan told the Jewish Telegraphic Agency about the pitcher he once wrote a paper about for Hebrew school.
While a columnist for Yahoo! Sports, Passan spent about four years reporting his 2016 New York Times best-selling book “The Arm: Inside the Billion-Dollar Mystery of the Most Valuable Commodity in Sports,” a deep-dive into pitching and the epidemic of what’s known in the sport as Tommy John surgery, or ulnar collateral ligament reconstruction.
Koufax, known for his on-the-field dominance and his refusal to pitch on Yom Kippur during the 1965 World Series, walked away from baseball at only 30 years old because of injury. So as Passan began work on his book, he knew he needed to talk to Koufax.
Koufax is famously private, and securing a rare interview wasn’t easy — Passan enlisted fellow Jewish writer Jane Leavy, Koufax’s biographer, who put in a good word for him. When the time came to talk, Passan said it was the most nervous he’s ever been for an interview.
“I was in awe the whole time,” Passan said in a phone interview from Arizona, where he’s covering spring training.
Koufax’s pitching prowess aside, Passan praised the principled stance the former Dodger took all those years ago.
“The way that he represented himself, the way he honored Judaism, and, when it was an incredibly difficult thing, stuck by what mattered to him, I think that’s applicable across religions, across cultures, across backgrounds,” Passan said. “If you feel passionate about who you are, and something is important to you, even when it’s uncomfortable, you should stand by it. That’s exactly what he did. I have an undying amount of respect for him for both doing that and just for the way that he has and continues to carry himself.”
A Cleveland native, Passan fell in love with both baseball and writing at a young age. His father, Rich, worked at the Plain Dealer for 42 years, and Passan said he got his first byline at 14 years old. He would go on to cover sports at Syracuse University, the Fresno Bee, the Kansas City Star, Yahoo! Sports and, since 2019, at ESPN.
Passan, 42, grew up in a Conservative Jewish household, attending Hebrew school three times a week. He said he considers himself a “cultural Jew” — noting that his wife is Catholic and they are raising their kids without religion.
“I look at religion now as being a really important thing for lots of people, but the sort of thing that for me and my family, we’d like for our children to be a little more worldly until, or if, they decide to choose to go the religious route,” he said.
Jeff Passan at his bar mitzvah, Oct. 9, 1993. (Courtesy of Passan)
Passan said he and his family celebrate Hanukkah — he’s a big fan of latkes — and he fasts on Yom Kippur. And then there’s Jewish geography.
“When I run into someone who’s Jewish, even though I’m not particularly religious, and he or she may not be particularly religious, there’s still a connection there because of how we were raised and the things that you learn growing up a Jew,” he said. “If there’s one thing that I look at with regret that my kids don’t have, because we’re not raising them Jewish, it’s that.”
That instant connection is present in the press box, too.
“We know who we are,” Passan said. “There was one World Series where I think there were like seven or eight Jewish writers sitting in a row. And we said all we need is a few more and we got a minyan here.”
Passan said he also feels that camaraderie with Jewish players — especially those who play for Team Israel during the World Baseball Classic, which is coming up next month.
“It’s different than Team USA or the Dominican Republic or Venezuela,” he said. “It’s a cultural team. It’s a team that’s often based around your religion or the religion in your family, and I think that makes it a unique group of players who may not have that same connection or that same feel to Israel, but they have that shared experience of being Jewish and knowing what that entails.”
The presence of Jewish talent in Major League Baseball — and on Team Israel, which features more big leaguers this year than ever before — is noticeably greater than it has been in years. The 2021 World Series, which featured four Jewish players, is a prime example.
“I think it’s just another way to illustrate that we can be everything,” Passan said. “If you are growing up and you want to be a rabbi, that’s wonderful. If you’re growing up and you want to get into media, that avenue is there for you. And if you’re growing up and want to be a baseball player, there are no limitations. The history of Jewish baseball players, while not extensive, is nevertheless rich.”
And what is it, exactly, about baseball that has endeared the sport to American Jews for so long? Passan has some theories.
First, he noted the historical significance New York has held in both baseball and American Judaism. For a period in the early-to-mid 20th century, New York was home to three MLB teams — the Yankees, Brooklyn Dodgers and New York Giants.
“As Jews, we really gravitate toward things that have history and substance,” Passan said. “Baseball being so big in the emergence of sporting culture in the United States, there’s a gravitas to that, there’s an import to that, that I think Jews really are attracted to.”
The other aspect that has bonded Jews and baseball, Passan said, is its shared culture of family tradition.
“It’s something that can be passed on from fathers and mothers to sons and daughters,” he said. “Family is such a vital part of being Jewish. Just as we pass down customs and traditions, sports are among those customs and traditions and baseball is a generational sport.”
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Looming large over Israel’s 78th Independence Day celebrations: Argentina’s Javier Milei
(JTA) — During his three days in Israel this week, Argentinian President Javier Milei made a strong impression.
There he was, weeping again at the Western Wall. There he was, receiving the Presidential Medal of Honor for his leadership and support for Israel. And there he was, lighting a torch for the Independence Day festivities as the first foreign leader ever to do so.
There Milei was, grabbing a microphone and dancing raucously on stage to the Spanish-language song “Libre” at both the rehearsal for the national ceremony and the live event on Tuesday.
And there he was, ostensibly the reason that the far-right Israeli minister Itamar Ben-Gvir left the ceremony before it began. Ben-Gvir left after being asked to vacate his seat to make way for Milei, in an arrangement that some speculated was meant to prevent Ben-Gvir from being photographed in the same frame as Prime Minister Benjamin Netanyahu.
Milei’s presence in Israel Sunday through Tuesday offering a powerful symbol of his continued support for Israel even as so many other world leaders have distanced themselves. Milei is a longtime philosemite who has said he aims one day to convert to Judaism.
“In life there are partners and there are friends,” Milei said in Spanish during the Independence Day ceremony. “Partners come together for a moment of shared interest. Friends forge unbreakable bonds for life. I am pleased to say that Argentina and Israel are not merely partners, but friendly nations.”
The Independence Day ceremonies projected an image of resilience at a challenging time for Israel, where wars on two fronts are currently in ceasefires announced by U.S. President Donald Trump. Among the others chosen as torch-lighters, seen as one of Israel’s most significant honors, were soldiers who have participated in the years of war that followed Hamas’ Oct. 7, 2023, attack on Israel.
Two of the chosen torch-lighters drew sharp criticism. One was Rabbi Avraham Zarbiv, a rabbinical judge who has drawn scrutiny for publicly praising demolition operations in Gaza. In February, the Ombudsman of the Israeli Judiciary ruled that Zarbiv had violated a code of ethics by expressing his views on controversial issues.
“I light this torch in honor of the bulldozer and excavator operators, the trailblazers, destroyers of the enemy and the dismantlers of terrorist infrastructure who protect the lives of our soldiers,” he said at the ceremony.
A cousin of a woman killed in captivity also also denounced the selection of Gal Hirsch, Israel’s coordinator for hostages and missing persons, who faced calls for his resignation in February after telling Haaretz that demonstrations demanding the release of hostages were aiding Hamas. Gil Dickmann, a cousin of Carmel Gat, wrote in a post on Instagram that his selection was “spitting in the faces of families” of the hostages.
Last year, torchlighters for the ceremony included former Israeli hostage Emily Damari, NBA player Deni Avdija and the American Jewish conservative pundit Ben Shapiro, whose appointment was criticized by some Israeli leaders as inappropriately political.
The day’s official programming will end with a ceremony awarding the Israel Prize, the nation’s top civilian honor. Among those receiving the prize this year are the artist Yaacov Agam and Chantal Belzberg, the CEO of a nonprofit that aids the families of fallen soldiers.
Trump was also invited to receive the prize, getting a public invitation in February following an earlier announcement by Netanyahu. He will not be present.
This article originally appeared on JTA.org.
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Marx Brothers fans rejoice: There’s a recording of Harpo speaking
Harpo Marx’s wife, Susan Fleming, once remarked that, when you got him talking, you couldn’t shut him up.
The proof was there for those who chanced to see him in the 1930s and ‘40s, screening clips of the films he made with his brothers. If a crowd was good, he’d deliver what was known as “Red’s Speech,” a reference to the red wig he wore on stage.
The speech grew more verbose with each recitation, with input by Harpo’s friend, the critic Alexander Woollcott, a fount of $5 dollar words. It got so long, in fact, that Harpo would take it out in the form of a long script that spilled off the stage down the aisle.
“There’s always been this fallacy that Harpo never spoke on stage,” said Marx historian Robert S. Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage and Zeppo: The Reluctant Marx Brother. When he did, he would often make a joke about the mute persona he adopted in 1914, opening his remarks with “as I was about to say in 1915.”
In 1964, Harpo was hitting the speaking circuit. He spoke at events for the United Jewish Appeal, having grown more connected to his Jewishness after a 1963 trip to Israel. On these occasions, Bader said, Harpo “might have looked like a local councilman, just wearing a business suit,” and would sneak in a line from his bar mitzvah speech: “For 13 long years, I have toiled and labored for your happiness.”
Advised to retire from performing after a number of heart attacks, Harpo reasoned that, so long as it was for charity and he didn’t get paid, it couldn’t count as work.
That rationale led to Harpo’s appearance at benefits for a number of symphony orchestras. On March 20, 1964, he gave his final performance at a concert for the Riverside Symphony Orchestra in California, playing a suite of songs about the moon, an original composition and conducting a particularly manic take on Haydn’s “Toy Symphony.”
This time, Harpo not only spoke, giving a lively recitation of Prokofiev’s Peter and the Wolf, he did something unprecedented by allowing himself to be recorded with the understanding the public might someday hear it.
On June 5, 2026 a record of the evening will be released as Harpo Speaks! The Riverside Symphony Concert. It was announced on April 1, but it was no April Fools joke. It’s an outstanding artifact, and it was discovered quite by accident.
John Tefteller, the foremost collector of rare, Marx-related records, was looking for a copy of a 1963 concert with Harpo and comedian-musician Allan Sherman, recorded by Sherman’s son Robert. Looking in the tape box for Pasadena, Sherman instead found the Riverside tape. Oddly enough, Robert Sherman had no memory of recording — or even attending — the Riverside concert.
Bill Marx, Harpo’s son and the arranger of much of his music, says the man on the recording, telling the tale of “Peeduh,” the “boid” and the “huntahs,” is the one he grew up with.
“It was very, very low key,” said Bill Marx, now a celebrated pianist and Juilliard-trained composer, recalling his father’s voice. “I think I would have to say that he was about five or six notes lower than Groucho’s. It was easy to hear him speak. I suppose you could call him soft-spoken. He rarely if ever raised his voice in our house with my two brothers and sisters.”
Instead, he would do something like wake his daughter in the middle of the night to play jacks.
Peter and the Wolf, written for young audiences, was a natural fit for Harpo, and it was his idea to do it. The version of the libretto, co-written by Harpo and Groucho, also features a topical joke for that election year of 1964: “Imagine the triumphant procession. Peeduh at the head, after him the huntahs leading the wolf, then Goldwatuh, Rockefelluh and Nixon.”
That Harpo was a patron of the symphony is no great surprise. He practiced the harp three hours a day and Bill Marx remembers his father’s love of French impressionist composers like Debussy and Ravel and Fauré. When Bill played records in his bedroom, without fail his father would knock on the door, ask what he was listening to, and commit to learning it — which he did.
“He just had a great learning thirst, and I had the privilege of watching this man appear in everybody’s life by doing things that he was compelled to do,” Bill Marx said.
As the narrator of Peter and the Wolf, Harpo is wonderfully expressive, evoking the storytelling of an old-time New York-born Zayde (dressed in his traditional costume at the concert, he donned a new accessory: reading glasses). He sounds quite a lot like Chico, his closest brother in age.
Restoring the tape took major work from audio restorer Joel Tefteller (John’s son) and audio engineer Nick Bergh. At one point, in his closing speech, Harpo walked away from the mic, making the original tape almost inaudible.
“He wasn’t used to looking for a microphone,” said Bader. “He didn’t have a lot of time in front of microphones. I don’t think anybody ever had to say ‘Harpo get closer to the microphone’ ever.”
The post Marx Brothers fans rejoice: There’s a recording of Harpo speaking appeared first on The Forward.
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UCLA student government condemns campus Hillel for hosting former hostage
A campus event featuring freed Israeli hostage Omer Shem Tov drew the condemnation of UCLA’s student government on Tuesday. In an open letter, the UCLA Students Associated Council said that bringing Tov to speak to students “served to legitimize and normalize” atrocities in Gaza and Lebanon.
Shem Tov, 23, was kidnapped from the Nova music festival in Southern Israel on Oct. 7, 2023, and held hostage in Gaza until his release in a prisoner exchange in February 2025. UCLA hosted him on April 14 for a Yom HaShoah event.
“While we affirm the humanity of all people impacted by violence, we reject the selective platforming of narratives that obscure the broader reality of ongoing state violence,” the student government letter wrote in the letter, which was addressed to the UCLA administration and UCLA Hillel among others. “Israel is currently continuing to carry out what has been widely identified by human rights advocates as a genocide in Gaza, while also expanding its illegal military campaign into Lebanon.
“In this context, elevating a single narrative, absent of critical political and humanitarian framing, serves to legitimize and normalize these ongoing atrocities.”
Rabbi Chaim Seidler-Feller, UCLA Hillel’s director emeritus, called the statement “completely ridiculous.”
“You can’t present the narrative of your experience without it being called ‘one sided,’” Seidler-Feller said. “There has to be a counter-story to persecution. Is there a counter-story to killing people?”
UCLA Hillel executive director Daniel Gold dismissed the criticism in Tuesday’s letter as antisemitic.
“Hillel at UCLA and Students Supporting Israel UCLA would like to apologize…for absolutely nothing,” he wrote in a statement. “Members of UCLA student government have once again shown they are anti-dialogue, anti-learning, anti-truth, anti-student and antisemitic.”
The USAC did not respond to a request for comment.
As college campuses across the country became a hotspot for pro-Palestinian activism following the Oct. 7 attack, UCLA, with an activist history and a large Jewish population, stood out as a major flashpoint. Its student encampment was the site of a riot in April 2024 and eventually cleared by police in riot gear.
The USAC has sided with pro-Palestinian protesters throughout. In a Feb. 2025 letter titled “We Are All SJP,” the USAC, which is democratically elected by the roughly 30,000-member UCLA student body, condemned Chancellor Julio Frenk’s suspension of Students for Justice in Palestine. The letter referred to Israel only as “the Zionist state” or put the country’s name inside quotation marks.
The University of California has since been sued by the Department of Justice, which said that UCLA created a hostile work environment against Jewish and Israeli faculty in violation of Title VII of the Civil Rights Act.
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