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Falafel Tanami had its regulars. Then the New York Times declared it the best falafel in NYC.
(New York Jewish Week) — What happens when the country’s premier newspaper names a hole-in-the-wall kosher falafel joint as one of the 100 best restaurants in New York?
Hundreds of people show up every day, creating lines that occasionally snake out the door. News stations from across the globe ask for interviews, catering requests come in from all over the city and, of course, the falafel often sells out before closing time.
That’s what happened at Falafel Tanami, a tiny Israeli-owned falafel place just a few blocks off the Avenue M stop on the Q train in Midwood, Brooklyn. In April, the humble eatery at 1305 East 17th Street — featuring just three counter stools, a quiet soundtrack of Israeli religious pop and photos of Rabbi Menachem Mendel Schneerson adorning the walls — was included in the New York Times’ list of the 100 best restaurants in New York City, curated by the paper’s senior food critic, Pete Wells.
“It has been crazy, Baruch Hashem,” said Galit Tanami, using the Hebrew for “thank God.” She owns the store with her husband, Ronen. “Everybody is so excited for us.”
“The falafel are extraordinary,” Wells wrote in his review. “The thick cushions of pita, baked to order, may be better yet. It’s hard not to go wild with the salads and vegetables and garlic, all as fresh as if you were standing in a market in Tel Aviv.”
“Now everybody wants to try it,” Tanami said of her restaurant’s signature dish.
For the first few days after the Times dropped, the restaurant had to close two hours early — at 8 p.m. instead of the usual 10 p.m. — because it ran out of inventory. Since then, they have found a good rhythm to be able to stay open regular hours, Tanami said, but it’s still busy every day.
Then again, it’s not as if Falafel Tanami had been a secret. Owner Tanami said that the restaurant has been “very, very busy” since 2019, when New York Magazine’s Grub Street declared it the “Absolute Best Falafel in New York.” And it’s long been popular among Brooklyn’s kosher-keeping observant Jews: 770 Eastern Parkway, the global headquarters of the Chabad Lubavitch movement in Crown Heights, often orders Falafel Tamani catering. Yeshiva of Flatbush, the Modern Orthodox high school just three blocks away, does the same. Israelis, too, are known to drop in for a taste of home.
Galit Tanami had no prior experience in the culinary industry before she and her husband moved to Brooklyn and opened their restaurant in 2016. Previously, the couple had been living in Israel, where they raised their two teenage sons, but Ronen wanted to move the family back to New York, where he grew up. Galit followed Ronen’s lead, and she also embraced his grandmother’s falafel recipe — for decades, his family had operated Famous Pita, a popular falafel shop also in Midwood that closed in 2014.
After seven successful years of operating Falafel Tanami, Galit and Ronen Tanami still arrive at the restaurant every morning at 6 a.m. to hand make the falafel balls and chop the fresh salads, she said. “Nobody is allowed to touch the falafel except for us,” she said.
The New York Jewish Week popped by on Monday, which is typically a slow day, according to Tanami. And yet, a steady stream of customers trickled in — many on lunch break from Edward R. Murrow High School, a public school across the street with 4,000 students and nearly 500 teachers.
“I’ve been coming here every week almost since they first opened,” said Heshy Halpern, an environmental science teacher at Murrow who keeps kosher. He said he always orders a falafel pita with all the salads — the same economical order ($8!) Wells recommended in his review.
“It’s just the best,” he told the New York Jewish Week. “Everyone in Midwood knows they’re really good — Jewish, not Jewish, everyone.”
Along with Falafel Tanami, Wells named two Jewish delis — the Upper West Side’s Barney Greengrass and Flatiron’s S&P Lunch to his list. Other restaurants included in the top 100 were the Israeli-inspired Shukette and the Jewish-owned spots Mark’s Off Madison, Dirt Candy and Shopsin’s General Store.
As for Falafel Tanami, the boost in business generated by the Times’ list has given the owners an opportunity to think about growth — they may start selling frozen falafel for customers to fry at home, Tanami said, and they’re thinking about a possible second location. “Everybody wants to do business with us now,” Tanami said.
She added that they’re considering an expansion to Crown Heights — though that would have its challenges. “If I open something, I need to be there. I’m a perfectionist,” she said. “I wouldn’t be able to go home.”
“We don’t need to rush this,” Tanami said, adding that her focus, for now, is sustaining their eatery though this busy period. “We are moving slowly and safely, Baruch Hashem.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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