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From Moses to Memphis, the work of liberation remains unfinished
(JTA) — Rereading Exodus this month in synagogue reminds me of when I first learned about Moses’ role in freeing the Children of Israel who had been enslaved to Pharaoh. I grew up in Monsey, New York. My mother was Black and my father was white; my family identified with the Chabad-Lubavitch movement. I discovered the Passover story through ultra-Orthodox coloring books that depicted the liberation of the ancient Israelites from bondage in Egypt.
One illustration depicted Moses as an 18th-century Hasidic Jew clad in a shtreimel (fur hat) and long kapote (robe), with abundant sidelocks flowing down to his shoulders. I brought home my masterpiece, fully crayoned in purple, and showed it proudly to my mother. She gave me a puzzled look and said, “You know, Moses didn’t look like this. He had brown skin like mine.”
It was an enlightening idea that hit me like a thunderbolt. Seeing Moses as a Black person changed my whole idea of Jewish history and religion in one fell swoop — it made me feel my Black and Jewish roots even more profoundly, and that I was a descendant of great Jewish and African men and women who founded our tradition.
As time went on, though, and I went “all in” and studied to become a rabbi, I realized that Moses’ skin color mattered much less than his role as a liberator. Although many Jews do see in color, Judaism does not. The way to follow in his footsteps, I grasped, was to become an educator, a leader and a champion for freedom. I’ve devoted my career to empowering Jewish communities across the continent to become more welcoming and inclusive, to overcome racism and prejudice, and to create a more just, equitable and loving society.
The Biblical narrative of the Exodus is a call to stand for freedom and against tyranny in every generation. It says, in effect, “You are able to speak, and to be carried away on the wings of words from millennia ago, bound to no Pharaoh’s story, but liberated by your own.”
Neither my Black nor Jewish forebears could have imagined how far their descendants would come in terms of participation and even leadership in our society. As the Black visual artist Brandon Odums has reflected, “We are our ancestors’ wildest dreams.”
But there is, alas, still so far to go, as last month’s brutal killing of Tyre Nichols at the hands of the police in Memphis reminds us. Both Black History Month and the Book of Exodus teach that we can only fulfill our destiny if we fight for the liberation of all peoples.
Earlier this month, we celebrated Shabbat Shira, in which we read about the Children of Israel’s miraculous escape from Egypt by crossing the Red Sea. I was reminded of what the late 20th-century Slonimer Rebbe, Sholom Noach Berezovsky, said about the ancient Hebrews wading into the water because they had faith not just in their hearts and minds, but in their bodies — in their very bones, he said.
What does it mean to believe with your bones? The Prophet Jeremiah declared that the word of God was like “fire shut up in his bones” (20:9). Dr. Martin Luther King quoted Jeremiah in his last speech, “I’ve Been to the Mountaintop,” saying, “Somehow the preacher must have a kind of fire shut up in his bones. And whenever injustice is around, he tell it.” King gave that speech on April 3, 1968 — in Memphis — on the night before he was assassinated.
Early in the speech, King imagined “God’s children in their magnificent trek from the dark dungeons of Egypt through, or rather across, the Red Sea, through the wilderness on toward the Promised Land.” He concluded with these uncannily prescient words: “I want you to know tonight that we as a people will get to the Promised Land. So, I’m happy tonight, I’m not worried about anything, I’m not fearing any man. Mine eyes have seen the glory of the coming of the Lord.”
Our commitment to creating a better world — making it to the Promised Land — must always be so much more than merely skin deep. Only when we believe in our bones that change is possible, and that we can be agents of that change, will fear melt away and we will be able to defeat the Pharaohs who seek to deprive us of our dignity, whether in Memphis or anywhere in our land.
We shall reach the Promised Land — someday. We shall recognize that we are all God’s children—someday. We shall overcome — someday.
May that day be very soon and may we all unite in joy, peace and celebration to usher it in.
—
The post From Moses to Memphis, the work of liberation remains unfinished appeared first on Jewish Telegraphic Agency.
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Brooklyn Nets Forward Michael Porter Jr. Defends Deni Avdija Against Hate for Representing Israel
Mar 2, 2025; Cleveland, Ohio, USA; Portland Trail Blazers forward Deni Avdija (8) drives to the basket against Cleveland Cavaliers guard Ty Jerome (2) and forward Dean Wade (32) during the second half at Rocket Arena. Photot: Ken Blaze-Imagn Images via Reuters Connect
Brooklyn Nets forward Michael Porter Jr. defended fellow NBA player and Trail Blazers forward Deni Avdija against the hate he receives for representing his home country of Israel.
Porter Jr. recently made an appearance on a live stream with YouTuber N3on and mentioned that Avdija is a player who gets to the free-throw line often. N3on then commented that Avdija “gets a lot of hate,” referring to hate messages on social media, even though “he’s a good player.” When Porter asked the streamer if Avdija is criticized because he is Jewish, N3on replied yes.
“Really? What are people mad about?” Porter asked.
“Because he wore a flag or something,” N3on replied, referring to Avdija’s public display of pride for Israel, such as wearing a jersey featuring an Israeli flag or draping himself in an Israeli flag on the court.
“It’s so weird,” Porter said in response. “Do people not want others to represent their country? What do they expect from him?”
Michael Porter Jr. tells N3on people are weird for hating on Deni Avdija just because he proudly represents Israel
“Why hate someone for repping their country?”
pic.twitter.com/C945Xr0dhB
— luci. (@inmaxera) May 2, 2026
Avdija, who is set to become a free agent in 2028, is the first Israeli to be named an NBA All-Star and last month became the first Israeli to reach and win an NBA Playoff game. Unfortunately, the Portland Trail Blazers ended their 2025-26 season last week with a 114-95 loss to the San Antonio Spurs in the first round of the 2026 playoffs.
Earlier the year, Avdija spoke to The Athletic about the hate that he receives as an NBA player from Israel.
“I obviously stand for my country, because that’s where I’m from. It’s frustrating to see all the hate,” he said. “Like, I have a good game or get All-Star votes, and all the comments [on social media] are people connecting me to politics. Like, why can’t I just be a good basketball player? Why does it matter if I’m from Israel, or wherever in the world, or what my race is? Just respect me as a basketball player.”
“You don’t have to love what I stand for or how I look, but if I’m a good player, give props,” Avdija added. “All this hate … for no reason, like I’m deciding things in the world … I’m from there, and I respect my country, and I stand behind it. I’m a proud Israeli because that’s where I grew up. I wouldn’t be where I am today if it weren’t for Israel and the support the people and fans gave me. But all the extra stuff around it? It’s just unnecessary.”
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Mike Stoller and Iris Rainer Dart talk ‘Beaches’ and reviving their Yiddish musical
A Peanuts poster in the background of our video call reminds Iris Rainer Dart of her brief time starring in a musical.
“I was the understudy for Judy Kaye in the L.A. company of You’re A Good Man, Charlie Brown,” recalled Dart, 82, the author of the bestselling novel Beaches and the book and lyrics for the new Broadway musical based on it. “She wanted to go home for Thanksgiving, and so they let me go on one time to see if I could do it. And then for Thanksgiving, I had a peanut butter and jelly sandwich and then went on as Lucy!”
After that, it was curtains. “That’s my distinguished acting career,” Dart said. “Boy, am I glad it gave me up!”
But Dart never gave up on musicals, which she started writing as an undergrad at Carnegie Mellon with an up-and-coming composer named Stephen Schwartz. She worked as a writer for Sonny and Cher’s variety show, and used Cher as a partial model for the character of Cee Cee Bloom, the brassy diva whose friendship with the more refined Bertie White is the center of Beaches. (There’s a bit of Dart in Bloom, too — namely the Jewishness.) Years later, after Garry Marshall directed the 1988 film version of Beaches, Bette Midler, who gave life to Cee Cee on screen, asked Dart to write a new vehicle for her.
Searching for subject matter, Dart remembered her stint as a replacement teacher at her daughter’s Jewish school in her largely Judenrein neck of California. She felt unprepared to take over — “The understudy doesn’t know the lines” — but she got mailers from Jewish institutions to develop her lesson plans. One was a catalog of Yiddish films.
Growing up in Pittsburgh with Yiddish-speaking immigrant parents, she didn’t need subtitles to watch them. Inspired, she wrote what would become The People in the Picture, a memory play of Yiddish theater and the Holocaust.
Midler wouldn’t go on to star in the show, which debuted on Broadway in 2011 with Donna Murphy, but she made the shidduch between Dart and Mike Stoller, the legendary songsmith who, with lyricist Jerry Leiber, penned “Hound Dog,” “Jailhouse Rock,” “Yakety Yak” and, yes, a tune called “Charlie Brown” for the Coasters.
When it came time to adapt Beaches, a story built in part around backstage drama, and an enduring friendship that grows out of it, Dart reconnected with Stoller after working with a different composer on a previous run of the show.
Stoller, 93, has had his music feature in many Broadway musicals — mostly of the jukebox variety, long after they had already been hit records. He says he approaches crafting an original score differently, writing for characters rather than an artist like Elvis. With Beaches he set out to write a “musical-musical,” that was traditional and book-driven. In the case of both Beaches and People in the Picture, there’s a heaping helping of Yiddishkeit.
One line that has audiences rolling in the aisles comes when Cee Cee (played by Jessica Vosk) pays a visit to her friend Bertie (Kelli Barrett), whose mother is dying at a Catholic hospital. She tells the nuns “my mother used to point you out to me on the street and say, ‘At least they married a Jewish guy.’”
Stoller spent some of his early years living in the converted basement of his grandparents’ house in Bell End, Queens. His grandmother spoke Yiddish, Russian, Polish and English with a Cockney accent.
“She left Bialystok and moved to Whitechapel in London on her way to America,” Stoller explained.
Stoller never had a bar mitzvah, and learned his father didn’t either. It was only when the family moved to California that Stoller learned his dad, A.L. Stoller’s, full name.
“I was thrilled to find out that his name was really ‘Abraham Lincoln Stoler,’” Stoller recalled. “In a way, it sounded Black, and I was working primarily with African American people when I started writing along with Jerry, and those were the singers that inspired us, and so I felt additional pride in his name.”
The People in the Picture brought Stoller to tears. Beaches, which (spoilers for a 41-year-old story) ends with Bertie’s untimely death, has audiences cracking up before they reach for a Kleenex.
The one song Stoller didn’t compose for the show is “The Wind Beneath My Wings,” which became a standard from the film. But beyond that, the story stays truer to Dart’s novel than the movie did.
“I always knew, because I wasn’t writing it, that it would not be the story that I wanted to tell,” said Dart of the film version. “The story I wanted to tell was in the book and in this musical.”
In the meantime, Stoller and Dart want to bring back People in the Picture. Dart said she has a new draft ready to go.
“I’m hoping that maybe we can get Jeff Goldblum, who says he loves Yiddish,” Dart said. “He’s from Pittsburgh also, and I think his father, Dr. Goldblum, may have been the doctor to my family, to my mother. Because there were two Dr Goldblums, and one of them was an eye doctor, and my mother was always trying to fix him up with my cousin.”
“Need I say more?” Dart asked.
The post Mike Stoller and Iris Rainer Dart talk ‘Beaches’ and reviving their Yiddish musical appeared first on The Forward.
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Trump Says Iran ‘Should Wave White Flag of Surrender’ as Shaky Ceasefire Holds Despite Exchange of Fire
US President Donald Trump speaks during an event to sign a memorandum in the Oval Office at the White House in Washington, DC, US, May 5, 2026. Photo: REUTERS/Evan Vucci
US President Donald Trump on Tuesday dismissed Iran‘s military capability and said Tehran “should wave the white flag of surrender” but is too proud to do so.
Trump’s comments to reporters in the Oval Office came as the United Arab Emirates said it was under attack from Iranian missiles and drones, even as Washington said a shaky ceasefire was intact despite an exchange of fire the previous day as US forces attempted to force open the Strait of Hormuz.
Despite the escalation, Iran‘s military has been reduced to firing “peashooters,” Trump said, adding that Tehran privately wants to make a deal despite its public saber-rattling.
“They play games, but let me just tell you, they want to make a deal. And who wouldn’t, when your military is totally gone?” he said.
Trump heaped praise on the US blockade of Iranian ports in the region. “It’s like a piece of steel. Nobody’s going to challenge the blockade. And I think it’s working out very well,” he said.
When asked what Iran would need to do to violate the ceasefire, Trump said: “Well, you’ll find out, because I’ll let you know … They know what not to do.”
Trump argued that Iran “should save the white flag of surrender,” adding, “If this were a fight, they’d stop it.”
The US military said it had destroyed six Iranian small boats, as well as cruise missiles and drones, after Trump sent the navy to escort stranded tankers through the strait in a campaign he called “Project Freedom.”
US Defense Secretary Pete Hegseth said the operation to protect commercial ships was temporary and the four-week-old truce was not over. “We’re not looking for a fight,” he told a press conference. “Right now, the ceasefire certainly holds, but we’re going to be watching very, very closely.”
Iran fired missiles at US ships on Monday and attacked the UAE, a key regional ally of Washington, with missiles and drones. After issuing a new map of the Strait of Hormuz with an expanded Iranian area of control, Iran‘s Revolutionary Guards warned vessels on Tuesday to stick to the corridors it had set or face a “decisive response.”
Shortly after Hegseth spoke on Tuesday, the UAE’s defense ministry said its air defenses were again dealing with missile and drone attacks coming from Iran.
‘RIGHT TO RESPOND’
The Gulf Arab state’s foreign ministry said in a statement that the attacks were a serious escalation and posed a direct threat to the country’s security, adding that the UAE reserved its “full and legitimate right” to respond.
There was no immediate comment on that from Iran, though earlier its parliament speaker, Mohammad Baqer Qalibaf, had said breaches of the ceasefire by the US and its allies endangered shipping through the strait, which carries a large share of the world’s oil and fertilizer supplies.
“We know well that the continuation of the current situation is unbearable for the United States, while we have not even begun yet,” he said in a social media post.
The Strait of Hormuz has been virtually shut since the United States and Israel began attacks on Iran on Feb. 28, triggering disruptions that have pushed up commodity prices around the world.
Iran has effectively sealed off the strait by threatening to deploy mines, drones, missiles, and fast-attack craft. The United States has countered by blockading Iranian ports and mounting escorted transits for commercial vessels.
Hegseth said the US had successfully secured a path through the narrow waterway and that hundreds of commercial ships were lining up to pass through.
The US military said two US merchant ships made it through the strait, without saying when, with the support of Navy guided-missile destroyers.
Iran denied any crossings had taken place, though shipping company Maersk said the Alliance Fairfax, a US-flagged ship, exited the Gulf under US military escort on Monday.
Several merchant ships in the Gulf reported explosions or fires on Monday, and an oil port in the UAE, which hosts a large US military base, was set ablaze by Iranian missiles.
Iran also said it fired warning shots at a US warship approaching the strait, forcing it to turn back.
Reuters could not independently verify events in the strait as the two sides issued contradictory statements.
General Dan Caine, the chairman of the US Joint Chiefs of Staff, said Iranian attacks against US forces fell “below the threshold of restarting major combat operations at this point.”
PAKISTAN’S MEDIATION EFFORTS CONTINUE
The war has killed thousands as it spread beyond Iran to Lebanon and the Gulf, and has roiled the global economy. The head of the International Monetary Fund said on Tuesday that even if the conflict ended immediately, it would take three to four months to deal with the consequences.
US and Iranian officials have held one round of face-to-face peace talks, but attempts to set up further meetings have failed.
Iranian state media said on Sunday that the US had conveyed its response to a 14-point Iranian proposal via Pakistan, and Iran was reviewing it. Neither side gave details.
Iranian Foreign Minister Abbas Araqchi said peace talks were still progressing with Pakistan’s mediation and warned the US and the UAE against being drawn into a “quagmire.”
He was traveling to Beijing on Tuesday for talks with his Chinese counterpart, his ministry said. Trump is also due to visit China this month.
A senior Pakistani official involved in talks said: “We have put in a lot of efforts – actually both the sides have narrowed gaps on a majority of the issues.”
Trump has said the US-Israeli attacks aimed to eliminate what he called imminent threats from Iran, citing its nuclear and ballistic missile programs and its support for terrorist groups Hamas and Hezbollah.
Trump has insisted Iran must surrender its enriched uranium stockpiles to prevent it producing a nuclear weapon – an ambition Tehran denies.


