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Hanukkah is the holiday that America needs right now
(JTA) — As a young child I often wondered why people light the hanukkiah, or Hanukkah menorah, in so many different places. Some light the candles on their front porches and driveways, some in the streets, others at in city parks, and a very select few even light candles at the White House.
But with the recent rise of antisemitism, some only shine their lights in the inner chambers of their home, a place that feels safe and secure. As the Shulchan Aruch, or Code of Jewish Law, warned centuries ago, the mitzvah of persumei nisa, or publicizing the miracle (Talmud Shabbat 23b), was contingent on the dangers of institutional antisemitism and our enemies’ desire to extinguish the Jewish people’s light. (Shulchan Aruch, O.CH, Hanukkah 3:5)
In America today, our democracy faces a similar problem. The barrage of threats to our civil society, increased polarization and a heightened threat from domestic extremists are pushing the light away, to the detriment of us all.
Many Americans today feel that they cannot express their true identities because of how others might perceive or treat them. The fear of rejection, the fear of violence, or worse, cause too many to hide their light, acquiescing to the oppressor. Hanukkah literally means to rededicate, rebuild, reconstruct — our institutions and our selves. We are to fix that which has been broken so we can reimagine what is possible for the future. During this festival of lights, we are reminded to embrace our unique identities, regardless of what oppressive systems might dictate.
As a proud American Jew whose ancestors on one side fought in the American Revolution while other ancestors were enslaved on American soil, and as an Orthodox rabbi working to build communities of the 21st century that work for everybody, I understand the way systems of oppression conspire to extinguish our lights.
Systems of oppression are often described using “the four I’s”: ideological, interpersonal, institutional, internalized. The Greco-Syrians of the Hanukkah story opposed the Jewish people’s relationship to God and the Torah (ideological), forced the Jewish leaders to coerce their loved ones to publicly defame the Torah (interpersonal), renamed Jerusalem “Antiochus” and decried that Jews remove their mezuzahs, sacrifice pigs and write above the door of their houses “there is no God in this place” (institutional). Finally, they caused many Jews to embrace the ways of their oppressors (internalized).
That’s why I believe that just as the Jewish people need a Hanukkah to usher in a time for light in the face of much darkness, America needs a Hanukkah, too.
With ideological and culture wars pinning social groups against one another, many search in the darkness for even a few Maccabees to remind Americans what our democratic seal still stands for.
In the year 164 BCE Antiochus of Greece breached the doors of the Jerusalem Temple, defiling the sacred, leaving but one flask of oil. Though not a direct parallel, in the year 2021 C.E., a dangerous mob of white supremacists breached the doors of the United States Capitol building, defiling democracy and sending defenders running for their lives.
America needs a Hanukkah because our light still burns strong and we must recommit to the democratic ideals of our nation.
America needs a Hanukkah so that when we come across darkness and hate in the media, we can combat that rhetoric with language of justice, love and openness.
America needs a Hanukkah because when walls and windows are breached and broken, whether in 2021 or 2,200 years ago, it is hard to believe one would ever see light again.
The Alter Rebbe of Lubavitch taught: “A little light dispels a lot of darkness.” The Reverend Dr. Martin Luther King Jr. taught: “Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.”
For thousands of years, lighting the hanukkiah was an act of protest, reclaiming who we are, reclaiming our stories and rededicating ourselves to the past lights, and the ultimate restoration of the menorah’s light in a rebuilt Jerusalem. A time when systems and structures exist where all people feel like they can bring their light, and that they belong. As we approach the winter months and the year ahead, let us remember there is always light, and we must let ours shine.
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The post Hanukkah is the holiday that America needs right now appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
