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How a Jewish schoolteacher from New Jersey made it to Hollywood and Broadway at the same time
Robert Kaplow, a retired high school English teacher, has been publishing a monthly newsletter in Metuchen, a small New Jersey town a few miles southwest of Menlo Park, where Thomas Edison set up his laboratory. Kaplow can’t match Edison’s thousand plus patents but the 71-year-old writer has had an impressive creative output. Over the years, he’s churned out a play, a screenplay, nine novels and hours of radio comedy that gained a cult following on NPR.
One of his novels, Me and Orson Welles, was turned into a motion picture. His screenplay, Blue Moon, began life as a monologue and tackles the tragic end of lyricist Lorenz Hart’s life. Kaplow worked on Blue Moon over the course of 14 years.
The film, directed by Richard Linklater, presents the unraveling of Hart’s musical theater career and serves up a glimpse of his sad personal life. Hart was gay but he wasn’t completely comfortable with his sexual identity. Based on actual correspondence that Kaplow bought at an estate sale, the screenplay presents the lyricist as a man infatuated with a college woman half his age. The movie opens with two quotes about Hart in an epigraph. The first describes the lyricist as “alert and alive and fun to be with.” The second refers to him as “the saddest man I ever knew.”
‘An extraordinary teacher’
Kaplow taught English and film at Summit High School in New Jersey for 34 years.
“He was an extraordinary teacher,” said Sally Ball, who was a high school student of Kaplow’s in the mid-1980’s and is now a published poet and an English professor at Arizona State University. “He lived the life of a writer. He really made a literary life seem like a living thing to me.”
Kaplow scored autographed pictures for his high school students of the actor Zac Efron, who starred in Me and Orson Welles. The 2004 novel was turned into a feature film by Linklater. Set in the 1930’s, it told the story of a New Jersey high school student who manages to snag a role in Welles’ groundbreaking production of Julius Caesar.
While he was teaching, Kaplow also made a mark in public radio with his alter ego, a comedic character named Moe Moskowitz. The wisecracking, loud-mouthed Moskowitz was the polar opposite of his soft-spoken creator. Billed as “America’s favorite entrepreneur,” Moskowitz brightened the airwaves on Morning Edition with wacky ideas and get-rich-quick schemes.
A gorilla comedian
Kaplow’s first foray into comedy and drama took place when he was ten. Encouraged by his father Jerome, he donned a full-face gorilla mask and casually looked out the window of the family sedan on the drive to the beach. The sight of the little gorilla in the backseat caused the occupants of other cars to do a double-take, which was often followed by an explosion of laughter.
That comedic impulse showed no sign of abating during his adolescence. On the first page of his prayer book, a Reform siddur, Kaplow provided a divine inscription: “Bob – Best of luck in the future (as if I didn’t know!) – God.”
In high school Kaplow and his friends, inspired by the trippy, multi-track comedy of Firesign Theater, wrote, performed and recorded what he called “little satirical theater pieces.”
When Kaplow attended Rutgers University, he spent most of his time in a band called The Punsters, which produced a weekly radio program of the same name. It featured a half-hour of original comedy, some of which Kaplow would eventually recycle for NPR.
‘The only prayer I know’
At family gatherings, Kaplow’s father, a car salesman, was always the life of the party. At the local White Castle where the counter women were Haitian, Jerome Kaplow would pretend he was a native French speaker when he ordered. And he performed cameos on his son’s radio comedy segments on NPR. When Jerome went to the hospital for an echocardiogram and a technician asked what he did for a living, the elder Kaplow replied: “I’m retired, but I used to be in show business.”
“My father had an ironic, absurdist sense of humor,” Kaplow told me. “I picked up so much from him.”
Jerome lived to 94, deriving much of his sustenance from Milky Way candy bars and gefilte fish, according to his son. Even when he could barely walk, Jerome insisted on going to shul on the High Holy Holidays.
“My father didn’t attend services because he was deeply religious,” Kaplow explained. “He attended because his father was deeply religious — and he felt the need to honor his father’s convictions.”
Religious observance seems to have declined with each generation of the Kaplow family but Robert Kaplow told me he does regularly go to the cemetery to place stones on the graves of his grandparents, mother, father and sister.
“Sometimes I mutter Shema Yisrael,” he told me. “It’s the only prayer I know.”
‘Kaplow’s gift’
When Kaplow was with The Punsters, they recorded a song titled “I Dreamt I Dreamt of Gefilte Fish,” in which Kaplow mimicked Bob Dylan singing about eating nothing but gefilte fish. In the 70-second ditty “Batman’s Going to a Bat-Mitzvah,” the caped crusader, we learn, is going to chow down on “rugelach and arugula.” A Moskowitz Home Companion,” Kaplow’s parody of A Prairie Home Companion, was sponsored by the fictional “Moskowitz’s Frozen Knishes.”
Kaplow says he was fired from NPR three times — first because Moe Moskowitz was deemed to be a Jewish stereotype, second, according to veteran Morning Edition producer Barry Gordemer, because “some people in the building didn’t think Moe was funny,” and lastly because Kaplow used the network’s logo without permission on a self-produced CD of his Morning Edition comedy segments. You can still find that CD (Cancel My Subscription: The Worst of NPR) on YouTube.
Jay Kernis, Morning Edition’s founding producer, was in Washington, D.C. when Kaplow was being interviewed about the song he sent in, “Steven Spielberg, Give Me Some of Your Money.” Out of the blue, Kaplan started talking in his Moe Moskowitz voice. Kernis called the control room in New York when the interview had concluded and asked Kaplow if he wanted to contribute original comedy to Morning Edition on a regular basis.
Kernis noted that back in the days when NPR aired original comedy and commentary on its newsmagazines, contributors tended to last a couple of years. Then, he said, either NPR producers or the audience grew tired of them. Kaplow lasted 17 years.
“Robert was inventive and he was funny,” Kernis told me. “He was a great performer and a great sound producer.”
“Moe Moskowitz always made me laugh, but also sometimes put a catch into my throat,” Weekend Edition host Scott Simon wrote in a text. “Robert has a gift — an art, really — for putting character into what might otherwise seem a caricature.”
‘An old-fashioned human being’
Kaplow and Richard Linklater kept in touch after Me and Orson Welles had its theatrical run in 2008. When Kaplow mentioned that he had written a monologue about Rodgers and Hart, Linklater asked to read it and, afterwards, shared it with the actor Ethan Hawke, who he tapped to play Lorenz Hart.
Kaplow completed the first draft of the Blue Moon screenplay in the Summer of 2011. In the ensuing years Linklater and Hawke worked with Kaplow on revising it, right up to and during the shoot last summer in Ireland where Kaplow joined them on set.
“We were a good band together,” Hawke told me.
The film takes place on one night in 1943 at Sardi’s, the theater district restaurant, as Hart’s songwriting partner Richard Rodgers basks in the opening night raves of Oklahoma!, Rodgers’ first collaboration with his new writing partner Oscar Hammerstein II.
Hart was struggling with alcoholism and depression during the time the film depicts. He died eight months after the Oklahoma! opening at the age of 48.
“It is hard for us to look at people in pain,” Hawke told me. “People in pain often behave badly, so they’re unlikable. But we have all been that person. We’ve all struggled with the green-headed monster of jealousy. We’ve all been worried that our best days are behind us.”
Linklater said one of the triumphs of Kaplow’s screenplay is that it managed to convey empathy for Lorenz Hart.
“I’m proud that 82 years later we’re honoring him and his contribution to our world,” Linklater said of the lyricist. “There’s no one else like him.”
Hawke described Robert Kaplow as “an old-fashioned human being,” which isn’t surprising given Kaplow’s love of the American songbook, especially its golden age. When he was in his 20’s, Kaplow was so enamored of the Tin Pan Alley era that he wanted to write music for theater.
“When you look at the songwriters of the 1930s and 40s, with the exception of Cole Porter, they’re almost all Jewish,” Kaplow told me. “Rodgers and Hart, Kern, Arlen, Julie Styne and Sammy Cahn. I don’t have an explanation for why, but I feel a little bit like I’m part of that. Whatever that cultural DNA is, I have a little of that.”
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Shots fired in Jewish neighborhood of Montreal
(JTA) — Montreal police said an alleged shooter in a neighborhood known for its large Jewish population had been “neutralized” after killing one police officer and wounding another officer and a civilian Monday.
“A suspect has been neutralized,” the official police account posted on X after advising residents Côte-des-Neiges to stay indoors. “Two police officers and one citizen have been injured. The police operation is still underway. Continue to avoid the area. Further details to follow.”
The Montreal Gazette later reported that the suspect and the civilian also were dead.
It was not clear if the intended targets were Jewish, but a Chabad emissary in the neighborhood told Ynet, an Israeli news site, that a nearby building was targeted and that he was sheltering about 100 people.
The Yeshiva World News news site posted a video of a SWAT team swarming around a home belonging to a family affiliated with Chabad, the Orthodox Jewish movement.
Côte-des-Neiges was the scene of postwar Jewish settlement as Jewish families ascending from the working to the middle class moved west from the area of St. Laurent Boulevard. The area, with treelined streets studded with duplexes and low-rise apartment buildings, had a friendly neighborhood ambience and lacked the anti-Jewish restrictions some of the wealthier enclaves maintained at the time.
There are a number of Jewish schools and synagogues in the area, including the Spanish and Portuguese synagogue, the oldest congregation in the country, established in 1768 and which moved to the neighborhood in 1947. The neighborhood is now the site of a large Chabad community and a number of Jewish restaurants and delis.
This is a developing story.
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Everyone was a fan of Clive Davis — even if they didn’t know it
Last September I spent about 30 seconds with Clive Davis in a crowded elevator.
I was in the Sony Building, having just seen a press screening of Richard Linklatter’s Blue Moon. The elevator was full of mostly young people — probably Sony employees — and some press. The doors pinged open and in stepped a man with two handlers and an adorable spaniel. I turned to a fellow journalist and whispered “That’s Clive Davis.”
Someone who knew Clive — enough to call him “Clive” — told him we’d just seen a movie about the creative breakup between lyricist Lorenz Hart and musical composer Richard Rodgers.
“Didn’t you play Janis Joplin for Richard Rodgers,” he asked Davis.
Davis replied with perfect comic timing: “Yes. He hated it.”
That anecdote tells us just how much Davis, the legendary music executive and producer who died Monday June 22 at the age of 94, changed the musical landscape.
Davis had been in the music business long enough to serve as a bridge figure between the Great American Songbook and the popular music of the latter half of the 20th Century. The artists he signed at CBS, and later Arista (he was ousted from the CBS/Columbia for allegedly using company money to finance his son’s bar mitzvah), are enduring icons even, in the case of Ms. Joplin, decades after their deaths.
But what hit me in the elevator was the feeling that not everyone there knew who he was. They did, of course, know the music: Pink Floyd, P!nk, Whitney Houston, Sly and the Family Stone, Barry Manilow, Neil Diamond, Leonard Cohen, Bruce Springsteen and Aerosmith, the very authors of “Love in an Elevator.”
It’s not overstating it to say that Davis’ influence across genres and his golden ear provided the soundtrack to American life. His own life was productive until the end.
He was in the Sony building because he was Chief Creative Officer at the company. A week before his death, the streets were thumping with a New York anthem from one of his late career discoveries: Alicia Keys.
Davis’ rise could be taught in Jewish Studies courses. Born in working-class Crown Heights, he — like Barba Streisand — was a graduate of Erasmus Hall High. He made good at NYU and got his law degree at Harvard.
He rose from the legal department at Columbia to become the company’s top tastemaker. Somewhere along the way he discovered Joplin — of a polar opposite disposition and background — and went from strength to strength.
Davis’ true triumph might have been just how adept he was at navigating everything the U.S. had to offer. The musicians he promoted had little in common save for his imprimatur.
In that elevator, which delivered us without much fuss to the lobby, there may have been people whose musical tastes gravitated to rock, R&B, jam bands, easy listening, guitar instrumentals and jazz.
Whether they knew it or not, Davis shepherded something they liked into existence. His genius was in recognizing genius.
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U.S. and Iran announce direct Lebanon track without Israel
(JTA) — Following tense high-level negotiations over the weekend, mediators in Switzerland announced Monday morning that Washington and Tehran have agreed on a 60-day roadmap toward ending the war.
The joint statement released by mediating countries Qatar and Pakistan also unveiled the creation of a Lebanon deconfliction mechanism. According to the mediators, this entails a direct U.S.-Iranian track to terminate military operations in Lebanon and includes the Lebanese government but not Israel. The mediators did not explain how that would operate or resolve the current hostilities between Israel and Hezbollah.
Throughout the weekend Jerusalem, which watched the talks and the announcement from the sidelines with concern, doubled down on its hardline stance against Iran and its proxy group Hezbollah.
Speaking to reporters in Switzerland Monday before returning to Washington, U.S. Vice President JD Vance clarified that Israel had the right to self-defense, but that “every other nation in the region has the right of self-defense” as well. The mechanism was to resolve direct violations of the ceasefire between Israel and Hezbollah, Vance explained, indicating that it augmented the ongoing diplomatic work.
“We also want to make sure that, you know, when things happen, they don’t spiral into a broader escalation,” he said, adding that “there really hasn’t been a mechanism to have those discussions until basically around 4 p.m. yesterday.” He said that the U.S. had been in constant contact with Israel on Sunday.
Prior to Vance’s statement, the Israeli government delivered its first overt criticism of the diplomatic efforts taking place at the Bürgenstock resort in Switzerland.
Addressing the Jerusalem News Syndicate Conference in Jerusalem Monday, Israeli President Issac Herzog said any negotiations to end the Israel-Lebanon conflict should be done by the two countries themselves and not “by Iranian extortion.”
He added, “Tying Iran to Lebanon not only leaves Israel exposed to constant threat; it leaves the Lebanese weak and powerless, and will prevent their president and government from moving forward.”
Herzog also noted that direct talks were already taking place between Lebanon and Israel in Washington under the auspices of the State Department. The next round of negotiations is scheduled for Tuesday, which Herzog said is designed to empower the Lebanese army to be the sole military force in its country. Hezbollah and Iran are not a party to those talks.
“The disarmament of Hezbollah must be inherent to any solution in Lebanon, and Iran cannot dictate the future of Lebanon – on these fundamental points there is full agreement between Israel and Lebanon,” Herzog stated.
He also thanked President Donald Trump for his efforts on Israel’s behalf, calling him “our closest friend and ally and leader of the free world.”
The Lebanese Presidency said Monday that President Joseph Aoun had received a phone call from US Vance, senior adviser Jared Kushner and Qatari Prime Minister Sheikh Mohammed bin Abdulrahman bin Jassim Al Thani, but did not clarify when that call occurred.
According to the Lebanese statement, the discussion focused on “consolidating the ceasefire in Lebanon, halting the Israeli military escalation, and the steps that must be taken in this regard, including the possibility of forming a cell for this purpose.”
The ongoing fighting between Israel and Hezbollah and the IDF’s presence in southern Lebanon has been a point of tension throughout the ceasefire deal between the U.S. and Iran. The shaky ceasefire has been in place since April 8 after Israel and the U.S. started the war on Iran at the end of February.
In early March, Iranian proxy Hezbollah joined in by attacking northern Israel. Jerusalem has maintained that the Lebanese front needs to stay separate and has continued to take aggressive retaliatory action against Hezbollah despite the U.S. imposing a separate ceasefire in Lebanon as well.
Meanwhile, Qatar and Pakistan said the U.S.-Iran memorandum included the establishment of a “High Level Committee” to oversee negotiations aimed at a roadmap “towards reaching a final deal within 60 days, laying the foundation for the immediate commencement of further technical talks” on Iran’s nuclear program, sanctions and dispute resolution. These were the first formal discussions as part of the new U.S.-Iran Memorandum of Understanding, with Vance representing Washington.
The vice president told reporters Monday that Sunday “was a very, very good day. We made a lot of good progress; we did exactly what we wanted to do,” including securing an agreement from Iran that inspectors from the International Atomic Inspection Agency be allowed back into Iran.
Negotiators also created a mechanism to ensure that the Straits of Hormuz remain open, Vance said, downplaying reports of disputes between the American and Iranian teams.
However, Iranian media reported that members of Tehran’s delegation briefly left the room during Vance’s remarks after learning that Trump was issuing threats against Iran following Iran’s announcement on Saturday that it planned to once again close the Strait of Hormuz.
Vance said it was true the Iranians had threatened to walk out, but in the end they stayed and negotiated until the early hours of the morning.
Trump told Fox News in a phone call on Sunday morning that he had spoken with Iran overnight and said that if the country closed the Strait, he would “blow the s— out of them.” Fox News also reported that Trump had said, “You won’t even make it back to your f—— country.”
Trump also posted on his Truth Social account on Sunday that unless Iran stops supporting Hezbollah, “We’ll hit Iran very hard again, just like we did last week, only harder!!!”
Iranian officials reportedly responded to what they termed U.S. “verbal threats,” saying that “any form of threat is considered a serious violation of the agreement.”
Iranian Foreign Minister Abbas Araghchi said Sunday the talks had delivered “major progress to end [the] Lebanon War,” and added that discussions included oil exports, sanctions relief, frozen Iranian assets and reconstruction plans.
On Sunday, however, Prime Minister Benjamin Netanyahu declared, “We will remain in the security zone in southern Lebanon for as long as it takes in order to protect the residents of the North.”
Vance on Monday said that Israel would have to withdraw, but only when it can do so safely. The Trump administration, he explained, hoped to reach a situation where both Lebanon’s territorial integrity and Israel’s security were protected, noting that Israel itself has said it doesn’t have permanent “territorial intentions” with regard to southern Lebanon.
In separate remarks at Sunday’s JNS International Policy Summit, Netanyahu said, “We have prevented Iran from carrying out a plan to annihilate us. We removed an existential danger.” He added, “We changed Israel’s security doctrine. We initiate. We attack. We surprise.”
Directly addressing the U.S.-Iran negotiations, he added, “No matter what happens in the talks, with an agreement, without an agreement, I pledge to you that Iran, as long as I am prime minister, will never have a nuclear weapon. Never.”
This article originally appeared on JTA.org.
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