Connect with us

Uncategorized

How a Quiet Dutch Retiree Helped Uncover Nazi-Stolen Art in Argentina

FILE PHOTO: Curator Ariel Bassano addresses the media next to a portrait of Contessa Colleoni, attributed to Italian artist Giuseppe Ghislandi, an iconic painting stolen decades ago by the Nazis, following its recovery by Argentine officials after it was spotted in a real estate photo, in Mar del Plata, Argentina September 3, 2025. Photo: REUTERS/Jose Scalzo/File Photo

Dutch systems specialist Paul Post had glimpsed the notebooks that contained his father’s Nazi-era diaries before, but when he rediscovered them in an attic 15 years ago, the recent retiree finally had time to closely examine them.

Post, 74, had no idea that they would ultimately lead to Argentina, where in September the daughter of a high-ranking Nazi official was charged with concealing an 18th-century painting looted during the Holocaust.

In his diaries, Post’s father described working in the Netherlands’ diamond bureau when it was taken over by the Nazis. As Post began researching the events, one name jumped out: the Nazi official Friedrich Kadgien.

Kadgien oversaw the Nazi looting of diamonds and gold from occupied countries. Post began to follow Kadgien’s wanderings after the war, hoping to solve the mystery of the diamonds that historians say are still missing. He learned by chance that Kadgien was believed to have also possessed looted art.

The hunt led him and Dutch journalists to the peaceful residential neighborhood home of Patricia Kadgien, 60, in the seaside town of Mar del Plata in Buenos Aires province, where “Portrait of a Lady” had been hanging prominently in her living room. The reporters spotted it in a real estate listing in August.

Her attorney, Carlos Murias, told Reuters that she did not know about claims the painting had been looted from the collection of Jewish art dealer Jacques Goudstikker and she has denied having hidden it.

Nazi-related discoveries like this occasionally pop up in Argentina, which after the war received both Holocaust survivors and dozens of Nazi war criminals, including Adolf Eichmann and Josef Mengele. In February, President Javier Milei met with representatives of the Simon Wiesenthal Center, who asked for help accessing materials to investigate Nazi banking activities in Argentina. And last May, the Supreme Court announced it had found thousands of Nazi labor organization membership booklets in its basement archive.

Post’s unlikely role in the painting’s discovery underscores the complexities of finding Nazi-looted art today. An estimated 600,000 pieces were stolen from Jewish families, and more than 100,000 have never been returned.

“I’m just an amateur, I’m not a historian, nothing at all,” said Post. “I knew I was right on Kadgien.”

A FATHER’S WAR DIARIES RESURFACE

In 2010, Post’s family was cleaning out his mother’s house in Driehuis, a town just outside of Amsterdam. In the attic, they found three diaries written by his father, who died in 1976 at age 60.

In the diaries, Wim Post recounted how in 1942 the Nazis ordered the country’s diamond traders to turn over their precious stones, confiscating about 71,000 carats at the Amsterdam Diamond Exchange.

Paul Post, then recently retired from Hewlett-Packard, began visiting the Netherlands’ national archives to research the diamond confiscation. There he came across Kadgien’s name.

Shortly before Germany’s surrender in May 1945, Kadgien fled to Switzerland, where officials received a tip that he had carried out large transfers of diamonds, according to Regula Bochsler, a historian in Zurich. But in 1950, Kadgien received a visa to travel to Brazil, ultimately making his way to Buenos Aires.

Post reached out to the Dutch newspaper Algemeen Dagblad to share his father’s account of the diamond raid, and in 2015, investigative reporter Cyril Rosman published a piece about the diaries. Post later published “The Diamond Heist,” a book on the subject.

In 2020, Post noticed that the Cultural Heritage Agency of the Netherlands listed Kadgien online as possibly having possessed “Portrait of a Lady” by the Italian artist Giuseppe Ghislandi — although art historians have said the painter was likely his contemporary Giacomo Ceruti — as well as an Abraham Mignon still life. He met with the agency’s researcher Perry Schrier, and told him he had tracked Kadgien’s family to Mar del Plata. But Schrier, who confirmed he had met with Post, couldn’t help him.

“I said, ‘I think I know the location, where it could be, and that is in Argentina,’” recalled Post. “But he said, ‘Yeah, ok, it could be possible, but how can we know that it is on the wall in their homes?’”

In June 2024, Post contacted Yael Weitz, an attorney for Goudstikker’s family. In an email exchange seen by Reuters, he offered to provide leads on the two missing paintings if she could provide him with information on Kadgien. She ultimately said that her team didn’t have anything to share.

Post then turned to journalists again. Last April, he reached out to Rosman with more information on Kadgien’s post-war travels. They had tried to contact Kadgien’s daughters in Argentina through the years and Rosman asked Peter Schouten, a freelance journalist in Buenos Aires, to try again.

“We were not looking for the paintings in particular,” said Rosman. “At that time we were mostly thinking about the diamonds that were looted, so we wanted to know what happened to that.”

When Schouten rang the bell at Patricia Kadgien’s home in August, there was no answer. But he saw a for-sale sign in her yard. The reporters checked the real-estate listing and spotted the painting in one of the photos of the property. They could barely believe their luck.

“I thought, ok, is it really this simple, a picture that’s missing for 80 years is here above a couch in the living room?” said Rosman.

The day after they published a story on the painting’s discovery, police raided the home. But in the painting’s place was a tapestry of horses. Eight days later, Kadgien’s attorney handed the painting over to authorities.

Federal prosecutors have charged Patricia Kadgien, who runs a small clothing business, and her husband, Juan Carlos Cortegoso, a go-kart mechanic, with aggravated concealment and are investigating more than 20 drawings and prints, as well as two portraits, also seized from their home and from the home of Patricia’s sister in Mar del Plata.

“The attitude was to hide the painting,” the case’s prosecutor, Carlos Martinez, told Reuters. “We think that isn’t indicative of someone that doesn’t know what they have.”

COMPETING CLAIMS TO THE PAINTING

Goudstikker’s family have fought for decades to get his paintings back.

The art collector died when he fell into the hold of a boat as he was fleeing the advancing Nazis with his family in May 1940. But in a small black book, he had listed “Portrait of a Lady” along with more than 1,000 pieces in his collection.

In what historians describe as a forced sale after his death, top Nazi official Hermann Goering purchased about 800 of Goudstikker’s paintings. Weitz, the attorney who represents Goudstikker’s family, said that Goering’s associate, Alois Miedl, sold “Portrait of a Lady” to Kadgien in 1944.

The family has recovered 300 to 350 works of art, including 200 that had been mostly hanging in museums that the Netherlands agreed to return in 2006.

Charlene von Saher, Goudstikker’s granddaughter who lives in Greenwich, Connecticut, said her family informed the Kadgiens of their claim to “Portrait of a Lady” after the journalists published their story. Paolo Plebani, curator at the Accademia Carrara in Bergamo, said it is worth upwards of $100,000, but attorneys for the Goudstikker family said it is impossible to determine the value before examining the condition and confirming the artist’s identity.

“I just hope that they would be people who would feel like doing the right thing and correcting a historical injustice,” von Saher told Reuters, saying that the discovery was “like a movie.”

But Patricia Kadgien hasn’t relented. She has filed a claim in civil court that says her father’s sister-in-law bought the painting from the Wallraf-Richartz Museum in Cologne in 1943. It said the painting was “legitimately possessed” by her father and that she inherited it after he died. The museum told Reuters the painting was never part of its collection.

The claim said that she removed the painting from her home “for security reasons,” thinking she was the victim of “a virtual scam” when she started receiving calls from a journalist in August.

As for Post, he still wants to know what happened to the diamonds that were tied to Kadgien. Martinez, the prosecutor, said authorities did not find jewels of value or from the war-period in the Mar del Plata home.

Saskia Coenen Snyder, a Dutch professor of modern Jewish history at the University of South Carolina, said it is very hard to prove that Nazis took diamonds with them to South America. “I’ll give him credit for at least spending years of his time pursuing, uncovering stories and truths that not everybody wants to do or has been able to,” she said of Post. “He’s a bit of a pit bull.”

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Uncategorized

Why is the biggest soccer team in the world talking about Joseph Goebbels?

The biggest rivalry in international soccer — between Real Madrid and FC Barcelona — has erupted in recent months, as Madrid pushes the Spanish soccer federation to punish Barca for alleged referee bribery.

But the ugly sparring between the clubs took an unexpected turn last week when Spanish league president Javier Tebas entered the fray with a shocking comparison.

“Real Madrid’s management directs an orchestra of mouthpieces and Real Madrid TV leads the singing,” Tebas wrote Oct. 15 on X. “Their score is always the same: select the plays that suit them, repeat the grievance, feed the suspicion, and point fingers at the enemies.

“That method recalls propaganda mechanisms exploited by Goebbels, Nazi Germany’s minister of propaganda: systematic repetition, construction of an enemy, and subordination of facts to the narrative.”

Real Madrid, which has employed such stars as Cristiano Ronaldo and David Beckham, condemned the remark with a statement calling for Tebas’ resignation both from the Spanish league, La Liga, and the Royal Spanish Football Federation, where Tebas serves as vice president.

“Real Madrid C. F. considers it absolutely intolerable and extraordinarily serious that someone holding two positions of utmost responsibility in Spanish football resorts to a comparison with the propaganda methods of the Nazi regime to discredit our club, its management, and its television,” the club wrote Oct. 16.Tebas has thus far refused to resign or even take down the post, and has defended his critique by pointing to other Spanish leaders who have made similar comparisons in the past.

The Goebbels controversy comes amid growing concerns about antisemitism in Spain, including in sports, where thousands of protesters blocked an Israeli-branded cycling team from competing in the Vuelta race last year.

The bribery accusations against Barcelona first surfaced in 2023, when it was revealed the club had paid millions of dollars to companies linked to the former vice president of the Spanish refereeing body, José María Enríquez Negreira. A Spanish court dismissed the bribery charges in 2024, but the investigation continued, and earlier this month Madrid submitted a tranche of documents it said proved the bribery claims.

The conflict between the club and Tebas dates back at least to 2021, when Madrid club president Florentino Perez spearheaded a breakaway international league that would have threatened Spanish competition. Barcelona had also agreed to join the so-called Super League, but the plan was scuttled after enormous backlash from fans across the continent.

Joseph Goebbels, one of Hitler’s most devoted followers, led the German Propaganda Ministry after the Nazi party came to power in 1933. He and his wife died by suicide in 1945 after killing their six children with cyanide.

The post Why is the biggest soccer team in the world talking about Joseph Goebbels? appeared first on The Forward.

Continue Reading

Uncategorized

Israel’s election may hinge on whether Netanyahu’s opposition will accept Arab support

Israel’s approaching election is developing into an extraordinary paradox: Prime Minister Benjamin Netanyahu, whose government presided over the catastrophe of Oct. 7 and whose record since has been a succession of security failures, assaults on democracy, capitulations to Haredi interests and international embarrassments, may yet survive politically because his opponents cannot bring themselves to accept the parliamentary support of Israel’s Arab citizens.

The polls have tightened, the opposition has conducted a strangely timid campaign, and U.S. President Donald Trump’s endorsement of Netanyahu over the weekend introduces an unpredictable element into a contest that should by any reasonable accounting be a referendum on utter failure. Yet given the picture emerging in the polls, the decisive question is whether the opposition’s leaders possess the courage to reach out to the one-fifth of Israelis who are Arabs – who are expected to vote in very high numbers on Oct. 27.

Since 1973, Israel’s classic center-left has never secured an election-day parliamentary majority without the seats of Arab parties. Yitzhak Rabin’s victory in 1992, for example, depended on a parliamentary balance that included Arab representatives, whose support later became essential to his government’s survival. By most credible polls, that is the picture that emerges now, and with that support, the opposition could become a comfortable majority of close to 70 of the 120 Knesset seats.

But things are not so simple. In 2020, most of the Joint Arab List – an alliance of Arab parties in Israel – recommended opposition leader Benny Gantz for prime minister, producing a numerical majority that collapsed because several opposition lawmakers simply could not stomach the prospect. But the Naftali Bennett-Yair Lapid government that removed Netanyahu in 2021 included the Arab party Ra’am, demonstrating that cooperation across this divide was possible even among politicians with profound disagreements about national identity and the question of a Palestinian state.

Throughout these episodes, the challenge was the elementary democratic principle that the votes of Arab citizens should carry precisely the same weight as those of Jewish citizens. And yet there are complications with these political alliances: the Arab parties are not “Zionist” – and more relevantly, they have real difficulty in a situation that involves conflict with the Palestinians, who are their non-citizen brothers and sisters.

Netanyahu has spent years exploiting the discomfort of his opponents with this reality, transforming the prospect of Arab political influence into a weapon against anyone seeking to replace him. During this election, his campaign has placed particular pressure on Gadi Eisenkot, the former IDF chief of staff, portraying any government of his, if it’s dependent on Arab parties, as compromised from the outset.

Eisenkot, Naftali Bennett and other opposition leaders are trying to win over former right wing voters who may have tired of Netanyahu’s endless scandals and failures – but those voters also have serious reservations about the Arab parties. So their prevarications are not hard to understand.

There is, of course, a double standard: Netanyahu routinely counts on the ultra-Orthodox parties, whose demands for military exemptions, public subsidies and educational autonomy have profound consequences for Israel’s security, economic resilience and civic solidarity. Their representatives are treated as legitimate negotiating partners whose seats belong automatically in the right-wing bloc, even when, indeed, they call themselves non-Zionist.

Arab political leaders are now offering the opposition passive support in parliament for free, meaning they do not even demand a seat at the government table. According to all credible polls, the opposition plus the Arab parties should have a comfortable majority after the Oct. 27 vote.

Mostly Muslim, with Christian communities and the distinct Druze population, these citizens share aspects of the language, culture and historical grievances of the surrounding Arab world while participating in the institutions, economy and daily life of the Jewish state. Two stories convey this complexity.

The first: A wounded Jewish reservist, a new immigrant and Technion engineer, was driving toward a hospital for treatment of a hand injured during service in Lebanon when police stopped him for speeding last year. As the Maariv newspaper’s columnist Ben Caspit reported, the reservist presented documentation of his medical circumstances, yet the officers, who were Jewish, issued a fine and delayed him despite the potential danger to his injured finger, behaving at times with an astonishing lack of consideration.

The case eventually reached a court, where the fine was canceled in a ruling that criticized the enforcement as falling short of reasonable, proportionate and fair administrative discretion. The judge was Rasha Saadi Atamna, an Arab woman whose decision recognized the wounded soldier’s service and circumstances while holding an institution of the Israeli state accountable to its own standards. It was a recognition denied by fellow Jews.

The second:  On the morning of Oct. 7, 2023, Youssef Ziadna, a Bedouin minibus driver from Rahat who had dropped off a group of young people at the Nova music festival, showed extraordinary courage.

When Hamas launched its massacre, one of his passengers called desperately for help, and Ziadna drove toward the festival, entering an area where gunmen were murdering civilians and vehicles were fleeing in panic. Near the Gaza border communities, a man running from the slaughter warned him to proceed no further, and moments later gunfire sent Ziadna and others diving into a roadside ditch.

The danger was clear, the route home was available, and every ordinary instinct of self-preservation pointed toward escape. Ziadna instead continued toward the festival, found the people who had summoned him, collected other terrified and wounded Israelis and eventually squeezed roughly 30 passengers into a minibus designed for 14. Drawing on his knowledge of the terrain, he drove across fields and away from the gunmen, with other fleeing Israelis following behind him.

The people Ziadna carried to safety were Jewish Israelis, while his own Bedouin community was suffering murder and abduction in the same assault. Speaking to Israel Radio during Oct. 7 commemorations, he explained his decision in words that deserve to resonate far beyond the immediate story of his heroism: “I could have turned around and did a U-turn, but my conscience wouldn’t let me. I am a human being first. We have to live together in this very fine country of ours.”

The election, of course, will be decided by parliamentary arithmetic rather than inspiring anecdotes, and the stakes extend well beyond the composition of the next coalition.

Consider the government’s continuing failure to confront Jewish terrorism in the West Bank, where extremist settlers have now assaulted an American journalist and European diplomats in successive days. Heidi Levine, a Washington Post photographer whom I have known for decades, was brutally beaten while covering the Palestinian olive harvest, suffering injuries requiring surgery.

The following day, settlers attacked European diplomats and a French mayor near the Christian village of Taybeh. Netanyahu’s response was to question the evidence, emphasize the diplomats’ failure to coordinate with the army and suggest a campaign to smear settlers. Such indulgence of violent extremists disgraces Israel and accelerates its international isolation.

Trump’s endorsement this weekend of Netanyahu may influence some voters, but the fundamental choices belong to Israelis.

Let’s hope they are more thoughtful than to listen to the U.S. president and reelect a leader who would endanger lives by continuing to block an Oct. 7 inquiry, redouble efforts to instill an elected dictatorship, continue to absolve the Haredim of military duty, do nothing to stem the disgrace of Jewish terrorism, and hasten the onset of global economic sanctions upon the Jewish state.

The post Israel’s election may hinge on whether Netanyahu’s opposition will accept Arab support appeared first on The Forward.

Continue Reading

Uncategorized

Bob Dylan is changing his lyrics and his set list; what is he trying to tell us?

Nobel Prize-winning rock poet Bob Dylan once famously wrote, “You don’t need a weatherman to know which way the wind blows” (in his 1965 song “Subterranean Homesick Blues”). That may have formerly been the case, but it didn’t stop Dylan from kicking off his “Lights of Autumn Tour” in Oslo on Saturday, Oct. 17, with a setlist chock full of warnings about floods and extreme weather — a veritable apocalypse of natural disasters. He even rewrote some lines in one of his most famous and beloved songs, “Tangled Up in Blue,” to make the weather a new character in the song.

Playing “Tangled Up in Blue” in concert for the first time since 2018, Dylan revised a few verses. Where he originally sang “I had a job in the great north woods working as a cook for a spell” to kick off the third verse, Dylan instead sang “Way up in the frozen woods, teardrops touch the sky / The leaves are falling one by one, and the moments passing by,” in keeping with the “Lights of Autumn” theme. (It should be noted that Dylan has been rewriting and changing the lyrics to “Tangled” at least since 1984, when he also included the song on his opening concert of a European tour.) “Way up in the frozen woods” may also refer to Dylan’s hometown of Hibbing, Minnesota, which is so far north that you can practically see Canada from there.

On Saturday, Dylan continued to rewrite that third verse with the line “Sometimes I get so tired, sometimes I’m getting away / Lucky you found another, tomorrow’s another day.” In a clever twist, Dylan inserts the new word “lucky” into the number, which recalls the phrase “I can’t help it if I’m lucky” from the song “Idiot Wind,” also found on the 1975 album Blood on the Tracks where “Tangled Up in Blue” originated. “Lucky” also resurfaced as a cryptic moniker for Dylan himself when, in the superstar group the Traveling Wilburys that included George Harrison, Tom Petty, and Roy Orbison — all of whom took new names ending in “Wilbury” — Dylan opted for “Lucky Wilbury.” He can’t help it, indeed!

Dylan kicked off another rewritten verse with the phrase, “Things were gettin’ to cost too much,” leaving one to wonder if this was a pre-midterm election reference to the state of the U.S. economy and therefore an implicit criticism of the MAGA leader and his acolytes. Dylan also revised the music somewhat, slowing the tempo of what was once a mid-tempo rocker to a rubato ballad; he also inserted a minor chord that doesn’t exist in the original.

As noted, Dylan’s 19-song setlist included copious references to weather disasters. “The Man in the Long Black Coast” opens with the line “Crickets are chirpin’, the water is high,” and refers to trees that are “bent over backwards from a hurricane breeze.” The aptly titled “Crash on the Levee (Down in the Flood),” which he performed for the first time in over two decades, includes the lines:

Crash on the levee, mama
Water’s gonna overflow
Swamp’s gonna rise
No boat’s gonna row….
If you go down in the flood
It’s gonna be your own fault…”

Even Dylan’s choice of cover tunes seemed oriented toward the apocalyptic theme. For the first time ever, Dylan sang a Randy Newman song in concert. Keeping with the flood theme, he chose Newman’s “Louisiana 1927,” which recounts one of the worst floods ever to strike the U.S.

What’s happened down here is that the wind have changed
Clouds roll in from the north, and it starts to rain
Rained real hard, it rained for a real long time
Six feet of water in the streets of Evangeline
River rose all day, the river rose all night
Some people got lost in the flood, some people got away all right

Dylan also covered “Share Your Love” — originally recorded by Bobby “Blue” Bland in 1963 but also recorded and performed by Dylan’s former backup group, The Band — which kicks off with the line “Well, it’s an ill wind that blows no good.”

But Dylan didn’t have to go far from his own catalog to rack up mentions of climate insanity. He performed “Tryin’ to Get to Heaven,” which includes the lines “The air is getting hotter, there’s a rumbling in the skies / I’ve been wading through the high muddy water, with the heat rising in my eyes.” In “You Ain’t Goin’ Nowhere,” Dylan sang, “Clouds so swift, rain won’t lift / Gate won’t close, railings froze / Get your mind off wintertime, you ain’t goin’ nowhere.” And on “I’ve Made Up My Mind to Give Myself to You,” the seasonally appropriate narrator says, “I saw the first fall of snow, I saw the flowers come and go.”

Dylan’s tour continues tonight (Oct. 19) in Gothenburg, Sweden, before making its way through Denmark, Germany, Belgium, Switzerland, Italy, Slovenia, and Austria, and concluding in the UK in November and early December. The forecast for Sweden tonight is clear, but later in the week, the weather report says there’s a chance of a hard rain.

The post Bob Dylan is changing his lyrics and his set list; what is he trying to tell us? appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News