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How Abe Kugielsky’s photos of Hasidic Brooklyn ended up on display in Grand Central Terminal

When Abe Kugielsky first began photographing the Hasidic Jewish community in Borough Park, Brooklyn, in 2010, he was an outsider with a camera, met with resistance from a community unaccustomed to being documented.

But by 2017, he had amassed a bank of roughly 50,000 photographs, and decided it was time to start posting his images to an Instagram account he called “Hasidim In USA.”

Today, his account has drawn 80,000 followers curious for a glimpse inside a traditionally private world. And this month, it has also landed him a place in Humans of New York’s “Dear New York” exhibition in Grand Central’s Vanderbilt Hall. The free exhibition, curated by Brandon Stanton of the online photo sensation Humans of New York and including dozens of local photographers, runs until Oct. 19.

A view of Humans of New York’s “Dear New York” exhibition in Grand Central’s Vanderbilt Hall, running from Oct. 6 to Oct. 19. (Courtesy Abe Kugielsky)

By day, Kugielsky, who is 45 and identifies as Modern Orthodox, runs a Judaica antique auction house in Cedarhurst, Long Island. But his photography, and efforts to gain inroads in the Hasidic community, have become his true passion.

“Judaica is my full-time job, but I will close shop whenever I feel like I need a day off to go,” said Kugielsky. “It’s very therapeutic to me when I go out to shoot, I’m in my own little bubble, my own zone.”

This interview was condensed and lightly edited for clarity.

JTA: What first drew you to photographing the Hasidic communities in New York?

Kugielsky: When I moved to Brooklyn after we got married, my wife had a job in Borough Park. I would drive her to work every day. I had started street photography as a hobby back in Israel a little bit, and then got married and I let go of it. But when I started visiting Borough Park every morning, and I was getting that Roman Vishniac vibe by seeing the scenes, and I figured, I’ll pick up a camera and start documenting something that’s been untouched in New York.

It’s been very popular in Israel. There’s so many photography books on Orthodox life in Jerusalem, but there’s nothing about Hasidic life in America. There’s one book from like 1974, a small book with some photos, but that’s about it. It’s really very little. So I felt like it was an untouched niche, and I picked up a camera and I started photographing.

How do you build trust with your subjects in a community that is often described as insular?

To see someone walking on Borough Park with a camera taking pictures is not common. It’s not Mea Shearim [the Jerusalem neighborhood] where we have tourists and Americans and photographers. This is very uncommon, so there was a lot of fear of resistance, and of course, the resistance came. So it started off really more in hiding from distance, and over time, I built trust in the community to a point where they celebrate me.

A photo of the back side of the exhibition.

Abe Kugielsky’s installation at Humans of New York’s “Dear New York” exhibition in Grand Central’s Vanderbilt Hall, running from Oct. 6 to Oct. 19. (Courtesy Abe Kugielsky)

I made it my goal to post in a very positive light, either a positive caption or a positive scene or a positive story, to show them I’m not here to bring out what everyone else has been doing. I realized over the years that it’s really rooted a lot in generational trauma, where, whenever media came into Borough Park or Williamsburg, it was always for a negative story, and that’s where the resistance really came from. So over time, when they recognized that my work is not with that goal, they started to appreciate it more and more.

Can you tell me more about the response from the Hasidic community to your work?

I started off with an article in a local Yiddish magazine, and then a couple of months later, another article and I came out publicly with my name, my identity, so people started recognizing me more. And over time, I started getting more and more positive feedback.

I remember a woman in Williamsburg stopped me once, and she said, “I want to tell you that your photos made me fall in love again with my own culture.” So it really had a certain impact on the community, recognizing that these photos tell a positive story. It tells the story of the community that no one else does in a positive light.

A photo of a Hasidic woman walking across a bridge with Manhattan in the background.

“A Bridge Apart” by Abe Kugielsky. (Courtesy Abe Kugielsky)

It really shifted to the point where, if I walk down Williamsburg, people stop me and ask me for a selfie, and people will DM me and say, ‘Hey, there’s an event going on here, please come down and photograph.” My goal was to go in deeper and deeper, more and more intimate, and I’ve gotten there. Especially this past summer, we had some invites into family life, which is a whole new level that I’ve been really trying to get to.

What kinds of reactions from the public to your work have surprised or challenged you?

Of course, I get a lot of antisemitic comments from time to time with DMs. Anyone who posts anything Jewish nowadays gets them, but I’ve had a lot of interesting positive feedback from non-Jews worldwide. I’ve had people in Iran reach out to me, and I’ve heard from people in Middle Eastern countries, in Germany, Poland. I think they love the concept where they can look into another culture, have a window into another culture, something they don’t get to see.

Do you have a favorite image from the exhibit, and what makes it stand out to you?

I have one great image that I really, really love. This was a silver shop in Borough Park I walked into and I asked the owner, an older Hasidic Jew, if I can photograph him, and his response is, “What do I need it for?”

I have an album on my phone with photos I downloaded from Brooklyn Public Library, old images from Williamsburg taken by a photographer in 1964, and I figured, let me show him what it looks like looking back at photos from 50 years ago. I started showing him on my phone. He was scrolling through the photos, and I said, look how beautiful it is to look at pictures from 50 years ago.

But then he froze on a certain picture, and his demeanor changes, and he goes, “This is my wife.” He found a picture of his wife and his first newborn son from 50 years ago in those photos, so I captured that moment where he’s really reminiscing about those years.

A Hasidic man looks at a phone.

“Silver Memories” by Abe Kugielsky. (Courtesy Abe Kugielsky)

Humans of New York has drawn criticism for a series focused on aid workers in Gaza as well as for featuring a member of Neturei Karta, a small anti-Zionist sect of the Orthodox community. Was that something you thought about before deciding to participate? 

I was tagged when he posted his request for people to submit. I didn’t follow him, it’s just not really my style of work, he’s more storytelling. I went into his page, and I saw all these posts, I wasn’t sure what to make of it.

The vibe that I got was I didn’t feel an antisemitism there. I felt like he was more going with the trend, showcasing Palestinians from Gaza or Neturei Karta, more from a place of ignorance.

I believe a lot of New Yorkers, a lot of Americans, a lot of people worldwide, don’t really know and understand the conflict. It’s just in style now to hate, and it’s in style now to side with one side or the other without really understanding.

I didn’t give it a lot of hope when I submitted my photos, and I was actually surprised that he chose my photos to be included, and throughout my conversations with him, I understood that he really doesn’t understand much of the conflict.

Have you received any critical feedback about your involvement in this project?

Very, very little. I think one or two people commented like, why would you do this? But for me, A, It’s an opportunity for me, for my work, to showcase my work out there more, and, B, I thought it was so important to have a representation of Jewish life, or Hasidic life, Orthodox life, in such an important exhibition.

A photo of Hasidic children using solar eclipse glasses to view the solar eclipse.

“Brooklyn Skies” by Abe Kugielsky. (Courtesy Abe Kugielsky)

What are you hoping people take away when they encounter your Grand Central exhibit?

What I’m expecting people to take away is really to see the humanistic side of this culture. People could be living literally a block away from the community, and not really know the community, and not understand them.

I’m hoping that this gives them a little bit more of a humanistic view of the Hasidic community, where they live, their life, their culture, their religion. After all, we’re all human, we all coexist in the same city.


The post How Abe Kugielsky’s photos of Hasidic Brooklyn ended up on display in Grand Central Terminal appeared first on Jewish Telegraphic Agency.

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Piers Morgan is what’s wrong with media coverage of the Israeli-Palestinian conflict — and I can’t stop watching him

Piers Morgan’s online debate about Nicholas Kristof’s New York Times op-ed containing allegations of Israeli dog rape was loud, chaotic and unenlightening — and I couldn’t stop watching it.

That’s a problem. Morgan’s format is a trap. On his YouTube talk show, Piers Morgan Uncensored, he pits people holding intransigent, often extreme positions against each other, goads them to yell at one another across Zoom, and positions himself as the voice of reason in the middle. It’s hateporn — addictive, and not reflective of reality.

And yet Piers Morgan Uncensored and many similar YouTube- and social-media based news programs are where people increasingly get their information and engage with controversial issues like the Israeli-Palestinian conflict.

These programs rack up views by persuading viewers there is no middle ground, no moderate position, no alternative to conflict. And their strategy is working.

The Kristof episode, which racked up 340,000 views in a day, is titled, “Torture Does NOT Work!” — all Morgan show names have one word in all caps and end in an exclamation point.

It begins with people shouting. “You are not a journalist!” Ana Kasparian, a commentator on another YouTube show, shouts at podcaster and online anchor Emily Schrader — before Morgan comes on to introduce the segment.

He quickly recaps the lurid details from Kristof’s New York Times oped, “The Silence That meets the Rape of Palestinians,” and a newly issued nearly-300 page Israeli report on Hamas sexual violence.

“As far as I’m concerned, the only cause is basic human decency,” Morgan says in his cool British accent, “If your first instinct about either report is to look for ways to smear them, you might have run out of that yourself.”

Yet the six deeply partisan guests spend the next 45 minutes smearing the reports, and each other.

Morgan’s introductory call for human decency is not a plea, it’s a ploy. He plays the mature voice of reason standing between the extremist pro-Israelis and the pro-Palestinians — not to persuade them to come to a moderate position, but rather to exploit the most virulent voices in order to generate clicks, while still claiming the cover of journalism. This approach causes real harm by giving extremists a megaphone, and a degree of exposure that all but guarantees that people actually trying to build a better future go unheard.

A recipe for drama

Morgan repeats this formula over and again. In an episode entitled, “Netanyahu CONNED Trump!” Dave Smith, a sidekick to Joe Rogan, accuses Israel of dragging the United States into the Iran war. In “I’m SICK of it!” commentator Megyn Kelly launches into a similar attack on Israel.

Morgan has had long interviews with white supremacist and proud antisemite Nick Fuentes (“What a crock of S***!”). In “STAND for Dead Soldiers!” Morgan hosted four Israelis at the extreme ends of the political spectrum and watched them fight when one refused to stand as a siren sounded to honor Israel’s fallen soldiers.

Not extreme or dramatic enough? How about the time Morgan hosted Crackhead Barney, a Black pro-Palestinian street activist, to explain why she harasses celebrities to get them to say, “Free Palestine.”

“I’m truly shocked/disgusted that @piersmorgan would have this nutjob & clearly unwell person to go on his show and even remotely try to talk about Palestine or the war,” wrote the Gazan-born activist Ahmed Fouad Alkhatib.

Alkhatib is a moderate Palestinian who works for a peaceful solution to the conflict. He has, unsurprisingly, not been on Piers Morgan Uncensored.

Instead, Morgan’s choice of guests is calculated for maximum friction, a function of an attention economy that monetizes the time people like me spend watching the fights.

From ‘Animal House’ to Piers Morgan

Luring viewers this way isn’t exactly new. President Ronald Reagan called The McLaughlin Group, a current affairs program that ran on public television for 34 years beginning in 1982, “the political equivalent of Animal House”— more drunken frat house than graduate seminar. McLaughlin begat Crossfire, a CNN political debate program hosted by a younger Tucker Carlson that Jon Stewart once compared to pro-wrestling.

In 2025, Morgan, who came up in British tabloids before a long stint at CNN, moved away from traditional broadcast TV and went all in on social media and his YouTube channel.

His success on that platform is part of a larger shift in media from major institutions to independent personalities, and from actual news — the dutiful and expensive process of finding out and relaying what’s actually happening in the world — to opinion that spins itself as reporting, which is far cheaper and more entertaining.

That shift has come as audiences have moved from loyalty to long established institutions to following enterprising, independent personalities. The podcaster Joe Rogan has 20.9 million subscribers; Carlson has 5.6 million; Morgan’s show has 4.42 million subscribers and over 1.36 billion total views.

In other words, Morgan is not some guy some people watch now. He is what people will be watching in the future.

A bias toward extremes

That prospect should alarm us. Morgan’s shows rarely feature people working toward compromise or reconciliation. A Piers Morgan Uncensored discussion spotlighting the many civil society groups in Israel working toward coexistence? A show where he sits down with Arab and Jewish Israelis who share a vision for a common future? A segment that highlights the actual, albeit rare, instances of cooperation?

Pipe dreams. All that is also happening in Israel and the West Bank — but Piers Morgan Uncensored effectively censors it.

Compare that to Jon Stewart, who on The Daily Show last month conducted a long interview with the Palestinian and Israeli co-authors of The Future Is Peace, a book that calls for moving beyond violence and stalemate to a shared future. Same approach — a streaming interview on a hot-button topic, with an eye toward entertainment — but radically different editorial choices.

That episode garnered a mere 400,000 views. Morgan’s comparative millions of eyeballs may, in his mind, justify his guttersweeping approach to international conflict. And in his defense — and mine, for watching — it’s never boring. He can be a thoughtful and provocative interviewer, and his not-ready-for-primetime, self-created show allows him, when he so chooses, to platform voices that more mainstream venues overlook, like former Israeli Speaker of the Knesset and longtime peace activist Avrum Burg.

Alas, he stuck the erudite former statesman with a diehard evangelical and a firebreathing American Jewish conservative pundit. That episode is called, “A SHAME on Judaism!

Whatever this is, it’s not journalism. But it is the future.

The post Piers Morgan is what’s wrong with media coverage of the Israeli-Palestinian conflict — and I can’t stop watching him appeared first on The Forward.

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Rashida Tlaib Introduces Resolution ‘Recognizing Ongoing Nakba’

US Rep. Rashida Tlaib (D-MI) addresses attendees as she takes part in a protest calling for a ceasefire in Gaza outside the US Capitol, in Washington, DC, US, Oct. 18, 2023. Photo: REUTERS/Leah Millis

US Rep. Rashida Tlaib (D-MI) on Thursday reintroduced a congressional resolution recognizing the 78th anniversary of what she described as the “ongoing nakba,” using the Arabic term for “catastrophe” deployed by Palestinians and anti-Israel activists to refer to the establishment of the modern state of Israel in 1948.

The resolution, introduced on the anniversary of Israel’s independence, accuses the Jewish state of carrying out “ethnic cleansing,” “apartheid,” and “genocide” against Palestinians, language that many pro-Israel lawmakers in Congress and advocacy groups strongly reject as inflammatory and inaccurate. The measure also calls for renewed US support for the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), an agency that has faced mounting scrutiny from Israel and several Western governments over allegations that employees participated in or supported Hamas’s Oct. 7, 2023, massacre across southern Israel.

In a statement announcing the resolution, Tlaib argued that the so-called nakba “did not end” with the Arab-Israeli war in 1948 and continues today through Israeli military operations and settlement expansion.

“War criminal Netanyahu and his cabinet have repeatedly threatened to ethnically cleanse the entire Palestinian population in Gaza, annex the land, and permanently occupy it. Today, they are extending these same threats towards southern Lebanon,” she said, referring to Israel Prime Minister Benjamin Netanyahu and military operations against US-designated terrorist groups Hamas and Hezbollah. “As we mark the 78th anniversary of the Nakba, we honor all of those killed since the ethnic cleansing of Palestine began and all those who have been forced from their homes and violently displaced from their land.”

Activists often invoke the term “nakba” when discussing the displacement of some 750,000 Palestinian Arabs following Israel’s War of Independence, many of whom left the nascent state for varied reasons, including that they were encouraged by Arab leaders to flee their homes to make way for the invading Arab armies. At the same time, about 850,000 Jews were forced to flee or expelled from Middle Eastern and North African countries in the 20th century, primarily in the aftermath of Israel’s declaring independence.

Tlaib’s resolution is co-sponsored by several prominent progressive Democrats, including Reps. Alexandria Ocasio-Cortez (NY), Ilhan Omar (MN), Ayanna Pressley (MA), and Summer Lee (PA).

The move is likely to draw fierce criticism from pro-Israel lawmakers and Jewish organizations, many of whom argue the resolution ignores the historical context surrounding Israel’s founding and the 1948 war. Israel accepted the United Nations partition plan in 1947 to create two states, one Jewish and one Arab, while neighboring Arab states rejected it and launched a military invasion after Israel declared independence.

The resolution also calls for a so-called Palestinian “right of return,” a demand insisting that potentially millions of descendants of Palestinian refugees should be able to return to the land of Israel, a step that, according to proponents, would result in the abolition of the world’s only Jewish state.

“This immense trauma, including the loss of their loved ones and connections to the communities they grew up in, needs to be repaired. True peace must be built on justice and the inalienable right of return for Palestinian refugees,” Tlaib said in her statement.

While refugees are generally defined as those who flee a country out of credible fear of persecution, UNRWA uniquely defines Palestinian refugees to include all descendants of those who left the land, regardless of where they were born.

Tlaib, the only Palestinian American member of the US Congress, has emerged as one of Israel’s loudest critics on Capitol Hill, repeatedly accusing the Jewish state of genocide and drawing rebuke from fellow lawmakers.

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Toronto Sees 50% Drop in 2025 Hate Crimes, Yet 82% of Religiously Motivated Attacks Target Jews

A member of law enforcement personnel works at the scene outside the US Consulate after shots were fired, in Toronto, Ontario, Canada, March 10, 2026. Picture taken with a mobile phone. Photo: REUTERS/Kyaw Soe Oo

Even as Toronto recorded an overall decline in reported hate crimes last year, newly released data shows the city’s Jewish community continued to face disproportionately high levels of targeted antisemitism and violence amid an increasingly concerning social climate.

On Thursday, Toronto Police released its annual hate crime statistical report, showing that Jews accounted for 82 percent of all religiously motivated hate crimes in 2025, compared to 14 percent targeting Muslims.

Even though the Jewish community makes up less than 3 percent of Toronto’s population, officials now warn that Jewish residents are 14 times more likely than other residents to be targeted in a hate incident.

With 81 anti-Jewish hate crimes recorded, Jews and Israelis were the targets of 35 percent of all reported hate incidents in the city.

Despite a 50 percent overall decline in reported hate crimes, from 443 in 2024 to 231 in 2025, Toronto has seen a 40 percent increase in such incidents so far this year compared with the same period last year.

Toronto Police Chief Myron Demkiw noted that, even with the overall decline, the Jewish community continued to be the primary target of hate-motivated offenses.

“We are steadfast in our commitment to confronting hate in all its forms and making it easier for people to come forward and report incidents of hate,” Demkiw said in a press release. 

Because police-reported hate crime data only includes incidents that come to the attention of authorities and are later confirmed or suspected to be hate-driven, official figures likely underestimate the true scale of such incidents.

Over the past two years, Toronto authorities have expanded law enforcement capacity and resources to investigate hate crimes by establishing a Counter-Terrorism Security Unit and increasing specialized training for officers, while also strengthening Holocaust education initiatives and introducing digital literacy programs for youth aimed at countering online radicalization.

Centre for Israel and Jewish Affairs Vice President Michelle Stock called the latest statistics “deeply alarming,” warning of a broader reality of hostility that Jewish families across the city are confronting on a daily basis.

“Toronto prides itself on being a city where people of all backgrounds can live openly, safely and without fear. Those values are undermined when any community no longer feels secure expressing its identity in public,” Stock said in a statement.

“From synagogues to schools to public displays of Jewish identity, blatant attacks against the Jewish community are becoming more frequent and more brazen,” she continued. “Jewish Canadians are being targeted simply for who they are. No one should have to think twice about wearing a kippah, attending synagogue, sending their children to Jewish schools or participating openly in Jewish life.”

The city’s figures reflect a broader nationwide rise in antisemitism and anti-Israel hostility, with the Jewish advocacy group B’nai Brith Canada reporting a record high in anti-Jewish hate crimes in 2025 for the second consecutive year, documenting 6,800 such cases across the country.

According to the latest report, antisemitic incidents nationwide increased by 9.3 percent last year, surpassing the previous record total of 6,219 set in 2024.

With an average of 18.6 incidents per day, this figure represents a 145.6 percent increase from 2022, before the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Early 2026 data already indicate the country is now on track to see its most violent year against the Jewish community in recent memory, with more violent antisemitic attacks recorded so far this year than during all of 2025, B’nai Brith Canada reported.

In total, 11 violent antisemitic incidents have already been recorded across the country since January, surpassing the 10 violent cases documented during all of last year

“These brazen attacks on Jewish Canadians are a sign of a crisis of antisemitism that has spiraled out of control,” Simon Wolle, chief executive officer of B’nai Brith Canada, said in a statement.

“Violence such as this, which has escalated from targeting synagogues to targeting Jewish people directly, does not occur in a vacuum. It is what happens when governments fail to act despite mounting evidence that antisemitism is becoming more normalized and dangerous,” Wolle continued.

Last week, a group of Jewish worshippers standing outside the Congregation Chasidei Bobov synagogue in Montreal was targeted in a drive-by shooting, leaving one person with minor injuries.

A week earlier, three visibly Jewish residents were targeted in a separate antisemitic attack when suspects opened fire with a gel-pellet gun, causing minor injuries.

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