Connect with us

Uncategorized

How Germany’s Holocaust remembrance culture kicked off a democratic crisis

WEIMAR, Thuringia, Germany — Walking through Weimar, Germany, the legacy of the Holocaust seems inescapable. Stolpersteine — German for “stumbling blocks” — are placed outside the homes of people killed during the Shoah, essential evidence of Erinnerungskultur, or memory culture, a national commitment to memorializing, and learning from, the Nazis’ atrocities.

But this commitment is being challenged. Alan Bern, a Yiddish musician described to me as “the man who solved the Shoah,” had just returned from a press conference when I met him, where he spoke alongside local law enforcement officials about a 51-year-old man charged with the 33rd case of vandalism of the memorial stones in the Eastern German city this year.

Bern, 70, an American who came to Germany nearly 40 years ago and holds the nation’s highest civilian honor, said, “Attacks on Stolpersteine ​​are not primarily attacks against Jews, but rather against society and, not least, against human dignity.”

An old man in a red shirt stands next to a long door in a dark building
Alan Bern stands next to a door from Weimar’s Deutsches Nationaltheater inside of the Other Music Academy. Photo by Jake Wasserman

Bern, a composer, founded a school called the Other Music Academy, where he and his colleagues are creating encounters critical to the fight against Jew-hatred in Germany.

They bring together Jews and the descendants of Nazis, Israelis and Palestinians, and Germans and Syrian migrants in an attempt to apply the lessons of the Holocaust forward to the issues facing Germany today. Democracy is in the center’s DNA both in ethos and architecture — the entrance to their dance hall is a 100 year-old door from the Deutsches Nationaltheater in Weimar, where Germany’s first constitution was written and ratified.

“I believe that the encounter with otherness,” Bern said, “is essential to transforming yourself and transforming society.”

Bern’s work helps extend Germany’s memory culture, applying its lessons beyond the Holocaust to address threats against democracy posed by the far-right, which is gaining popularity around the country.

Although not all incidents of antisemitism in Germany are coming from the right, the rise of the far-right Alternative für Deutschland (AfD) party has forced a new debate over Germany’s commitment to remembering the Holocaust and other Nazi atrocities. AfD holds a plurality in Thuringia’s state parliament, and, after this year’s February elections, became the main opposition party in Germany’s federal parliament. The party’s most radical wing says that memory culture is a “guilt cult” and calls for a “180 degree turnaround” in the nation’s approach to remembering its history.

And while many Jews are deeply concerned about the right’s desire to abandon memory culture, some Jews in Germany, particularly those on the left, feel that the societal commitment to preventing another Holocaust has caused the state to police their ability to act and think freely, particularly when critiquing Israel. Since Oct. 7, 2023, Jewish activists have lost awards and speaking engagements, and have even been labeled extremists and put under surveillance by Germany’s state intelligence service.

Memory culture is not just essential to Germans, however; it’s a key for Jews around the world, who take heritage trips to concentration camps and ancestral homes there as part of memorializing the Holocaust. And worldwide, memory culture is essential to remembering global atrocities — yet its tenets are under attack. The Trump administration has criticized the Smithsonian’s approach to slavery, while Turkey refuses to acknowledge the existence of the Armenian genocide.

I went to Germany to speak with both Jews and non-Jewish Germans who are doing the work of bringing memory culture to life, to see how their work is being impacted by these political shifts, and to find out: What is lost if Germany loses its memory?

A brief history of memory culture

After the Berlin Wall fell, in 1989, the newly reunited and democratic Germany defined its national identity as a state committed to learning from the atrocities it committed in the past, thus preventing them from ever happening again.

But this devotion to the Holocaust wasn’t always the case. At the end of World War II, fewer than 15,000 Jews remained in Germany, the majority of whom went to West Germany when the country was partitioned after World War II. West Germany largely avoided accepting responsibility for the Holocaust until 1970, when Chancellor Willy Brandt visited the Warsaw Ghetto, in Poland, and laid a wreath at its memorial.

Meanwhile, under East Germany’s Soviet-style system, Nazi crimes were stripped of their antisemitic motivations and recast as offenses to communism; the small Jewish community of less than 1,000 people who remained there continued to be persecuted by the Stasi for perceived opposition to socialist values.

After the Berlin Wall came down and Germany reunified the following year, Chancellor Helmut Kohl oversaw the immigration of some 200,000 Jews from the former Soviet Union. The majority of Germany’s new Jews moved to Berlin, but others repopulated Jewish communities in the former East.

With the formation of the new German republic, the government moved back to Berlin, and in 1999, voted to construct the Memorial to the Murdered Jews of Europe in the heart of the city — next to Berlin’s famous Brandenburg Gate. They expanded concentration camp memorials to include details about the Holocaust and built a world-renowned Jewish museum designed by Daniel Libeskind. Visits to these sites became a regular part of German school curricula. A centralized national Jewish council — The Zentralrat der Juden in Deutschland, or the Central Council of Jews in Germany — today receives €22 million in government funding to serve as the official voice of Jewish people and to advocate against antisemitism across society.

Memory culture is palpable everywhere in Germany, whether in large memorials and historical sites like concentration camps, or the small plaques and reminders, like the stumbling blocks, about the Jews who once lived there.

People walk into a large 19th century train station. On the right, a sign displays the names of Holocaust concentration camps
A sign outside of the Wittenbergplatz U-Bahn station in Berlin lists the names of concentration camps. Photo by Jake Wasserman

For years, however, shame over the Holocaust has muted national pride. Many Germans avoided flying their flag for fear of invoking the kind of nationalism that led to the rise of the Nazi party. (Though in the past two decades, flags have become more common at German sporting matches and events.)

That has led some, such as the far-right AfD party, to claim that memory culture has harmed Germany. Former party leader Alexander Gauland referred in 2018 to the Nazi era as a speck of “bird shit” in an otherwise grand national history, a speck that was given outsize importance.

And more recently, memory culture has become complicated by modern political concerns. In 2008, Chancellor Angela Merkel declared that supporting Israel was Germany’s “reason of state,” and the government has consistently operated with an iron-clad support for Israel as a form of reparations for the Holocaust.

But as Israel’s actions have come under increasing international condemnation since Oct. 7, Germany’s memory culture too has come under broader criticism by Jews and non-Jews alike. Some Jews in Germany are concerned over what they see as Germany abandoning Israel after Chancellor Friedrich Merz halted weapons exports to the Jewish state in August to curb the supply that could be used in Gaza. Other Jews, meanwhile, feel unable to speak out against the war given the national devotion to Israel.

And the Central Council, the state Jewish voice, believes that AfD is taking advantage of the war to inflame tensions between a new wave of Muslim immigrants and Germany’s Jews — and, in turn, win Jewish support for their party, including their belief in dismantling memory culture. Before this year’s elections, the Council circulated a letter signed by the leaders of every Jewish state organization warning that the AfD “uses Jews as an excuse to spread its racist and anti-Muslim slogans.”

The right-wing critique of memory culture in Germany

The AfD was officially designated a ‘rightwing extremist’ force by Germany’s intelligence agency, a status the far-right party is contesting in court. Still, it is the largest party in Thuringia and is poised to take over at least one state in  next year’s elections. This would give it control over the educational and cultural agencies that fund memory culture in Germany, agencies it hopes to defund. Clearly, the AfD is not a fringe group.

And it is gaining increasing influence nationally and visibility internationally. Prior to their strong showing in February’s elections, both vice president JD Vance and President Trump’s ally Elon Musk encouraged German voters to vote for AfD.

The official voice of the Jewish community in Germany unambiguously says that the AfD is a growing threat to German Jews, and Jews around the world. In their 2024 annual report, the Council called the AfD a “legitimizing bridge” between the political mainstream and extremist actors — like the man who livestreamed himself ranting about the Great Replacement Theory before trying and failing to break into the synagogue in Halle with a gun in 2019, killing two people outside its doors.

“There is a will in this party to change the remembrance and the memory of National Socialism in focusing on the positive parts of German history,” said Shila Erlbaum, the Council’s director of policy. “This is an attack on Jewish history and Jewish memory.”

But not all Jews agree the AfD is such a threat. In 2018, a group of Jewish party members founded the Federal Association of Jews in the AfD (JAfD), a small caucus within the party’s 70,000 members. Today, JAfD has only 25 members, along with another 80 supporters who are not full members.

Artur Abramovych, the JAfD’s 29-year-old chairman, told me that they established the caucus after anti-immigrant demonstrations broke out in the eastern city of Chemnitz, when two Kurdish immigrants stabbed and killed a man.

Like the party’s leaders, the JAfD believes, according to its website, that “the greatest threat to Europe in the 21st century is the growth of the Muslim population” and adds that “the rise of political Islam is also primarily a threat to Jews.” While party leaders’ statements contradict AfD’s official support for Israel, the JAfD is strongly and unequivocally pro-Israel.

In January 2024, the German investigative newsroom Correctiv reported that AfD members secretly met with neo-Nazis and wealthy businessmen to plan the mass deportation of immigrants from Germany in a plot called “remigration.” The news brought hundreds of thousands of Germans into the streets in protest.

AfD initially disputed what was discussed at the meeting, though eventually party leader Alice Weidel embraced remigration as the official party platform. Though the party is once again trying to distance itself from the controversial remigration concept to create a broader appeal among the mainstream electorate, JAfD still believes that the plan is essential. Abramovych himself is an immigrant — from Ukraine — but claimed that immigration is threatening German society due to Muslim fertility rates.

Like the party’s hardliners, JAfD is also critical of Germany’s memory culture. Abramovych said that it didn’t originally hurt Jewish people, but now does “because people are forcing German politics to keep the borders open and let millions of Jew haters into the country” due to the state’s Holocaust guilt.

Germany’s immigration politics have moved to the right since Oct. 7, 2023. In an interview with Der Spiegel after the Hamas attack, former Chancellor Olaf Scholz told the magazine, “We have to deport people more often and faster.” Earlier this year, Merz’s government tightened border controls, and in October the Bundestag, analogous to the U.S. House of Representatives, voted to revoke a fast-track to citizenship law passed by Scholz.

While he smoked handrolled cigarettes and drank a cup of black coffee outside of a Ukrainian cafe in Berlin’s Friedrichshain-Kreuzberg neighborhood, I asked Abramovych if he was concerned that Jewish immigrants like himself could be deported from Germany in the future if the AfD gained power and remigration became government policy.

“What? Who would deport the Jews? That’s ridiculous,” Abramovych said.

An alternative critique of memory culture from the left

AfD had its first electoral win in the Bundestag, Germany’s lower parliamentary house, in 2017, becoming the third-largest party in the parliament. Shortly after, poet and political scientist Max Czollek published the best-selling De-Integrate!: A Jewish Survival Guide for the 21st Century, a polemic about Jewish assimilation into German culture. As a result of his edgy take on memory culture in Germany, Czollek has become something of a celebrity, and a bit of a pariah.

For Czollek, AfD is the symptom of a greater problem in Germany where the nation’s guilt over the Holocaust creates a “theater of memory” — a term borrowed from the late sociologist Y. Michal Bodemann — in which Jews play out their dutiful role on the national stage, held up by the state as model minorities, but are subject to losing its protection if they deviate from accepted norms.

Thuringian AfD leader Bjorn Höcke gained infamy when he called Berlin’s Holocaust memorial a “monument of shame,” but Czollek wrote that the idea was not new; in 1998, famed German left-wing intellectual Martin Walser called Germany’s Holocaust remembrance culture “monumentalization of shame” in his acceptance speech for the Peace Prize of the German Publishers’ Association.

People wearing sunglasses and looking towards the sun walking through the stone slabs of Berlin's Memorial to the Murdered Jews of Europe.
Visitors walking through Berlin’s Memorial to the Murdered Jews of Europe in September 2024. Photo by Jake Wasserman

To Czollek, AfD is just the latest step in a proud German tradition of tacitly accepting Nazism, albeit by a different name, in the East.

Behind Balenciaga sunglasses outside of a Kreuzberg cafe, Czollek described his family’s life in the former East Germany, part of a very small community of Jews who stayed after the war instead of departing for West Germany, America or Israel.

“The Jewish rituals I grew up with when my father started to reconnect to this tradition is more like the old, dark, empty synagogue singing of 20 people,” he explained. “And it’s like, ‘Why are there no people?’”

Czollek was born just before the Berlin wall came down, but for his family in East Germany, the Shoah was ever present in the absence of Jews. And it was magnified by what he described as a betrayal by the communist government that took over, which declared itself, its state and all of its citizens to be anti-Nazi — even if they had previously been active members of the Nazi party.

A report by the CIA in 1959 identified over 150 former high-ranking Nazi officials then working in positions of power within the communist East German government, and called it “doubtful” that they were sincere in the “change of political thinking.”

“You have this first generation of Jewish communists who came to Germany to build a better Germany and build up on this idea of anti-fascism as a proper fighting position,” he explained. “Suddenly, a lot of former Nazis were declared anti-fascist. So this is where the memory work fails.”

After the wall came down, Czollek argues that memory culture became a branding tool for Germany to prove itself as a democracy on the international stage — a tool that never offered anything meaningful to the few East German Jews like him, and that has proved ineffective at preventing the revival of a new ethno-nationalist right.

“Memory culture has become a tool in legitimizing and justifying the pride in Germany,” he said. But, he noted, memory culture is a relatively young part of German life; its widespread adoption came, ironically, during the “Years of the Baseball Bat” in the ‘90s, when neo-Nazi violence against migrants escalated severely.

After Oct. 7, Czollek believes that memory culture warped into something else entirely; today, anyone who speaks out against Israel’s response to the attacks in Gaza faces cancellation, disinvitation or even arrest.

“Memory culture used to be a pretty self-centered process of German self-improvement and reinvention,” Czollek said. “By now, it has become a tool of dominance and hegemony.”

“It’s almost like we have done the worst, and we have remembered the best,” he continued, opining that Holocaust and concentration camp memorials boost Germany’s national self-esteem and identity as a moral actor. Then, “you can start accusing migrants of not being as good as you are.”

And Jews who criticize the government’s version of memory culture risk losing state protection.

“There’s a tempting quality to playing along with the theater of memory, because being Jewish is rewarded if you do it in a specific way,” he continued. “Being a non-aligned Jew comes with a price.”

Although solidarity between Germany’s minorities — particularly Jews and Muslims — has become strained post-Oct. 7, exacerbated by the AfD, Czollek believes it’s the only way through the crisis brought about by memory culture and the rise of the far-right.

That’s why Czollek’s new book is called Alles auf Anfang — or, Everything Back to the Beginning. It’s a search for a new culture of remembrance in German life that includes not just Jews, but recognition of other migrant victims in German society.

Currently, much of Germany’s memory culture, exemplified in memorials like the Buchenwald concentration camp, keep their focus firmly in the past. But Czollek believes that, to address the current era, Germany needs to also find ways to commemorate violence perpetrated against its other minority groups.

“If you want to have memory culture as a living, active and productive thing today, it has to be updated every generation,” he said. “Sadness or grief is not a limited resource. We can all grieve together.”

The weaponization of memory culture against Jews

Immediately after Oct. 7, Wieland Hoban, a Jewish German living in Frankfurt am Main, began demonstrating against Germany’s support for Israel, and was arrested multiple times — the first time for wearing a shirt displaying a revolutionary fist logo, which is associated with the pro-Palestinian and anti-Israel organization Samidoun that was banned in Germany a few days following the attack.

The next month, Hoban gave a speech where he said, “Germany can’t wash away its Holocaust guilt with the blood of Palestinians.” Afterwards, he was taken aside by police and charged on suspicion of Volksverhetzung — “incitement to hatred” — a charge that has been used by the German government to prosecute neo-Nazis and far-right extremists, and carries a sentence of up to five years in prison.

In Hoban’s view, memory culture had extended past its logical limits to charge him, a Jew, with a violation of the German criminal code for invoking his own history.

“They explained to me that I had mentioned the Holocaust and that in Germany, they take the Holocaust very seriously,” Hoban said. “This was a bit surreal.”

Hoban, a composer and translator, has been chairman of Jüdische Stimme für gerechten Frieden in Nahost (Jewish Voice for Just Peace in the Middle East) since 2021. He told me that, like many artists in Germany, the cause of Palestinian self-determination has been important to him.

“This occupation of Judaism, through Zionism, had just pushed me away from any identification with Jewishness,” Hoban said. But joining Jüdische Stimme helped him resolve “an inner contradiction” he felt in being Jewish and also supporting Palestinians.

People in row boats hold of keffiyehs and Palestinian flags
Pro-Palestinian demonstrators protest on a lake in Berlin’s Tiergarten on September 20, 2025. Photo by Jake Wasserman

This June, Hoban received a text from a journalist asking him if he’d seen the latest report from the BfV, Germany’s domestic intelligence agency, on extremist groups in Germany. He hadn’t, but when he looked it up, Hoban learned that his organization had been labeled as a “foreign-related extremist” group.

While AfD is using the courts in an attempt to clear their domestic extremist label, Jüdische Stimme is not pushing back. Hoban doesn’t dispute the reasons for the label — he does criticize Israel and Germany’s memory culture — so his group sees no way to clear its name.

“I wish more people would just have the balls to say, ‘I don’t care if you call me antisemitic, I’m sticking to my guns here,’” Hoban said.

With the BfV’s extremist designation, Jüdische Stimme is now vulnerable to surveillance by the intelligence agency, as well as infiltration by informants.

But while the state is adamantly opposed to their cause, Hoban believes that public opinion is changing. The week that we spoke in September, a poll showed that 62% of all German voters believe Israel is committing genocide in Gaza, including a majority of both Christian Democratic Union and AfD voters. A report by the International Federation for Human Rights also found in October that Germany, among other nations, has weaponized the fight against antisemitism to suppress dissent.

And, over a year after Hoban was charged with incitement to hatred, he received a letter from the public prosecutor’s office informing him that the charge against him had been dropped.

A concentration camp gets political

The Buchenwald Memorial was established in 1958 on the site of the former concentration camp by the government of East Germany to commemorate communist resistance fighters; it did not memorialize the dead Jews. But after reunification, the Memorial’s focus expanded to include the more than 56,000 people killed and 280,000 who were imprisoned at the site, becoming a centerpiece in Germany’s tapestry of memory.

Today, Buchenwald — one of the centerpieces of Germany’s memory culture — finds itself caught in the middle of the debate over how to remember the Holocaust. It’s using its mission to confront its dark history in a new way: fighting back against politicians who distort the Holocaust.

Stones of Hebrew letters lay in the ground in front of a destroyed bunk filled with debris. In the far background is a Holocaust-era crematorium.
The Jewish bunk memorial at the Buchenwald Memorial. The inscription from Psalms 78:6 reads: “So that the generation to come might know, the children, yet to be born, that they too may rise and declare to their children.” In the background is the crematorium. Photo by Jake Wasserman

When an AfD member ran for mayor of Nordhausen, a city in Thuringia, in 2023, the Memorial’s official social media pages called him out online for dog whistling to right-wing extremists, invoking a false Holocaust-distorting conspiracy theory. The post changed the course of the election; in the first round of elections, the candidate had more than 45% of the vote, but after the Memorial’s statement, he failed to win in the second round.

“Many older inhabitants of Nordhausen who had not voted for many years said, ‘No, we don’t want to have a Holocaust denier as a mayor,’” the memorial’s director, Jens-Christian Wagner, said in an interview.

Last year, Wagner pursued a more extensive outreach with 300,000 letters mailed to seniors in Thuringia ahead of the state’s elections. The letters warned of the ways in which AfD party leaders have used Nazi language and distorted history.

The AfD fought back, taking the Memorial to court and accusing the Memorial of interfering in “political decision-making.” They lost.

“The court says explicitly that we can’t be neutral against any kind of Holocaust distortion,” Wagner explained to me.

With that mandate, Wagner now considers it his duty and the mission of the Memorial to combat Holocaust distortion, especially when it might affect elections. The Memorial has a particular interest; it’s located in Thuringia, where the AfD is gaining power, and it could lose its funding if the party wins control.

“With our interventions, we don’t think that we can change the positions of the AfD,” Wagner said. “We want to reach all these people who are not specifically voting for the AfD, who are in the gray zone, who can be rescued for democracy.”

Looking towards Germany’s future generations

The AfD has lately focused on reaching youth voters, spending heavily on digital outreach. As a result, young people in Germany are becoming increasingly anti-migrant, embracing far-right political ideas that were once verboten in Germany for being too close to Nazism.

Despite the Memorial’s successful interventions to deter adults from voting for AfD, Wagner is concerned about the rightward shift of younger generations, who are less likely to treat information from a Holocaust memorial with reverence — or even respect its history.

The director described young people who visit the Memorial on school trips displaying the Hitler salute, shouting “Sieg Heil” and photographing each other in front of crematory ovens.

“There were some right-wing young people in every school class for years, but these were only one or two, and the majority was against them, and this has completely changed,” Wagner said. “Now, spreading Holocaust distortion, being right-wing, is common sense in these school classes, and it’s very, very difficult for our educators to have a discourse with them.”

The Memorial has been attempting to revise their educational programming to make visits longer and more in-depth, and even built a youth hostel on the site so that school groups can stay and have extended experiences that they hope will make a lasting impact.

Alan Bern, of the Other Music Academy, also is also worried about the younger generations; he sees resonating with Germany’s youth as one of his most urgent and important challenges.

“Young people in Weimar have almost no real relationship to what it is that we’re doing,” Bern said. “So when they’re told ‘You shouldn’t be antisemitic,’ it’s just some adult telling them ‘Don’t do this.’”

A prison sits behind a barbed wire fence and high exterior wall, which is covered in colorful paintings and graffiti on the outside.
A former East German youth prison next to the Other Music Academy in Weimar. The courtyard behind the prison was once used by the Nazis for executions by guillotine. Photo by Jake Wasserman

Like at Buchenwald, where the education department has placed its hopes for the future into its youth hostel, Bern wants to transform the former youth prison next to Other Music Academy into a dormitory of sorts where young people can stay for several days. The dichotomy of the prison’s barbed wire courtyard and its painted exterior wall, which artists have covered with colorful Keith Haring murals, pose a striking question about the direction of Germany’s future: Which way?

Pointing towards the floor and then to the prison across the driveway, Bern said, jokingly: “It’s either this or that.”

Challenged from both the left and the right, it’s unclear what is next for Germany’s memory culture. For now, the younger generations are caught in the middle.

While waiting at the bus stop to head back from Buchenwald, I found myself unexpectedly sandwiched in the middle of a high school tour group as they posed for a class photo. After we all boarded the bus, about half of them sat quietly —  maybe contemplating the horrors they’d just seen, maybe dozing off. But as we drove down the hill toward Weimar, the bus also filled with the sound of laughter.

The future of memory culture, ultimately, will be up to them.

The post How Germany’s Holocaust remembrance culture kicked off a democratic crisis appeared first on The Forward.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Uncategorized

Mahmoud Khalil’s book reiterates his anti-Zionist stance

From the beginning, Palestinian activist Mahmoud Khalil denied claims that the protests at Columbia University after the Oct. 7, 2023 Hamas attacks on Israel were antisemitic.

In his book, No Land to Stand On, released Tuesday, he stands by that.

Khalil, who became the face of the anti-Israel campus movement after he was detained by Immigration and Customs Enforcement in 2025, reiterates his anti-Zionist stance in the book while detailing “a life of exile, refuge, and resistance.”

Recounting the endless interviews with journalists that made him the face of a campus movement, he writes that the question of whether the protests were antisemitic kept coming up.

“I explained, repeatedly, that the conflation of anti-Zionism with antisemitism was a strategy to stifle righteous criticism of Israel,” writes Khalil, who added that many Jewish students were involved in the protests. “Such weaponization of antisemitism was designed to place a state and its crimes beyond criticism by wrapping them in the protections owed to a faith and its people.”

The memoir weaves Khalil’s beliefs and frustrations through stories from his life, from where he was born in a Palestinian refugee camp in Syria and fled to Lebanon at age 18, to the protests at Columbia, his detention and finally his release. He uses the book as an opportunity to say his detention was unjust, and to critique the government’s case against him.

He notes a memo from U.S. Secretary of State Marco Rubio that states his detention was a result of “antisemitic protests and disruptive activities, which fosters a hostile environment for Jewish students in the United States,” adding those activities were “otherwise lawful.”

“Otherwise lawful,” writes Khalil. “They had written it themselves. My beliefs were lawful, and they wanted to deport me for them.”

Khalil argued that the administration was disingenuous in deporting him for alleged antisemitism, pointing to Trump’s personal visit with the openly antisemitic influencer Nick Fuentes. He also accused the administration of platforming “white supremacist rhetoric and symbolism.”

Further, Khalil claimed pro-Palestinian protesters were peaceful, while “it was the pro-­Israel students and Zionist groups that had provoked confrontations, harassed Palestinian students, and in some cases physically attacked them.”

Despite his status as a lawful permanent resident married to a U.S. citizen, the federal government apprehended him on March 8, 2025. Khalil spent 104 days in ICE detention, famously missing the birth of his first child.

His imprisonment sparked a fierce debate over free speech, along with a debate over what his beliefs were to begin with. Khalil clarified his stances in an April interview with the Forward saying he acknowledged “a Jewish connection” to Israel, but that “rejecting the self-determination of the Jewish people on the Palestinian land in itself is not antisemitism.”

He reiterates in the book that he does not “endorse” Hamas, though he told the Forward he was unsure if Hamas targeted civilians on Oct. 7, something that has been widely documented and substantiated.

While he expressed disdain for the way the university handled the protests and its messaging after Oct. 7, Khalil said the university was failing its Palestinian students long before 2023. He pointed to the school’s Tel Aviv Global Center, which opened this past summer despite protest.

“Columbia wanted to open an institutional outpost, funded in part by our tuition, in a place that had a policy of refusing entry to people like me, and call it a center for global learning,” he wrote.

He also took aim at Columbia’s dual degree program with Tel Aviv University.

“The dual-­degree stream was largely built around Jewish Israeli students who had served in the Israeli army,” writes Khalil. “I couldn’t stop thinking that if I were in Palestine, some of these students would be stopping me at checkpoints, raiding my university, piloting the drones surveilling my community, killing my neighbors.”

Returning home to New York from the ICE detention center in Louisiana, he wrote that he was met with praise — and harassment.

When people approached him asking if he was the Khalil they’d seen in the news, he was unsure: “Whether they wanted to shake my hand or spit in my face, say ‘Thank you for what you’re doing’ or follow me through Midtown yelling ‘Am Yisrael Chai.’”

He saw all of those reactions and more, he wrote.

The 208-page book is dedicated to Khalil’s wife, to the Columbia students who participated in the protests, to ICE detainees and “Palestine, until you are free.” He will launch a book tour on Tuesday at a shop just two blocks from Columbia’s campus.

The post Mahmoud Khalil’s book reiterates his anti-Zionist stance appeared first on The Forward.

Continue Reading

Uncategorized

Sydney Sweeney went to shul. But did she choose the right occasion?

Jewish internet spaces are alight this week with reports that actress, model and political lightning rod Sydney Sweeney was spotted in the pews on Rosh Hashanah.

According to GreenwichTime and The Free Press, Sweeney — who is not Jewish — attended services at Temple Sholom in Greenwich, Connecticut, with her boyfriend, music mogul Scooter Braun (who grew up there). Gossip rag DeuxMoi has since claimed that Sweeney, who has been linked with Braun since at least June 2025, is also contemplating conversion.

One can speculate on whether the most in-demand actress on the planet might be leaning a bit too hard into her Marilyn Monroe character arc. At the Forward, though, we’re wondering whether Sweeney’s Jewish beau picked the right holiday to bring her to shul.

After all, there’s a wide range of experiences when it comes to prayer services, and you want to make a positive first impression. You’d want their day in shul to be accessible, fun and not too long. That’s a Sydney Sweeney movie, though, not Rosh Hashanah services. So without further ado, here’s the official undisputed rankings of Jewish calendar days on which to bring your non-Jewish partner to shul.

Going from least to most desirable:

Erev Tisha B’av

I would have to respect the audacity of someone bringing their partner to synagogue for the first time on Tisha B’av, the day Jewish people grieve the destruction of the Holy Temple in Jerusalem. It’s an intentionally unpleasant time to be in shul — you’re sitting on the floor, reading Lamentations. Also, you’re not supposed to greet people at all, which would almost certainly be awkward for a first-timer, considering how uncomfortable it is for regulars. On the flip side, if you’re Sydney Sweeney, that rule means no one can bother you for a selfie, either.

Shemini Atzeret

We pray for rain, which is an ancient word that means sustenance, but at this point everyone’s running on fumes for the High Holiday season, so you probably won’t get your senior rabbi delivering the sermon. Some years (including this one), your synagogue might be reading Ecclesiastes, which is both melancholy and long. Hard sell.

Passover

Passover isn’t known for its prayer services — the main event is, of course, the seder. If you’re taking a non-Jewish partner to services for the first time on Passover, it usually means one of two things: 1) You don’t want anyone to meet this person, because nobody goes to shul on Passover or 2) You didn’t have enough fun at the seder, because if you did, you’d be sleeping in with the rest of us.

One Passover plus: On the Shabbat that falls during the holiday, services also include the reading of the Song of Songs, the most risqué text in the Jewish canon.

Shavuot

In the height of summer, we read the story of Ruth — Judaism’s great conversion story. (Hint hint.) We also celebrate the receiving of the Ten Commandments, which your partner may already be familiar with from the movies, if not public school.

Shavuot morning is also a good service to go to because — at least in synagogues that observe two days of the holiday — the first day’s early services are led at a breakneck pace so that people who stayed up all night studying Torah the night before can go straight to sleep. No sermon! You’ll be out of there faster than you can say Na’aseh V’nishmah.

Simchat Torah

sydney sweeney scooter braun
I’d say they’re about 60% of the way to Yom Kippur attire. Photo by Luigi Iorio/GC Images

Like Sukkot, but swap out the lulav and etrog for Torah scrolls, which don’t smell as good or shake as well. Many synagogues (over-)serve alcohol on this holiday, which is a double-edged sword for a day you’d prefer everyone to be on their best behavior.

Yom Kippur

I’m gonna call this one underrated. There are surprisingly some things going for the Jewish day of repentance. The themes of atonement and forgiveness have universal appeal, and Jewish people do them well. You’ll probably get one of the rabbi’s strongest sermons of the calendar cycle. There’s a strange ecstasy that comes from being trapped in a room with hundreds of fasting people; the story of Jonah and the whale is one of our highlights. (This is also the only holiday I can attest to: My parents had their first date — ever! — on Yom Kippur services, and they’re still together.)

At the same time, Yom Kippur tends to have the longest prayer services of the year. It’s a fast day, so there’s no free food at the end of afternoon services (though you might get bagels at the break-fast). You usually have to pay to get in, plus there’s often a fundraising appeal woven into the service. And due to the prohibition on wearing leather shoes, you’d also be surrounding your partner with people wearing Crocs with dress clothes, which may scare them away from Judaism even if you try to explain it.

Sukkot

People like to call this our most pagan holiday, but marching around in circles with a giant asparagus and lemon is objectively fun, and the Four Species can represent basically anything you want. Let’s just hope your partner isn’t a willow.

Rosh Hashanah

Scooter Braun isn’t the first person to drag their partner to shul on Rosh Hashanah, and for good reason. Everyone wears their finest clothing, the shul will be beautifully decorated and the prayers are musically extravagant. The rabbi’s sermon will emphasize renewal and the commitment to doing better. There’s a decent chance apples dipped in honey will be served in the lobby. And above all else, the shofar blowing — done right — is arguably the highlight of the year in shul.

Plus, everyone’s there, so you can introduce your partner to everyone they need to know in one fell swoop. The only downside is you usually have to buy a ticket. (And on behalf of synagogue offices everywhere, if you’re the Jewish partner in the relationship, don’t try to arrange this over email 24 hours before the holiday.)

Purim

This is one thing Nobody Wants This got right: Purim is the ideal holiday for introducing a non-Jewish partner to the community. What better way to show up than in costume? You learn a foundational story of Jewish survival, a tradition that transforms our vulnerability into comedy.  It’s also a family-oriented holiday — kids in face-paint, everyone with their graggers — which makes it a perfect picture-this set piece.

But the best thing about Purim? Thanks to the tradition of drinking ‘til you drop — if the relationship doesn’t work out, no one will remember a year later.

The post Sydney Sweeney went to shul. But did she choose the right occasion? appeared first on The Forward.

Continue Reading

Uncategorized

How Toronto Jews spread the Gospel of ‘Godspell’

To wander into a screening of You Had to Be There, Nick Davis’ documentary about the famed 1972 Toronto production of Godspell, is to have a Jewish come-to-Jesus moment.

The first thing you hear, after the voice of a 22-year-old Martin Short, testing a microphone in a furtive recording taken at the Royal Alexander Theatre, is a shofar sounding a tinny tekiah. It’s maybe not what you’d expect from a musical built around the Gospel of Matthew. But the film, which features interviews with original 1972 cast members Eugene Levy and Victor Garber, composer Stephen Schwartz and the production’s musical director Paul Shaffer, makes a strong case for Jewishness being the secret sauce that made the show take off.

Davis, who grew up in a secular Jewish home, began this project as a Godspell skeptic, trying to understand how so many subversive comedic talents broke out in a “hippie-dippy musical about Jesus.”

“I could imagine SCTV ripping Godspell apart with the Godspell that I knew,” Davis said in a video call from Chicago, where he was in town for a screening at the Music Box Theater. “Almost from the very beginning, they were like, ‘You don’t understand what Godspell was.’”

The show was picketed by Christians who took exception to the apostles, and Jesus himself, depicted as clowns clad in overalls. The key to the success of the Toronto Godspell, one of a number of regional productions that sprang up in the 1970s, was its invitation to performers to improvise within a sacred text.

“My feeling now is they were attracted to this material because this material encouraged them to be their biggest, best, most brilliant comic selves,” said Davis.

In the case of Hamilton, Ontario-native Eugene Levy or Gilda Radner, who came over from Detroit to audition, this meant introducing a Jewish sensibility to a work that was rooted in the writings of a First Century Jew. Whether they knew it or not, the cast was soon following a Jewish schedule of worship.

Perhaps more legendary than the show, composed by an early career Schwartz, later to write Wicked, with a book by his Carnegie Mellon classmate John-Michael Tebelak, were the after-parties, dubbed “Friday Night Services” and held at the shared home of Short and Levy.

It was here, with some chemical assistance — that the cast and their friends, among them John Candy, developed bits and worked on characters. (Thankfully, they had the presence of mind to record these confabs, which can be heard in the film and are animated in a style a la The Brady Kids.)

It wasn’t quite Bible study, but in his interviews, Eugene Levy briefly reflects on the significance of his turn as Jesus, following Victor Garber and Don Scardino, who later became a prolific comedy director for shows like 30 Rock and Crazy Ex-Girlfriend.

“I think I was the first Jewish-looking Jesus that any of the productions had,” Levy says in the documentary. “They went more Ronald McDonald with that look but I definitely was sporting my ethnicity and a little hair.”

Levy refused to manscape for the role of Jesus, who traditionally makes his entrance in just his boxers, and so he had to wear an undershirt. At one point the actor considers if, in the moment after Jesus is “crucified” on a chainlink fence, and lifted by the company in a sort of resurrection, he was doing something sacrilegious.

In the end, he concludes, it just felt like good theater.

The call of Godspell remains strong, Davis said. Not every member of the company — some of whom are related by marriage — still sees each other in person, but they’re all on an email chain. Davis embarked on the film thinking it would be a study on “the fickleness of fame,” with the cast of 10 about evenly divided between household names and ones who didn’t quite hit, but from the first interview he found people asking when he’d arrange a reunion.

The moment finally arrived in 2025, which, due to the exigencies of scheduling, happened to be the first night of Passover. There was a cake, but you can see Paul Shaffer electing to snack on matzo. (When cast member Valda Aviks asks him if he shouldn’t be at a Seder, he simply says “eh.”)

“I did bring a Seder plate that we had, a little fun thing for them to play with if they wanted,” said Davis. “All they wanted to do was sing by the piano.”

Davis considers Godspell, the Jesus musical written by a “nice Jewish boy from Long Island,” an example of the way Jews succeed through assimilation and entertainment. While he came in thinking the show was cornball, he now understands how it paved the way for the barrier-breaking comedy its alumni would produce

“There’s something Jewish fundamentally at the core of it,” Davis said. Like the Jewish teacher at its center, it is “radical.”

The post How Toronto Jews spread the Gospel of ‘Godspell’ appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News