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How Israel built its most talented baseball roster ever for the 2023 World Baseball Classic
MIAMI (JTA) — As Team Israel celebrated its victory over Nicaragua Sunday afternoon in its opening game of the 2023 World Baseball Classic, there was proof up and down the lineup card of a months-long recruitment process that brought together a slew of major league talent.
There was manager Ian Kinsler, a 14-year MLB veteran and four-time All-Star. Big league pitchers Dean Kremer, who started the game, plus Richard Bleier and Zack Weiss. All-Star slugger Joc Pederson, and major league catcher Garrett Stubbs, who drove in the winning run.
For Kinsler, who played a central role in putting the roster together, the victory served as validation — even if he didn’t know what some of the players actually looked like until they arrived in Miami.
“Knowing the names, and then finally seeing all the faces and everybody coming together and playing a good game yesterday was very rewarding,” Kinsler said Monday. “It was a lot of fun.”
Pulling the team together took a combination of personal cajoling, a widely respected manager, Jewish geography and an effort to tap — and ignite — the sometimes embryonic Jewish identities of players who hadn’t given much thought to how their Jewish roots and baseball prowess might be combined.
“There’s quite a few guys who really want to help Israel and feel Jewish and buy into it,” Team Israel general manager Peter Kurz told the Jewish Telegraphic Agency. “We evolve towards those players more — a player who says that he’s been to Israel, or that he’s connected to Israel. We definitely like to keep more than a player who was not connected at all, even though we try to go for the best athletes.”
The journey to assemble Team Israel, a 30-man roster composed largely of American Jewish ballplayers, half of whom have MLB experience, actually began back in 2021.
While playing for Israel’s 2020 Olympic team, Kinsler had conversations with Kurz and Israel Association of Baseball president Jordy Alter about managing the team in 2023.
“Once I developed the relationship with those two in the Olympics, it was a pretty easy decision,” Kinsler told JTA prior to the WBC. Kinsler had never managed a team before, at any level.
After he took the helm last June, Kinsler took a lead role in the team’s recruitment, working off a preliminary list of 50 players who were eligible to play for the team — meaning they were Jewish themselves, or the child or the grandchild of a Jew or married to one, and thus eligible for Israeli citizenship.
Kurz said Kinsler’s reputation around baseball was a key factor in offering him the job.
“There’s no doubt that Ian is one of the most respectable Jewish players that’s ever played the game before,” he said. “People respect him and they look up to him. Having experienced being in Israel twice, and playing for us in the Olympics, it just gives him that much more legitimization to talk to these players and ask them to come play for Team Israel.”
Kinsler is not the WBC’s only inexperienced manager who was chosen in part as a draw for players. Former players Mark DeRosa (United States), Mike Piazza (Italy) and Yadier Molina (Puerto Rico) are all managing, and Nelson Cruz is both a player on the Dominican Republic team and its general manager.
Ian Kinsler played for Team Israel at the Olympics in Tokyo after 14 MLB seasons. (Courtesy of JNF-USA)
As Kinsler began his recruitment, his first call was to Joc Pederson.
“It’s been an awesome experience,” Pederson told JTA. “I really enjoyed my time last time I played [in the 2012 WBC qualifier], and I wanted to do that again. Great group of guys.”
From there, Kurz said, he and Kinsler went down the list of Jewish major leaguers, calling each one to gauge their interest in representing Israel in the World Cup-style tournament. Given the timing of the WBC — just weeks before Major League Baseball’s Opening Day — it was largely a conversation about logistics.
“I think it wasn’t really necessarily the conversation about ‘Are you Jewish?’ Or ‘Are you eligible to play for Team Israel,’” Kinsler explained. “I think it was more of a conversation of ‘do you want to participate?’”
Pederson, who texted fellow big league players like Houston Astros star Alex Bregman and Milwaukee Brewers first baseman Rowdy Tellez (who is playing for Mexico), said health concerns and having enough time to get ready for the season were factors. New York Yankees players Harrison Bader and Scott Effross dropped out because of injuries.
And why did Pederson want to help recruit? It’s simple: “Because I like winning, and I want to win,” he said.
Israel hoped that having big-name players like Kinsler and Pederson lead the outreach efforts would pay off. While some of the game’s top Jewish stars ultimately did not join the team — namely Bregman and Atlanta Braves ace Max Fried — their work was far from fruitless, as this roster boasts the most major league experience Israel has ever had.
“I tried to get Peter to hold off as long as he could, so I could be the first one to get in touch with people,” Kinsler said. “Because I do think it helps hearing from a player.”
When making his calls, Kinsler said he shared his experience playing in the 2017 WBC with the U.S. team, plus “what kind of environment we’re trying to create for Israeli baseball.”
While navigating spring training schedules and injuries is certainly part of it, Kurz said there were many players who were excited for the opportunity to wear Israel across their jersey.
One of those players is Baltimore Orioles pitcher Dean Kremer, who was the first Israeli to be drafted into the MLB. Kremer, whose parents are Israeli, was born and raised in California, but has spent time living in Israel.
Dean Kremer pitches against Nicaragua in Israel’s first game of the 2023 World Baseball Classic, March 12, 2023, in Miami. (Courtesy Team Israel)
“Playing for Team Israel, anytime I get to put on that uniform is special for me,” Kremer said after pitching in Israel’s victory over Nicaragua. “It’s like another home. So every time I get to represent it’s one of the better feelings.”
Pederson added that the whole team “feels extremely proud.”
Ryan Lavarnway, a veteran catcher who has also played for Israel since 2017 and is seen as one of its leaders, has been vocal about how much it means to him to suit up for Israel.
“Playing for this team is super meaningful to me,” Lavarnway said after Israel’s exhibition game against the Miami Marlins. “It’s been really life changing. And I hope that this next generation of players that are new to this team takes the baton, and it means as much to them as it’s meant to us.”
One of those younger players is Toronto Blue Jays prospect Spencer Horwitz.
“Coming into this, I didn’t know what to really expect, this being my first time playing for Team Israel,” Horwitz said. “It’s living up to everything that people are saying. That environment we were just in was definitely electric.”
With reports of antisemitism on the rise in the United States, Kurz said players are more inclined to publicly identify as Jewish.
“I think a lot of these players feel, even more so, that they have to identify as being Jewish. Nobody’s trying to hide that at all,” he said.
Kurz added that Israel had an easier time recruiting top talent for the 2023 roster than in previous years, for a few reasons.
First, he said, both Team Israel and the WBC itself have gained in prominence over the past decade. For Israel, a surprising run in the 2017 WBC helped put Israeli baseball on the map, garnering excitement among both fans and potential players. And the WBC itself has grown more popular in the United States and around the world, with superstar players such as Shohei Ohtani and Mike Trout suiting up for their ancestral countries, and MLB devoting more resources to marketing the tournament.
Geography also played a role. With most of the games being played in Miami, that allowed MLB players to more easily participate, as half the league has spring training in Florida.
When trying to discover Jewish players, there’s a certain element of word-of-mouth Jewish geography that comes into play, too. No player encapsulates that better than Ty Kelly.
“It’s easy to get the Cohens and the Levys. It’s more difficult to get the Ty Kellys,” Kurz said.
Ty Kelly bats during Israel’s exhibition game against the Miami Marlins, March 8, 2023 in Jupiter, Florida. (Emma Sharon/MLB)
Kurz recalled that about seven years ago, he heard from someone on Long Island who had taken his kids to a minor league game. Kelly was signing autographs and spotted the kids’ kippahs and told them he was Jewish. They told their father, who in turn told Kurz.
“And the rest was history,” Kurz said. Kelly, who has played for Israel since the 2017 WBC, has become another one of the team’s leaders. After this WBC, he will begin his coaching career in the Seattle Mariners organization.
The WBC’s eligibility rules also allowed Israel some flexibility in recruiting. Outfielder Alex Dickerson, for example, is not Jewish, but his wife is.
“This is about creating the best team possible within the rules,” Kinsler said.
Creating the best team also meant creating a strong coaching staff.
Kinsler recruited former Israel manager Brad Ausmus, who was Kinsler’s manager in the big leagues, and former All-Star and fan favorite Kevin Youkilis, the former Boston Red Sox first baseman.
“It was easy,” Youkilis said of his decision to join the team. “Being part of this is part of my heritage, part of growing up Jewish and being bar mitzvahed and all that. It was an easy yes.”
Youkilis, who retired in 2014, said coaching full-time isn’t in the cards for him, but he’s enjoying the experience right now.
“It’s remarkable how good a talent we have, a collective Jewish group of ballplayers that when I was growing up probably wasn’t that strong,” he said. “It’s good to see the next generation of ballplayers, and to be a coach, and to witness it and be around and help guys.”
While this team, and its coaches, is largely a group of American Jews, the uniform says Israel. Even with the fraught political climate in Israel, which is experiencing an uptick in violence and widespread protests over the country’s far-right government and its controversial judicial proposals, both Kurz and Kinlser said politics were not a factor for any player.
“I don’t think in general athletes are too scared of those types of things,” Kinsler said.
Kurz added that leading up to the WBC, numerous players reached out to ask questions and gain a better understanding of the current situation in Israel. But nobody expressed hesitation about identifying with the country. (There have not been protests or anti-Israel demonstrations, as there have been at times in the past when Team Israel plays in the United States and abroad.)
“They’re definitely interested, they want to know what’s going on,” Kurz said. “They want to know who they’re playing for.”
Kelly, who was part of those types of discussions in the clubhouse with the Olympic team, said the players are keeping an eye on the news, but they haven’t had many conversations about it yet.
“I think it’s sort of the nature of the team, having a lot of new guys and people not really knowing what their roles are supposed to be, as far as talking about that stuff, or what their opinions are supposed to be,” Kelly said. “I think that happens as guys get to know each other more.”
Building camaraderie was also a priority for the team. Prior to the tournament, Israel held a private screening of the new documentary “Israel Swings for Gold,” which followed the team’s Olympic experience in Tokyo.
Kinsler said that while the event was not mandatory, he encouraged players to attend.
“I think that’ll be a great bonding experience for us, and something that other teams don’t really have the luxury of using as motivation or bringing togetherness,” Kinsler said beforehand. “That could be an advantage for us.”
And with a tough draw in Pool D, which pits Israel against top teams including the Dominican Republic, Venezuela and Puerto Rico, Israel will need any advantage it can get.
But Israel is no stranger to being the underdog. In fact, the team relishes it.
“We’re certainly the David against the Goliath of the baseball world. But you know, we love it,” Kurz said.
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The post How Israel built its most talented baseball roster ever for the 2023 World Baseball Classic appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”