Uncategorized
How Mira Nair and Mahmood Mamdani’s politics shaped New York City’s new mayor
(New York Jewish Week) — When he sat down for an interview in November with the Chronicle of Higher Education, Mahmood Mamdani offered one parameter: “Let’s not talk about the mayor thing.”
It was just two days after the Columbia University professor had taken the stage alongside his wife and daughter-in-law after his son Zohran had been elected mayor of New York City, winning more than 50% of the vote in a three-way race.
Zohran Mamdani, a 34-year-old democratic socialist with a long track record of pro-Palestinian activism, has said he counts his father as one of his political inspirations.
But Mahmood Mamdani preferred to talk about his own record, as a professor of anthropology and international affairs and a longstanding pro-Palestinian activist who was the first faculty member to address the Gaza war encampment on his campus.
His wife, filmmaker Mira Nair, and Zohran’s wife, the artist Rama Duwaji, likewise are respected in their fields and well known for their pro-Palestinian advocacy and adherence to the movement to boycott Israel.
Zohran Mamdani has described the BDS movement as “consistent with the core of my politics,” and in 2023 introduced a bill while serving as an assemblymember that sought to block nonprofits from funding Israeli settlements in the West Bank.
While it is unclear the extent to which Mamdani will pursue BDS policies during his upcoming mayoral term, his politics and those of his parents reflect a shared alignment with pro-Palestinian causes.
“When you’re the kid of two parents who are very involved in social justice, a lot of times what you remember as a playdate was you being at some rally or some march,” Mamdani recalled in an interview with City & State in April 2023.
Now, as Zohran takes the city’s reins, here’s what you need to know about his immediate family.
Mahmood Mamdani, viewing Israel through an anti-colonial lens
Long before his son’s mayoral campaign, Mahmood Mamdani, 79, was known widely as one of the foremost scholars on colonialism and postcolonial politics in Africa. Born in India in 1946, Mamdani was raised in Kampala, Uganda at a time when the country was racially segregated. After receiving his bachelors, masters and doctorate from universities in the United States, Mamdani was expelled from Uganda in 1972 after Ugandan President Idi Amin ordered all Asians to leave the country.
Since 1999, he has been a professor of government at Columbia University, and has published several books and essays on colonialism and political violence including “Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism” in 1996 and “Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror” in 2004.
As a scholar, Mahmood Mamdani is best known for his analysis of colonial rule and how it shapes the identities of both the occupied and occupiers. In his 2020 book, “Neither Settler nor Native: The Making and Unmaking of Permanent Minorities,” he uses case studies that include Nazi Germany, Israelis and Palestinians and post-apartheid South Africa.
Mamdani has spoken directly and repeatedly about how his broader scholarship shapes his thinking on Israel and Palestinians. “The issue is not settlers, but settler colonialism,” he wrote in “Neither Settler nor Native.” In 2021, during an 11-day outbreak of violence between Hamas and Israel that was sparked by tensions in Jerusalem, Mamdani wrote on X, “Palestinians have a right to resist. This is a colonial occupation, not a conflict!”
Three days later, as Hamas and Israel exchanged missiles and airstrikes, Mamdani wrote that the conflict was not between Israel and Hamas, but rather the resurgence of a third intifada.
“The resistance this time began in Jerusalem and spread to Gaza, now the West Bank and Palestinian communities beyond. This is not a conflict between Israel and Hamas,” wrote Mamdani in a post on X. “We are witnessing something far more meaningful, the birth of the Third Intifadah against settler colonialism!”
In 2002, as the second intifada was in full force, Mamdani signed onto a petition calling for Columbia University to divest from companies supplying arms to Israel, saying at the time his support for the petition was to make a “moral statement registering concern over the exercise of power by Israel.”
In the Chronicle of Higher Education interview, Mahmood Mamdani spoke about being the first faculty member to address the pro-Palestinian protesters who set up an encampment at Columbia in 2024. He said his talk focused on “lessons of the divestment movement in South Africa.”
In a 2022 Zoom lecture at the Carter G. Woodson Institute of the University of Virginia, Mahmood Mamdani argued that while there was reason to give “full and enthusiastic support” to the BDS movement, he cautioned against the movement extending its boycotts against the breadth of “Israeli society and not just to its Zionist sectors.”
During his lecture, Mamdani also argued that Israel must learn from the dissolution of the South African apartheid, saying that the only way forward in the region was if there was an “epistemic revolution” in Israel where they realized the “flourishing of Jews and Jewish life does not require a Zionist state.”
“Whites did not need to monopolize political power to have a home in South Africa. It is this lesson that needs to be driven home to Israelis, as many as possible, that Jews do not need to have a Jewish state to have a secure home in Israel-Palestine,” said Mamdani. “Indeed, Jews are more secure in New York City than they are in Israel.”
Asked whether he supports a one-state solution, Mamdani recently told The Chronicle, “I’m sympathetic to only one type of one state, a state which is based on rule of law and guarantees equal rights,” a position his son echoed on the campaign trail. “I’m opposed to any kind of discrimination. I’m opposed to any form of apartheid which I understand to be a legally enforced distinction between two groups in society, where one benefits and the other is penalized.”
In an interview with The Nation in January 2024, Mamdani criticized the public response to the pro-Palestinian protests erupting across the U.S., saying that conflating anti-Zionism with antisemitism was a danger to democracy.
“To conflate the critique of a state with the critique of a people poses a challenge to a democratic culture,” he said. In his recent Chronicle interview, Mamdani pointed favorably to the Jerusalem Declaration definition of antisemitism, signed by over 200 mostly Jewish scholars, which insists that the movement to boycott Israel is not in and of itself antisemitic. The declaration, he said, “makes a very clear distinction between the State of Israel and the people of Israel,” as opposed to the International Holocaust Remembrance Alliance definition.
In a January 2024 letter published in the Columbia Spectator, Mahmood Mamdani criticized the school for dissuading the use of the words “intifada” and “from the river to the sea,” arguing that excluding them would “rule out any meaningful dialogue on Israel and Palestine on this campus.” (He told the Chronicle that the “river to the seas” concept appears in the Likud party manifesto, which declares that “between the [Mediterranean] Sea and the Jordan [River] there will only be Israeli sovereignty.” He also claimed that he had not actually heard “from the river to the sea” chanted in Columbia’s quad, and had only read about it.)
Zohran Mamdani similarly downplayed rhetoric that many Israel supporters consider incendiary. In June he declined to condemn the phrase “globalize the Intifada,” arguing that the phrase symbolized a “desperate desire for equality and equal rights in standing up for Palestinian human rights.” (Mamdani later said he would “discourage” the use of the phrase, which many supporters of Israel, recalling two violent uprisings of Palestinians in 1987 and 2000 that killed hundreds of Israelis, see as a call to violence.)
At an appearance on the encampments, Mamdani described charges of antisemitism as “part of the currency the administration uses to demonize protests like this,” according to the Columbia Spectator.
Critics of the elder Mamdani say he underplays Jewish historical vulnerability and antisemitism, minimizes Palestinian political agency and their internal divisions, and ignores the way Zionism differs from European colonialism. But like his son, he believes even younger Jews are increasingly adopting his critique of Israel and Zionism.
In a December interview with Peter Beinart for Jewish Currents, a leftist magazine, he said he believed the Jewish diasporic community would play an “important role” in discussions over the “Palestinian question” in the future.
“Jewish children in New York City have become increasingly skeptical of the direction in which Israel has been moving, and increasingly disillusioned with both the moral and the political efficacy of that route and increasingly open to explore an alternative,” said Mamdani.
Mira Nair, a supporter of cultural boycotts
Nair is an award-winning Indian-American filmmaker whose debut 1988 film, “Salaam Bombay!,” earned her an Academy Award nomination for Best Foreign Language Film. She also directed several acclaimed films including “Mississippi Masala” in 1991, “Monsoon Wedding” in 2001 and “The Namesake” in 2006.
Born in India, she met Mahmood Mamdani in Uganda in 1989, and they married two years later. Nair was also married to the Jewish photographer Mitch Epstein from 1981 to sometime before 1989; he has declined JTA’s requests for an interview.
Nair has also been an outspoken critic of Israel and a supporter of petitions backing the Boycott, Divest and Sanctions movement.
In 2013, Nair declined an invitation to the Haifa International Film Festival. “I will not be going to Israel at this time. I will go to Israel when the walls come down. I will go to Israel when occupation is gone,” she tweeted at the time. In a subsequent post, she added that she stood with the BDS movement.
In March of this year, Nair signed onto a petition calling for the Academy Awards to remove Israeli actress Gal Gadot from its ceremony, accusing her of showing “support for Israel’s military actions against Palestinians,” according to an Instagram post by the group.
Following the election of her son, Nair has also declined to discuss Mamdani’s attitudes towards Jews and Israel in an interview with The Hollywood Reporter.
“What I love so much about Zohran is that he embraces the multiplicity of our lives in the most natural way — this mosaic that is our city but that no one has seen until this young man came along,” Nair told The Hollywood Reporter of her son.
Rama Duwaji, an artist with a political vision
Mamdani’s wife, Rama Duwaji, whom he married this year, has also made pro-Palestinian advocacy a focal point of her work in ceramics, animation and illustrations.
While Duwaji has largely refused interviews with the press and did not appear at campaign events or fundraisers, last month she sat for her first interview post election with The Cut.
“Speaking out about Palestine, Syria, Sudan — all these things are really important to me,” Duwaji told The Cut. “I’m always keeping up to date with what’s going on, not just here but elsewhere. It feels fake to talk about anything else when that’s all that’s on my mind, all I want to put down on paper.”
“Everything is political; it’s the thing that I talk about with [Zohran] and my friends, the thing that I’m up to date with every morning, which is probably not great for my mental health. It’s what I talk about when I check on my family back home,” continued Duwaji.
During the interview Duwaji also discussed the meaning behind part of her election night outfit —- a black top designed by Zeid Hijazi, a London-based Palestinian-Jordanian label.
“It’s nice to have a little bit of analysis on the clothes because, for instance, during the general-election night, it was nice to send a message about Palestinians by wearing a Palestinian designer,” said Duwaji.
Duwaji, 28, who is ethnically Syrian and grew up in Texas and Dubai, also frequently posts illustrations that advocate for pro-Palestinian causes on her Instagram account. Her art has been featured in The New Yorker, The Washington Post, the BBC, and VICE, according to her website.
https://www.instagram.com/p/DNQ85ehpSo6/?hl=en
In August, she posted an animation of the Palestinian flag along with the words “end the genocide,” and posted another last month depicting the Global Sumud Flotilla.
In March, she posted an illustration of Mahmoud Khalil, a pro-Palestinian student activist at Columbia University, calling for his release after he was detained by the Trump administration amid its campaign to purportedly combat campus antisemitism.
“This is an attack on freedom of speech, and sets a scary f—king precedent for anyone who speaks up for what’s right. Resist,” wrote Duwaji.
“He’s his own person”
In an interview with the New York Times in June, Mahmood Mamdani spurned suggestions that his politics had an outsized impact on his son’s political views.
“He’s his own person,” Mamdani said. “Now, of course what we do as his parents is part of the environment in which he grew up, and he couldn’t help but engage with it. That doesn’t mean anything is reflected back on us.”
But Nair was quick to disagree, telling the Times that her son had “very much absorbed” his parents’ politics, which largely center on anti-colonialism.
“I don’t agree!” Ms. Nair said. “Of course the world we live in, and what we write and film and think about, is the world that Zohran has very much absorbed.”
The post How Mira Nair and Mahmood Mamdani’s politics shaped New York City’s new mayor appeared first on The Forward.
Uncategorized
Bedouin shepherds found it. A bishop sold it. An Israeli agent bought it. Now you can see it up close.
The magnificent 717-centimeter ancient Isaiah scroll on view right now at The Israel Museum, for the first time in 60 years, is drawing so many people that the museum has set strict guidelines for visitors.
To see the scroll — meaning the original, handwritten, non-facsimile, version that survived for two thousand years in jars hidden in a cave — with your own eyes, all 23 1/2 feet of it, you need to register by 8 a.m.
Once you are at the exhibit entrance, you need to wait your turn; you have to watch a film first about the incredible story of how the Isaiah scroll was found by Bedouin shepherds in a remote cave near the Dead Sea, sold to Archbishop Samuel, head of the Syrian Orthodox Monastery of St. Mark in Jerusalem, then read and evaluated by a professor whose son became Israeli military royalty, photographed by an American scholar, sent by the bishop to the U.S. for a tour of several leading universities in the hope of snaring a very high price, and then at long last, clandestinely purchased by an agent hiding that he was representing Israel from a small and seemingly innocuous ad in The Wall Street Journal. Then you have exactly 10 minutes in a temperature-controlled room with the scroll.
There is something spiritual and moving about seeing this gigantic, complete, handwritten scroll that was literally hidden in a cave for millennia. What is remarkable about it, Professor Noam Mizrahi of the Hebrew University in Jerusalem explains in a video you can watch after you check the scroll out for yourself, is first of all its age.
“It is over two thousand years old,” he explains. To be precise, the scroll was written in 125 BCE. The other amazing aspect of it is its fullness — not only are all 66 chapters there, but the Hebrew is written in a full way.
What does that mean, exactly? Consider the first line, “This is the vision of Isaiah the son of Amotz,” written in the scroll as “Yishayahu ben Amotz.” You can see with your own eyes that the original scribe wrote “Yeshaya,” and that another, later, scribe, added a letter, the ayin, so that it now reads “Yishayahu” as Isaiah is pronounced in today’s Hebrew.
It offers a glimpse into ancient pronunciation, Mizrahi explained. I would add that it also offers a glimpse into editing — writers are never done.
And maybe the Jewish people are never done discussing what the vision of Isaiah is, and what it means. This particular scroll wasn’t a museum artifact in the early days.
“It was in use for at least 100 years,” Mizrahi said — you can tell from the corrections.
But back to that fullness. This is a neatly written scroll of a text so many of us recognize — timeless, the curator Hagit Maoz commented in the video, and about peace, and justice. Maybe my vision is failing, but it was hard to make out psukim, or verses, I knew by heart.
This is not because the handwriting wasn’t neat — each aleph was distinct and perfect — but because the letters are small. I found myself cheating by taking a picture with my phone and enlarging it. Then I felt guilty for wasting a bit of my precious ten minutes on technology.
My group included a woman with a seeing-eye dog. If I could barely make out the letters, what could she see?
But the scroll is not just about seeing. It is about feeling. You can feel that this text is connected to this place. It’s the feeling of being here, of being near something written thousands of years ago by hand, something ours, something whole. There is the feeling that this is where Isaiah roamed, and this is where this incredible book — this timeless piece of Jewish literature — began.
Once the ten minutes are up, visitors are ushered into another room with a copy of the Isaiah scroll enlarged, and with key verses highlighted. There was the dream of peace, I thought as I looked at individual verses — the wolf dwelling with the lamb — and then there is the reality. The other day, I heard a young guy tell a date he had done 600 days of miluim, or reserve service.
I found myself refocusing on the true story of how the Isaiah scroll made it to the public. I couldn’t get enough of the details.
From shepherds to The Wall Street Journal
When Bedouin shepherds chased a sheep sometime in early 1947, they reached challenging terrain across from the northwest rim of the Dead Sea that no one else was willing to enter.
They heard a piece of pottery in a cave crack.
Curious, they went inside and found seven scrolls inside jars in the cave. They took them out, not knowing what they were. The museum explains that the bishop, who purchased the scrolls, consulted Eleazar Sukenik of the Hebrew University of Jerusalem, who immediately realized he was looking at an ancient Isaiah scroll and copied some sections; he told the bishop he was interested in purchasing the scrolls, both the ones in his possession and those still with the shepherds.
According to the Israel Antiquities Authority website when Sukenik learned of the scrolls’ discovery, he set out to investigate their significance. “Braving Arab-Jewish tensions, he travelled to meet the Armenian dealer at the British divided military zone of the Jerusalem border. In this clandestine meeting, the dealer held up a fragment of leather for the professor to examine. As Sukenik peered through the wire, he recognized the ancient writing.”
Incredibly, on Nov. 29, 1947, on the very same day as the United Nations vote on the Partition Plan, the historic vote which led to the establishment of Israel, Prof. Sukenik bought three of the seven scrolls.
Meanwhile, the bishop decided to get another opinion on his four scrolls, from an American scholar in Jerusalem who was the first to photograph them. By March 1948, convinced of the scrolls’ value and concerned for their safety as the War of Independence raged, the bishop had his assistant take the scrolls to a bank in Beirut, where they were held in a safe.
In Dec. 1948, the bishop headed to Beirut, picked up the scrolls, when gone to New Jersey, where he hoped to sell them.
Echoes of history
Learning of the scrolls, I couldn’t help but think of the great Yiddish poet Avrom Sutzkever and the Paper Brigade in Vilna. As the Nazis tried to annihilate the Jewish people, great writers risked their lives to save Jewish literature and culture, to hide it for the future. It’s a repeating theme in Jewish history — the military battle and the cultural battle, continuing at the same time.
Sadly, Professor Sukenik lost a son to battle in the war.
Then the professor himself died.
But the family’s passionate connection to the Isaiah scroll was not over. The professor’s other son, Yigael Yadin, who would become both a major scholar and a military leader, was in New York in the early 1950s and happened to read a small advertisement in The Wall Street Journal offering four scrolls. He guessed that the Isaiah scrolls his father wanted had been spirited off to the United States; he wired Israel to tell the new government to find $150,000. (Here, some Jewish philanthropy helped.)
It turns out that the bishop’s representative had tried to sell — to the Library of Congress, the Walters Gallery in Baltimore, Duke University, and The University of Chicago — but all refused. He failed because Jordan claimed the scrolls belonged to it because of where they had been found, while Israel claimed they were theirs because of cultural heritage.
Yadin hired an agent to conceal that Israel was the actual buyer, and the four were purchased on July 1, 1954. On July 9, the Isaiah scroll was separated and spirited to Israel by plane, with other planes escorting it for safety.
The Israel Museum built the Shrine of the Book to house the scroll, and it was opened to the public in 1955. But in 1968, the real scroll was replaced with a very good facsimile for the scroll’s continued safety.
Now, in honor of the museum’s 60th anniversary, the real thing is on view. My advice — don’t miss it.
“A Voice from the Desert: The Great Isaiah Scroll” is on view at the Israel Museum through Oct. 3.
The post Bedouin shepherds found it. A bishop sold it. An Israeli agent bought it. Now you can see it up close. appeared first on The Forward.
Uncategorized
When Gloria Steinem identified as a Jew most
Gloria Steinem, the journalist and organizer who became the most recognizable face of America’s modern women’s movement, died Wednesday at her New York City home. She was 92.
For more than half a century, Steinem pushed American women to imagine lives beyond the limits society had set for them. She co-founded Ms. magazine, helped establish the National Women’s Political Caucus and turned phrases like “sexual harassment” from unnamed experiences into subjects of national debate.
Steinem was the daughter of a Jewish father, Leo Steinem, and a Protestant mother, Ruth Nuneviller. She was raised without much religion and generally described herself as secular, but she was unequivocal about where she stood when Jews were targeted: “Never in my life have I identified as a Christian,” she said, “but wherever there is antisemitism, I identify as a Jew.”
Her mother taught her to value her Jewish roots. Steinem told the Forward in 2015 that her father rarely discussed his heritage; it was her non-Jewish mother who presented Judaism to her as something positive — “She also told me Jewish men made better husbands” — and taught her about her paternal grandmother.
That grandmother was a feminist pioneer in her own right. Pauline Steinem, who kept kosher, was an educator, suffragist, delegate to the 1908 International Council of Women and the first woman elected to Toledo’s school board — and during the Nazi’s rise in the mid-1930s, she worked to rescue members of her family from Europe.
A feminist Seder became her strongest connection to Jewish ritual. Steinem participated for decades in an annual women’s Seder, calling it the first spiritually centered experience of her feminist life. What drew her to Judaism, she said, wasn’t the law — it was “the mystical part, the Kabbalah, the Shechinah.
She recognized how antisemitism and misogyny fed each other. In her memoir, Steinem recalled a cabdriver telling her that feminism was a Jewish plot to destroy the Christian family. Her response to such hatred was not to distance herself from Jews, but to identify with them more strongly.
That identification outlasted her. Gloria and her sister, Susanne, donated a catalog of jewelry seized from Nazi victims to the U.S. Holocaust Memorial Museum — in honor of their grandmother.
Steinem continued writing and advocating for equality into her 90s. Her final book, An Unexpected Life, is scheduled to publish later this month.
The post When Gloria Steinem identified as a Jew most appeared first on The Forward.
Uncategorized
UK to ‘reset policy’ on West Bank settlements, Miliband tells parliament
(JTA) — The new British government plans to announce in the coming weeks a comprehensive package of economic sanctions and other measures designed to prevent the Israeli expansion of West Bank settlements.
Overall the U.K. needs “a comprehensive reset of our policy” when it comes to the West Bank, British Foreign Secretary Ed Miliband told the House of Commons on Tuesday. He spoke during his first question and answer session with lawmakers since he and the government he represents were sworn into office in July.
Miliband added that the new measures would include a ban on goods produced in the settlements and targeted sanctions on British institutions and individuals.
“We are looking, indeed, at our wider economic relationship with the occupied territories, and the different tools we have to tackle it,” Miliband explained. “We do not want British companies financing, constructing, or advertising new settlements. The work we are now undertaking is how we can stop that.”
Israel’s Foreign Minister Gideon Sa’ar warned Tuesday that if the U.K. acted against his country, the Jewish state would take retaliatory steps against Great Britain.
“We are prepared and I hope they will not make the mistake of doing this. If they do, there will be a reaction,” Sa’ar said in a podcast interview with the Hebrew news website Ynet.
Tensions between Israel and the U.K. have been escalating in light of Israeli military actions in Gaza and the West Bank following the Hamas-led October 7, 2023 attack.
The U.K.’s decision under the last government to recognize Palestinian statehood in 2025 inflamed the situation, which is expected to get worse should Prime Minister Benjamin Netanyahu win the October 27 election in Israel.
Any government that Netanyahu forms is expected to be right-wing and to continue the policies of the existing government, just as the U.K. under Miliband and the new Labour prime minister, Andy Burnham, are more willing than their predecessors to go head-to-head with Israel on the issue
Miliband already floated the idea of targeted sanctions after Israel’s Lands Authority opened bids for 1,234 homes in the largely underdeveloped E1 section of the West Bank settlement of Ma’aleh Adumim in August, a move that he said would undermine any two-state solution to the Israel-Palestinian conflict.
Miliband went further on Tuesday when fielding a number of questions from lawmakers frustrated about the lack of U.K. response to Israeli actions in the West Bank, such as terror activity by Israelis against Palestinian civilians and continued settler building. This includes the opening of E1 bids last month.
The foreign secretary explained that his words reflected the policies Burnham had considered even before he entered Downing Street in July, such as a ban on trade for goods produced in the settlements. “We are obviously working across government and with our allies on these measures,” Miliband said.
Israel has said that it has a right to build settler homes in Area C of the West Bank, which is under Israeli military and civilian control and where all the settlements are located. Under the Oslo Accords, the West Bank was divided into three areas, with sections A and B, under the auspices of the Palestinian Authority.
The International Court of Justice in 2024 issued an advisory opinion explaining that such construction in Area C is illegal, affirming a long-held stance of the U.N. and many nations, including the U.K.
Concern has been particularly high with regard to the E1 project, which would add 3,400 homes to the municipal boundaries of the city of Ma’aleh Adumim by building on an underdeveloped hilltop. The Palestinian Authority and the international community, including past U.S. administrations, have warned that the project would block contiguous Palestinian development in that area and thus make a Palestinian state untenable.
Miliband referenced that viewpoint when speaking to the House of Commons on Tuesday, explaining that E1 development had long been considered a “red line,” because the project “cuts through the heart of the West Bank and risks making a Palestinian state unviable.”
He affirmed the U.K.’s commitment to a two-state resolution, explaining that his government would not stand idly by while that vision was being destroyed by Israeli actions on the ground in the West Bank.
In a harshly worded attack on the U.K. and Miliband in August, Sa’ar on X warned that UK’s statements on Israel were fueling antisemitism in Great Britain and emphasized that the Jewish people had a right to build anywhere in their ancestral homeland.
This article originally appeared on JTA.org.
The post UK to ‘reset policy’ on West Bank settlements, Miliband tells parliament appeared first on The Forward.
