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How the late actor Topol turned Tevye into a Zionist
(JTA) — If you were born anytime before, say, 1975, you might remember Israel not as a source of angst and tension among American Jews but as a cause for celebration. In the 1960s and ’70s, most Jews embraced as gospel the heroic version of Israel’s founding depicted in Leon Uris’ 1958 novel “Exodus” and the 1960 movie version. The1961 Broadway musical “Milk and Honey,” about American tourists set loose in Israel, ran for over 500 performances. And that was before Israel’s lightning victory in the Six-Day War turned even fence-sitting suburban Jews into passionate Zionists.
That was the mood when the film version of “Fiddler on the Roof” came out in 1971. The musical had already been a smash hit on Broadway, riding a wave of nostalgia by Jewish audiences and an embrace of ethnic particularism by the mainstream. The part of Tevye, the put-upon patriarch of a Jewish family in a “small village in Russia,” was originated on Broadway by Zero Mostel, a Brooklyn-born actor who grew up in a Yiddish-speaking home. Ashkenazi American Jews tended to think of “Fiddler” as family history — what Alisa Solomon, author of the 2013 book “Wonder of Wonders: A Cultural History of Fiddler on the Roof,” describes as the “Jewish American origin story.”
But Mostel didn’t star in the film, which landed in theaters while the afterglow of Israel’s victory in its second major war of survival had yet to fade. Famously – or notoriously – the part went to Chaim Topol, a young Israeli actor unknown outside of Israel except for his turns in the London productions of “Fiddler.” With an Israeli in the lead, a musical about the perils and dilemmas of Diaspora became a film about Zionism. When Topol played Tevye in London, Solomon writes,“‘Fiddler’ became a site for celebration, drawing Jews as well as gentiles to the theater — some for repeat viewings — to bask in Jewish perseverance and to pay homage to Jewish survival. The show didn’t change, but the atmosphere around it did.”
Topol died this week at 87, still best known as Tevye, and his death reminded me of the ways “Fiddler” is — and isn’t — Zionist. When Tevye and his fellow villagers are forced out of Anatevke by the czarist police, they head for New York, Chicago and Krakow. Only Yente, the matchmaker, declares that she is going to the “Holy Land.” Perchik, the presumably socialist revolutionary who marries one of Tevye’s daughters, wants to transform Russian society and doesn’t say a word about the political Zionists who sought to create a workers’ utopia in Palestine.
“There is nothing explicitly or even to my mind implicitly Zionist about it,” Solomon told me a few years back. And yet, she said, “any story of Jewish persecution becomes from a Zionist perspective a Zionist story.”
When the Israeli Mission to the United Nations hosted a performance of the Broadway revival of “Fiddler” in 2016, that was certainly the perspective of then-Ambassador Dani Danon. Watching the musical, he said, he couldn’t help thinking, “What if they had a place to go [and the Jews of Anatevke could] live as a free people in their own land? The whole play could have been quite different.”
Israelis always had a complicated relationship with “Fiddler,” Solomon told me. The first Hebrew production was brought to Israel in 1965 by impresario Giora Godik. American Jews were enthralled by its resurrection of Yiddishkeit, the Ashkenazi folk culture that their parents and grandparents had left behind and the Holocaust had all but erased. Israelis were less inclined to celebrate the “Old Country.”
“Israelis were — what? — not exactly ashamed or hostile, but the Zionist enterprise was about moving away from that to become ‘muscle Jews,’ and even denouncing the stereotype of the pasty, weakling Eastern European Jews,” said Solomon, warning that she was generalizing.
That notion of the “muscle Jew” is echoed in a review of Topol’s performance by New Yorker critic Pauline Kael, who wrote that he is “a rough presence, masculine, with burly, raw strength, but also sensual and warm. He’s a poor man but he’s not a little man, he’s a big man brought low — a man of Old Testament size brought down by the circumstances of oppression.”
From left: Maria Karnilova, Tanya Everett, Zero Mostel, Julia Migenes and Joanna Merlin backstage at opening night of “Fiddler on the Roof” at the Imperial Theater in New York City, Sept. 22, 1964. (AP/Courtesy of Roadside Attractions and Samuel Goldwyn Films)
Mostel, by contrast, was plump, sweaty and vaudevillian — a very different kind of masculinity. The congrast between the two Tevyes shows up in, of all places, a parody of “Fiddler” in Mad magazine. In that 1976 comic, Mostel’s Tevye is reimagined as a neurotic, nouveau riche suburban American Jew with a comb-over, spoiled hippy children and a “spendthrift” wife; Topol’s Tevye arrives in a dream to blame his descendants for turning their backs on tradition and turning America into a shallow, consumerist wasteland. A kibbutznik couldn’t have said (or sung) it better.
Composer Jerry Bock, lyricist Sheldon Harnick and book writer Joseph Stein set out to write a hit musical, not a political statement. But others have always shaped “Fiddler” to their needs.
In the original script, Yente tells Tevye’s wife Golde, “I’m going to the Holy Land to help our people increase and multiply. It’s my mission.” In a 2004 Broadway revival, staged in the middle of the second intifada, the “increase and multiply” line was excised. In a review of Solomon’s “Wonder of Wonders,” Edward Shapiro conjectured that the producers of the revival didn’t want Yente to be seen as “a soldier in the demographic war between Jews and Arabs.”
Topol himself connected “Fiddler” to Israel as part of one long thread that led from Masada — the Judean fortress where rebellious Jewish forces fell to the Romans in the first century CE — through Russia and eventually to Tel Aviv. “My grandfather was a sort of Tevye, and my father was a son of Tevye,” Topol told The New York Times in 1971. “My grandfather was a Russian Jew and my father was born in Russia, south of Kiev. So I knew of the big disappointment with the [Russian] Revolution, and the Dreyfus trial in France, and the man with the little mustache on his upper lip, the creation of the state of Israel and ‘Masada will never fall again.’ It’s the grandchildren now who say that. It’s all one line — it comes from Masada 2,000 years ago, and this Tevye of mine already carries in him the chromosomes of those grandchildren.”
The recent all-Yiddish version of “Fiddler on the Roof” — a Yiddish translation of an English-language musical based on English translations of Yiddish short stories — readjusted that valence, returning “Fiddler” solidly to the Old Country. It arrived at a time when surveys suggested that Jews 50 and older are much more emotionally attached to Israel than are younger Jews. For decades, “Exodus”-style devotion to Israel and its close corollary — Holocaust remembrance — were the essence of American Jewish identity. Among younger generations with no first-hand memories of its founding or victory in the 1967 war, that automatic connection faded.
Meanwhile, as Israeli politics have shifted well to the right, engaged liberal Jews have rediscovered the allure of pre-Holocaust, pre-1948, decidedly leftist Eastern European Jewish culture. A left-wing magazine like Jewish Currents looks to the socialist politics and anti-Zionism of the Jewish Labor Bund; symposiums on Yiddish-speaking anarchists and Yiddish-language classes draw surprisingly young audiences. A Yiddish “Fiddler” fits this nostalgia for the shtetl (as does the “Fiddler” homage in the brand-new “History of the World, Part II,” which celebrates the real-life radical Fanny Kaplan, a Ukrainian Jew who tried to assassinate Lenin).
Topol’s Tevye was an Israeli Tevye: young, manly, with a Hebrew accent. Mostel’s Tevye was an American Tevye: heimish, New York-y, steeped in Yiddishkeit. It’s a testament to the show’s enduring appeal — and the multitudes contained within Jewish identity — that both performances are beloved.
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The post How the late actor Topol turned Tevye into a Zionist appeared first on Jewish Telegraphic Agency.
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Al Jazeera Forum Platforms Terrorist Leaders and Their Sympathizers
The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon
At the 17th annual Al Jazeera Forum in Doha, Qatar, familiar faces took the stage to discuss the aftermath of October 7 and its broader regional and global implications. These figures are familiar not for their credibility, but because the lineup included terrorist leaders and their sympathizers.
Upon entrance to the forum, an “in memoriam” lined the halls filled with faces of Al Jazeera journalists who died during the Israel-Hamas war.
Eitan Fischberger, who first exposed the terror-filled line up of speakers at the conference, found that five of these so-called journalists are also familiar faces. These “journalists” didn’t become well-known for trustworthy and accurate reporting, but rather because all five of them had well-established ties with terrorist organizations such as Hamas in the Gaza Strip.
Five. The answer is five Al Jazeera terrorists
https://t.co/2MjtM3MW9V pic.twitter.com/PQzULPF5zF
— Eitan Fischberger (@EFischberger) February 6, 2026
Hamas terrorist leader Khaled Meshaal and Iranian Foreign Minister Abbas Araghchi were two of the biggest attractions at the event. UN Special Rapporteur Francesca Albanese, sanctioned by the US for her pro-terror rhetoric, also took part in a session via video call.
Despite the mass slaughter of Iranian civilians, the focus of every speaker at the conference was laser-focused on Israel. This was not accidental. After all, Abbas Araghchi, who, given his position in the Iranian regime, has stood by as thousands of Iranian citizens were murdered, was given a spotlight.
From that platform, Araghchi blamed Israel for regional instability, saying that “Israel’s expansionist project requires that neighboring countries be weakened” and amounts to the “enforcement of permanent inequality.”
For this, he called for Israel to be “punished.” The irony would be laughable if it weren’t so grotesque. A senior official of a regime that jails dissidents, executes protesters, and bankrolls terrorist proxies across the region stood before an audience and positioned himself as a moral authority on justice and stability.
Iran’s FM Abbas Araghchi slammed the double standard allowing Israel to expand its military while others in the region are asked to reduce their defensive capabilities.
Araghchi spoke at the Al Jazeera Forum in Doha, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/sRQ8khI5D4
— Al Jazeera English (@AJEnglish) February 7, 2026
Predictably, in Hamas terrorist leader Khaled Meshaal’s session, he similarly dodged any blame for the ensuing war. What he did was suggest that “the flood” — the operation name chosen for the October 7 massacre — successfully brought the Palestinian cause back to global consciousness. He specifically praised the outrage seen on university campuses and across social media, treating international unrest as a strategic victory.
Naturally, as a terrorist leader, Meshaal deflected the requirement for Hamas to disarm, saying “criminalizing the resistance” is not something it can accept. As long as Israel exists, Hamas will not disarm.
It is the most recent example of Hamas leaders being explicit in their absolute unwillingness to adhere to the ceasefire agreement to which they signed.
Beyond actual terrorists, terrorist sympathizer Francesca Albanese was invited to speak, joining a session abroad via video. Unsurprisingly, her words echoed those of the terrorist leaders listed above, as she spoke of Israel as the “common enemy” of the world.
It is dangerous enough that a UN Rapporteur shared a platform at the same conference as terrorists. That her language is barely distinguishable from that of designated terrorists should probably come as little surprise given Albanese’s previous actions.
Humanity has a “common enemy” in Israel, Francesca Albanese tells Qatar’s Al Jazeera forum pic.twitter.com/l1wXNiS7yP
— Hillel Neuer (@HillelNeuer) February 8, 2026
Mustafa Barghouti, who has similarly expressed support for Palestinian terrorism in the past, discussed how the Palestinian will could not be broken, and how the fact that people stayed in Gaza throughout the war displayed the “failure of Israel” despite the “genocide.” In reality, this only goes to show that Palestinian civilians were never the target of Israel, which fought tirelessly to root out Hamas and other terrorists, while doing its utmost to avoid harming civilians.
Mustafa Barghouti, secretary-general of the Palestinian National Initiative, said that the steadfastness of Palestinians in Gaza despite genocide, shows ‘the failure of Israel’.
Barghouti is at the Al Jazeera Forum, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/X9Fjex3kWc
— Al Jazeera English (@AJEnglish) February 7, 2026
Al Jazeera’s support for terrorism is not new. What makes this moment particularly alarming is the scale of its influence on the world, and how it brings terrorists and their sympathizers onto a stage in light of global events. This was not a conference about the future of the Middle East. It was an echo chamber where terrorism got the platform.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Erdogan’s Atomic Ambition: Why Turkey Is the Middle East’s Next Proliferation Crisis
Riot police walk outside the Istanbul provincial office of the main opposition Republican People’s Party (CHP), as CHP supporters gather near the office, after a recent court ruling that ousted the CHP’s Istanbul provincial leadership, in Istanbul, Turkey, Sept. 8, 2025. Photo: REUTERS/Dilara Acikgoz
As the global community remains transfixed by the diplomatic theater in Oman, a more ominous atomic shadow is lengthening across the Eastern Mediterranean.
While Western envoys chase a “nuclear framework” with a defiant Iran, Recep Tayyip Erdogan is quietly executing a multi-decade roadmap to transform Turkey into the region’s next nuclear-threshold state.
We are witnessing the birth of a sophisticated, NATO-embedded “Iran 2.0” — yet the international community continues to treat Ankara as a standard ally rather than the primary proliferation risk it has become.
Unit 1 of the Akkuyu Nuclear Power Plant stands at 99 percent completion. While marketed as a civilian energy panacea, Akkuyu represents a strategic Trojan Horse of unprecedented proportions. It is the world’s first “Build-Own-Operate” nuclear project, entirely financed and controlled by Russia’s Rosatom. This arrangement has not only granted the Kremlin a permanent nuclear anchor on NATO’s southern flank, but has also provided the Turkish state with the technical laboratory necessary to master the full nuclear fuel cycle under the guise of commercial cooperation.
The most alarming development in Turkey’s nuclear trajectory is not found in its power reactors, but in its naval shipyards. By officially prioritizing the “NUKDEN” initiative — Turkey’s nuclear-powered submarine program — Erdogan has discovered the ultimate legal loophole for domestic uranium enrichment. Under the Nuclear Non-Proliferation Treaty, “peaceful” enrichment remains a contentious grey area, but the production of highly enriched uranium for naval propulsion is a recognized military necessity that bypasses many traditional civilian safeguards.
By pursuing a nuclear navy, Ankara is signaling its intent to stockpile the very fissile material required for a warhead, all while maintaining a veneer of maritime sovereignty. This is a tactical evolution of the “Iran Model.” Where Tehran chose a path of open defiance, Ankara is choosing a path of “Legalist Proliferation,” using its status as a naval power to justify a fuel cycle that would otherwise trigger immediate international sanctions.
This “Stealth Proliferation” is backed by a massive, nine-billion-dollar cash injection from Moscow, ensuring that the infrastructure for this “naval requirement” is built with the highest Russian expertise.
A nuclear reactor is merely a forge; its true threat is realized only when paired with a delivery system. In June 2025, Erdogan issued a decree to massively expand Turkey’s production of medium- and long-range missiles. This was not a random military upgrade. When paired with the 2026 commissioning of Akkuyu, the picture becomes clear: Turkey is building the two halves of a nuclear deterrent in parallel.
The “Araghchi Doctrine” currently being debated in Doha — Iran’s refusal to negotiate on its own missile program — finds a mirror image in Ankara’s “National Missile Program.” Erdogan has been vocal in his disdain for the “nuclear OPEC,” arguing that it is unfair for some nations to possess nuclear-tipped missiles while others are barred from the club. By developing indigenous missile technology capable of reaching any capital in the Middle East or Europe, Turkey is ensuring that once its “breakout” occurs, the delivery mechanism will already be in place, tested, and ready.
For too long, Turkey has been granted what can only be described as a “NATO Pass.” Washington has consistently hesitated to enforce the Countering America’s Adversaries Through Sanctions Act with the necessary vigor, fearing the loss of the Incirlik airbase or a total rupture in the alliance. This hesitation has been read in Ankara as a green light. Erdogan views the international order not as a set of rules to follow, but as a set of constraints to be dismantled.
The strategic reality is that Turkey is no longer content to sit under the American nuclear umbrella. It seeks to build its own, potentially in a trilateral partnership with Saudi Arabia and Pakistan. This “Islamic Nuclear Axis” would combine Turkish high-tech delivery systems, Saudi capital, and Pakistani technical blueprints to create a new center of gravity that is entirely independent of Western control.
Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx
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Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit
(JTA) — Iran has erected a map showing Israeli targets for potential strikes in a prominent propaganda spot as another week dawns with uncertainty over whether it will face a U.S. attack.
The map went up over the weekend in Tehran’s Palestine Square, a frequent site for billboards meant to broadcast the Islamic Republic’s bravado when it comes to Israel and the United States. It includes the words “You start, we finish!”
It comes as President Donald Trump continues to weigh military intervention against Iran and as Israeli Prime Minister Benjamin Netanyahu plans to visit the White House to press for his demands in Trump’s negotiations with Iran.
“Prime Minister Benjamin Netanyahu is expected to meet with US President Donald Trump this Wednesday in Washington, and will discuss with him the negotiations with Iran,” Netanyahu’s office said in a statement on Saturday. “The Prime Minister believes any negotiations must include limitations on ballistic missiles and a halting of the support for the Iranian axis.”
A will-he-or-won’t-he air has pervaded for weeks as Trump has considered different strategies for dealing with Iran, which has said it would view both U.S. and Israeli targets as legitimate if the United States strikes to curb its nuclear ambitions, less than a year after the last U.S. attack on Iranian sites, which came during a war between Iran and Israel.
On Friday, Jared Kushner, Trump’s son-in-law and Middle East advisor, and Steve Witkoff, his Middle East envoy, met directly with Iran’s foreign minister in Oman. The foreign minister, Abbas Araqchi, said the talks had gotten off to a “good start” but that Iran was willing to negotiate only about the nuclear program, not the missiles that concern Israel.
Trump, too, told reporters that there had been “very good talks” that indicated that Iran was prepared to make more concessions than it had offered in the past. Still, he said, “They know that if they don’t make a deal the consequences are very steep.”
The next day, Kushner and Witkoff also visited a U.S. naval carrier that has been moved to the region as part of what Trump has called an “armada” that would enable U.S. military action in the event that Trump decides it is needed. Netanyahu has moved up his planned White House visit — which will be his fourth since Trump retook office last year — to advocate for Israel’s interests in the negotiations. It was at a previous visit, last April, that Trump disclosed for the first time that the United States had opened direct talks with Iran. Just over two months later, Trump joined Israel’s campaign against Iran with a bombing attack that came a day after he said he had not decided whether to strike.
The post Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit appeared first on The Forward.
