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How the late actor Topol turned Tevye into a Zionist
(JTA) — If you were born anytime before, say, 1975, you might remember Israel not as a source of angst and tension among American Jews but as a cause for celebration. In the 1960s and ’70s, most Jews embraced as gospel the heroic version of Israel’s founding depicted in Leon Uris’ 1958 novel “Exodus” and the 1960 movie version. The1961 Broadway musical “Milk and Honey,” about American tourists set loose in Israel, ran for over 500 performances. And that was before Israel’s lightning victory in the Six-Day War turned even fence-sitting suburban Jews into passionate Zionists.
That was the mood when the film version of “Fiddler on the Roof” came out in 1971. The musical had already been a smash hit on Broadway, riding a wave of nostalgia by Jewish audiences and an embrace of ethnic particularism by the mainstream. The part of Tevye, the put-upon patriarch of a Jewish family in a “small village in Russia,” was originated on Broadway by Zero Mostel, a Brooklyn-born actor who grew up in a Yiddish-speaking home. Ashkenazi American Jews tended to think of “Fiddler” as family history — what Alisa Solomon, author of the 2013 book “Wonder of Wonders: A Cultural History of Fiddler on the Roof,” describes as the “Jewish American origin story.”
But Mostel didn’t star in the film, which landed in theaters while the afterglow of Israel’s victory in its second major war of survival had yet to fade. Famously – or notoriously – the part went to Chaim Topol, a young Israeli actor unknown outside of Israel except for his turns in the London productions of “Fiddler.” With an Israeli in the lead, a musical about the perils and dilemmas of Diaspora became a film about Zionism. When Topol played Tevye in London, Solomon writes,“‘Fiddler’ became a site for celebration, drawing Jews as well as gentiles to the theater — some for repeat viewings — to bask in Jewish perseverance and to pay homage to Jewish survival. The show didn’t change, but the atmosphere around it did.”
Topol died this week at 87, still best known as Tevye, and his death reminded me of the ways “Fiddler” is — and isn’t — Zionist. When Tevye and his fellow villagers are forced out of Anatevke by the czarist police, they head for New York, Chicago and Krakow. Only Yente, the matchmaker, declares that she is going to the “Holy Land.” Perchik, the presumably socialist revolutionary who marries one of Tevye’s daughters, wants to transform Russian society and doesn’t say a word about the political Zionists who sought to create a workers’ utopia in Palestine.
“There is nothing explicitly or even to my mind implicitly Zionist about it,” Solomon told me a few years back. And yet, she said, “any story of Jewish persecution becomes from a Zionist perspective a Zionist story.”
When the Israeli Mission to the United Nations hosted a performance of the Broadway revival of “Fiddler” in 2016, that was certainly the perspective of then-Ambassador Dani Danon. Watching the musical, he said, he couldn’t help thinking, “What if they had a place to go [and the Jews of Anatevke could] live as a free people in their own land? The whole play could have been quite different.”
Israelis always had a complicated relationship with “Fiddler,” Solomon told me. The first Hebrew production was brought to Israel in 1965 by impresario Giora Godik. American Jews were enthralled by its resurrection of Yiddishkeit, the Ashkenazi folk culture that their parents and grandparents had left behind and the Holocaust had all but erased. Israelis were less inclined to celebrate the “Old Country.”
“Israelis were — what? — not exactly ashamed or hostile, but the Zionist enterprise was about moving away from that to become ‘muscle Jews,’ and even denouncing the stereotype of the pasty, weakling Eastern European Jews,” said Solomon, warning that she was generalizing.
That notion of the “muscle Jew” is echoed in a review of Topol’s performance by New Yorker critic Pauline Kael, who wrote that he is “a rough presence, masculine, with burly, raw strength, but also sensual and warm. He’s a poor man but he’s not a little man, he’s a big man brought low — a man of Old Testament size brought down by the circumstances of oppression.”
From left: Maria Karnilova, Tanya Everett, Zero Mostel, Julia Migenes and Joanna Merlin backstage at opening night of “Fiddler on the Roof” at the Imperial Theater in New York City, Sept. 22, 1964. (AP/Courtesy of Roadside Attractions and Samuel Goldwyn Films)
Mostel, by contrast, was plump, sweaty and vaudevillian — a very different kind of masculinity. The congrast between the two Tevyes shows up in, of all places, a parody of “Fiddler” in Mad magazine. In that 1976 comic, Mostel’s Tevye is reimagined as a neurotic, nouveau riche suburban American Jew with a comb-over, spoiled hippy children and a “spendthrift” wife; Topol’s Tevye arrives in a dream to blame his descendants for turning their backs on tradition and turning America into a shallow, consumerist wasteland. A kibbutznik couldn’t have said (or sung) it better.
Composer Jerry Bock, lyricist Sheldon Harnick and book writer Joseph Stein set out to write a hit musical, not a political statement. But others have always shaped “Fiddler” to their needs.
In the original script, Yente tells Tevye’s wife Golde, “I’m going to the Holy Land to help our people increase and multiply. It’s my mission.” In a 2004 Broadway revival, staged in the middle of the second intifada, the “increase and multiply” line was excised. In a review of Solomon’s “Wonder of Wonders,” Edward Shapiro conjectured that the producers of the revival didn’t want Yente to be seen as “a soldier in the demographic war between Jews and Arabs.”
Topol himself connected “Fiddler” to Israel as part of one long thread that led from Masada — the Judean fortress where rebellious Jewish forces fell to the Romans in the first century CE — through Russia and eventually to Tel Aviv. “My grandfather was a sort of Tevye, and my father was a son of Tevye,” Topol told The New York Times in 1971. “My grandfather was a Russian Jew and my father was born in Russia, south of Kiev. So I knew of the big disappointment with the [Russian] Revolution, and the Dreyfus trial in France, and the man with the little mustache on his upper lip, the creation of the state of Israel and ‘Masada will never fall again.’ It’s the grandchildren now who say that. It’s all one line — it comes from Masada 2,000 years ago, and this Tevye of mine already carries in him the chromosomes of those grandchildren.”
The recent all-Yiddish version of “Fiddler on the Roof” — a Yiddish translation of an English-language musical based on English translations of Yiddish short stories — readjusted that valence, returning “Fiddler” solidly to the Old Country. It arrived at a time when surveys suggested that Jews 50 and older are much more emotionally attached to Israel than are younger Jews. For decades, “Exodus”-style devotion to Israel and its close corollary — Holocaust remembrance — were the essence of American Jewish identity. Among younger generations with no first-hand memories of its founding or victory in the 1967 war, that automatic connection faded.
Meanwhile, as Israeli politics have shifted well to the right, engaged liberal Jews have rediscovered the allure of pre-Holocaust, pre-1948, decidedly leftist Eastern European Jewish culture. A left-wing magazine like Jewish Currents looks to the socialist politics and anti-Zionism of the Jewish Labor Bund; symposiums on Yiddish-speaking anarchists and Yiddish-language classes draw surprisingly young audiences. A Yiddish “Fiddler” fits this nostalgia for the shtetl (as does the “Fiddler” homage in the brand-new “History of the World, Part II,” which celebrates the real-life radical Fanny Kaplan, a Ukrainian Jew who tried to assassinate Lenin).
Topol’s Tevye was an Israeli Tevye: young, manly, with a Hebrew accent. Mostel’s Tevye was an American Tevye: heimish, New York-y, steeped in Yiddishkeit. It’s a testament to the show’s enduring appeal — and the multitudes contained within Jewish identity — that both performances are beloved.
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The post How the late actor Topol turned Tevye into a Zionist appeared first on Jewish Telegraphic Agency.
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Winds of change are in the air in Hungary and at the Vatican. Will they reach as far as Israel?
For the past few days, the world’s oldest and youngest transnational institutions have been riding high. In fact, these institutions — the Roman Catholic Church and the European Union — seem to be riding the winds of a Zeitgeist, or “world spirit,” one that promises better days ahead for our battered and embattled ideals of liberal democracy, common decency and shared humanity. Suddenly, it appears there is reason for hope.
But the hope, held by some on the political center and left in Israel, that this mighty wind will gust as far as Israel may well be a hope misplaced.
Let us first take the youngest transnational institution. On Sunday, an event of seismic proportions rocked the European continent. The prime minister of Hungary, Viktor Orban, who gave to the world the model of illiberal democracy and gave to Hungarians deepening immiseration over the past 16 years, was voted out of office.
It was not close: The opposition party Tisza, led by Peter Magyar, won 138 parliamentary seats while Orban’s party, Fidesz, managed to claim only 55. This assures the new government of the 2/3 majority required to change the laws passed under Orban that hobbled the EU, disabled the nation’s political institutions, and enabled him and his cronies to line their pockets. In his victory speech, given by the right bank of the Danube in front of the Parliament building, Magyar declared to a wildly cheering crowd that Hungary is back not only as a European nation, but back fully as a EU member. Hungary, he announced, “will be a solid ally of the European Union.”
On Palm Sunday, a different crowd — holding aloft not the flag of the European Union, but instead olive branches — welcomed Pope Leo XIV at St Peter’s Square. In his homily, he took aim at the moral corruption of the American government, one that launched a reckless military campaign against Iran (as well as a foolish political campaign in Hungary on behalf of Orban). Responding to Secretary of Defense Pete Hegseth’s repeated invocations of Jesus Christ to justify his blood lust, Leo cited Isaiah: “Even though you make many prayers, I will not listen: Your hands are full of blood.” He returned to this subject during a peace vigil, praying for a kingdom of “dignity, understanding and forgiveness” to stand as a “bulwark against the delusion of omnipotence that surrounds us and is becoming increasingly unpredictable and aggressive.”
These remarks did not sit well with Donald Trump, who unleashed a series of bizarre accusations on Truth Social, declaring that “Pope Leo is WEAK on Crime,” “terrible for Foreign Policy,” and “WEAK on nuclear weapons.” Leo should “get his act together as Pope,” Trump said, “and stop catering to the Radical Left.” A few days later, after Leo failed to get his act together and instead decried Trump’s threat of carrying out a genocide against the Iranian people, the president declared that “he was not a big fan” of the Pope. When asked about these remarks, Leo replied, “I have no fear of the Trump administration, or speaking out loudly of the message of the Gospel, which is what I believe I am here to do.”
The Israeli government, one imagines, is not a big fan of the Pope, either. In a recent Sunday Mass, he addressed Israel’s campaign against Hezbollah, lamenting the deaths of more than 2,000 Lebanese, including 165 children and 250 women. Political and military leaders, he declared, have the “moral obligation to protect the civilian population from the horrific effects of war.” Nevertheless, Prime Minister Benjamin Netanyahu continues to rule out a cease-fire even as negotiations between Israel and Lebanon are set to begin.
No less predictably, opposition leaders in Israel have embraced the results of the election in Hungary. Writing in Hungarian — the language of his father’s family — Yair Lapid rushed to congratulate Peter Magyar on his victory, while the former defense minister Benny Gantz, also of Hungarian descent, expressed his hope that Hungary will be a “beacon of western values and moral clarity within the European community.”
Gantz’s words lacked the necessary clarity for Yair Golan, the leader of the Democratic Party, who cut to the chase: The election revealed that the “Hungarian public is fed up with corruption, incitement and the shattering of democracy.” Israel, he predicted, will “soon” experience a similar turnabout.
But there’s a rub. If the current zeitgeist does embody a renewal of a democratic and humanistic spirit, how one can insist on the importance of “moral clarity,” as Gantz does, while supporting the military campaigns in Gaza and Lebanon? With the notable exception of Golan, most other opposition figures in Israel have expressed few reservations over the criminally inhumane razing of Gaza. As the columnist Iris Leal recently observed, “there is no war that a Zionist politician from the center-left would not support.”
While a majority of the Israeli public is as fed up as Hungarians with their own government’s corruption and shattering of democracy, they nevertheless support the various wars undertaken by that same government. In a recent poll taken by the Viterbi Family Center for Public Opinion and Policy Research at the Israel Democracy Institute, more than 90% of respondents support the war against Iran. As for the future of Gaza, a poll published last year by Haaretz revealed that 56% of Israelis support the forcible expulsion of Gaza’s population to other countries, and 54% think this expulsion should extend to the Arab citizens of Israel.
Only a fool would deny that Iran and its Hamas and Hezbollah clients pose serious threats to Israel’s security. But it also takes a fool to declare that never-ending war and military occupation will alone win lasting peace for Israel. The mighty wind of democracy and decency has swept Viktor Orban from office and carried the words of Leo across the world. But it remains to be seen if this same wind, at the moment when Israelis find themselves at a crossroads between fully becoming a Jewish state or a democratic state, is strong enough to lead them to take the right path.
The post Winds of change are in the air in Hungary and at the Vatican. Will they reach as far as Israel? appeared first on The Forward.
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A View From Inside Iran: Silencing a Generation — Voices Lost to the Gallows
Iranian demonstrators gather in a street during anti-regime protests in Tehran, Iran, Jan. 8, 2026. Photo: Stringer/WANA (West Asia News Agency) via REUTERS
“Don’t tell Mom.”
It is a sentence that has echoed through Iran’s prisons for decades. A sentence carried through monitored phone lines in the final minutes granted to the political prisoners before execution.
It’s a closing plea made just before the state carries out a sentence from which there is no appeal in practice, regardless of what the law suggests in theory.
Political prisoners are typically permitted one final phone call. The call is brief and the tone measured. A father or a sibling answers. There is no explicit reference to what awaits. The word execution is rarely spoken aloud. Surveillance renders such candor both futile and dangerous.
Instead, there is a restraint.
“Dad … please don’t tell Mom.”
He once imagined a different future. He is a teenager with dreams. Employment. Stability. The ordinary dignity of contributing to his household. A simple life with shared meals, familiar arguments, the slow accumulation of years.
He did not anticipate becoming an example.
In the final hours, time takes on a different texture. Memory becomes intrusive. Childhood surfaces with disorienting clarity. The mind hangs between improbable hope and quiet comprehension. There may be a reprieve. Perhaps international pressure will intervene. Perhaps the sentence will be suspended. Hope flickers irrationally. But the machinery of execution is efficient. The last image is not of ideology. Not of slogans. It is of home.
And then, silence.
Executions function not only as punishment, but as communication. A message sent through prison walls into society: dissent has consequences. Protest has a cost. Silence is safer.
Within Iran’s Revolutionary Courts, outcomes in political cases are determined long before the hearing begins. Access to a lawyer is restricted. Trials may last minutes; in some cases, there are no trials. Charges such as “enmity against God” or “corruption on earth” are applied, enabling capital punishment under a broadly interpreted definition of dissent.
By the time the final call is made, the legal process has typically run its course.
What follows is administrative efficiency.
Hours later, families are notified. The burial conditions are controlled and restricted. Public mourning is not permitted. Grief itself becomes regulated.
The executions of political prisoners in Iran emerge from a judicial architecture that has long blurred the boundary between adjudication and enforcement.
Political cases are typically adjudicated in Revolutionary Courts, institutions established in the aftermath of the 1979 coup d’état to address actions perceived as threats to the state. Over time, their jurisdiction has significantly expanded. Proceedings are conducted behind closed doors. Defendants in national security cases, as defined by the regime, may not be allowed to consult their preferred attorney during the investigative stage, which is a crucial time when coerced confessions are frequently obtained.
Claims of forced confessions, brief trials, and a lack of evidentiary transparency have all been documented by human rights organizations on numerous occasions. The way charges like “enmity against God” (moharebeh) and “corruption on earth” (efsad fel-arz) are phrased leaves room for interpretation. These offenses are punishable by death under Iran’s Islamic Penal Code.
In politically sensitive cases, appeals are reviewed in minutes and without public scrutiny. The interval between sentencing and execution is usually brief, especially during nationwide protests.
The outcome is a system in which capital punishment transcends its role as a criminal penalty and instead operates as a deliberate instrument of state control and intimidation.
The right to a fair and public hearing, access to independent legal counsel, and the exclusion of evidence obtained under duress are guaranteed under international legal standards, notably those set out in the International Covenant on Civil and Political Rights, to which Iran is a member. International Law limits the use of capital punishment, where it has not been abolished, to the most serious crimes, understood to involve deliberate killing. Significant concerns arise regarding proportionality and due process when the death penalty is applied in cases related to protests. In such conditions, the legitimacy of the sentence itself is called into question, and fundamental legal protections are undermined.
Executions in this context serve a dual function: they eliminate the individual and communicate a warning to the broader public. Particularly in the aftermath of protest movements, they operate as instruments of deterrence, reinforcing the cost of dissent.
This is not merely a domestic judicial matter; it is a question of whether procedural form can substitute for substantive justice and whether the language of law can obscure the absence of its protections.
The cases differ in detail, but the structural concerns remain consistent: restricted legal representation, opaque trials, and the rapid advancement of capital sentences.
Time, in such cases, is measured not in months but in days, sometimes hours.
The international community has mechanisms at its disposal. Governments engaged in diplomatic relations with Tehran possess channels through which urgent appeals have been raised, yet these efforts have too often failed to elicit meaning response. The UN Special Rapporteur on the situation of human rights in Iran has repeatedly called for transparency and adherence to international fair trial standards, but such appeals lack effective means to hold authorities inside Iran accountable.
Public pressure matters. Diplomatic engagement matters. Clear and coordinated messaging matters. Silence, too, carries consequences.
In the context of war and ceasefire, the Islamic Republic of Iran has intensified its repressive measures, imprisoning and executing young individuals for the simple act of sharing images and videos with international media. The Internet blackout has severely restricted access to information about detainees and ordinary Iranians.
As the United States and Islamic Republic of Iran prepare to engage in more high-stakes talks in Islamabad, aimed at stabilizing a fragile ceasefire following weeks of conflict, concerns are intensifying that those at risk of execution and ordinary Iranians may face heightened risk under an increasingly vengeful policy of the regime.
For Iranians, the future remains uncertain and unsettling. Rather than offering reassurance, these negotiations are met with anxiety and distrust, as many fear that diplomatic engagement may come at the cost of further repression at home.
Amid pervasive fear and danger, the fate of millions of Iranians remains unknown.
The men and women awaiting execution today are not abstractions. They are sons and daughters who once ended a phone call with the same plea:
“Don’t tell Mom.”
The question now is not only what will happen inside prison walls, but also what will happen outside of them — in foreign ministries, in multilateral institutions, in the public conscience. Because once the sentence is carried out, there is no correction. What Iranians might face now is the aftermath of an unfinished war.
Maddie Ali is based in Iran. In addition to her academic work, she has been involved in civic activity in her hometown, including participating in and helping organize local protests alongside friends and family. Her name has been changed to protect her identity.
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Haftarat Shabbat Rosh Chodesh: All Who Mourn for Jerusalem
An aerial view of the Temple Mount in the Old City of Jerusalem. Photo: Wikimedia Commons.
This year, as Parshat Tazria-Metzora coincides with Shabbat Rosh Chodesh, and the weekly haftara gives way to the closing chapter of the Book of Isaiah, it is impossible to hear Yeshayahu’s stirring words of consolation this season without feeling their weight.
Almost three years have passed since the horrors of October 7th. We have lived through war fought on multiple fronts — in Gaza and Lebanon, Syria and Iran. Homes destroyed across the north, south, and center of Israel. Families cycling through bomb shelters and reserve duty. Non-stop shiva calls. And, as this haftara falls just before Yom Hazikaron, military cemeteries that have grown far too large.
Yeshayahu’s vision of comfort is addressed precisely to this kind of grief — and it places a profound and demanding condition on that comfort.
The prophet paints a future of joy and renewal: Jerusalem rebuilt, her streets once again filled with laughter and light. “Bring Jerusalem joy, exult in her, all of you who love her; celebrate her joy with her, all of you who mourned her” (Isaiah 66:10). The Gemara (Taanit 30b) reads this verse with care and draws out a powerful principle: Only those who have genuinely mourned for Jerusalem will merit sharing in her future joy. The invitation to rejoice in redemption is conditional upon having grieved.
This teaching about who truly “mourns for Jerusalem” carries urgent contemporary weight. A Pew Research Center study released last month found that American favorability toward Israel has dropped eight percentage points in a single year, with 60% of Americans now holding an unfavorable view. More troubling is the trend within the Jewish community: just last year, 73% of American Jewish respondents held a favorable view of Israel. That figure has fallen to 64% — a decline of nearly 10 points in 12 months. For those who love Zion, these are not merely political data points. They are a challenge to the very solidarity that Yeshayahu’s vision demands.
What lies behind this shift? Part of the answer is a well-funded, coordinated campaign to delegitimize the State of Israel and Zionism — visible in American higher education, in the media, and in political lobbying. This must be named and addressed.
But it would be a mistake to look only outward. We in Israel must honestly ask whether the policies and public statements of top Israeli officials have not made it easier to misrepresent Israel as a state unconcerned with minorities, insensitive to other faiths (including Jewish denominations which are not Orthodox), and willing to flatten Gaza and repopulate it with Jewish settlements. The obligation to protect the state is sacred; so too is the obligation to ensure that the vision of an independent, flourishing Jewish State remains one that Jews in Israel and the diaspora can embrace together.
“As a man is consoled by his mother, just so shall I comfort you, and in Jerusalem, you shall be consoled” (v. 13). Yeshayahu’s image of consolation is strikingly intimate — the warmth of a mother, the certainty of belonging. This comfort is not meant to be experienced alone. It is promised to a people that returns to Jerusalem together, whose grief has been communal and whose joy will be shared. Since October 7th, so many Jews worldwide have indeed mourned, prayed, donated, advocated, and made aliyah. That solidarity is real, and must not be taken for granted.
Generations ago, a visitor to the Kotel etched into its ancient stones a verse from this very haftara: “You shall look on, your heart rejoicing, while your bones grow vigorous, like grass, and the hand of the Lord becomes known to His servants” (v. 14). An anonymous hand carved those words of hope into the wall — a private prayer left for all who would come after. This person understood Yeshayahu’s meaning precisely: Our hope is not merely personal. The rejoicing, the vigorous renewal, the recognition of God’s hand in history — all of it belongs to all our people, as one.
As we approach Yom Hazikaron, mourning our fallen with aching hearts, may we recommit to the work of shared solidarity that Yeshayahu demands. May we grieve together, hold one another, and confront with honesty and courage whatever stands between us and the vision of Jerusalem restored. And may we all merit, as a nation, and not merely as individuals, to see that day of consolation soon.
Rabbi Dr. Kenneth Brander is President and Rosh Yeshiva, Ohr Torah Stone.