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How Zohran Mamdani’s Ambiguous Words Echo in the Digital Sphere

Candidate Zohran Mamdani speaks during a Democratic New York City mayoral primary debate, June 4, 2025, in New York, US. Photo: Yuki Iwamura/Pool via REUTERS

When politicians speak out about Israel, antisemitism, or the Holocaust, what they omit can matter as much as what they say. In the digital arena, where nuance collapses within seconds, ambiguity often becomes ammunition.

The case of New York politician Zohran Mamdani, a progressive rising star who will likely become the mayor of New York City, illustrates this dynamic vividly. His statements about Israel, antisemitism, and the war in Gaza have sparked heated debate — not only for their content, but for the way strategic ambiguity allows them to be interpreted in starkly different ways.

Our research analyzed Mamdani’s rhetoric across multiple platforms — from television interviews to TikTok and YouTube — and traced how his words were reframed by influencers and audiences online.

The findings reveal how ambiguous political language can fuel polarization, distort Holocaust memory, and invite antisemitic readings that the speaker may never have intended.

The Power — and Peril — of Ambiguity

Ambiguity functions as a rhetorical strategy: it allows politicians to gesture in several directions at once, offering different audiences the interpretations they prefer. This flexibility provides plausible deniability, yet also creates an opening for distortion and hate.

Mamdani’s communication style is a textbook case. His remarks on Israel and antisemitism frequently hover between empathy and insinuation, critique and deflection — giving the impression of moral seriousness while avoiding clear commitments.

The effect is twofold: admirers see courage and compassion; critics see evasion and coded hostility. But the real consequences emerge online, where ambiguous statements are picked up by content creators, reframed through ideological lenses, and amplified to millions — often in ways that intensify division and resentment.

Omissions That Speak Volumes

Following Hamas’ October 7, 2023 massacre, in which terrorists murdered 1,200 Israelis and abducted more than 250, Mamdani issued a statement that conspicuously omitted any mention of Hamas or its victims.

Instead, he accused the Israeli government of preparing a “second Nakba.”

Such omissions are not neutral. In political communication, what is left unsaid shapes interpretation just as powerfully as explicit statements. By focusing solely on Israel’s alleged actions, Mamdani’s message erased the context of terrorism and Jewish suffering — effectively reframing a massacre as an act of “resistance.”

This pattern continued in later comments. Mamdani publicly repeated claims — later shown by independent investigations to be caused by a misfired Palestinian rocket — that Israel had bombed the Al-Ahli hospital in Gaza and that pro-Israel students at New York protests had used “chemical weapons.” Both claims spread rapidly online before being debunked. Yet even after corrections, the emotional narrative — Israel as aggressor, Jews as oppressors — remained intact.

When asked about these inaccuracies, Mamdani rarely corrected himself. Instead, he shifted attention to alleged efforts to silence him. In one speech, he attacked the lobbying group AIPAC as “undermining American democracy.” In the version later posted to his social media, that line was quietly edited out — an omission that further invited speculation and conspiratorial readings.

The pattern is consistent: statements are made, outrage follows, then a revised version appears — leaving both supporters and detractors to project their own meanings onto the ambiguity.

Reframing and Decontextualization

Much of Mamdani’s rhetorical power lies in reframing contentious slogans. During debates and interviews, he defended the chant “From the River to the Sea” as an expression of “universal human emancipation,” detaching it from its historic associations with the destruction of Israel. Likewise, when confronted about the slogan “Globalize the Intifada,” he called it “a call for justice,” likening it to the Warsaw Ghetto Uprising.

In the Bulwark podcast, he cited the US Holocaust Memorial Museum’s translation of “intifada” as “uprising” — implying moral equivalence between Jewish resistance during the Holocaust and Palestinian militancy today. Such analogies, presented as scholarly nuance, flatten historical distinctions and convert Holocaust memory into a tool of political comparison.

This decontextualization serves two purposes: it universalizes Jewish suffering (suggesting it belongs equally to all oppressed peoples) and downplays antisemitic violence within the Palestinian movement.

The result is a moral narrative where Jewish trauma becomes a universal metaphor, detached from Jewish history — a rhetorical move with deep emotional resonance and troubling implications.

“Right to Exist” — With Conditions

Mamdani’s statements about Israel’s right to exist are similarly ambivalent. On The Late Show with Stephen Colbert, he affirmed support for Israel “as long as it abides by international law” — a condition that effectively renders recognition provisional. In a later debate, he reiterated that Israel has “a right to exist” but declined to say “as a Jewish state,” instead describing a hypothetical state “with equal rights.”

These formulations sound reasonable, but they subtly shift the premise: from defending Israel’s right to exist as the world’s only Jewish homeland — a right enshrined after the Holocaust — to questioning the legitimacy of Jewish self-determination altogether.

Such framing enables both deniability (“I said they have a right to exist”) and accusation (“but they are violating it”).

How Digital Amplification Works

Our team analyzed hundreds of YouTube and TikTok videos discussing Mamdani’s remarks, focusing on content creators with large followings such as Hasan Piker, Kyle Kulinski, Sam Seder, Guy Christensen, and Vaush.

Across these channels, we coded the creators’ framing of Mamdani’s rhetoric and examined the first 200 comments per video.

The pattern was unmistakable: ambiguity in Mamdani’s statements invited radical amplification online. Influencers portrayed him as a victim of “smears,” “Islamophobia,” and “AIPAC propaganda.”

In turn, comment sections erupted into open antisemitic conspiracy theories.

  1. Denial and Inversion

Creators like Piker dismissed accusations of antisemitism as “fake nonsense,” claiming they were “weapons” to silence pro-Palestinian voices. Commenters echoed this denial, insisting that “antisemitism is a made-up shield” and calling the Anti-Defamation League the “Apartheid Defense League.”

This rhetorical inversion — portraying those who identify antisemitism as aggressors — transforms legitimate concern into alleged oppression. It blurs the line between defending free speech and trivializing hate.

  1. Competing Victimhood

Another recurring pattern was reversal of victimhood. Influencers framed criticism of Mamdani as evidence of Islamophobia, arguing that “Muslim politicians are automatically branded antisemitic.” In comment sections, this morphed into claims that Jewish concerns about antisemitism are “privileged” over Muslim experiences of discrimination.

This competitive framing pits minority groups against one another, eroding solidarity and obscuring the specific nature of antisemitism as a distinct, historically rooted form of hate.

  1. Conspiracy and Servility Tropes

When Democratic leaders criticized Mamdani, content creators claimed they were “doing AIPAC’s bidding.” Commenters took this further: “The Zionists control every dimension of life,” one wrote. Others invoked classic antisemitic imagery — “Follow the $$$ … puppets of Israel” — or even violent fantasies, predicting Mamdani would be “JFK’d” if he continued defying “the lobby.”

These narratives recycle centuries-old myths of Jewish financial and political control, now reframed in the language of internet populism.

  1. Normalizing Anti-Israel Rhetoric

Creators like Kulinski claimed Mamdani’s stance represented “mainstream Democratic opinion,” suggesting most Americans — even Jewish ones — share his criticisms of Israel. Commenters adopted this as fact, declaring that “the only thing Zionists fear is losing power.”

This normalization transforms hostility toward Israel into a marker of political authenticity. Within this logic, accusing someone of antisemitism becomes proof of their moral courage — a dynamic increasingly visible across progressive movements.

  1. Holocaust Inversion and Dehumanization

The most alarming finding was the reversal of Holocaust imagery. Influencers compared Israel to Nazi Germany; commenters fused the terms into slurs like “Zionazi” or “Isra-heil.” Some even glorified violence, cloaking assassination fantasies in gaming metaphors: “Trump and Netanyahu in NY? Perfect 2-for-1 moment for the Mario Brothers.”

While such remarks may seem fringe, they accumulate into a broader culture of digital derision — a climate where violent and dehumanizing speech becomes normalized through humor, irony, or moral outrage.

From Ambiguity to Escalation

The progression across these layers — Mamdani’s original statements, influencers’ reinterpretations, and audience reactions — shows how strategic ambiguity can spiral into participatory hate.

  1. Primary discourse: Mamdani’s words, open-ended and self-protective, avoid explicit antisemitism while enabling multiple readings.
  2. Secondary discourse: Influencers reframe his critics as tools of oppression, inverting accusations and legitimizing resentment.
  3. Tertiary discourse: Audiences collapse nuance entirely, producing overt antisemitic language and violent fantasies.

As meaning travels outward from the politician’s mouth to millions of screens, moral ambiguity collapses into moral abdication. This discursive spiral is not unique to Mamdani. It reflects a broader trend in digital politics, where rhetorical vagueness is weaponized by audiences seeking validation rather than understanding.

The Broader Challenge

Mamdani’s case highlights a growing dilemma for democracies: how to handle rhetoric that inflames division without crossing into illegal hate speech. Platforms and policymakers still struggle to address this “gray zone,” where statements remain technically permissible yet have corrosive downstream effects.

Democracy depends not only on freedom of speech but also on responsibility in speech. Politicians who wish to champion justice cannot outsource the meaning of their words to online mobs. Clarity is not censorship; it is accountability.

As the digital public sphere amplifies every utterance, the boundary between rhetoric and radicalization narrows. Mamdani’s example should serve as a warning: when ambiguity becomes a political habit, amplification becomes inevitable — and the cost is borne by those targeted in its echoes.

Dr. Matthias J. Becker is a Researcher in discourse studies at the University of Cambridge and New York University, and Research Lead at AddressHate. He directs the “Decoding Antisemitism” research project, which analyzes how antisemitic ideas spread in digital communication.

Gabrielle Beacken is a PhD student in Journalism and Media at the University of Texas at Austin. Her research focuses on propaganda, disinformation, and online antisemitism across social media and emerging technologies. She is a Research Assistant at the Center for Media Engagement’s Propaganda Research Lab. 

Liora Sabra is a PhD student in Hebrew and Judaic Studies at New York University. Her research explores antisemitism, Holocaust memory, and propaganda, focusing on definitional debates and their reflection in public discourse. She works at NYU’s Center for the Study of Antisemitism, contributing to research on prejudice and political communication.

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Trump announces deal with Iran is ‘now complete’

(JTA) — President Donald Trump announced Sunday that a deal to end the war with Iran and reopen the Strait of Hormuz is “now complete.”

“Congratulations to all! I hereby fully authorize the toll free opening of the Strait of Hormuz, and, simultaneously herewith, authorize the immediate removal of the United States Naval blockade,” Trump wrote in a post on Truth Social. “Ships of the World, start your engines. Let the oil flow!”

Pakistani Prime Minister Shehbaz Sharif, who has played a key mediating role in talks between the U.S. and Iran, also announced that a deal had been reached minutes before Trump made his post, adding that an official signing ceremony would take place Friday in Switzerland.

“Both sides have declared the immediate and permanent termination of military operations on all fronts, including in Lebanon,” Sharif wrote in a post on X.

The announcement comes more than three months since Israel and the U.S. launched its joint strikes on Iran in February. While the deal’s details have not yet been publicly announced, it is expected to extend a ceasefire between Iran and the U.S. for 60 days, during which the countries will negotiate a broader agreement addressing Iran’s nuclear program.

Israeli Prime Minister Benjamin “Bibi” Netanyahu did not immediately put out a statement following the announcement, but earlier  Sunday he had posted a message on X celebrating Trump’s birthday.

Also earlier Sunday, Israel launched strikes on Hezbollah targets in Beirut, prompting Iran to vow retaliation and drawing a sharp rebuke from Trump, who said the strikes had “delayed the signing by a few hours.”

“Why did Bibi have to do a f–cking attack? I was so pissed off. I let him know. He has no fucking judgement. I let him know that,” Trump told Axios Sunday.

This article originally appeared on JTA.org.

The post Trump announces deal with Iran is ‘now complete’ appeared first on The Forward.

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Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87

(JTA) — Jane Yolen was already an award-winning author and illustrator of more than 100 titles for young readers when her editor suggested she write a Jewish children’s book.

At first, she resisted the idea. Sure, she was Jewish. But she didn’t grow up in a religiously observant family, and she insisted she didn’t know enough about Judaism to take on the project.

Finally, she relented. Drawing on a spark of an idea about a Holocaust time-travel fantasy, Yolen turned in the first draft of what would become “The Devil’s Arithmetic,” her 1988 young adult novel. “I thought, ‘OK, I’m going to try this,’” Yolen recalled to the Jewish Telegraphic Agency years later.

The book won immediate acclaim and garnered multiple awards. Today, it’s seen as a classic of the genre — and one that remains caught up in banned-book lists.

For Yolen, who died Thursday at 87 in her home in Western Massachusetts, “The Devil’s Arithmetic” became her signature title. Still in print, the book was also made into an Emmy Award-winning Showtime feature starring Kirsten Dunst. It was the cornerstone of a titanic legacy in children’s literature, her family said in a statement.

“It is with profound sadness that I, along with my brothers, Adam Stemple, and Jason Stemple, share the news of our mother, Jane Yolen’s passing,” her daughter Heidi Stemple wrote on Facebook, adding that Yolen had “passed gently with no pain or stress” and her family by her side, reading one of her books to her.

Yolen was born on Feb. 11, 1939, in New York City. Her father was a journalist and her mother was a psychiatric social worker until Yolen was born.

An alumna of Smith College, where she won poetry and journalism awards, she worked first as an editor in New York City, writing at her breaks and time off. Her first published book, “Pirates in Petticoats,” a nonfiction work about women on the high seas, was published when she was 22.

She soon pivoted to children’s literature, becoming one of the most prolific authors in the genre. She went on to publish 450 children’s books, including more Jewish titles, and was known as “the Hans Christian Andersen of America.” She won the prestigious Caldecott Medal for her 1987 picture book, “Owl Moon,” and her “How Do Dinosaurs …” series is a staple in many preschool classrooms. (It includes one Jewish title: “How Do Dinosaurs Say Happy Chanukah?” Her 450th title was published just this year, her children said.

But it was “The Devil’s Arithmetic,” scholars have said, that cemented her legacy as a leading author for young Jews. The novel was a trailblazer for its blending of time-travel with historical veracity, according to the late Norman H. Finkelstein, a National Jewish Book award winner who was a children’s librarian himself.

“It was a different Holocaust book,” Finkelstein told JTA in 2018, on the occasion of the title’s 30th anniversary. “It was not strictly factual, it was not a memoir. Jane did a superb job in taking the story of the Holocaust down to a level that ordinary American kids could understand. The characters were realistic, not paper cutouts.”

Other titles of hers included “Meet Me at the Well: The Girls and Women of the Bible,” with Barbara Diamond Goldin, and “Jewish Fairy Tale Feasts,” with her daughter Heidi, who developed and illustrated the hands-on recipes.

Yolen relished the collaborations with her daughter. They lived next door to each other, along with Stemple’s family, with two grandchildren who were taste-testers of Stemple’s recipes.

“Jane was a treasure, and it is difficult to think of the world of books — indeed the world itself – without her,” Richard Michelson, an award-winning author of Jewish children’s books and Yolen’s friend and neighbor, wrote on Facebook. Describing her as a cherished mentor of younger writers, he added, “Jane created classics as if it were as easy as breathing.”

While often assigned in schools as part of lessons on the Holocaust, Yolen’s titles are not without controversy. In 2025 a Texas school district, using artificial intelligence, flagged “The Devil’s Arithmetic” for removal as a title containing “DEI,” or diversity, equity and inclusion content. The book became one of several well known Holocaust titles to be pulled from schools in the last few years.

Though she had initially resisted the idea of being a Holocaust author, Yolen would go on to publish a trilogy of unconventional young-adult novels about the subject. She incorporated elements of “Sleeping Beauty” into 1992’s “Briar Rose.” “Mapping the Bones” followed in 2018 as a riff on “Hansel and Gretel.”

“Whenever we think of the Holocaust, we think of remembering,” Yolen told JTA in that same 2018 interview. “We think of never forgetting. Soon all we will have are the stories.”

In addition to her children, Yolen is survived by six grandchildren. Her husband, David Stemple, to whom she was married for 44 years, died in 2006.

This article originally appeared on JTA.org.

The post Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87 appeared first on The Forward.

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Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights

(JTA) — The Reform movement’s central rabbinical seminary filed a motion to dismiss the state of Ohio’s lawsuit against the school Friday, claiming the suit violates “foundational Jewish religious doctrine.”

It was the latest escalation in a pitched battle between Hebrew Union College and the state attorney general’s office, which has accused HUC of violating nonprofit law by shuttering degree-granting programs on its historic Cincinnati campus.

The suit, HUC argues, “violates the First Amendment by entangling government and religion.”

The suit was originally filed in April by then-Ohio AG Dave Yost his second against the college related to its controversial plan to wind down its Cincinnati operations in favor of its New York and Los Angeles campuses. Yost claimed HUC’s actions in Cincinnati misled its donors by leaving a city where they were actively fundraising to support operations, and also violated its charter, which states that the school would “permanently maintain” a residence there.

The state seeks to seize HUC’s assets in Ohio and redirect them to a new, yet-to-be-decided nonprofit with a similar mission; an upstart rabbinical school founded by HUC alums says it wants them.

Such a move “is an unconstitutional and illegal governmental assault upon religion,” HUC’s strongly worded motion reads.

It continues, “The Attorney General has no role in dictating the religious affairs of institutions like HUC. The Court should reject his overreach into religious matters and should dismiss the Complaint because it is unconstitutional and unlawful.”

HUC also argues its vote to shutter the Cincinnati campus was done in full compliance with the law, adding that it intends to maintain the campus’s other assets, including the Klau Library, the American Jewish Archives and the Skirball Museum. In addition, citing a passage in the Torah that states “God will come to his people wherever they welcome him,” the school argues that considering “Jewish demographic realities” is part of its religious mission.

“These decisions were made thoughtfully and responsibly to ensure the long-term success of the institution and our ability to continue graduating strong Jewish leaders,” HUC president Andrew Rehfeld said in a statement accompanying the motion. The lawsuit, he added, “improperly seeks to interfere in the decisions of a religious organization, and this cannot be allowed to go unchallenged.”

Yost himself resigned as AG this week to join the Alliance Defending Freedom, a conservative Christian legal group that, in 2022, represented a Tennessee adoption agency that refused to foster a child to a Jewish couple. The suit against HUC continues under the state AG’s office.

This article originally appeared on JTA.org.

The post Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights appeared first on The Forward.

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