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Howie Mandel and Rachel Bloom headline an LA comedy ‘roast of antisemitism’
LOS ANGELES (JTA) — The White House recently released a detailed strategy for combating antisemitism, complete with more than 100 action items.
One thing not on the list? Comedy.
That’s where Jewish celebrities such as Howie Mandel, Rachel Bloom and Michael Rapaport came in on Wednesday night at the Saban Theater in Beverly Hills, at a so-called “Roast of Anti-Semitism.”
As event organizer Dani Zoldan put it, the comedy show was focused on “making fun of people that hate Jews.”
Emceed by longtime standup and occasional TV actor Elon Gold — who joked that there were no Proud Boys in the audience, only “Jewish mothers who are proud of their boys” — the evening was full of Yiddishisms, circumcision jokes and poking fun at the likes of Kanye West and Donald Trump.
There were countless jokes about antisemitic stereotypes — more than one performer mocked the idea that Jews control the weather, noting that the auditorium was uncomfortably warm. There were bits about conversion, Jesus and Hitler, and even a couple musical numbers, including Bloom’s rendition of “Remember That We Suffered,” from the musical comedy she co-created and starred in, “Crazy Ex-Girlfriend.”
The sold-out crowd of 1,900 also heard from Montana Tucker, the social media star who has become known for her Holocaust education content, and Noa Tishby, the actor and Israel’s former antisemitism envoy, who was fired after criticizing the current government’s proposed judicial overhaul.
Israel itself was not a big topic at the show, aside from a few jokes about flying El Al and Gold proclaiming, to considerable applause, that “anti-Zionism is antisemitism.”
Zoldan, whose Manhattan comedy club Stand Up NY produced the show, said he and his collaborators hope to pitch the show, which was recorded, to streaming platforms to help it reach an even wider audience.
“There’s obviously so many different initiatives around the world fighting antisemitism, so this was just our contribution, hoping to make some small difference,” Zoldan told the Jewish Telegraphic Agency in a phone interview prior to the show. Zoldan is also the creator of the Chosen Comedy Festival, a touring Jewish comedy show featuring many of the same comics.
Daniel Bernstein, who works at nearby Wilshire Boulevard Temple, said he attended the roast because he is “pro-semitism.”
“I think we’ve been through so much, the only way to get through it is to laugh,” he said.
Bernstein was there with his friend Talia Amoyal, who added that “a lot of pain comes out through humor.”
Howie Mandel, Jeff Ross, Elon Gold and Tehran backstage. (Courtesy of Dani Zoldan)
Tehran Von Ghasri, who goes simply by Tehran on stage, also performed on Wednesday. A comedian and actor based in LA, Von Ghasri said he often seeks opportunities to use comedy to address difficult topics. He is half Iranian and half Black, and his maternal grandmother is a Mizrahi Jew from Egypt.
“I wanted to add some literal and metaphorical color to this lineup,” he said. He added that his close bond with his grandmother made Judaism a big part of his life growing up. He celebrated Jewish holidays and had a bar mitzvah.
“It’s good to show that there’s no monolith of Judaism,” he said. “There’s no one thing or person that it looks like.”
Zoldan, who himself is an observant Jew, said the event was largely targeted at a younger, non-Jewish audience. The team behind the show relied on influencers and social media marketing to spread the word and sell tickets.
“I don’t think it’ll help the cause if we just filled the audience with Jews who agree that antisemitism is bad,” Zoldan said. Instead, he said he hoped the show would offer a younger, non-Jewish audience “a different side and a different conversation about antisemitism.”
In fact, multiple comics asked the non-Jews in the audience to make some noise — a prompt which received a few scattered cheers.
The show also featured Orthodox comedian Modi Rosenfeld, who, along with Mandel, received the most laughs of the night; a video from Triumph the Insult Comic Dog (who was created by Jewish comedian Robert Smigel) interviewing people in London about controversial Pink Floyd frontman Roger Waters; “Roastmaster General” Jeff Ross and others.
Due to the size of the lineup, each comedian’s set lasted only around 10 minutes. Still, Zoldan said, he recognized how big the ask was each time he invited someone to participate.
For one thing, unlike in a typical comedy show, in which traveling comics can repeat their go-to set (which Rapaport and Yamaneika Saunders still seemed to do anyway), this show’s specific theme required the performers to write new material. Plus, Zoldan added, the ongoing Hollywood writers strike may have dissuaded some comics from agreeing to take part, out of deference for the striking writers.
Mandel, who closed out the show, ended by encouraging the crowd to be proud about their Judaism — that is, after he made fun of a woman in the front row for falling asleep during his set.
“We’ve been persecuted for 6,000 years,” he said, “but you can’t sit for a f–ing hour?”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”