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In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind
(New York Jewish Week) — “You never know how people are going to respond,” says Jewish comedian Ari Shaffir, referring to his new standup special, “Jew,” which has more than 3 million views (and counting) on YouTube.
The self-released, 90-minute showcase of stories and jokes goes deep into his life story, including his studies at a Jerusalem yeshiva. Shaffir, who eventually left Orthodoxy behind, balances Talmud lessons with the neuroticism of Jewish culture.
The show gives the entire backstory of Judaism, starting with Adam and Eve, interweaving tales about Hanukkah and Passover, going through customs and traditions. It’s an oral history of Judaism, told through a brutally honest comedic lens.
After it was released two weeks ago, the special has been praised by numerous comics in the podcast world, including Tim Dillon, Shane Gillis, Chris Destafano and Joe Rogan, whom Shaffir calls a longtime friend.
There are also over 25,000 comments on the special, most of them positive. One goes as far to say that it is “the best special of the century so far.”
Shaffir, who lives in the East Village, said he has not received much negative feedback for the special, which is rare for a comedian who once received death threats and had to cancel shows for joking about NBA player Kobe Bryant’s death in 2020.
“Jew,” which was shot and performed in Brooklyn, was released Nov. 2. The date, Shaffir told the New York Jewish Week, was set far in advance — but it arrived at a moment when antisemitism became a national conversation topic, thanks to recent tweets from rapper Kanye West and Brooklyn Nets star Kyrie Irving.
“I was worried for a minute — I thought for a second it was going to derail it,” he said of the timing, adding that he “wasn’t looking for this kind of press” in regards to his special.
The conversation only grew more intense last week, after Dave Chapelle delivered a monologue on “Saturday Night Live” abut the West and Irving controversies that critics, including the Anti-Defamation League and Simon Wiesenthal Center, called antisemitic.
“They’re ready to say that, regardless,” Shaffir said. “The complaints were already written. Most people think it’s funny.” Jewish organizations, he said, are “not known as great comedy critiquers.”
“People don’t understand that we enjoy that,” Shaffir added, referring to the criticism. “I can speak for Chapelle on this. We’re only here to make people laugh, but we also enjoy when dorks get mad.”
Shaffir, 48, has made a career off of making dorks mad, weaving tales about drugs, sex and Judaism into world tours, a podcast, spots at the Comedy Cellar in New York and the Comedy Store in Los Angeles.
While he’s known for his edgy humor, Shaffir appears more introspective and personal in “Jew” when compared to his previous work. On his Comedy Central show “This Is Not Happening,” which ran for four seasons between 2015 and 2019, he talks about planting weed for strangers and fans at sports arenas and shopping malls (the police weren’t amused). He also appeared in a sketch called “The Amazing Racist,” where he spoofs “The Amazing Race” by playing a character who constantly brings up offensive stereotypes.
With “Jew,” by contrast, Shaffir has channeled his persona into a hyper-focused, cohesive take on all aspects of Judaism, including mikvahs, Yom Kippur chicken rituals and the minutiae of when certain foods can be considered kosher. At the same time, he keeps the material palatable for a non-Jewish audience.
“You can make anything accessible,” Shaffir said. “It’s the same thing as saying, ‘My dad does this weird thing, or my country does this weird thing.’ You just explain it and you’re fine.”
Ari Shaffir holds the crown as my favorite j-w. He’s Moshiach in my eyes. pic.twitter.com/8kLFSaqgqp
— Adam Green – Know More News (@Know_More_News) November 14, 2022
While Shaffir may have turned away from religion as a young man, he said he has since found “a love for how interesting and cool it was.”
“I now see that Judaism leaves your kids with intelligence, where they value education and family,” Shaffir said. “It’s great stuff and I wanted to show that.”
When the special was released, Shaffir left a note on his web site saying that it is his “love letter to the culture and religion that raised me.”
He tells a story in the special about meeting with his rabbi from the Jerusalem yeshiva and telling him he was a standup comedian. “All he wanted to know was, ‘do you still use the teaching?’” Shaffir says in the special.
Shaffir then talks about how the rabbi gave him a lesson about Noah’s Ark, which he then turns into a bit about anal sex — all while leaving the audience with a positive spin on Judaism.
“Not all religion is stupid,” Shaffir says in the special. “It’s a good lesson, especially in this day and age.”
Shaffir was born in New York and spent most of his childhood in North Carolina and Maryland. He was “a Modern Orthodox Jewish kid” who attended the Hebrew Academy of Greater Washington (now the Berman Hebrew Academy). After high school, Shaffir went to Bris Medrash L’Torah, an Orthodox yeshiva in Jerusalem, which he said was the “standard track” for a Jewish kid at his age, but eventually he had “a crisis of faith.”
“I just came home and really thought about it and I was like, ‘I’m out,’” Shaffir said. “I don’t want to do this anymore.”
Since then, Shaffir said he does not believe in God, but believes in the “shared history” of Judaism.
And while he’s had moments of Jewish jokes and stories in his previous specials, this is his full show on the topic, going deep within himself to find the humor within the religion, even in the darkest of places.
Shaffir’s father is a Holocaust survivor from Romania, who moved to Israel following the war. Shaffir said his story of survival was “a major part of our upbringing.”
“Their village got taken later in the war,” Shaffir said of his father’s family. “Most of the family was wiped out. I don’t know all the details exactly.”
He now has a good relationship with his parents and said they saw him perform the special live. “They liked it,” Shaffir said. “They probably liked it more than my other specials, where I was talking about [having sex with] chicks with herpes.”
While working on the special, Shaffir workshopped his material at the Fat Black Pussycat, the “sister showroom” of the Comedy Cellar in New York’s Greenwich Village. There, an audience member once asked him a question about “the pillow” that Jews carry.
“I was like, ‘I don’t know what you’re talking about,’” Shaffir said. “But then it hit me: It’s tallis and tefillin,” the velvet bags containing prayer shawls and phylacteries that Jews carry to synagogue. “It looks like a pillowcase. You can look at it from an outside perspective, their point of view: It looks like a pillow. Their questions would get me to riff.”
He later took his special abroad, including Israel, where “it did not work,” he said. “They knew too much about it. All the exposition, they were like, ‘We know.’”
In contrast, he performed the material in places where there were few or possibly no Jews, such as Perth, Australia and Reykjavik, Iceland, where it went well. “Places where they are like, ‘I’ve never heard of [Jews],” Shaffir said. “I had to make sure it went well there because it’s gotta be accessible.”
He also performed a version of the show as part of the Edinburgh Fringe Festival in Scotland, which he said greatly inspired the special.
Another aspect of the Shaffir’s special is countering the narrative of Orthodox Jews as outsiders. “They work regular jobs,” Shaffir said. “There are ambulance drivers with yarmulkes. There’s just some weird stuff that they do. We would play basketball and we would have tzitzit [ritual fringes] and a yarmulke on, but we were on the courts with everybody.”
Shaffir has a joke in the special about using a yarmulke as a move to distract a defender during a basketball game.
This year, Ryan Turell became the first Orthodox player drafted into the NBA’s developmental G League
“I love it,” Shaffir said. “Hopefully it goes well for him and he loses his religion. That would be cool.”
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Ari Emanuel has written a memoir and no one is safe — not even his brother
Roll the Calls: A Memoir
By Ari Emanuel
Knopf, 432 pages, $35
It must be exhausting to be super-agent Ari Emanuel: rising before dawn for a workout regimen, ingesting live worms to consume bacteria, and then placing hundreds of daily phone calls to clients and network honchos. It is, frankly, exhausting just to read about it, notwithstanding the clever, staccato narrative by (uncredited) ghostwriter J.R. Moehringer.
The point of it all, Emanuel keeps insisting in Roll the Calls, is not the dollars.
“Money isn’t the thing that makes me get up at 4:00 a.m.,” he says. “I’m just not sure yet what that thing is.”
Perpetually on the precipice of bankruptcy, he takes bold entrepreneurial risks to survive in an industry wracked by labor discontent, cutthroat infighting and technological change.
The goal, if there is one, seems to be simply to win — to bend everyone around him to his will. And, for the most part, he does. From the mailroom, Emanuel has ascended to the summit: executive chair and CEO of TKO and executive chairman of WME Group, “two companies,” his biographical blurb says, “that sit at the center of sports, entertainment and culture.”
Emanuel is probably best known as the model for the abrasive Ari Gold, the talent agent played by Jeremy Piven in the HBO show Entourage (2004-11). The show’s protagonist, Vincent Chase, is loosely based on one of Emanuel’s clients, the actor Mark Wahlberg. Emanuel says that he could never bear to watch the series, but notes that it helped turbocharge his career.
In his telling, the entertainment-industrial complex is a transactional, amoral, brutish and (though Emanuel doesn’t use this phrase) testosterone-fueled world, where the key players are nearly all men. It seems impossible to imagine any woman getting away with — let alone prospering from — the unhinged, profanity-laced approach that has become Emanuel’s trademark.
Even in this milieu, there are, in his view, particularly loathsome players. Among them is Harvey “Scissorhands” Weinstein, whom Emanuel indicts for his slovenliness, bullying tactics and editorial interference. Even without a mention of the producer’s alleged track record of sexual harassment and assault, Emanuel’s assessment of Weinstein is withering. “Empty at his core,” Emanuel writes, “Harvey’s sole motivation is to thwart and mess with other people.”
Emanuel expresses contempt, too, for other bold-faced names, including Jeffrey Katzenberg, former chair of Walt Disney Studios and cofounder of the film studio DreamWorks, and Hollywood scribe Nikki Finke, with whom Emanuel had a codependent relationship. He takes on Donald Trump as a client, doesn’t vote for him for president, and drops him, without regret, when he wins and can no longer generate commissions. None of this necessarily makes Emanuel a reliable narrator.
The memoir begins with the word “rage,” which Emanuel observes is also the first word of Homer’s Iliad. The allusion sets Roll the Calls up to be similarly epic. But its angry protagonist is, at best, an antihero, and the stakes of his success surely are less than mythic.

What are the origins of Emanuel’s rage? He points to his lifelong struggles with dyslexia and the bullying and humiliation that resulted. The Emanuel family ethos was unsparingly competitive. In life, he learned, “loser gets fed to lions,” so “keep your fists clenched and your head on a swivel.” And roughhousing with his older brothers, whom he jokingly calls “two violent psychopaths,” may have left Ari bruised and resentful.
Both Ezekiel “Zeke” Emanuel, a prominent oncologist and bioethicist, and former Chicago mayor and prospective 2028 Democratic presidential candidate Rahm Emanuel are known for their combative personalities. Ari suggests that the family is tight-knit and loving. But one of the book’s quietly shocking reveals is Rahm’s mockery of his brother’s dyslexia when they share a stage during Chicago Ideas Week.
Emanuel argues that his anger, which can turn threatening, provides a bargaining advantage by intimidating adversaries. He cites a study showing “that angry negotiators had the edge.” In a bar, he calls out Michael Moore as an [expletive deleted] antisemite for views the director expressed about Israel; Moore denies the charge, they keep talking and Emanuel ends up with a new client.
“You’ve got to be a little psychotic in this town,” Emanuel argues. To succeed, “you need to show that you can color outside the lines, and that, once in a while, you might eat the [expletive deleted] crayon.” The memoir doesn’t delete the expletives.
Yet Emanuel understands the personal costs of his anger enough to have devoted years to psychotherapy aimed at moderating it. (The results seem mixed at best.) Emanuel also admits to a habit akin to stalking: calling potential clients, business partners and others constantly until they succumb to his sales pitch.
This incessant hounding landed him the mailroom gig at Creative Artists Agency, from which he quickly rose — until he departed, with allies, to start his own company. Similar persistence won him the business (and, later, friendship) of the famously curmudgeonly Larry David, who said, over lunch, that he would sign with Emanuel — if only the agent would stop calling.
After his first marriage (unsurprisingly) dissolved, Emanuel deployed his telephone tactics in courtship — not a method, one imagines, that would have worked for a lesser man. In Emanuel’s case, relentless pursuit led, after some drama and heartbreak, to his second marriage, to a much younger woman who had initially resisted his overtures.
None of this is to say that Roll the Calls isn’t worth a read, especially for anyone interested in an unabashedly jaundiced insider account of how Hollywood operates. The book is quick-paced, laugh-out-loud funny at times, and filled with acidic observations and gossip. It is also horrifying.
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NY Jewish Democrats defend Mamdani after Netanyahu calls him a Hamas supporter
(JTA) — Some top New York Jewish Democrats are defending New York City Mayor Zohran Mamdani after Israeli Prime Minister Benjamin Netanyahu called him an “antisemite” and said he is “buddies” with Hamas.
Netanyahu’s speech at the United Nations General Assembly on Thursday, and the outsized role Mamdani played in it, were the culmination of escalating criticism of Mamdani from Israeli officials in recent weeks.
Mamdani is an avowed anti-Zionist who during his campaign to be the mayor had pledged to arrest Netanyahu. Over the summer, he conceded he didn’t have the power to do so, though he criticized the Israeli government over Gaza in the run-up to the prime minister’s visit.
But while his full-throated criticism of Israel has alarmed some local Jewish officials, many felt that Netanyahu’s attacks on Thursday from the U.N. plenum went too far.
“It’s scurrilous to suggest that the mayor voices support for Hamas,” Manhattan Borough President Brad Hoylman-Sigal, who is Jewish, said Friday in an interview with the Jewish Telegraphic Agency.
City Council Speaker Julie Menin, also a Jewish Democrat, has opposed Mamdani on some legislation related to protests outside houses of worship — a sensitive issue in the wake of protesters picketing outside synagogues that were holding Israeli real estate events. Menin said in a press conference on Thursday that Netanyahu’s remarks were “not helpful at all” because “we need to turn the temperature down.”
“This idea of what the prime minister said can really incite violence. We cannot have this,” Menin said.
Mamdani, an outspoken pro-Palestinian advocate, has condemned Hamas as “a terrorist organization” and has denounced antisemitic hate crimes committed in New York.
The mayor responded with a statement of his own, saying that Netanyahu “used his speech to repeat baseless lies meant to sanitize his genocide of Palestinians.”
“Yet no lie can change the fact that he remains the subject of an International Criminal Court arrest warrant alleging war crimes and crimes against humanity,” Mamdani said. The United States is not a party to the ICC and has no obligation to carry out its warrants on U.S. soil.
Netanyahu’s remarks at the U.N. General Assembly came amid a reelection campaign in which Netanyahu’s Likud Party has made Mamdani a villain. Hoylman-Sigal called Thursday’s speech a “political ploy” and a “deflection by someone who has a lot of domestic turmoil, political and otherwise.”
“Clearly, Netanyahu is fighting for his political life,” said Hoylman-Sigal, who is Jewish.
Netanyahu’s arrival in New York sparked a wave of demonstrations in Manhattan on Thursday, including multiple organized by Israeli expatriate groups who emphasized the Oct. 27 Israeli election date. Rallygoers chanted “Vote him out!” at a protest held by the Israeli anti-Netanyahu group UnXeptable.
Even before his visit, Gov. Kathy Hochul pushed back on comments Netanyahu had made. Calling Mamdani a “supporter of the Hamas monsters” was false and “hurt his own credibility,” Hochul said in an interview with the radio station WNYC earlier this week.
Morton Klein, president of the Zionist Organization of America, which is supportive of Netanyahu and has been harshly critical of Mamdani, called Netanyahu’s remarks “Churchillian” and his “greatest speech.”
“Importantly, he also called out Mamdani as a dangerous antisemite who has endangered Jews in New York City,” Klein said in a statement.
The U.N. speech came as Israeli officials have escalated their rhetoric against Mamdani.
Last month, Ofir Akunis, the Israeli consul general in New York, compared Mamdani’s support for the boycott Israel movement to Nazi Germany. A Mamdani spokesperson told JTA the comparison was “offensive, completely unhinged and detached from reality,” and said Akunis “should be ashamed of himself.”
The statement was Mamdani’s first time weighing in on the Israeli consul general, who had accused Mamdani of being directly responsible for anti-Jewish hate crimes in the city.
Republican City Council member Inna Vernikov, who is Jewish and a staunch Mamdani critic, took issue with the mayor’s response.
“When Mamdani cleans his own house, then he can criticize Jewish leaders,” said Vernikov, pointing to Mamdani’s wife’s anti-Israel views and his vetoing of a bill on protests around schools.
Brad Lander, the Jewish progressive and Democratic nominee for New York’s 10th congressional district, blasted both Akunis’ and Netanyahu’s attacks on Mamdani.
“Netanyahu and Akunis are cynically weaponizing accusations of antisemitism for their own narrow, selfish political purposes,” said Lander, one of Mamdani’s most prominent Jewish allies, in a statement to JTA. “They are making Israelis, American Jews, Palestinians, and the whole world less safe.”
Lander himself was the recipient of a Nazi Germany comparison when Bruce Blakeman, the Republican candidate for New York governor, said that Lander “would be a camp guard in the concentration camp if he could.”
Hoylman-Sigal called the comparisons “outrageous,” and said that he is more worried about a rise in far-right parties, including Germany’s AfD.
“We should be very careful, no matter what our background is, to draw such extreme comparisons,” he said.
Phylisa Wisdom, who heads Mamdani’s office to combat antisemitism, told JTA that it is “appalling that some leaders have resorted to comparing their political opponents to Nazis.”
“We can and should disagree — sometimes deeply — but we must be able to do so without debasing public discourse,” she said.
Amy Spitalnick, the CEO of the Jewish Council for Public Affairs, a group that leads outreach to non-Jewish community organizations, told JTA in an email that comparisons to Nazis should be out of bounds.
It is “particularly concerning given that our own community frequently, and rightfully, calls out those using dehumanization and/or making inappropriate Holocaust comparisons,” she said.
As a case in point, Spitalnick pointed to the Anti-Defamation League’s article on inappropriate Holocaust comparisons, which includes COVID-19 vaccine requirements and free speech complaints.
The ADL did not return a request for comment on Akunis’ Nazi Germany comparisons.
“Disagree with the Mayor on his policies or rhetoric — I certainly have — but comparisons like this are deeply offensive and wrong, in addition to undermining the very relationships and engagement necessary to ensuring Jewish safety in New York and beyond,” Spitalnick said.
This article originally appeared on JTA.org.
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‘Nobody Wants This’ star Adam Brody on Gaza: ‘Put me down as thinking it’s a genocide’
Adam Brody, the Jewish actor who plays a “hot rabbi” on the hit Netflix rom-com Nobody Wants This, called the war in Gaza a genocide in a new interview, making him one of just a few Jewish celebrities to speak out publicly against the Israeli campaign.
The comments came in an interview with GQ about Brody’s efforts canvassing for Democratic candidates in the upcoming midterms.
“Put me down as thinking it’s a genocide. Put me down as wanting a free Palestine,” he said. “It’s awful that it’s taken so much death and misery, but it does feel like it’s reaching a breaking point that it should have a while ago. I’m hopeful that another administration can really do some good and correct some of these policies that are helping that situation be as awful as it is.”
The claim of genocide in Gaza is heavily disputed. Several international bodies, human rights organizations and academic institutions have concluded Israel’s actions in Gaza since Oct. 7 fit the description, including a United Nations Commission of Inquiry. Other similar groups, like the International Court of Justice, have not applied the term.
Brody’s comments were surprising in part because he had previously kept his feelings about the war private, even as other leading Hollywood figures openly criticized it. He does not maintain a public social media presence, and he did not participate in pin-wearing campaigns or sign various petitions related to the war — an approach he indicated he might change going forward.
“I’m not wearing a pin, so I’m not inviting a certain question, and perhaps I should,” he said. “I really admire people who do. But 99% of what I’m asked about is about the show. I’m not trying to plead ignorance—here we are doing a political interview, so it makes sense that we wade into this territory—but I’ve never ducked a question, really, not a political question anyway.”
Brody — who came to fame in the 2000s as the teenager Seth Cohen on The O.C. — joins Hacks star Hannah Einbinder and Wallace Shawn (The Princess Bride) as perhaps the most high-profile Jewish actors to publicly call the war a genocide. Other Jewish entertainment figures, like Mandy Patinkin and The Zone of Interest director Jonathan Glazer, have criticized the war but stopped short of calling it a genocide.
Yet Brody’s comments are perhaps especially notable because of the character he plays on TV. In Nobody Wants This, Brody plays a rabbi dating a non-Jewish woman — introducing her to the beauty and foibles of Jewish faith and culture. Israel has been conspicuously absent from the show, with its creator, Erin Foster, saying she deliberately avoided geopolitics.
Season 3 of Nobody Wants This releases to Netflix October 22.
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