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In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind
(New York Jewish Week) — “You never know how people are going to respond,” says Jewish comedian Ari Shaffir, referring to his new standup special, “Jew,” which has more than 3 million views (and counting) on YouTube.
The self-released, 90-minute showcase of stories and jokes goes deep into his life story, including his studies at a Jerusalem yeshiva. Shaffir, who eventually left Orthodoxy behind, balances Talmud lessons with the neuroticism of Jewish culture.
The show gives the entire backstory of Judaism, starting with Adam and Eve, interweaving tales about Hanukkah and Passover, going through customs and traditions. It’s an oral history of Judaism, told through a brutally honest comedic lens.
After it was released two weeks ago, the special has been praised by numerous comics in the podcast world, including Tim Dillon, Shane Gillis, Chris Destafano and Joe Rogan, whom Shaffir calls a longtime friend.
There are also over 25,000 comments on the special, most of them positive. One goes as far to say that it is “the best special of the century so far.”
Shaffir, who lives in the East Village, said he has not received much negative feedback for the special, which is rare for a comedian who once received death threats and had to cancel shows for joking about NBA player Kobe Bryant’s death in 2020.
“Jew,” which was shot and performed in Brooklyn, was released Nov. 2. The date, Shaffir told the New York Jewish Week, was set far in advance — but it arrived at a moment when antisemitism became a national conversation topic, thanks to recent tweets from rapper Kanye West and Brooklyn Nets star Kyrie Irving.
“I was worried for a minute — I thought for a second it was going to derail it,” he said of the timing, adding that he “wasn’t looking for this kind of press” in regards to his special.
The conversation only grew more intense last week, after Dave Chapelle delivered a monologue on “Saturday Night Live” abut the West and Irving controversies that critics, including the Anti-Defamation League and Simon Wiesenthal Center, called antisemitic.
“They’re ready to say that, regardless,” Shaffir said. “The complaints were already written. Most people think it’s funny.” Jewish organizations, he said, are “not known as great comedy critiquers.”
“People don’t understand that we enjoy that,” Shaffir added, referring to the criticism. “I can speak for Chapelle on this. We’re only here to make people laugh, but we also enjoy when dorks get mad.”
Shaffir, 48, has made a career off of making dorks mad, weaving tales about drugs, sex and Judaism into world tours, a podcast, spots at the Comedy Cellar in New York and the Comedy Store in Los Angeles.
While he’s known for his edgy humor, Shaffir appears more introspective and personal in “Jew” when compared to his previous work. On his Comedy Central show “This Is Not Happening,” which ran for four seasons between 2015 and 2019, he talks about planting weed for strangers and fans at sports arenas and shopping malls (the police weren’t amused). He also appeared in a sketch called “The Amazing Racist,” where he spoofs “The Amazing Race” by playing a character who constantly brings up offensive stereotypes.
With “Jew,” by contrast, Shaffir has channeled his persona into a hyper-focused, cohesive take on all aspects of Judaism, including mikvahs, Yom Kippur chicken rituals and the minutiae of when certain foods can be considered kosher. At the same time, he keeps the material palatable for a non-Jewish audience.
“You can make anything accessible,” Shaffir said. “It’s the same thing as saying, ‘My dad does this weird thing, or my country does this weird thing.’ You just explain it and you’re fine.”
Ari Shaffir holds the crown as my favorite j-w. He’s Moshiach in my eyes. pic.twitter.com/8kLFSaqgqp
— Adam Green – Know More News (@Know_More_News) November 14, 2022
While Shaffir may have turned away from religion as a young man, he said he has since found “a love for how interesting and cool it was.”
“I now see that Judaism leaves your kids with intelligence, where they value education and family,” Shaffir said. “It’s great stuff and I wanted to show that.”
When the special was released, Shaffir left a note on his web site saying that it is his “love letter to the culture and religion that raised me.”
He tells a story in the special about meeting with his rabbi from the Jerusalem yeshiva and telling him he was a standup comedian. “All he wanted to know was, ‘do you still use the teaching?’” Shaffir says in the special.
Shaffir then talks about how the rabbi gave him a lesson about Noah’s Ark, which he then turns into a bit about anal sex — all while leaving the audience with a positive spin on Judaism.
“Not all religion is stupid,” Shaffir says in the special. “It’s a good lesson, especially in this day and age.”
Shaffir was born in New York and spent most of his childhood in North Carolina and Maryland. He was “a Modern Orthodox Jewish kid” who attended the Hebrew Academy of Greater Washington (now the Berman Hebrew Academy). After high school, Shaffir went to Bris Medrash L’Torah, an Orthodox yeshiva in Jerusalem, which he said was the “standard track” for a Jewish kid at his age, but eventually he had “a crisis of faith.”
“I just came home and really thought about it and I was like, ‘I’m out,’” Shaffir said. “I don’t want to do this anymore.”
Since then, Shaffir said he does not believe in God, but believes in the “shared history” of Judaism.
And while he’s had moments of Jewish jokes and stories in his previous specials, this is his full show on the topic, going deep within himself to find the humor within the religion, even in the darkest of places.
Shaffir’s father is a Holocaust survivor from Romania, who moved to Israel following the war. Shaffir said his story of survival was “a major part of our upbringing.”
“Their village got taken later in the war,” Shaffir said of his father’s family. “Most of the family was wiped out. I don’t know all the details exactly.”
He now has a good relationship with his parents and said they saw him perform the special live. “They liked it,” Shaffir said. “They probably liked it more than my other specials, where I was talking about [having sex with] chicks with herpes.”
While working on the special, Shaffir workshopped his material at the Fat Black Pussycat, the “sister showroom” of the Comedy Cellar in New York’s Greenwich Village. There, an audience member once asked him a question about “the pillow” that Jews carry.
“I was like, ‘I don’t know what you’re talking about,’” Shaffir said. “But then it hit me: It’s tallis and tefillin,” the velvet bags containing prayer shawls and phylacteries that Jews carry to synagogue. “It looks like a pillowcase. You can look at it from an outside perspective, their point of view: It looks like a pillow. Their questions would get me to riff.”
He later took his special abroad, including Israel, where “it did not work,” he said. “They knew too much about it. All the exposition, they were like, ‘We know.’”
In contrast, he performed the material in places where there were few or possibly no Jews, such as Perth, Australia and Reykjavik, Iceland, where it went well. “Places where they are like, ‘I’ve never heard of [Jews],” Shaffir said. “I had to make sure it went well there because it’s gotta be accessible.”
He also performed a version of the show as part of the Edinburgh Fringe Festival in Scotland, which he said greatly inspired the special.
Another aspect of the Shaffir’s special is countering the narrative of Orthodox Jews as outsiders. “They work regular jobs,” Shaffir said. “There are ambulance drivers with yarmulkes. There’s just some weird stuff that they do. We would play basketball and we would have tzitzit [ritual fringes] and a yarmulke on, but we were on the courts with everybody.”
Shaffir has a joke in the special about using a yarmulke as a move to distract a defender during a basketball game.
This year, Ryan Turell became the first Orthodox player drafted into the NBA’s developmental G League
“I love it,” Shaffir said. “Hopefully it goes well for him and he loses his religion. That would be cool.”
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The post In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind appeared first on Jewish Telegraphic Agency.
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Beijing Tells Chinese Firms to Stop Using US and Israeli Cybersecurity Software, Sources Say
US President Donald Trump and Chinese President Xi Jinping talk as they leave after a bilateral meeting at Gimhae International Airport, on the sidelines of the Asia-Pacific Economic Cooperation (APEC) summit, in Busan, South Korea, Oct. 30, 2025. Photo: REUTERS/Evelyn Hockstein
Chinese authorities have told domestic companies to stop using cybersecurity software made by roughly a dozen firms from the US and Israel due to national security concerns, two people briefed on the matter said.
As trade and diplomatic tensions flare between China and the US and both sides vie for tech supremacy, Beijing has been keen to replace Western-made technology with domestic alternatives.
The US companies whose cybersecurity software has been banned include Broadcom-owned VMware, Palo Alto Networks and Fortinet, while the Israeli companies include Check Point Software Technologies, the sources said.
Shares of Broadcom and Palo Alto Networks were down more than 1% in premarket trading, while those of Fortinet fell nearly 3%.
Reuters was not able to establish how many Chinese companies received the notice that the sources said was issued in recent days.
Chinese authorities expressed concern that the software could collect and transmit confidential information abroad, the sources said. They declined to be named due to the sensitivity of the situation.
China’s internet regulator, the Cyberspace Administration of China, and the Ministry of Industry and Information Technology had not responded to requests for comment at the time of publication. The four companies also did not reply to Reuters queries.
PREPARATIONS ARE UNDERWAY FOR TRUMP VISIT
The United States and China, which have been locked in an uneasy trade truce, are preparing for a visit by US President Donald Trump to Beijing in April.
Even before Trump’s return to power at the start of last year, the politics around foreign cybersecurity vendors has long been fraught.
While the West and China have clashed over China’s efforts to build up its semiconductor and artificial intelligence sectors, Chinese analysts have said Beijing has become increasingly concerned that any Western equipment could be hacked by foreign powers.
It has therefore sought to replace Western computer equipment and word processing software.
The country’s largest cybersecurity providers include 360 Security Technology and Neusoft.
Some of the US and Israeli companies facing a ban for their part have repeatedly alleged Chinese hacking operations, which China has denied.
Last month, Check Point published a report on an allegedly Chinese-linked hacking operation against an unidentified “European government office.” In September, Palo Alto published a report alleging a Chinese hacking effort targeted diplomats worldwide.
SIGNIFICANT CHINESE FOOTPRINT
The companies have built a significant footprint in China over the years.
Fortinet has three offices in mainland China and one in Hong Kong, according to its website. Check Point’s website lists support addresses in Shanghai and Hong Kong. Broadcom lists six China locations, while Palo Alto lists five local offices in China, including one in Macau.
Cybersecurity firms are often staffed with intelligence veterans, they typically work closely with their respective national defense establishments, and their software products have sweeping access to corporate networks and individual devices – all of which at least theoretically provides a springboard for spying or sabotage, analysts say.
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Strong start for Virginia’s first Yiddish culture festival
It’s not every day that you encounter a man in a Stetson hat singing Yiddish folksongs in the former capital of the Confederacy.
Yet that wasn’t the most unexpected thing this reporter experienced over Richmond Yiddish Week’s opening weekend. The grassroots Yiddish cultural festival, which began on Saturday, got off to an energetic, well-attended start.
The festival’s opening concert, a double billing of local klezmer bands The Vulgar Bulgars and My Son The Doctor, took place Saturday night at Gold Lion Community Café, an art-space in Richmond’s up-and-coming Manchester neighborhood.
Even before the concert began, the venue was standing-room only. “This is clearly the place to be in Manchester tonight,” remarked one attendee as he squeezed into a seat.
Before the first set, festival co-founder Sam Shokin addressed the audience, expressing her delight at the large turnout. “We weren’t sure how many like-minded people we were going to find for a Yiddish culture festival,” she said, “but judging by the crowd it seems like there are a lot of you.” Her remark elicited enthusiastic applause.
Thirty minutes into the first set, the space was so crowded that service staff had difficulty delivering customers’ food and drink orders to the tables. At least one woman gave up waiting in line to place her order until the break between sets.
The Vulgar Bulgars opened with several tightly harmonized and adventurously arranged klezmer instrumentals. Local singer Nina Lankin then joined in for a power ballad-esque and refreshingly non-maudlin rendition of the Yiddish theater classic Papirosn (Cigarettes).
She and the band also shined with a heartfelt rendition of the messianic Yiddish song Shnirele Perele (Ribbons and Pearls). Between sets, as attendees reordered food and drinks, this reporter had a chance to speak with a few attendees.
“I’ve been here for three years or so,” Rachel Enders, a local preschool teacher who told me she’s Catholic, said. “But I had no idea there was this big, vibrant Jewish community here.”
Festival co-founder Danny Kraft said that the local community has some “conservative and insular” tendencies. But at a time when many Jewish communities are retreating into explicitly Jewish spaces, the organizers of RYW chose more public venues for their programming. The local Jewish Federation lent support by funding security. One of Shokin’s and Kraft’s stated goals was to “bring some Yiddishkayt into the local arts community.”
Maribel Moheno — a language instructor at a local university who recently discovered her Jewish ancestry — was the first to start dancing. The rest of the audience got on their feet and joined Moheno during the second set. That set, played by My Son The Doctor, was less polished or interestingly arranged, but far more danceable.
Having finished the circle dance called a freylekhs with Moheno and a dozen or so others, this reporter refueled with a bagel made by local bakery Cupertino’s NY Bagels. It wasn’t bad. Also on offer was an unexpected soft drink called Palestine Cola.
As it turns out, the Gold Lion cafe has, like many such establishments of late, hosted pro-Palestine events. After some community members expressed concern about the festival being held there, the organizers explained that the festival had no stance vis-à-vis Israel-Palestine.
“People on both the left and the right who don’t know much about Yiddish think it’s synonymous with queer, anti-Zionist culture,” Kraft said. “That’s very reductive. Some people in the mainstream community saw this Yiddish event as a dog-whistle or code-word for anti-Zionism. Once we clarified this with the local Federation, that cleared the air a bit.”
“This is a week of celebrating Yiddishkeit,” said Shokin. “We’re focusing on arts and culture — politics, not so much.”
Despite this shturem in a glezl tey (tempest in a teacup), the opening concert had more than 100 people in attendance. Young families with toddlers and tweens mingled with elegantly dressed retirees, long-haired baby boomers, and 20- and 30-something hipsters.
The evening closed out with two lively songs that the audience joined in for: Ale Brider (We’re All Brothers), a popular anthem about Jewish unity, and the Yiddish birthday song Tsu Dayn Geburtstog in honor of an audience member’s birthday.
On Sunday afternoon, the Richmond Public Library’s main branch hosted a Yiddish story time event, which Kraft, who is also a poet and Yiddish translator, led. More than a dozen young families attended.
The program began with a brief Yiddish lesson. Kraft, himself the father of a toddler, then regaled children and parents with the unique Yiddish-Spanish-English picture book Beautiful Yetta: the Yiddish Chicken, using the book’s dialogue to teach more Yiddish phrases.
One high point of the afternoon was an interactive game called “Guess the Animal” where the audience learned the Yiddish terms for familiar animals, including the non-kosher khazer (pig), which got plenty of laughs.
A lot of Yiddish programming today tends to be adult-focused, often geared toward retirees. So a Yiddish festival for children and young parents seems like an expression of hope for Yiddish continuity — a leap of faith, even. Yet despite a small budget and all-volunteer staff, Kraft and Shokin seem to have stuck the landing.
The post Strong start for Virginia’s first Yiddish culture festival appeared first on The Forward.
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UK Prosecutors Try to Reinstate Terrorism Charge Against Kneecap Rapper
Member of Kneecap Liam O’Hanna, also known as Liam Og O hAnnaidh and performing under the name of Mo Chara, speaks to supporters outside Woolwich Crown Court, after a UK court threw out his prosecution for a terrorism offense, in London, Britain, Sept. 26, 2025. Photo: REUTERS/Hannah McKay
British prosecutors sought to reinstate a terrorism charge against a member of Irish rap group Kneecap on Wednesday for displaying a flag of Iran-backed Lebanese terrorist group Hezbollah at a London gig, after a court threw out the case last year.
Liam Óg Ó hAnnaidh, whose stage name is Mo Chara, was accused of having waved the flag of the banned Islamist group Hezbollah during a November 2024 gig.
The charge was thrown out in September after a court ruled it had originally been brought without the permission of the Director of Public Prosecutions and the Attorney General, and also one day outside the six-month statutory limit.
But the Crown Prosecution Service said it would challenge the ruling and its lawyer Paul Jarvis told London’s High Court on Wednesday that permission was only required by the time Ó hAnnaidh first appeared in court, meaning the case can proceed.
Kneecap – known for their politically charged lyrics and anti-Israel activism – have said the case is an attempt to distract from what they described as British complicity in Israel’s so-called “genocide” in Gaza. Israel strongly denies committing a genocide in the coastal territory, where it launched a military campaign against Hamas after the Palestinian terrorist group invaded Israeli territory.
J.J. Ó Dochartaigh, who goes by DJ Próvaí, was in court but Ó hAnnaidh was not required to attend and was not present.
KNEECAP SAYS PROSECUTION A DISTRACTION
Ó hAnnaidh was charged in May with displaying the Hezbollah flag in such a way that aroused reasonable suspicion that he supported the banned group, after footage emerged of him holding the flag on stage while saying “Up Hamas, up Hezbollah.”
Kneecap have previously said the flag was thrown on stage during their performance and that they “do not, and have never, supported Hamas or Hezbollah.”
The group, who rap about Irish identity and support the republican cause of uniting Northern Ireland with the Republic of Ireland, have become increasingly vocal about the war in Gaza, particularly after Ó hAnnaidh was charged in May.
During their performance at June’s Glastonbury Festival in England, Ó hAnnaidh accused Israel of committing war crimes, after Kneecap displayed pro-Palestinian messages during their set at the Coachella Festival in California in April.
Kneecap have since been banned from Hungary and Canada, also canceling a tour of the United States due to a clash with Ó hAnnaidh’s court appearances.