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In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind
(New York Jewish Week) — “You never know how people are going to respond,” says Jewish comedian Ari Shaffir, referring to his new standup special, “Jew,” which has more than 3 million views (and counting) on YouTube.
The self-released, 90-minute showcase of stories and jokes goes deep into his life story, including his studies at a Jerusalem yeshiva. Shaffir, who eventually left Orthodoxy behind, balances Talmud lessons with the neuroticism of Jewish culture.
The show gives the entire backstory of Judaism, starting with Adam and Eve, interweaving tales about Hanukkah and Passover, going through customs and traditions. It’s an oral history of Judaism, told through a brutally honest comedic lens.
After it was released two weeks ago, the special has been praised by numerous comics in the podcast world, including Tim Dillon, Shane Gillis, Chris Destafano and Joe Rogan, whom Shaffir calls a longtime friend.
There are also over 25,000 comments on the special, most of them positive. One goes as far to say that it is “the best special of the century so far.”
Shaffir, who lives in the East Village, said he has not received much negative feedback for the special, which is rare for a comedian who once received death threats and had to cancel shows for joking about NBA player Kobe Bryant’s death in 2020.
“Jew,” which was shot and performed in Brooklyn, was released Nov. 2. The date, Shaffir told the New York Jewish Week, was set far in advance — but it arrived at a moment when antisemitism became a national conversation topic, thanks to recent tweets from rapper Kanye West and Brooklyn Nets star Kyrie Irving.
“I was worried for a minute — I thought for a second it was going to derail it,” he said of the timing, adding that he “wasn’t looking for this kind of press” in regards to his special.
The conversation only grew more intense last week, after Dave Chapelle delivered a monologue on “Saturday Night Live” abut the West and Irving controversies that critics, including the Anti-Defamation League and Simon Wiesenthal Center, called antisemitic.
“They’re ready to say that, regardless,” Shaffir said. “The complaints were already written. Most people think it’s funny.” Jewish organizations, he said, are “not known as great comedy critiquers.”
“People don’t understand that we enjoy that,” Shaffir added, referring to the criticism. “I can speak for Chapelle on this. We’re only here to make people laugh, but we also enjoy when dorks get mad.”
Shaffir, 48, has made a career off of making dorks mad, weaving tales about drugs, sex and Judaism into world tours, a podcast, spots at the Comedy Cellar in New York and the Comedy Store in Los Angeles.
While he’s known for his edgy humor, Shaffir appears more introspective and personal in “Jew” when compared to his previous work. On his Comedy Central show “This Is Not Happening,” which ran for four seasons between 2015 and 2019, he talks about planting weed for strangers and fans at sports arenas and shopping malls (the police weren’t amused). He also appeared in a sketch called “The Amazing Racist,” where he spoofs “The Amazing Race” by playing a character who constantly brings up offensive stereotypes.
With “Jew,” by contrast, Shaffir has channeled his persona into a hyper-focused, cohesive take on all aspects of Judaism, including mikvahs, Yom Kippur chicken rituals and the minutiae of when certain foods can be considered kosher. At the same time, he keeps the material palatable for a non-Jewish audience.
“You can make anything accessible,” Shaffir said. “It’s the same thing as saying, ‘My dad does this weird thing, or my country does this weird thing.’ You just explain it and you’re fine.”
Ari Shaffir holds the crown as my favorite j-w. He’s Moshiach in my eyes. pic.twitter.com/8kLFSaqgqp
— Adam Green – Know More News (@Know_More_News) November 14, 2022
While Shaffir may have turned away from religion as a young man, he said he has since found “a love for how interesting and cool it was.”
“I now see that Judaism leaves your kids with intelligence, where they value education and family,” Shaffir said. “It’s great stuff and I wanted to show that.”
When the special was released, Shaffir left a note on his web site saying that it is his “love letter to the culture and religion that raised me.”
He tells a story in the special about meeting with his rabbi from the Jerusalem yeshiva and telling him he was a standup comedian. “All he wanted to know was, ‘do you still use the teaching?’” Shaffir says in the special.
Shaffir then talks about how the rabbi gave him a lesson about Noah’s Ark, which he then turns into a bit about anal sex — all while leaving the audience with a positive spin on Judaism.
“Not all religion is stupid,” Shaffir says in the special. “It’s a good lesson, especially in this day and age.”
Shaffir was born in New York and spent most of his childhood in North Carolina and Maryland. He was “a Modern Orthodox Jewish kid” who attended the Hebrew Academy of Greater Washington (now the Berman Hebrew Academy). After high school, Shaffir went to Bris Medrash L’Torah, an Orthodox yeshiva in Jerusalem, which he said was the “standard track” for a Jewish kid at his age, but eventually he had “a crisis of faith.”
“I just came home and really thought about it and I was like, ‘I’m out,’” Shaffir said. “I don’t want to do this anymore.”
Since then, Shaffir said he does not believe in God, but believes in the “shared history” of Judaism.
And while he’s had moments of Jewish jokes and stories in his previous specials, this is his full show on the topic, going deep within himself to find the humor within the religion, even in the darkest of places.
Shaffir’s father is a Holocaust survivor from Romania, who moved to Israel following the war. Shaffir said his story of survival was “a major part of our upbringing.”
“Their village got taken later in the war,” Shaffir said of his father’s family. “Most of the family was wiped out. I don’t know all the details exactly.”
He now has a good relationship with his parents and said they saw him perform the special live. “They liked it,” Shaffir said. “They probably liked it more than my other specials, where I was talking about [having sex with] chicks with herpes.”
While working on the special, Shaffir workshopped his material at the Fat Black Pussycat, the “sister showroom” of the Comedy Cellar in New York’s Greenwich Village. There, an audience member once asked him a question about “the pillow” that Jews carry.
“I was like, ‘I don’t know what you’re talking about,’” Shaffir said. “But then it hit me: It’s tallis and tefillin,” the velvet bags containing prayer shawls and phylacteries that Jews carry to synagogue. “It looks like a pillowcase. You can look at it from an outside perspective, their point of view: It looks like a pillow. Their questions would get me to riff.”
He later took his special abroad, including Israel, where “it did not work,” he said. “They knew too much about it. All the exposition, they were like, ‘We know.’”
In contrast, he performed the material in places where there were few or possibly no Jews, such as Perth, Australia and Reykjavik, Iceland, where it went well. “Places where they are like, ‘I’ve never heard of [Jews],” Shaffir said. “I had to make sure it went well there because it’s gotta be accessible.”
He also performed a version of the show as part of the Edinburgh Fringe Festival in Scotland, which he said greatly inspired the special.
Another aspect of the Shaffir’s special is countering the narrative of Orthodox Jews as outsiders. “They work regular jobs,” Shaffir said. “There are ambulance drivers with yarmulkes. There’s just some weird stuff that they do. We would play basketball and we would have tzitzit [ritual fringes] and a yarmulke on, but we were on the courts with everybody.”
Shaffir has a joke in the special about using a yarmulke as a move to distract a defender during a basketball game.
This year, Ryan Turell became the first Orthodox player drafted into the NBA’s developmental G League
“I love it,” Shaffir said. “Hopefully it goes well for him and he loses his religion. That would be cool.”
—
The post In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind appeared first on Jewish Telegraphic Agency.
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Trump Tells Iranian Protesters ‘Help Is on Its Way’ as Regime Fears Defections
Iranian demonstrators gather in a street during anti-regime protests in Tehran, Iran, Jan. 8, 2026. Photo: Stringer/WANA (West Asia News Agency) via REUTERS
US President Donald Trump on Tuesday urged Iranians to keep protesting their theocratic, authoritarian government, vowing “help” was coming as the regime continued its brutal crackdown on the nationwide demonstrations.
Trump’s message came amid growing concerns from Iran that it could see defections among the security forces, which have been killing and arresting thousands of protesters to crush the biggest threat to the regime’s stability in years.
“Iranian Patriots, KEEP PROTESTING – TAKE OVER YOUR INSTITUTIONS!!!” Trump posted on Truth Social. “Save the names of the killers and abusers. They will pay a big price. I have canceled all meetings with Iranian Officials until the senseless killing of protesters STOPS. HELP IS ON ITS WAY. MIGA [Make Iran Great Again]!!!”
Trump did not elaborate on what support may be coming. When asked what he meant by “help is on its way,” Trump told reporters that they would have to figure it out.
However, Trump has said multiple times over the last two weeks that he will intervene against the Iranian regime if security forces continue killing protesters. Adding to threats of military action, Trump late on Monday announced that any country doing business with Iran will face a new tariff of 25 percent on its exports to the US.
According to reports, Trump was to meet with senior advisers on Tuesday to discuss options for Iran, including military strikes, using cyber weapons, widening sanctions, and providing online help to anti-government sources.
Iran has continued to face fierce demonstrations, which began on Dec. 28 over economic hardships but escalated into large-scale protests calling for the downfall of the country’s Islamist system.
The regime has responded with an increasingly violent crackdown on protests. An Iranian official told Reuters that about 2,000 people had been killed in the protests, marking the first time authorities have given an overall death toll from more than two weeks of unrest.
US-based rights group HRANA said that of the 2,003 people whose deaths it had confirmed, 1,850 were protesters. It added that 16,784 people had been detained, a significant increase from the figure of 10,721 it gave on Monday.
However, thousands more people are feared dead.
“Based on available data and cross-checking information obtained from reliable sources, including the Supreme National Security Council and the presidential office, the initial estimate by the Islamic Republic’s security institutions is that at least 12,000 people were killed in this nationwide killing,” reported Iran International, a Persian-language news outlet.
According to CBS News, the figure could be as high as 20,000.
With the regime imposing an internet blackout since Thursday, verification of such figures has been difficult.
Trump continued to urge Iranian protesters to “take over” institutions while speaking at an economic event in Detroit, Michigan on Tuesday.
“And by the way, to all Iranian patriots, keep protesting, take over your institutions, if possible, and save the name of the killers and the abusers that are abusing you; you’re being very badly abused if the numbers are right,” Trump said.
“They’ll pay a very big price, and I’ve canceled all meetings with the Iranian officials, until the senseless killing of protesters stops. And all I say to them is, help is on its way. You saw that,” he continued. “I put tariffs on anybody doing business with Iran just went into effect today. And I say, make Iran great again, you know, as a great country until these monsters came in and took it over.”
Iran has warned that any military action would be met with force in response.
“Let us be clear: in the case of an attack on Iran, the occupied territories [Israel] as well as all US bases and ships will be our legitimate target,” Iranian parliament speaker Mohammad Baqer Qalibaf told a crowd in Tehran’s Enqelab Square on Monday, adding that Iranians were fighting a four-front war: “economic war, psychological warfare, military war against the US and Israel, and today a war against terrorism.”
Following Trump’s social media post the following day, Iranian security chief Ali Larijani said on X that the US president and Israeli Prime Minister Benjamin Netanyahu were the “main killers” of the Iranian people.
Despite the protests, there have been few examples of fracture among the security forces and regime elites that could topple the clerical system, which has been in power since the Islamic Revolution in 1979. However, there are signs of Tehran fearing defections.
The Intelligence Organization of Iran’s Islamic Revolutionary Guard Corps (IRGC), an internationally designated terrorist group and a key force responsible for suppressing dissent, issued a statement on Friday castigating the protests as part of a “terrorist” plot orchestrated by the US and Israel to topple the regime. In a now-deleted section of the statement, the IRGC also warned that any “defiance, desertion, or disobedience” among the military would be met with “trial and decisive action.”
“The apparent removal of this language likely reflects concerns about triggering a panic, but it nevertheless exposes the depth of anxiety among regime officials,” wrote Janatan Sayeh, a research analyst at the Foundation for Defense of Democracies, a think tank based in Washington, DC.
Meanwhile, the IRGC’s Intelligence Organization also said that it was “dealing with possible acts of abandonment,” similarly suggesting that some Iranian security forces may have already defected or that the regime is concerned about such a possibility.
A Kurdish human rights organization reported last week that the regime had arrested “dozens” of security officers in Kermanshah City who refused to fire on protesters.
“The regime may be framing protesters as ‘terrorists’ and linking them to the United States and Israel to increase security forces’ willingness to use lethal force against protesters and reduce the risk of defections,” the Institute for the Study of War (ISW) wrote in a new analysis.
Iranian Supreme Leader Ayatollah Ali Khamenei has reportedly ordered the IRGC to take control of the crackdown in part due to fears of defections by the police and regular armed forces.
“He [Khamenei] is in closer contact with the IRGC than with the army or the police, because he believes the risk of IRGC defections is almost non-existent, whereas others have defected before,” a senior Iranian official told The Telegraph. “He has placed his fate in the hands of the IRGC.”
The Institute for the Study of War noted that the regular Iranian military “is generally less ideological and more representative of the Iranian population than the IRGC, which increases the risk that [army] members could defect.”
Defections could tip the scales in favor of the protesters. But even if the regime succeeds in stamping out the unrest, some observers argue the Islamist theocracy has no long-term future in Iran.
“I assume that we are now witnessing the final days and weeks of this regime,” German Chancellor Friedrich Merz said on Tuesday, adding that if it had to maintain power through violence, “it is effectively at its end.”
Germany, along with Britain, France, and Italy, all summoned Iranian ambassadors in protest over the crackdown, decrying what British Foreign Minister Yvette Cooper called the “brutal killing” of protesters.
Meanwhile, the European Union has indicated it will impose harsher sanctions on Iran in response to the repression of anti-government demonstrations.
“The rising number of casualties in Iran is horrifying. I unequivocally condemn the excessive use of force and continued restriction of freedom,” European Commission President Ursula von der Leyen posted on X. “Further sanctions on those responsible for the repression will be swiftly proposed.”
China and Russia, meanwhile, have backed the Iranian regime, warning against foreign “interference” in what officials described as Iran’s internal affairs.
Amid the unrest, Iranian Foreign Minister Abbas Araqchi told Al Jazeera that he and US envoy Steve Witkoff have been in contact.
Witkoff met Reza Pahlavi, the exiled son of Iran’s last shah and a prominent voice in the Iranian opposition, this past weekend, Axios reported.
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In a stylish mystery, Jodie Foster releases the dybbuk of French Jewish identity
Dr. Lilian Steiner isn’t really listening.
Yes, she hears the thunderous strains of the Talking Heads’ “Psycho Killer” playing from an upstairs neighbor’s apartment above her psychiatry practice in a tony arrondissement of Paris. She is committed to recording the sessions on mini-discs for future reference, even if she has to bug her digital native son to buy replacements on Amazon. But when a patient dies from an apparent suicide, without any of the usual warning signs, she knows she’s missing something.
French director Rebecca Zlotowski’s A Private Life, a semi-dark comic mystery takes Lilian out of her routine. The film has the therapist, played by a captivating Jodie Foster, principalement en français, working to solve the case of her patient, a middle-aged German language teacher named Paula. When Paula’s daughter, Valérie (Luàna Bajrami), approaches Lilian with what she believes is a message, Lilian listens back to their sessions and begins to suspect foul play — i.e., murder. Soon she’s sleuthing around, and hooking up with her ex-husband Gaby (Daniel Auteuil).
Things take a turn for the sinister when Lilian shows up to pay her respects — later to be thrown out by Paula’s irate widower, Simon (Mathieu Amalric). Shortly after arriving, Lilian removes a sheet from a mirror, and a woman warns her that in doing so she will “awaken the dybbuk.”
The moment of cultural unawareness is telling if not entirely plausible. While Lilian is Jewish, and establishes her knowledge of the custom of burying a body quickly, she’s firmly secular. We see her slurping back an oyster and learn she didn’t circumcise her now-adult son, Julien (Vincent Lacoste). For whatever reason, she didn’t get the mirror memo. What she does detect, perhaps more acutely than most as an American expat, is antisemitism.
A hypnotist Lilian consults to fix her newly compulsive crying informs her that Freud stopped practicing hypnotism when he realized it was less “interesting” financially than the longer process of psychoanalysis. Lilian wastes no time dubbing this remark “borderline antisemitic.”
But their session produces a real breakthrough, linked to an infamous episode in the Holocaust. In a surreal sequence, Lilian sees herself in the body of a male cellist in 1942 Paris, witnessing a raid of a concert hall by the police in what can be assumed to be the Vel d’Hiv Roundup, the mass arrest and deportation of Paris’ Jews.
In the trance, Lilian sees Nazis in the house seats, a woman who looks exactly like Paula is playing next to her whispering something indistinct, Simon conducts, and her son Julien’s face is on the body of a militiaman — not a Nazi, she insists, but a French collaborator. Indeed, they were the ones who carried out the arrests. When Lilian returns to her tape of her hypnosis to reenter the scene, she finds more clues, including a postcard that takes her out of Paris for a stakeout. (Zlotowski co-wrote the film with author Anne Berest, whose autofictional book The Postcard uncovers her family’s story in the Holocaust.)
When Lilian brings this hypnotic vision up at Julien’s birthday dinner — noting his interest in German at school — he scoffs at the story and calls her paranoid. Gaby is shocked that Lilian, a woman of science, would suddenly buy into woo-woo notions of past lives. She really, truly, seems to believe her vision holds the key to Paula’s death, while her French-born family takes it all in stride.
Why, then, is history erupting in this modern story, a kind of continental arthouse spin on Netflix’s Murder Mystery franchise?
As motives are clarified and red herrings reveal themselves, the Pétain years Lilian glimpsed show themselves as very much alive in the present. A disgruntled patient draws a swastika by her office: “A very small one,” he says in his defense, “by the doorbell.”
Zlotowski took on the period just before Nazi occupation in her 2016 film Planetarium, a sort of roman à clef about persecuted Jewish French film producer Bernard Natan. In Private Life, as in her films Dear Prudence and Other People’s Children, Zlotowski masterfully sketches a French Jewish family and all its messy intersections in a society that privileges the principle of laïcité, the state religion of secularism. (I can’t account for her choice to have Paula’s family say kaddish over her dead body at their home before the funeral, but the rest feels right and an autopsy did delay burial.)
Long on style, with scarlet giftboxes and blood on white snow that reminded me of Resnais’ Stavisky and mirror shots that recalled Joseph Losey’s Monsieur Klein, the film has something elemental on its mind that seems inseparable from the Jewish question. It ponders how Jews may continue on in a culture that rejects them with some regularity, even as Lilian says at one point — and this holds mostly true of the cast of characters — “everyone here is Jewish.”
What Lilian picks up on is the “very small” swastika on the national fabric, a country still haunted by the Vichy regime. It’s a dybbuk that has yet to be exorcized, and like all dybbuks its business is unfinished.
The post In a stylish mystery, Jodie Foster releases the dybbuk of French Jewish identity appeared first on The Forward.
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The Mississippi synagogue arson suspect has a Christian fitness site. Here’s what that tell us
Stephen Spencer Pittman, the suspect in a Saturday arson attack at a historic Mississippi synagogue, targeted Beth Israel Congregation because of its “Jewish ties,” according to the FBI. In an interview, he called the shul the “synagogue of Satan,” and his recent social media posts included an antisemitic cartoon.
But on a Christian fitness site registered to Pittman and linked across his social media profiles, Hebrew is liberally sprinkled throughout workout advice and scripture study.
That a man who would burn a synagogue would also be so interested in Hebrew language study, or pepper it throughout his Christian fitness site, may seem surprising. But understanding the reference points of Pittman’s fitness website helps explain the cultural touchstones and media diet he was likely consuming, one that may have influenced his thinking.
Pittman’s site, called One Purpose, advertises “scripture-backed fitness.” It refers to its users as “brothers” who are building their “temple” — women are not mentioned and presumably not the target audience. Instead, it pairs a veneer of biblical truth and Christianity with rhetoric about masculinity.
At the top of the homepage is the tetragrammaton in Hebrew, one of the biblical names for God. The site also says that it has modeled its fitness program after the “biblical patriarchs,” listing some of the oldest men in the bible — Adam, Methuselah, Noah, and others — with their Hebrew names. The site also notes several Jewish fast days, including lesser-known days usually only observed by Orthodox Jews, such as the Fast of Daniel and the Fast of Esther, again with their Hebrew names.
A post on Pittman’s Instagram about a “Christian diet/testosterone optimization” advises eating only raw milk and eggs as well as limiting oneself to “God-made fats,” listing the Hebrew words for oil and butter. Clicking through the site’s instructions for its fitness regimen brings the user snippets of Hebrew vocabulary, such as derekh, meaning path in Hebrew, and ma’atzor, meaning obstacle, scattered among copy about striving to live up to one’s true manliness and strength as ordained by God.
But beyond the biblical sheen, the site — which costs $99 a month to access in full, or $599 for the year — is full of the kind of “grindset” hustle culture advice on masculinity, charisma and workouts that regularly populates the so-called manosphere. Advertised among the premium features are training modules for “looks-maxxing,” which promises a “complete aesthetic optimization” and “test-maxxing,” which is not about acing exams but instead about raising testosterone levels.
This rhetoric is common among influencers widely regarded as proponents of toxic masculinity, including self-proclaimed misogynist Andrew Tate, who was arrested for sex trafficking in Romania; Myron Gaines, who wrote a book titled Women Deserve Less, and even Canadian psychologist Jordan Peterson, a manosphere elder who regularly inveighs against feminism. They often alternate between “negging” — internet slang for insulting — their participants, and pumping them up, promising a whole new life full of sex and money if they follow the advice of these influences. If they don’t, they will be weak “simps” or “cucks.”
One Purpose uses similar tactics at each click, just with a religious overlay. Users are offered the choice to “take up the cross” and “walk in the purpose God created for you,” or else, if they do not sign up for the site’s weight-lifting, diet and prayer program, to “let your temple fall into ruin” and “drift further from God’s purpose.”
Over the past few years, much of the manosphere has increasingly merged with Christian influencers, particularly traditionalist Catholics, or “tradcaths,” and the TheoBros, adherents of Reformed Christian theology. The overlap is borne largely out of shared values over women’s subservience and male dominance — which manosphere leaders such as Tate believe is biological, and TheoBro leaders such as Joel Webbon believe is biblical.
Many of the TheoBros, such as Webbon or Brian Sauvé, run YouTube series and podcasts where they also discuss their lifting routines and beard care, aligning with the manosphere values. And these TheoBros are often openly antisemitic, viewing Jews as Satanists who have rejected Jesus, and endorsing numerous antisemitic conspiracy theories, including Holocaust denial. Manosphere leaders including Tate and Gaines have done the same; Webbon and Gaines have also both hosted outspoken antisemite Nick Fuentes on their shows.
This manosphere interest among Christian influencers has grown alongside an increased attention to Jewish practice and the Hebrew Bible among many Christians, who see it as a way to grow closer to Jesus’ own practices and add a sense of mystery and spirituality via Jewish rituals that are unfamiliar, and feel esoteric, to most Christians.
Hebrew, in these contexts, largely serves to add a sense of authenticity to Christian practice — a way to advertise that their version of Christianity is ancient, from the time of Jesus. But it’s a mistake to see this interest in Hebrew and Jewish texts as philosemitism; while it sometimes manifests as friendliness toward Jews, it often has little relationship to Jewish people today.
Pittman’s One Purpose does not contain the overtly antisemitic or misogynist language that many TheoBro and manosphere influencers use. But the rhetoric of his biblical fitness site echoes their content, placing itself firmly in the same ecosystem. Its subtext aligns with a world rife with conspiracy theories about Jewish governmental control and Satanic rituals.
We don’t know yet exactly what Pittman’s media diet was. But his biblical fitness site’s imitation of Christian masculinity influencers indicates he likely consumed a lot of content that, alongside lifting routines or nutrition advice, contained antisemitic conspiracy theories. On his Instagram, he follows numerous accounts that describe themselves as a “soldier of Christ” or a “watchman for Christ,” some of which also contain conspiracy theories. When the beliefs on what it means to be a “real man” and a good Christian combine, they paint a vision of Christian masculinity that requires defeating Satan — and Satan, in this case, is the Jews. As Pittman said, according to an affidavit, he was due for a “homerun.”
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