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Is it time for a Wendy Wasserstein renaissance?
Is it time for a reassessment of Wendy Wasserstein’s 1997 An American Daughter, which she described as “darker” than her 20th century hits? On Aug. 11, when La Femme Theatre Productions opens the first major New York revival at the Signature Center’s Irene Diamond Stage, audiences will find out.
Wasserstein was among the most commercially successful female theater artists of the 20th century. Along with Lorraine Hansberry and Lillian Hellman, she was one of few women to open a play directly on Broadway. According to an interview with Wasserstein in The Paris Review, she received the biggest advance ever given to a straight play for 1992’s The Sisters Rosensweig. (It lost the Tony for Best Play to Angels in America.)
And yet since her death from cancer at age 55 in 2006, (the same year as Betty Friedan, who scolded her about the end of her 1989 play, The Heidi Chronicles, where Heidi gives up her career to adopt a child) she has been sidelined. In the 1980s and early 1990s, Heidi, and her other big plays, An Uncommon Woman and Others, Isn’t It Romantic?, and The Sisters Rosensweig were considered paradigm changing. They told the stories of elite women navigating the enormous social changes second-wave feminism wrought. No other American playwright so consistently created worlds in which women — Jewish and not — juggled relationships and careers.
Written in the mid-1990s, An American Daughter is different. Sometimes described as Wasserstein’s most political play, it was her first work to be set outside of New York. The Beltway comedy-drama emerged out of her frustration at the backlash against feminism and the scandals tanking women in the Clinton era, such as Hilary’s Cookiegate and Zoe Baird’s Nannygate. And while An American Daughter is, like Wasserstein’s earlier work, autobiographical, it sounds different. Angrier. While Wasserstein was writing it, she was struggling to have a child as her sister, Sandra, was battling cancer. (A year after An American Daughter, she would conceive.)
The Hilary/Zoe figure is Lyssa Dent Hughes, a nominee for surgeon general whose life gets overturned by a media scandal after she admits on camera that she ignored a jury summons. The DC types who line up or fall away include her best friend, her husband, her father, a pro-life senator from Indiana, her best friend, a Black Jewish oncologist, a gay conservative modeled after Andrew Sullivan and a third- wave feminist modeled after Naomi Wolf.
Jean Lichty, the artistic director of La Femme, who plays Lyssa in the revival, believes An American Daughter deserves another look. “This is a deeply felt important play about social, political and class divisions,” she said in an interview.
Maybe so. Although the play’s politics sound quintessentially 1990s, it also anticipates our mob and media driven politics. After Lyssa describes her mother in an interview as “an ordinary Indiana housewife,” women in Indiana turn against her. It doesn’t matter how great her liberal policies are.
Still, I wonder if this production can overcome Wasserstein’s conflicted reputation. The critic Adam Kirsch pointed out years ago that she “is a descendant not just of Neil Simon but of all the family playwrights of the 1950s.” Yet unlike Simon and, say Arthur Miller, during her lifetime, critics derided her for being too glib. About her 1992 play, The Sisters Rosensweig, the critic and director Robert Brustein said “wisecracks come too easily to her.” A 1994 New York Times article wondered how a play about “bickering middle aged Jewish sisters” was selling out.
Some producers judged her plays “too New York,” which she retorted was code for too Jewish. Even worse, magazine features regularly mentioned her giggling, her weight, her single status, and her age, as though they explained something. She’s “pushing 40,” Newsweek proclaimed in 1989. A 1993 New York Magazine profile announced: “She’s finally starting to feel comfortable with herself. She recently lost 40 pounds.” These details remind me of the ones used to discredit Betty Friedan. They point to the way the press collaborated in minimizing women writers well after second-wave feminism supposedly eradicated it.
Moving towards a new way of writing
About the 1997 production of An American Daughter, Wasserstein told an interviewer she had wanted to write something that “was not just Jewish jokes.” And in part because the Jewish comedy and characters in it are darker than, say, The Sisters Rosenswieg, some critics judged it to be her strongest play. But it’s ultimately a strange piece of theater. It seems like it is moving towards another way of writing, which we didn’t get to see because she didn’t live long enough.
Like Heidi Holland, Lyssa, the central figure in An American Daughter is not Jewish. She is a fifth-generation descendant of Ulysses S. Grant. And yet the play, which is set during Rosh Hashanah, contains more direct Jewish references than Wasserstein’s earlier ones. The Jewish characters operate differently — the stakes for outsiders trying to be inside are different in political circles of court. But the balancing act feels most acute in one character who is unique in Wasserstein’s oeuvre — Lyssa’s BFF, Judith B. Kaufman, a Black Jewish oncologist (and a convert) who quips that she “has endured every in vitro and hormone treatment known to modern medicine.” (In a 1995 reading of the play, Whoopi Goldberg played this role.)
Wasserstein wrote in the introduction to the published version that Kaufman — one of her few Black characters — is the one “emotionally closest” to her. Daniel Sullivan, who directed the 1997 production, said in an interview that, with Kaufman, “she [Wasserstein] is drawing so much from herself.”
And yet this is not just autobiography plopped on stage. Perhaps she was influenced by Tony Kushner’s Angels in America, which ran on Broadway in 1992. Regardless, Wasserstein engineers some of the play’s most unnerving tonal swerves around Kaufman, swerves that bind questions of gender to those of race in ways that are unlike anything she had ever written. One minute, Kaufman is confessing to Lyssa her failure to drown herself during the Jewish ritual of Tashlich, the festival of regrets, during Rosh Hashanah. The next she is making a joke. And a few lines later, Lyssa is delivering a harsh rebuke that seems more like something from a play of ideas.
This sequence starts with Kaufman recounting to her friend the ritual where Jews throw breadcrumbs into water to absolve their bad acts. As she tells Lyssa, she throws her muffin top into the Potomac chanting “‘…Oh Lord, my God, the Lord is one, I’ve wasted my life,’ and I jump in.” Then she sees a box of donut holes, which cheers her up. She gets out of the water. But here Lyssa seems to snap: “What gives you the audacity to believe you’ve failed if you can’t make life or stop death?”
The moment seems like more than a friend’s rebuke and more like a white paper on the aftermath of feminism. And it may be what made critics of the 1997 production write sharp critiques such as Wasserstein “doesn’t know entirely where she’s heading or how to get there.” But I think such a hairpin swerve — a moment where it’s not clear if you are supposed to laugh or gasp — is exciting. I think Wasserstein wants me to be unsettled by Kaufman. She wants me to ask what it means to be a Jew and what success and failure mean. Such moments are there to show how desperate women are, how hard they are on each other and themselves. And how in the drive to remake the world, we have misunderstood what’s important. And how although there are fewer ways to live than we think, we still have choices.
Another Jewish character, Lyssa’s philandering professor husband, Walter Abramson, is only slightly less unnerving. He studies the sociology of the elites and declares himself agnostic. (“I was Jewish until I was bar mitzvahed.”) He is the opposite of the callow Scoop Rosenberg in The Heidi Chronicles who abandons Heidi Holland for a Jewish girl. Abramson has amplified his assimilation by marrying a non-Jew. And — I wonder if I’m imagining it —Wasserstein seems to link his philandering to his assimilation.
Navigating the upheaval of a generation
Wasserstein’s Jewish roots were, like many Jewish artists and writers born after the Holocaust, complex. She was born in 1950 in Flatbush, the youngest child of immigrant parents. Her father, Morris, ran a successful textile factory with his brother and patented velveteen. In Wasserstein’s telling, her mother, Lola, sounds like a cliché, making Wendy take dance lessons and comparing her unfavorably to her conventionally successful siblings, Georgette, and Bruce, who would become a financier. Less cliché are two half siblings ‚ the children of her mothers previous marriage to her uncle ‚ Sandra, and a developmentally disabled half-brother Abner who she first met in her twenties.
The family moved to the Upper East Side when Wasserstein was 12. She attended The Calhoun School, where she wrote skits to get out of Phys Ed. Next was Mt. Holyoke, where she got terrible grades. In 1973, she was accepted to The David Geffen School of Drama. She was the only female playwright in her class. “I decided I wanted to see an all-women’s curtain call,” she recalled at a moment when hyper-masculine playwrights were all the rage. “There were an awful lot of would-be Sam Shepards, and Wendy felt a little left out,” her friend, the playwright Chris Durang, told The Paris Review.
In 1989, after The Heidi Chronicles won a Pulitzer and a Tony for best play (the next woman to win the Tony for Best Play would be Bess Wohl, whose 2026 play, Liberation, about second-wave feminism, closed early) radical feminist journalists and scholars scorned Wasserstein’s realist dramaturgy, charged her of ridiculing the movement, of writing heroines who were more acted upon than acting. Although after her death some reconsidered when the last major revival of Heidi in 2015, closed early, The New York Times proclaimed that the ideal of “having it all” no longer captured anything about the zeitgeist.
It’s true that Lyssa doesn’t so much rail against the unfairness of the media circus destroying her as tolerate it. Until she doesn’t. (Some critics of previous productions called her a cipher and others that the play was too topical.) But to me it’s real. Moreover, I can’t think of another play showing middle-aged women in a larger context than The Family Drama. Much less one dealing with the backlash against second-wave feminism with multiple Jewish characters.
Moreover, Wasserstein’s realist dramaturgy may be old-fashioned but few American playwrights deal so frankly with daughters — including Jewish daughters —navigating the upheaval of the 60s and 70s and sometimes ending up alone. Wasserstein never underestimates the cost of sticking to your principles. Lena Dunham has said she was fascinated by Heidi.
An old play in a new era
Wasserstein herself thought the negative reviews of An American Daughter were sexist. In 1997, most of the first night theater critics were men. Newsday’s Linda Winer, the only one to review An American Daughter positively, described it as reminiscent of George Bernard Shaw. I think a better comparison is the one Wasserstein herself made. She called Henrik Ibsen her “postfeminist muse.” Like Ibsen’s characters, Wasserstein’s can seem like symbols one minute and real people the next. They often wind up alone with their convictions.
It will be interesting to see how the play is received now, when the chief critics at The New York Times and The New Yorker are women. And interesting too to see how audiences respond to it in a postfeminist world where Jewish plays of the moment are about Oct. 7 or the Holocaust.
Plus ça change is the point of view of Jean Lichty, who became interested in the play after Kamala Harris lost the presidential election. “I was devastated by Hillary. I was twice as devastated by Kamala,” she said in an interview, adding that the play’s rage appealed to her.
Lichty stresses that the cast is older in this production. “I think that raises the stakes.”
But the big difference is that the script is revised from the 1997 one, especially Act II. The production weaves together eight drafts that Wasserstein did during rehearsals of the play in regional productions, including Chicago’s Organic Theatre, and the 2000 teleplay starring Christine Lahti. (It’s worth mentioning that, even revised, the regional productions received mixed reviews.)
The Wasserstein estate approved the changes and Andre Bishop, the former artistic director of Playwrights Horizons and co-executor of the estate, came to rehearsal and gave notes.
Maybe the most notable change is that whereas in the 1997 New York production, Lyssa stays with her cheating husband, the 2026 version ends with the two female friends.
JUDITH: What will you do now?
LYSSA: I don’t know. Same as you. Rise and continue.
She is quoting a letter from Ulysses S. Grant to his wife, Julia Dent Grant, for whom Lyssa is named.
If this ending seems ambivalent it is also real. It gives a consolation that doesn’t seem phony: You have to live with regrets and compromises and go on.
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CAIR Connecticut urges Greenwich schools to stop using Eisner Camp over Israel ties
(JTA) — GREAT BARRINGTON, Mass. – Greenwich Public Schools in Connecticut said it would proceed with a planned fall trip for sixth graders at a Jewish camp in Massachusetts as planned this week, despite pressure from a Muslim advocacy organization over the camp’s Israeli symbols and Israel-related programming.
CAIR Connecticut, the state chapter of the Council on American-Islamic Relations, objected to the trip, saying that programming at Eisner Camp in Great Barrington “incorporates connections to Israel,” the chapter’s board chair Farhan Memon wrote in a letter to Greenwich Superintendent of Schools Toni Jones dated Oct. 13.
The four-day Greenwich Schools field trip was organized by the Outdoor Classroom project, which works with seven locations in New England, including Eisner. Four of the camps are affiliated with Christian organizations, and two have no religious affiliation. With its clients, Outdoor Classroom coordinates nature-related learning programs for kids.
Memon wrote that some parents in Greenwich had viewed a video and photos of previous school events at Eisner and “identified Israeli flags and yellow ribbons prominently displayed in spaces used during school visits.”
“At the very least, spaces used by Greenwich students on any school trip should be free of national and political displays,” Memon wrote.
Eisner director Paul Isserles said in a statement shared with the Jewish Telegraphic Agency: “We welcome Outdoor Classroom to use our camp facilities. Throughout the year many outside organizations rent our facilities for various programs. URJ Eisner Camp is proud to have an Israeli flag displayed for our camp programs.”
When it comes to visiting groups, “Frankly, we are not regularly asked to do anything to remove those symbols or to cover them,” said Union for Reform Judaism president Rabbi Rick Jacobs in a telephone interview with JTA. “Because to be honest, we wouldn’t.”
Answering Memon’s letter on Oct. 14, Jones wrote in an email that her school district “acknowledges that individuals and families have vastly different views regarding global events” and that it intends to “provide an inclusive and safe educational environment for all Greenwich Public School students, including when they are on field trips under our care.”
She added that she had “made it clear to a few families that we will not take a political or religious stand.” JTA has seen both the CAIR letter and the email response.
CAIR Connecticut did not respond to JTA’s query.
CAIR’s national website says the organization promotes interfaith dialogue and “condemns all acts of violence against civilians by any individual, group or state.”
The Reform movement founded the 600-acre camp in 1958 as the Joseph Eisner Camp Institute for Living Judaism. It is located in the Berkshire Hills south of the town center of Great Barrington.
It is one of more than a dozen of the movement’s overnight camps in the North America. Many of those camps are rented throughout the year by groups that have nothing to do with Judaism, URJ’s Rabbi Jacobs said. “If a group rents the camp, they come up with their own agenda,” he said.
He added, “There are flags and other symbols of Judaism and of Israel in our camps, and we’re proud of that.”
Some parents had raised concerns about the venue as early as March. CAIR urged the district to stop using the camp in the Oct. 14 letter.
Removing decorations from the camp would not be enough, he said, noting that parents were upset after seeing promotional material about Eisner bringing Jewish campers to visit Israeli army bases under the Gadna, an Israeli military youth program.
A July 2019 post on Eisner Camp’s website says a group of participants in its Israel trip chose Gadna, stayed at an army base, practiced drills and learned to shoot at a target.
“URJ Eisner Camp participants who go to Israel have not participated in Gadna since 2023,” camp director Isserles said in a statement provided to JTA. “Our Israel programming at camp and in Israel is focused on Jewish identity, community, education, and connection to Israel.”
What CAIR is saying is that “A Jewish institution can be an unfit place for public-school children because it is visibly Jewish and identifies openly with Israel,” wrote blogger and Eisner alumnus Rabbi Jeff Salkin in his “Unfiltered” Substack on Oct. 19.
“A Jewish institution should not have to hide its Jewish identity to count as a fit place for other people’s children. You would not ask a church camp to remove a cross, or a Muslim camp to take down a crescent. A standard that demands such hiding makes Jewish identity itself the problem,” Salkin wrote.
This article originally appeared on JTA.org.
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Who are the first time voters who could sway Israel’s election?
(JTA) — JERUSALEM — On Oct. 27, Yael Chernyvsky, 18, from Ramat Hasharon in central Israel, plans to cast her ballot for the first time.
“I’m voting so we can change the future of this country,” the teen told Jewish Telegraphic Agency earlier this month. She was entering a Tel Aviv auditorium where some of Israel’s top politicians were about to address more than 1,000 first-time voters, including many in pre-military programs.
Chernyvsky, who is studying in an army preparation program in the Negev, blames the current right-wing government led by Prime Minister Benjamin Netanyahu for the country’s problems.
So she said she will vote for one of the opposition parties in the “change bloc,” which seeks to oust Netanyahu, who has been in office since 2009 except for a brief period in 2021-2022.
Chernyvsky had not decided which party she will vote for, but she said it will “probably” be either the Democrats led by Yair Golan or Yashar led by Gadi Eisenkot.
“We’ve basically had the same government for 20 years, and I genuinely think it’s corrupt. Why has this war been going on for three years? Why did it take two years to return the hostages? Why does the government give so much money to Haredi Jews who don’t work and don’t serve in the army?”
Chernyvsky is one of the estimated 640,000 Israelis aged 18 to 22 eligible to vote in Tuesday’s election, according to the Israel Democracy Institute (IDI). Comprising nearly 10% of the electorate, their votes could determine as many as 12 seats in the 120-member Knesset.
“Israel is a young country with a high birth rate,” said Tammy Hoffman, head of the education policy program at the IDI, which co-sponsored the young voter event with the Yigal Allon Center. “If their turnout is high, as our research suggests, first-time voters will make a difference.”
In May, Hoffman and her colleagues surveyed potential young first-time Jewish and Arab voters about their attitudes and political engagement. Across Israel’s population groups, 80% to 95% said they would “definitely” or be likely to vote. Secular Jewish youth expressed the highest level of certainty regarding participation, while 87% of Arabs said they intend to vote.
It’s a higher percentage than in the U.S., where the youth turnout in the 2024 presidential election was only 47%, according to the Center for Information and Research on Civic Learning and Engagement.
More than four-fifths of respondents to the IDI survey described the opportunity to vote as either “fairly meaningful” or “very meaningful,” with particularly strong responses among traditional and religious Jewish youth.
A separate poll of 18-year-old to 22-year-old potential first-time voters for the Ynet and Yedioth Ahronoth news outlets also revealed high motivation: 67% of respondents said they were certain they would vote, while another 19% thought they would.
In both polls, national security and the cost of living were top priorities for both Jews and Arabs. Hoffman wasn’t surprised.
“For the past several years, they’ve lived in an unstable environment during their adolescence. They were in junior high during COVID, they witnessed the judicial reform protests, and of course Oct. 7. They are worried about their future.”
While the Hamas attack affected every Israeli, the fact that so many first-time voters are either serving in the Israel Defense Forces or will do so in the near future could influence how they vote.
Jewish Israeli voters of all ages have moved rightward politically over the past couple of decades, Hoffman noted.
“But military service doesn’t necessarily lead you to a nationalist stance,” Hoffman emphasized. “It can do the opposite: It can bring up questions about the war and its goals.”
Arab Israelis, meanwhile, haven’t shifted rightward, but they are more eager to vote in this election than previous elections, reflecting their growing engagement in Israeli society, Hoffman said.
In a Sept. 23 N12 poll, 74% of young people described their political views as right-wing or center-right, while 23% identified as left-wing or center-left. If the election were held at the time the poll was taken, 16% of respondents would vote for Eisenkot’s Yashar party and 14% would vote for Netanyahu’s Likud party.
Despite the assumption that the majority of Jewish youth will vote for right-wing and far-right parties, Hoffman said, mock elections at high schools around the country show a different picture.
She said the majority of students voted for Eisenkot’s Yashar party and Beyachad, led by former prime ministers Naftali Bennett and Yair Lapid from the opposition Change bloc, and “some for Netanyahu’s [right-wing] Likud, but not a lot for [Itamar] Ben-Gvir,” who heads a far-right party.
Omer Gross from Jerusalem, who graduated from high school in June and is now in an army-prep program in the Golan, plans to vote for the Religious Zionist party led by far-right politicians Finance Minister Bezalel Smotrich and Moshe Feiglin.
“I don’t really agree with what Smotrich has been doing in Gaza,” he said, referring to Smotrich’s objective to reestablish the uprooted Jewish settlements in Gaza and incentivize Palestinian emigration from the strip, “but I support what he does in the territories” – the West Bank. “We need a strong, secure Israel.”
Tomer Shiloh from Herziliyah, who attends the same Golan Heights program as his friend Omer, has different plans.
“I’m voting for the ‘Change’ bloc, for Gadi Eisenkot or Naftali Bennett,” the 18-year-old said.
If it were up to Shiloh, the next government would require Haredi, or ultra-Orthodox, young men to serve in the IDF, as he will do next year. He wants the next government to lower Israel’s high cost of living.
“I want the people who run this country to have good values and to do what’s best for the country and not for themselves,” the teen said.
Sgt. M is a 22-year-old office worker doing his first stint of reserve duty following the conclusion of his mandatory army service. He says ensuring that all Israelis serve the country either in the IDF or through National Service is at the top of his election priority list. But he will be voting for the left-of-center Democrats party mostly for economic reasons.
“Did you know that most university students have to work while they study to pay for tuition, books, food and housing?” the reservist, who requested anonymity due to IDF regulations, said as he traveled home by train from his army base. “I wanted to start studying right after finishing the army, but between the cost and reserve duty, that’s impossible,” he said.
Speaking from his home in the northern Israeli city of Shef-Amra, Khalel Alaa Sabeh, 18, said he plans to vote for an Arab party that will prioritize addressing resource gaps in the Arab community.
“I want to see more money allocated to the Arab community,” he said, noting that historically, Arab municipalities have received less government funding than Jewish municipalities. “But most of all, I want our families to be safe. There’s a lot of crime in the Arab sector and the Netanyahu government isn’t doing enough to stop it.”
Sabeh, who plans to start university next year, said he is urging his friends to show up to vote on Oct. 27.
“I want to see change in this country, and if Netanyahu wins we’ll have four more bad years.” Yet whatever the outcome on Election Day, he said, “I won’t leave the country. This is my land, this is my home.”
This article originally appeared on JTA.org.
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Israel’s global image is deteriorating. Why isn’t it a bigger issue in the election?
(JTA) — JERUSALEM – Over the past few months, Israeli media has been full of reports of Israeli holidaymakers in Europe, Asia and the Americas being harassed or physically attacked after being identified as Israeli.
In July, a group of Israeli tourists visiting Montenegro were reportedly confronted by a man and a woman, apparently locals, who asked, “Taking a break from genocide?” and told them to stay in Israel. In Greece, an Israeli woman said a restaurant refused to serve her after she told an employee she was from Israel.
In Thailand, a mother and daughter were allegedly beaten after they told a man they were from Israel, according to the mother’s account.. And in the U.S., an Israeli couple checking into a hotel in California were asked if they were “baby killers.”
These reports come as Israel’s image around the world has fallen to historic lows. A Pew poll conducted between February and May this year found that across 36 countries, a median of 67% of adults held an unfavorable view of Israel.
On the diplomatic front, hostility is also growing. Israel’s ongoing military action in Gaza has been termed “disproportionate” by a growing number of world leaders, and unchecked violence by Israeli settlers in the West Bank – as well as Israeli government policy there – has prompted some countries, including some considered allies, to pull back or even impose sanctions.
Despite this hostility the issue of Israel’s diplomacy, its image worldwide and who is to blame for its deterioration is barely factoring into the fast-approaching election on Oct. 27.
Yaakov Katz, a senior fellow at the Jewish People Policy Institute, told the Jewish Telegraphic Agency that there have been complaints about Prime Minister Benjamin Netanyahu and his government not being effective at explaining Israel’s policies or actions to international audiences. Nevertheless, most Israelis see this as a problem beyond their control, he added.
“There is the argument that Netanyahu makes, which is that no matter what we do, the whole world’s against us, and no matter what we say, it’s antisemitism,” said Katz, co-author of “While Israel Slept: How Hamas Surprised the Most Powerful Military in the Middle East.” “People accept that argument, and to a large extent, they don’t push back on it. Why? Because part of it is true, right?”
Katz pointed out that many Israelis believe the sharp rise in antisemitism worldwide would keep happening regardless of what Israel does.
“In other words, Israelis believe that even if the number killed in Gaza was not 70,000 but 10,000, you still would have genocide claims; it makes no difference,” he said, adding that the average Israeli does not fully understand that declining support, particularly in the U.S., could eventually have “existential consequences for the country.”
“Most people here don’t think that far ahead,” Katz said. Instead, they take comfort in news such as President Donald Trump’s endorsement of Netanyahu, he added.
Ofir Dayan, a senior fellow at the Institute for National Security Studies at Tel Aviv University, said, however, that Israelis are painfully aware of what is happening abroad and are concerned about it. But she said there are other, more pressing issues in a country that has been grappling with more than three years of war.
“When people talk about the elections and what the Netanyahu government did right or wrong, they definitely look at this issue, and it is something they care about,” Dayan said.
However, she continued, most are unlikely to vote for a party or a candidate based on their position on this issue because it is just not a priority.
“Israeli voters are very much one-issue voters, and the issue in this election is security,” Dayan said. “We’re not remote enough from Oct. 7 for people to completely shift their vote and vote based on this idea.”
In addition to security and the questions surrounding the Oct. 7, 2023, Hamas-led terror attack, Peter Lerner, the former Israel Defense Forces spokesman for the international press, told JTA that the “issue of Israel’s international standing is secondary to two things: Netanyahu or not Netanyahu, and the left vs. the right.”
“Obviously, each one of those comes with its own package of Oct. 7-related issues and the question of who is most suited to deal with the threats that are around us,” he said, adding, “you just don’t see very many talking about it and when they do talk about it, it is secondary to everything else.”
Of the dozen or so parties expected to win seats in Israel’s parliament, the Knesset, only a few have referred to Israel’s negative global image or suggested ways to improve public diplomacy.
The B’Yachad Party, headed by former prime ministers Naftali Bennett and Yair Lapid, is one of those discussing it as part of a plan to repair ties between Israel and world Jewry. Under this plan, the party hopes to elevate the importance of Diaspora Jewry, allowing a non-voting observer in Israel’s parliament, the Knesset, to focus on such issues.
Amcha Yisrael, a new right-wing party led by former IDF Brig. Gen. Ofer Winter, has two candidates on its list who are prominent public diplomacy activists – Yoseph Haddad and Fleur Hassan-Nahoum. Haddad has said multiple times that he would like to be Israel’s next minister for public diplomacy.
Journalist Eylon Levy, a former spokesman for the Israeli government, told JTA’s “Waiting for 61” podcast that public diplomacy, or hasbara as Israelis refer to it, “is not a goal in itself” for most of the candidates.
He said the discussion was more about “who can manage relations with the world so that we can achieve our national interests.”
Within that framework, Levy pointed out, there is a range of opinions. On the far right, the approach of the Otzma Yehudit Party, led by Minister of National Security Itamar Ben-Gvir, is to make Israel look tough and “screw the woolly-hearted soft liberals if they don’t like it.”
On the left, “the position may be equally detached from reality,” Levy said.
“There is a belief on the left that if Israel starts behaving like a normal country and doesn’t have ministers who say aggressive nonsense, then Israel’s relations will snap back to normal,” he said. “I think there may be a denial there of how much public opinion has shifted against Israel and how much the expectations of policymakers have shifted as well.”
While Levy said he did not believe there would be a massive change in perceptions if a new government were elected on Oct. 27, he did believe it would be given a grace period, at least by Israel’s less-than-friendly allies.
“The question is whether an alternative government would suddenly magically boost Israel’s international standing; I don’t think it will,” he said. “But I do think a more moderate government will buy Israel some goodwill, definitely among those who say, in theory, we support Israel.”
This article originally appeared on JTA.org.
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