Features
Is Netflix’s new show the most Jewish cartoon ever?
Nearly every episode in ‘Long Story Short,’ from the creator of ‘BoJack Horseman,’ revolves around a very Jewish moment
By Mira Fox, PJ Grisar, Olivia Haynie and Nora Berman August 22, 2025
This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
The following contains light spoilers for the Netflix show Long Story Short.
The Schwooper family, the central figures in the new animated Netflix series Long Story Short, are diverse and unique — religious and atheist, gay and straight, farmers and businesswomen. Simultaneously, they are basically like every Jewish family you’ve ever met.
Naomi (Lisa Edelstein), the family’s domineering matriarch, is constantly nagging her kids to do better — her youngest son Yoshi (Max Greenfield) should be more professional; Shira (Abbi Jacobson), the middle child, should wear more dresses; her oldest, Avi (Ben Feldman) should be more observant. Her kids are constantly rolling their eyes and responding with sarcastic jabs. You’ve certainly seen this family. Maybe you’ve lived it.
The show, from animated hit BoJack Horseman’s creator Raphael Bob-Waksberg, isn’t linear; it jumps across the decades to show us snapshots of the young Schwoopers circa day school as well as their own parenting during the COVID pandemic and its aftermath. (Season 1 ends in 2022.)
Though the Schwoopers face crises that could befall any family — like Yoshi signing up for a multi-level marketing scheme involving spring-loaded mattresses — many of the show’s plotlines grapple deeply with Jewish identity.
Avi wonders if being Jewish simply means staying insular, eating fish that looks like a brain and being constantly afraid; Yoshi has a bar mitzvah crisis, struggling with what the rite means if you don’t believe in God; Shira is desperate to get her kids into day school, and is convinced it is only through making her mother’s knishes that she can win the administration’s approval.
The show takes a thoughtful, specific approach to Jewishness. But it also feels no pressure to explain itself, leaving plenty of Jewish moments that might not land, or even make sense, if they don’t reflect your experience.
Which left the Forward’s culture team with a lot to chew on. Who is Long Story Short for, and what is it saying? Read on for our discussion.
Jewish representation and Jewish clichés
Mira: I really liked that this show was not heavy-handed with its depictions of actual Jewish practice and identity. And I loved that we had a lot of really realistic different depictions. We have the oldest brother, Avi, who has sort of rejected Judaism, and resents it; he married a non-Jew and isn’t raising his daughter Jewish. Then there’s Shira, the middle child, who is gay — but even though her family looks different, she has pretty much stayed true to the Conservative Judaism she was raised with, and is sending her kids to Jewish day school. And then there’s Yoshi, the youngest, who ends up forging a totally different Judaism from his family, after a winding and experimental journey. I know lots of Yoshis and Avis and at least a few Shiras.
That being said, some characters’ sort of Jewy affect did rankle me a little. My mom and particularly my maternal grandmother absolutely do fit the show’s depiction of an overbearing Jewish mom. But as accurate as that feels to me, it also feels a little overdone; haven’t we told the jokes about the nagging Jewish mother enough times? It felt like a little bit of a cop-out because it’s such a trope. It’s an easy way to make a show feel really Jewish, but not an interesting one.
Nora: At first, I felt like the show was building up to be a deeper revelation about who Naomi was. There’s a really moving moment in an episode that flashes back to when she was a kid, and she cuts herself with a brooch to get her chaotic family’s attention. I thought, OK, we’re finally getting into it, this will be the episode where we learn who Naomi is. But it didn’t get explored.
Similarly, with Avi, I wanted to know what the roots of his Jewish disaffection were. He just comes off as a grump that Shira makes fun of for being a self-hating Jew. There were moments where I thought we’d get a deeper character study, and it didn’t fulfill that promise.
PJ: I think part of what it’s trying to do, with this fractured storytelling, is reflect the flow of when you’re with family and you’re remembering things. The conversation is discursive, it goes back and forth in time. We don’t talk about these things in a linear way.
The show feels like a blank check for Raphael Bob-Waksberg to make whatever he wanted after this huge success with BoJack Horseman, which was a weird and funky show, basically about Scott Baio as a horse (and a Democrat). What is interesting about Long Story Short was that it is living in this real place of specificity and isn’t afraid to do that.
Based on my conversation with Bob-Waksberg, he didn’t want to be boxed in. So it’s a Jewish show that’s not about antisemitism. And it doesn’t want to touch Israel because it’s just not interested in that. These people have rich Jewish lives and through these three siblings we have this dialectic with different ways to engage with being Jewish. I found it refreshing.
On the show’s approach to diversity
PJ: I want to talk more about the Nicole Byer character, Shira’s wife, Kendra. When we first meet her, it is clear she’s Jewish. And I think we were all hoping that it wouldn’t be explained, because why would we have to; Black Jews exist. But then it’s revealed that she’s a convert, and we have this moment with her in the Vidui prayer on Yom Kippur. And the story we’re given about how she ends up finding Judaism feels a little contrived.
Olivia: That’s something I thought a lot about. Black Jews are still treated as an anomaly, as something that needs explaining. When they meet at the grocery store while shopping for Rosh Hashanah dinner, the show seems to make fun of Shira for being so presumptuous when she tells Kendra that it’s nice she got invited to a Rosh Hashanah dinner. Kendra asks, “Why are you assuming, how do you know I’m not hosting?”
But then in the next episode, it sort of seems like she was right to assume that. We find out that Kendra became interested in Judaism as a way to explain a sudden absence from work without getting in trouble. It was very Black Cindy from Orange is the New Black — she’s converting to get something out of it. They turn it into a genuine moment, but why did she need to be swindling her way out of something?
I also think the show oversimplified how accepting Naomi would be of a Black daughter-in-law. She can’t stand Avi’s “shiksa” girlfriend, but Kendra is perfect? From what I know about interracial relationships, I wouldn’t say that is likely.
Mira: I think the smoothing of how diversity is received in general was interesting. Not just with Kendra’s conversion moment, but also with her and Shira being queer. It’s not really touched on if that would be an issue for them at all in the synagogue or day school or with any of the family, and I think it almost certainly would be, at some point.
The audience for the show
Mira: I wonder what the sell for this show is. I know that I am overwhelmed every time I open a streaming app by the sheer volume of new shows I’ve never heard of. And if there’s not some big monocultural show like Succession that everyone is watching, or nothing that I go in searching for, I have trouble choosing. While “cartoon about Jewish family” obviously will appeal to a certain set of Jewish families, who else is going to watch that? I’m sure some BoJack fans will watch, of course, but I wonder if they will stay.
Nora: What is Raphael Bob-Waksberg saying about Judaism? We think he got a blank check to make this show, and he does present this diversity of American Judaism. But I’m still curious about which parts he chooses to tease out more and which he doesn’t and why.
Olivia: It feels like the show is really for Jews. I really couldn’t imagine non-Jews watching this. I was thinking it will be a word-of-mouth show, like they read about it in the Forward or hear about it from their kids.
I think there’s things you just can’t understand if they’re not explained to you. Like when Naomi explains their observance level.
PJ: The way Naomi describes their practice is “progressive, Conservative, ritual over faith and blind practice. That’s literally the only way it makes sense.”
Olivia: That makes perfect sense to me because it’s like my grandparents. My grandmother would cook bacon, and they didn’t believe in God, but it was super important to them that their grandkids were raised Jewish in a synagogue. But when my mom stopped eating shellfish and pork, her parents never knew because they’d make fun of her — that’s too observant. Even though they were huge members of their congregation.
That said, I did think that some of the references that would have been inside jokes will make sense because of how much Jewish organizations have been in the news, like a bit about a bar mitzvah check that’s a donation to the ADL.
Mira: I agree that a lot of stuff is going to fly over some non-Jews’ heads, or even some Jews’ heads. But I also think that is what makes this show good, and not annoying or didactic. I’ve written so many reviews of Hallmark Hanukkah movies complaining about how they feel the need to put in these awkward, forced explanations. A character will say something like: “Hey, do you want to come spin the dreidel? It’s my favorite traditional Hanukkah game! Gee, I just love those chocolate gelt coins.”
If I don’t want a show to explain every little Jewish thing, I think it looks like Long Story Short. Maybe not everyone gets every joke. But that means it is going to be a richer text for Jews. Even in places where I maybe wanted more development, I didn’t need it. I know so many people who have, for example, converted or are in an interfaith relationship, so I have a depth of references that I extrapolate from to enhance or enrich my understanding of the characters.
What does the show say to Jews?
PJ: I think that it’s not meant to be prescriptive or say anything definitive. When I spoke to him, he said he had a lot of ideas and he didn’t feel the need to decide anything. He could just let the characters talk through things. Which I think is not a cop-out, actually, it’s a very Jewish approach.
Nora: It’s refreshing that it’s not about what it’s like to be a Jew after Oct. 7. It’s not that it doesn’t deal with deep themes, but it’s just a family of Jews existing, and we don’t need to explain anything about it. They deal with maybe internalized antisemitism, or grief, or wrestling with how they want to be Jewish in the world. But it’s not so angsty.
Mira: Because Abbi Jacobson from Broad City plays Shira, I was thinking a lot about Broad City while I watched, and where Long Story Short fits into the canon of Jewish media.
I felt like Broad City offered a new model of Judaism for our generation, where some of these old tropes about nagging Jewish mothers or Jewish American Princesses or Jewish guilt were present, but the characters didn’t feel weighed down by them. The show offered this very empowered version of Jewish femininity that wasn’t about competing against shiksas or being scolds. Abbi and Ilana got to be fun and irreverent in their Jewishness, like when they made a huge deal about fasting for Yom Kippur and then broke it with bacon, egg and cheese sandwiches and didn’t feel bad about it at all.
I think Long Story Short is very much about the younger generation trying to figure out their relationship with Judaism, but it doesn’t offer as clear of an idea of how they do so as Broad City did. But it’s clear that all the children feel some need to reinvent their Jewishness.
Olivia: Crazy Ex-Girlfriend is one of the shows that comes to mind for me, and the mother in that has so few redeeming qualities. There’s that whole song, “Remember How We Suffered,” that’s talking about how the only thing Jews do is talk about the Holocaust. There’s really no representation of Judaism outside of it being a chore. And Broad City was refreshing in that way — the mother in it was a stereotype, but she and her daughter have a great relationship.
I think Long Story Short was refreshing in the sense that Judaism isn’t only a burden, there’s a value and a richness to it.
PJ: I think this show is continuing in a longer tradition, maybe starting with Philip Roth and Portnoy’s Complaint, of Jews writing without their own institutional PR in mind. Not to make us look noble or good, but to present us as openly flawed. That continues on through the Coen brothers and A Serious Man, where it’s incredibly Jewish but not particularly flattering. Now we’re at this point where we don’t have to care so much about making a political statement or to dig so hard to critique our own community. It’s more tender, it’s coming from less of an angry place, but it still feels part of that tradition. We can approach with love but with an awareness that some stereotypes exist for a reason.
Like there’s this shyster-y lawyer character, the uncle, played by Danny Burstein. We go back and we see the family has a running joke about him. It is acknowledging that this uncle guy is a type of person who exists, but it’s also the type of person we make fun of — they’re a source of humor. We’re all in on the joke.
Nora: I kept thinking about the show Transparent; I think it is just sort of nice to see a family with a lot of tenderness going through these evolutions and challenges without having to justify it. It doesn’t shy away from stereotypes, but lovingly engages with them.
I also really appreciated the way it was talking about what it’s like to be marginalized as a Jew in America without it being didactic or political. I’m thinking of the episode where they go to school for a Christmas show, and the songs — one of them has the lyrics “Hanukkah, Ramadan, Kwanzaa too — we tolerate them all, but there’s nothing like Christmas!” That is exactly what it’s like to be a Jew in America at Christmas, where everyone is goading you to just participate because everyone loves Christmas. It’s just such a specific experience that I’d never seen represented.
Mira: Long Story Short might not give a lot of factual information about what it means to keep kosher or anything like that, but I think it does a good job at presenting Jews of all levels of observance as normal people who are also a relatable American family.
What do we want to see in the second season?
Mira: I’d love to see Shira’s coming out, and the first time she brought Kendra home, to know how her family came around to loving her wife so easily. I also want to see more of Yoshi’s Jewish journey, which is clearly winding; I feel like he definitely took a Buddhism pit stop at some point, maybe while he worked on the goat farm and smoked a lot of weed.
And I think I want to see the grandparents’ generation, and with it, more about how Naomi and Elliot — but particularly Naomi — grew up. I want to see a bit more of her tenderness; we get glimpses, but that’s it.
Nora: I want to see how Naomi and Elliot met. I also would love a bris episode for Shira’s kids, Walter and Benjamin — I think that would be hilarious. I also want to know what happened with Avi and his ex-wife’s marriage; I have the impression it has something to do with his relationship with Judaism.
Olivia: There’s a scene in the opening episode where Avi makes a joke in the car and it relieves some tension and he and Naomi make eye contact in the rearview mirror and smile. It shows they have this deep, sweet, special relationship that kind of falls apart by the time he’s an adult. I want to know more about him.
I’d be curious to know more about Kendra’s family; we get a bit of them in that one episode on her conversion, but I’d love to see where her family is now after she has converted. I’d like to know more about ָָAvi’s teenage daughter and how she sees her family. And maybe more about their lives outside the family, like with friends — I have no idea what Shira does for work.
PJ: I imagine Shira is an academic who wrote her dissertation on Walter Benjamin, and that’s why her two kids are named Walter and Benjamin.
Mira Fox is a reporter at the Forward. Get in touch at fox@forward.com or on Twitter @miraefox.
PJ Grisar is a Forward culture reporter. He can be reached at grisar@forward.com and @pjgrisar on Twitter.
Olivia Haynie is an editorial fellow at the Forward.
Features
The Red Inheritance – a short story
By H.C. Piloski
PART I — ROOTS
Foreword
The Red Inheritance is a work of fiction built on real histories. The political movements, neighbourhoods, and events depicted here — from Winnipeg’s North End to the Holodomor, the gulag system, and the ideological battles of the twentieth century — are drawn from documented fact. The characters themselves are invented. Their names, relationships, and private lives have been changed.
This story engages with difficult truths: the idealism that drove many to fight fascism, the blindness that led some to excuse Stalinist terror, and the intertwined traumas carried by Jewish and Ukrainian families who fled Europe’s catastrophes. It also reflects the historical record of the Soviet security organs and the diverse individuals who served within them. These realities are presented not to assign collective blame, but to illuminate the moral complexity of an era when ideology often overshadowed humanity.
What follows is fiction. But the shadows it walks through are real.
This story is one thread in a larger tapestry of inherited memory and consequence.
I. The Tape (1934 → 2026)
Rachel Levinson found the box on a humid August afternoon in 2026, tucked behind dusty binders in the archives room of the Jewish Heritage Centre. It was unlabelled except for two faint words:
CP — Private.
Inside lay brittle pamphlets, yellowing papers, and a cassette tape with a fading label:
Labour Temple. 1934.
Her grandfather, David Levinson, born in 1915 to Polish immigrants Sarah and Moshe, had been the youngest of four children — a fact that shaped both his stubbornness and his need to prove himself in the crowded Levinson household. He had been a young Jewish organizer in Winnipeg’s North End, swept up in the Jewish Youth AntiFascist League. He had told her stories of the confrontation at Old Market Square, when Jewish and Ukrainian youth chased the brown shirts out of the square in 1934.
But he had never mentioned a tape.
She slid it into the old player.
A click. A whirr. Then his voice — younger, sharper, filled with conviction.
A faded photograph showed him as he once was: lean, brighteyed, a mediumsized North End boy toughened by winter streets and by the old prewar YMHA — the building Jewish youth used before the Hargrave and Qu’Appelle “Y” existed. That building was long gone now, replaced decades later by the Asper JCC in the south end — another reminder that the world her grandfather moved through had vanished, leaving only photographs and memory.
Her grandfather spoke of fascism rising in Europe, of solidarity, of the Soviet Union as “the only nation standing unflinchingly against tyranny.”
Then another voice mentioned a poet. A furnace. Books burned.
The tape clicked off.
Rachel sat frozen, the silence louder than the recording.
II. The North End (1930s → 1990s)
She drove to the North End the next day, needing to remember before she judged.
Her grandparents’ house on Matheson Avenue still stood — modest, sturdy, with a vegetable garden in the back. She remembered Shabbat dinners: the smell of chicken soup, her Baba Rivka’s laughter, her grandfather’s gentle voice blessing the candles.
The North End had always been a world unto itself:
Ukrainian churches with onion domes catching the prairie sun
Jewish bakeries on Selkirk Avenue selling poppyseed rolls and rye bread
Old synagogues tucked between corner stores
Brick houses, stucco cottages, and woodframe homes built by immigrants who arrived with nothing but hope
It was a neighbourhood shaped by trauma and by the stubborn hope that refuses to die:
Jews fleeing pogroms
Ukrainians fleeing famine
Poles fleeing war
Indigenous families surviving despite everything
Her grandfather’s politics had grown out of this soil — out of fear, out of solidarity, out of the belief that collective action could save people from the horrors they had escaped.
But the tape suggested a darker truth.
III. Her Grandfather’s War (1939–1945)
Rachel dug through old family papers until she found his service records.
David Levinson Royal Winnipeg Rifles Enlisted: 1942 Served in England, Normandy, and the Netherlands Demobilized: February 1946
He had fought fascism directly, not just in rallies but on the battlefield. He returned home a decorated veteran, married Rivka in 1947, and began work as a skilled employee at CP Rail.
He had been everything a family man should be.
And yet he had remained a Communist — not the romantic kind who drifted away after 1956, but the loyal kind, the dogmatic kind, the kind who refused to believe that Khrushchev’s revelations at the 20th Party Congress were anything more than Western propaganda.
A Stalinist.
IV. The Letters Home (1942–1945)
Among the papers Rachel found were copies of letters David had sent home during the war — to his parents, his siblings, and to Rivka, his wifetobe.
They were eloquent, heartfelt, and full of longing.
To Rivka:
“The nights here are long, and the cold seems to seep into the bones. But when I think of you lighting the candles on Friday night, I feel warm again. I carry that light with me.”
To his parents before Normandy:
“I don’t know what tomorrow brings. But I know why I’m here. If we don’t stop them, they will burn the world. I want to come home to Matheson Avenue. I want to sit at your table again.”
To his younger brother:
“Study hard. Live well. Don’t let the world make you bitter.”
Rachel felt her throat tighten. These were not the words of a zealot. They were the words of a young man trying to hold onto hope in a world on fire.
V. Her Father’s Story (1950s → 1978)
Her father, Michael, listened quietly as she explained what she had found.
“I knew he was involved,” he said. “More than involved. Dedicated.”
He admitted he had briefly joined the Young Communist League in the 1970s, swept up in youthful idealism. He had even attended the World Youth Festival in Havana in 1978, a gathering steeped in revolutionary rhetoric.
“But I drifted away,” he said. “Your grandfather never did.”
“He wasn’t perfect,” Michael said, “but he was steady. He worked hard, showed up for people, and carried more than he ever complained about. Whatever his politics were, he was a good father.”
“And he had a quiet sense of humour,” Michael added. “He could make you laugh when you least expected it.”
Then he told her something else — something his father had shared only once.
“During the war,” Michael said, “the men in his unit used to say, ‘Thank God the Red Army is fighting on the Eastern Front, so we don’t have to die.’ He never forgot that.”
It wasn’t ideology. It was survival. The Eastern Front had been a furnace, and the Red Army had walked into it first. For David, that memory fused with politics, becoming part of the reason he believed the Soviet Union had carried the heaviest burden in defeating fascism.
She asked whether he thought David had known about the poet.
Michael hesitated.
“He wasn’t a cruel man. But he believed in the cause. Maybe too much.”
VI. Her Mother’s Silence (1970s → 2026)
Her mother, Elaine, folded laundry as Rachel asked what she knew.
“I wasn’t political,” Elaine said. “Your grandfather knew that. He never pushed it on me.”
She explained that she had gone along with his beliefs because they were simply part of the household — relics of his past, not demands for her future.
“He was stubborn,” she said. “But he wasn’t a bully.”
Rachel believed her. But the poet’s books had burned. And someone had stood nearby.
VII. The Professor (2026)
She met Dr. Samuel Rosenfeld, a historian of Winnipeg’s Jewish left, in his cluttered office at the University of Manitoba. Books were stacked in uneven towers, papers spilled across his desk, and a halffinished cup of coffee sat precariously close to a pile of archival photographs.
He recognized her grandfather’s name immediately.
“A committed man,” he said. “Fiercely loyal. Sometimes too loyal.”
He handed her a folder about a Ukrainian poet who had immigrated to Canada, published a slim volume of verse, and then — in a burst of misguided hope — returned to the Soviet Union in 1932.
He disappeared into the gulag.
His books were burned in the Labour Temple furnace by local Stalinists.
Mykhailo Horodetskyi (1905–1933?)
Dr. Rosenfeld recommended books: Let History Judge by Roy Medvedev; The Strangest Dream by Merrily Weisbord; The Harvest of Sorrow by Robert Conquest; Red Famine by Anne Applebaum; The Forsaken by Tim Tzouliadis; How People Live in Soviet Russia (1932 in Yiddish, English translation 2020) by Mendel Osherowich.
“That last one,” he said, “was written by a Jewish journalist from New York who visited Ukraine during the famine. It was ignored for decades. Your grandfather probably never read it.”
Rachel felt a quiet ache. Her grandfather had lived in a world where certain truths were simply not allowed to enter.
VIII. The Prague Spring (1968)
As Rachel continued reading, she found references to another moment her grandfather had never spoken about: the Prague Spring of 1968.
Czechoslovakia had tried to build “socialism with a human face,” loosening censorship, expanding freedoms, allowing people to breathe again. And the Soviet Union crushed it under tank treads.
Her grandfather had been in his mid50s — old enough to understand, young enough to choose.
Had he defended the invasion? Had he doubted for the first time? Had he stayed silent?
The Prague Spring was a fracture point for many Western Communists.
But not for him.
His loyalty endured.
IX. Her Friend from Ukraine (2026)
Her friend Oksana Melnyk, a refugee who had fled Russia’s genocidal war against Ukraine, listened carefully as Rachel told her everything.
“My grandparents fled Ukraine during the Holodomor,” Oksana said. “My grandfather saw the Bolsheviks murder his parents in their village.”
Rachel felt her breath catch.
“They walked for days,” Oksana continued. “They buried their dead in frozen ground. They survived because they refused to die.”
She told Rachel about the missile strikes, the mass graves, the deported children — the new war of erasure.
“Russia is trying again,” she said.
Rachel realized her investigation was no longer just about her grandfather. It was about two histories colliding — but not equivalent histories.
David had fought fascists abroad, returned home, married, worked, raised children, tended a garden, blessed candles, and lived a long life in a free and democratic country.
Oksana’s grandfather had survived a stateengineered famine and witnessed murder.
The moral terrain was uneven, and she needed to tread carefully.
X. The Poet’s Poem (1932 → 2026)
Oksana translated one of Mykhailo Horodetskyi’s surviving poems — smuggled out of Ukraine before he disappeared.
“Harvest Without End” Translated by Oksana Melnyk
We cut the grain with blistered hands, but the fields do not forgive. Each stalk remembers those who fell, each seed refuses to live.
The earth is full of quiet bones, the sky of unsaid names. We gather what the land still gives, and carry sorrow like a flame.
Yet even in the darkest dust, we plant because we must. For harvest comes to those who wait, and hope grows from the rust.
Rachel imagined the book burning in the furnace, the pages curling, the words disappearing into smoke.
She imagined her grandfather standing nearby.
XI. Two Funerals (1998 & 2011)
She remembered her grandfather’s funeral in 2000 — the cold wind, the Hebrew prayers, the earth falling onto the coffin.
She remembered her Baba Rivka’s funeral in 2011 — the thawing spring air, the gentle mourning.
Two graves. Two lives. Two histories.
And now a third history — Oksana’s — had entered her own.
XII. The Decision (2026)
Rachel sat at her desk, opened her laptop, and began to write.
Not to condemn. Not to absolve. But to understand.
Her grandfather had fought fascists. Oksana’s grandparents had fled Communists. Both had suffered. Both had survived. Both had believed they were fighting for a future.
She would tell all of it.
The heroism. The blindness. The love. The silence. The contradictions. The pain carried across continents and generations.
She owed that to her grandfather. She owed that to Oksana. She owed that to the truth.
PART II — THE SHADOWS
XIII. The Embassy Rug (Late 1950s → Early 1960s)
There was another story — whispered, half forgotten — that Rachel could not ignore.
In the late 1950s or early 1960s, senior leaders of the Communist Party of Canada were invited to the Soviet Embassy in Ottawa. They were presented with a customwoven rug, a gesture of fraternal solidarity.
Pinned inside the rug, hidden beneath the fabric, were several thousand dollars in mixed denominations.
No receipts. No explanations. Just quiet loyalty.
It wasn’t a purge. It wasn’t a gulag. But it was a reminder: ideology had its networks, its incentives, its subtle pressures.
Her grandfather had lived in that world. He had trusted it. He had defended it.
And yet he had also blessed Shabbat candles, tended a garden, and carried her on his shoulders when she was small.
Contradictions. Everywhere.
XIV. The MP Who Spied (1940s → 1950s)
Rachel found another thread woven through her grandfather’s world: Fred Rose, Canada’s only Communist Member of Parliament.
Rose had been elected in 1943 on a wave of wartime goodwill — a Jewish labour activist who spoke passionately about workers’ rights and antifascism. But after the war, the truth emerged: Rose had been an agent of Soviet intelligence, passing information to the NKVD.
He was arrested in 1946, convicted, and eventually deported.
Her grandfather had never mentioned him.
Rachel realized that the Party David belonged to was not just a political movement. It was part of a global network — one that demanded loyalty, silence, and sometimes complicity.
The rug in Ottawa had not been an anomaly. It had been a symbol.
XV. The Jewish People’s Cultural League (1930s → 2026)
A week later, Rachel visited a modest community centre in the North End — home to the Jewish People’s Cultural League, a secular leftwing Jewish organization that had once been a hub of Yiddish culture, labour activism, and socialist politics.
The room smelled of old books and percolated coffee. Posters of Yiddish poets lined the walls. A faded banner read:
JUSTICE • PEACE • CULTURE
An elderly volunteer explained that the League had run choirs, libraries, lectures, and children’s programs. They had fought fascism. They had defended civil rights. They had also — sometimes reluctantly, sometimes fervently — defended the Soviet Union long after its crimes were known.
Rachel listened, thinking of the poet’s burned book.
The volunteer showed her a photograph from the 1940s: a crowd gathered for a League event, her grandfather somewhere among them, young and earnest.
“These were good people,” the volunteer said softly. “But they were caught in something bigger than themselves.”
Rachel felt the truth of it. Ideology had shaped communities as much as individuals. And her grandfather had lived at the centre of that world.
XVI. The Councillor’s Shadow (1940s → 1986)
Later that night, Rachel reread the article about Joe Zuken. She realized he was the perfect embodiment of the contradiction she was trying to understand.
A Communist and lawyer by training, he had fought for the poor first as a member of the Winnipeg School Board, and later as a longtime City Councillor. He even ran for mayor one year — a campaign that drew support from a wide range of leftists and other progressives, generating headlines across Canada and even in The New York Times.
He was an impassioned orator — sharp, articulate, and unafraid to confront injustice headon. A Marxist who defended civil liberties. A man who believed in the Soviet project but also challenged inequity at home.
Her grandfather had admired him. She found a note in one of David’s old journals:
“Zuken speaks truth even when it costs him.”
Rachel wondered whether her grandfather had seen in Zuken the version of Communism — really democratic socialism, much like that practiced by the governing New Democratic Party — that he wished were real: humane, principled, uncorrupted.
But history had not been kind to such hopes.
XVII. Sontag’s Reckoning (1982 → 2026)
Rachel reread Susan Sontag’s famous 1982 speech at Town Hall in Manhattan — the night she stunned a room full of American leftists by declaring:
“Communism is fascism with a human face.”
The audience had gasped. Some walked out. Others shouted. But Sontag didn’t retreat. She insisted that moral clarity required naming the crimes of Stalinism without euphemism, without nostalgia, without excuses.
Rachel wondered how her grandfather had reacted when he heard about it. Had he dismissed Sontag as a traitor to the cause? Had he ignored it? Had he felt a flicker of doubt?
She would never know.
But she understood something now: the moral rupture Sontag described was not abstract. It lived inside families like hers — in the gap between David’s idealism and the realities he refused to see.
XVIII. The Conversation (2026)
She met Oksana at a café on Corydon Avenue. They sat by the window, watching people pass by.
Rachel told her everything — the tape, the poet, the furnace, the rug, the League, Zuken, and Sontag’s Manhattan reckoning.
Oksana listened quietly.
“My grandfather saw the Bolsheviks murder his parents,” she said. “He never forgave. He never forgot.”
Rachel nodded.
“My grandfather fought fascists. He believed he was saving the world.”
They sat in silence, two women carrying two histories — different in scale, different in suffering, but both shaped by the same century’s storms.
Finally, Oksana said:
“Maybe your grandfather wasn’t wrong about the fight. Maybe he was wrong about the system.”
Rachel felt tears rise.
“Maybe,” she whispered.
They sat for a long moment, the café noise fading into a soft blur around them. Outside, a couple walked a dog. A bus hissed at the curb. Life went on — ordinary, unthreatened, free.
Rachel thought of her grandfather’s life: the house on Matheson Avenue, the garden he tended, the letters he wrote home from Europe, the steady job at CP Rail, the Shabbat candles he blessed with a gentle hand. He had lived in a country where he could argue, vote, complain, hope. His convictions had shaped him, but they had not destroyed him.
Oksana’s grandfather had lived in a world where hope itself was dangerous.
Rachel finally said, “He lived a good life, Oksana. A safe life. He came home from the war, married my grandmother, raised children, worked hard, grew tomatoes, read the Free Press, and believed he was part of something noble. He didn’t suffer the way your grandfather did. Not even close.”
Oksana nodded, her eyes softening. “I know. And that’s why this matters. Your grandfather had the luxury of believing. Mine had the burden of surviving.”
Rachel exhaled, feeling something settle inside her — not peace, but clarity.
“I’m not writing this to judge him,” she said. “I’m writing it because I finally understand the scale of the world he lived in… and the world your grandfather survived.”
Oksana reached across the table and squeezed her hand.
“That’s all any of us can do,” she said. “Tell the truth. Even when it’s complicated.”
Rachel looked out the window again. The lateafternoon light had shifted, turning the street a muted gold. Two histories — one sheltered, one scarred — had met in that small café on Corydon Avenue.
And for the first time, she felt she could carry both.
H.C. Piloski is a Winnipeg writer who works quietly at the edges of memory and history. His fiction often begins in archives and ends in the private places families rarely speak about.
Features
Musings from Dizengoff Street – by Bruce Brown (updated Sept. 22)

(Posted Sept. 22) Admire him or despise him. Love him or hate him. Commend him or vilify him. Praise him or criticize him. Respect him or disdain him. Believe him or doubt him. Vote for him or not. However you perceive him. And whether you support him. Wishing Prime Minister Netanyahu a successful visit to New York and the U.N. And that we won’t have to send him a cake with a hacksaw baked inside. Mamdani… stand down!

(Posted Sept. 18) Just wonderin’. When a tree falls in a forest and no one’s there to hear it, does it make a sound? And if Iran says it’s not enriching uranium and no one’s there to verify it, do they develop fissile material?
Now Iran just obtained a seat on the General Committee of the International Atomic Energy Agency’s General Conference – how crazy is that. Like letting the cat guard the milk.

(Posted Sept. 15) Apparently some superheroes are against us. But not really. Whewww!!! Fortunately it’s just the progressive actors who play them in movies. Such as Benedict Cumberbatch (Dr. Strange) and Mark Ruffalo (the Hulk) as well as other minor actors not worth mentioning. What are these misinformed thespians aligning themselves with. Not sure they really know. Well. It’s with The Freedom for Marwan campaign, which pushes for the release of convicted, arch-terrorist mastermind Marwan Barghouti. Convicted in 2004 and sentenced to five life sentences plus 40 years for orchestrating various heinous shooting sprees in Israel during the Second Intifada (2000-2005). Killing and wounding too many innocent Israeli civilians including a Greek Orthodox monk outside Jerusalem. As a comic book fan, and closet Batman and Aquaman (when I swim), it saddens me that these guardians of the universe can be associated with defending evil. But then I remind myself it’s only the actors -what do they know anyway- and not really the superheroes. Unlike our own Gal Gadot (Wonder Woman), Natalie Portman (the Mighty Thor), Shira Haas (Sabra) and Liev Schreiber (Sabretooth). All firmly on the side of good.

(Posted Sept 10) Honey cakes. Honey cakes. Honey cakes. It’s that time of year. Yummy! Here comes Rosh HaShana 5787. And its…. You guessed it. Honey cake season. That light brown loaf our baba used to make. Starting a few weeks before Rosh HaShana and extending through Yom Kippur – a first bite to break the fast and usher in a sweet year- honey cakes are found throughout the country. The familiar sight of the ready-made, pre-packaged, ‘assembly-line’ honey cakes wrapped in cheap cellophane found in Grocery stores. The freshly baked honey cakes adorning window displays at local bakeries. The exorbitantly priced, gourmet honey cake desserts offered at fancy Tel Aviv restaurants. And of course, honey cakes festooning the festive, colorful, Rosh Hashana dinner tables across Israel. I bake my own honey cake which is pretty good. My wife and kids would beg to differ. But these slightly glazed honey cakes -of my own culinary, shtetl inspired creation- are heartedly enjoyed by me as I gain several honey cake induced pounds. Shana tova!

(Posted Sept. 8) Hoarding. A combination of my own little wartime PTSD and some recent headlines about Iran trying to coordinate a multifront attack (is that capability still there?!) and October 7 like rumblings from the West Bank (or Judea & Samaria, depending if you wear a kippa and if its knitted and if it tilts to this side or that side -that’s a shtetl insider joke). I digress and Yikes! And we just had a nation-wide drill of the IDF’s top-level headquarters preparedness for such scenarios. Double Yikes! So ya. I’m always checking and rechecking that we have way more than enough of some things. The thought of entering another prolonged war and some stuff no longer available, even for a short time, scares the bejeebers out of me. Just writing about it triggers the ‘go and buy’ dopamine hit. Medications. Toilet paper. Bottled water. Canned goods. Also worried about the country running out of bullets. But I can’t hoard those.

(Posted Sept. 5) An open letter to the zany and zealous mouthpieces of those delightful, anti-Israel protests held regularly in Toronto. In the heavily Jewish Bathurst & Sheppard area no less. Fear and harassment in the community? Not by the hairs of our chinny chin chins.
Dear Friends.
Are you serious.
Sincerely,
Bruce Brown, a Zionist who does not rape children. Who does not murder children. Who does not eat children. And, get this, who lives in Israel.
(Ed. note: To better understand what Bruce is talking about, go to this story on our website: Police open hate-crime investigation)

(Posted Sept. 1) Can you be more of an international embarrassment and liability? Yes talking about Israeli’s antagonist extraordinaire and National Security Minister Itamar Ben Gvir.
Declaring that Israel should kill ’30-40 Gazans a day’. Seriously?!?! His actual statement may have been more refined and qualified. But it doesn’t really make a difference. That’s the takeaway. Like whose side is he on anyway. Talk about giving our detractors ammunition to delegitimize our little shtetl. Hello?!?!
And a few days later. Showing off in front of a gallows site under construction at a high security prison. Seriously?!?! The death penalty for terrorists. Right or not – I think the former. But like can you give us reason to be compared to an extremist state. That’s the takeaway. Like whose side is he on anyway. Talk about giving our detractors ammunition to delegitimize our little shtetl. Hello?!?!
Serenity now!

(Posted August 28) Kites. Color. Childhood. Hamas and friends should watch Mary Poppins with the final kite flying scene. Remember that song, Let’s Go Fly A Kite. Ya, I know. Somewhat ethnocentric. But still…. I have fond memories of flying kites with my kids. Down the Mediterranean shoreline in Tel Aviv. At the Ness Tziona kite flying festival. Along the green grounds of the Weizmann Institute. Laughing and running. Looking to the sky with awe. Multi-shades and fancy. Kites.
With your fist ‘olding tight
To the string of your kite
…oh, oh, oh!
Lets go fly a kite
Kites. Fun. Laughter. Innocence.
Kites. Not an instrument of war.

(Posted August 25) How principled can you be! Ireland -one of the most anti-Israel and foggiest countries in the EU- insisted that its government’s new, 60$M executive jet NOT be equipped with Elbit’s FalconEye navigation system, which helps pilots navigate in fog -how ironic- and other difficult weather conditions. Without this unique system the plane must be diverted to alternative airports. This a part of the government’s official boycott of Israeli goods. So good luck to Prime Minister Michael Martin in landing his aircraft in Dublin.
And despite some negative sentiment towards everything Israel, Elbit achieved over 32$B in backorders with Europe driving much of its export growth. On a more personal muse. The morning after Iran’s first attack on Israel (April 13 2024), I woke up not with fear and panic. Well. Okay. Some of that. But also great excitement regarding an investment opportunity which developed overnight. Actually it was the wife’s suggestion. After Israel successfully intercepted over three hundred missiles and drones – showcasing the strength of Israel’s defense industry- my wife had a eureka moment. What better public relations for Israel’s defense industry. Let’s buy stock in Elbit, a key player in that ecosystem. We did. And about eighteen months later we cashed in. With about 150% profit. This is not an endorsement to buy… blah, blah, blah….
Again. Good luck to Prime Minister Martin.

(Posted August 21) Sometimes musings are terribly sad. But should be shared.
Happy belated birthday beautiful Ariel. Turned seven on August 5th. Thought about him and his younger brother Kfir and mother Shiri. All murdered by Hamas shortly after their unbelievable and surreal abduction on Oct 7 2023.
As I was driving home today. “I Thank You Child” by Zakk Wylde shuffled onto my Spotify. Always kills me, this song. It was played by Yarden, the father who himself was held hostage, at the funeral of his family. For Ariel and Kfir. The lyrics chilling. The frequent drum rolls haunting.
It was you who made living all worth the while
Oh, I thank you, my child
Comfort in your eyes
For the warmth inside your smile
Faith’s done gone astray
It was you who made living all the while
All my fears repressed
Oh lovin’ you child it’s the best
This song. Written almost thirty years ago. Finds its devastating meaning today. With the Bibas family tragedy.
How.
Listen to the song here:

(Posted August 18, 2026) And the beat goes on in the strait. A bit quieter lately although may be heating up again with the 60day ‘ceasefire’ officially expired. And while Iran occasionally lashed out over the last two months, they did not attack Israel. How do you spell deterrence. According to my Yiddisha mama, its spelled ‘Pftt. Pftt. Pftt‘.

(August 14, 2026) Despite three years of varying degrees of warfare. Moody’s biannual report of the Israeli economy was quite positive. Basically, the report saw no pressures on Israel’s credit rating. While the macro data remains strong, Israel still faces a complex geopolitical situation further complicated by upcoming elections (we pondered about how crazy that is in an earlier muse). And Israeli’s inflation rate for the first half of 2026 fell to a historic five year low of 1.2% (vs Canada’s 2.6%). As for my own pocketbook. Haven’t had an infamous Israeli bank overdraft in years. So all is fine.
If that’s not enough economic voodoo talk for one musing. According to one famous barometer. Israel moved to second place in the Economist’s Big Mac Index. Introduced in 1986, this tasty indicator compares the purchasing power parity across countries by measuring the price of a McDonald’s Big Mac -which most can relate to- against the benchmark U.S. burger. So while a Big Mac in the U.S. costs $6.22. In Israel it costs $7.67, the second most expensive place to buy the hamburger in the world, Switzerland being the most pricey at a whopping (no reference to Wendy’s) $9.04. While the cheapest Big Mac can be enjoyed in Indonesia at only $2.38. Canada ranked 22nd of the fifty-four countries considered, at $5.85. Parity. Smarity. I’m going for my Big Mac fix. Just after I finish writing this muse….

(August 11, 2026) Bravo Boy George. We certainly will dance again! And what better way than with his new reggae tune. Now Boy George is dealing with a hostile backlash against his just stand for Israel. Having to withdraw from London’s East End production of Jesus Christ Superstar where he was going to play – guess it. King Herod. Never a big Culture Club fan, but I am anyway -as a sign of support- going to download his greatest hits to my Spotify library. And hoping to have a chance to buy a concert ticket should Boy George perform in Israel. Kind of reminds me of Bob Dylan’s 1983 song Neighborhood Bully. Also in defense of Israel. I’m going to download that song as well. Although don’t think he was hounded the way Boy George is now. Sign of the times I guess.
+++++
Coming clean. I sometimes find myself chanting, to no one in particular, that snappy little ditty ‘from the river to the sea, Palestine will be free.’ Now why can’t we come up with something as catchy. With such an impressive gene pool of great Jewish songwriters. George Gershwin. Irving Berlin. Burt Bacharach. Carole King. Neil Diamond. Leanard Choen. Paul Simon. Gene Simmons, Amy Winehouse. Bob Dylan. And yes, even the Buddhist Boy George. And still… gurnish! No wonder we’re losing the global PR battle

(August 8, 2026) Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.

(August 6, 2026) Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.

(August 3) Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.

(August 1) Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?

Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the1998 satire, “An Israeli is….”. Bruce’s visuals are AI-assisted and created with ChatGPT under his inimitable visual concept and creative direction. Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic, irreverent and mischievous insights.
Uncategorized
Why NBA Teams Start Defending Before Half Court
An NBA defender who meets a ball handler near the opposite baseline is trying to interfere with the possession before the offense gets organized. The immediate reward need not be a steal. Making a guard change direction, protect the ball, or find another receiver can interrupt the route into a play. But pressure has several possible results, and slowing that first journey does not necessarily slow the whole game.
In Logan Murdock’s November 2025 report on full-court defense, Phoenix Suns guard Jordan Goodwin described his aim: “Try to make them take at least six seconds off the clock.” That was his target, not a measured average. Indiana Pacers coach Rick Carlisle described another purpose: getting opponents to play faster than they prefer. Both approaches interfere with timing, though one delays the setup while the other hurries decisions.
The shot clock helps explain the difference. In a normal NBA possession following a made basket, the offense has 24 seconds, with the countdown starting when the inbound pass is legally touched on the court. It must also advance out of the backcourt within eight seconds. Crossing half court does not start a fresh shot clock. Time spent getting there leaves less time to create a shot. A defensive deflection that stays inbounds does not restart the countdown.
Defensive pressure also needs careful interpretation in basketball betting. An NBA matchup on the Bovada website cannot be reduced to whether one team presses: the combined score depends on how often both sides get the ball and what they do with their chances. A defender delaying the first pass into an offense can leave less time for a good attempt. A turnover followed by a quick basket has a different effect.
Those possibilities make defensive intensity an incomplete description of a scoring outlook. A team can force its opponent to work harder while creating quick attacking chances for itself. It can also concede an easy chance when pressure fails. Understanding the tactic means separating its purpose from its outcome, rather than treating an aggressive defender as evidence that the game must produce fewer points.
Pressure does not always mean a trap
One defender following the ball is different from two defenders closing around it. The first can contest the dribbler while teammates remain with their own assignments. A trap commits another player to the ball, so teammates elsewhere must cover the passing options and protect the basket.
A stopped dribble changes the contest. Once a player voluntarily picks up the ball, he cannot simply start dribbling again. He can still pivot, pass, or shoot, but moving away from pressure with another dribble is no longer an option. A defender can therefore restrict movement without taking possession. This is also why a guard’s choice to keep the dribble alive deserves attention: it preserves a way to move while searching for a pass.
Watch where the ball goes next. A trap can succeed by forcing an awkward pass that another defender intercepts. The players surrounding the ball do not have to be the ones who take it away. Reaching for a steal also differs from keeping the ball handler contained; abandoning position can give the guard a route past the pressure.
The offense has answers. In the Murdock report referenced earlier, Golden State guard Brandin Podziemski described using his body to shield the ball against smaller defenders and quickness to get beyond longer opponents. Beating the first defender can leave that player trailing, creating a temporary advantage farther upcourt. The remaining defenders then have to respond to an attack before their teammate has time to recover.

The work before a highlight
Former NBA guard Keith Bogans gives a defender’s perspective in his conversation with Vernon Maxwell. Discussing Jaden McDaniels, Bogans says that seeing a defender pick up a superstar across the court gets him excited in the way a dunk or crossover excites other viewers.
*
His reaction focuses on the challenge being accepted. The scorer has someone to deal with before reaching a preferred attacking position. Bogans also describes the recognition that such defensive work receives from teammates and coaches, even when it attracts little attention elsewhere.
The assignment does not end when the scorer passes. The defender still needs to follow the play and be ready for the ball to return. Early pressure can force a star to give up the ball without removing him from the possession. Watching the next pass shows whether the defense has actually disrupted the attack or merely moved it.
When defense creates offense
Indiana scored 19 points off turnovers in Finals Game 6 against Oklahoma City on June 19, 2025. The figure does not isolate full-court pressure.
A change of possession ends one team’s opportunity and begins another’s. The team winning the ball can attack immediately or organize its offense, depending on the space and defenders ahead. Pressure therefore cannot be assessed only by the time an opponent spends bringing the ball forward.
Look beyond the pickup point. Does the offense arrive late but still organized? Does it make a hurried pass? Does the ball handler escape and make the remaining defenders cover extra ground? The first defender can use up time without winning the ball. If the guard gets past him, watch whether the other defenders can stop the drive without leaving someone open.

