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Israel at 75: How Israel’s political crisis took center stage at a major American Jewish conference
KIBBUTZ MAAGAN MICHAEL, Israel (JTA) — About a dozen Jewish leaders from North America and beyond clustered at the edges of a courtyard on this kibbutz by Israel’s northern coastline, standing silent as a two-minute siren rang out in memory of the country’s fallen.
Afterward, young Jews from around the world, some of whom will soon enter the Israeli military, read memorial passages and led the crowd in the singing of Israel’s national anthem. The scene, emblematic of Diaspora support for Israel, delivered the kind of feeling that the Jewish Federations of North America hoped to evoke when it held its marquee conference in Israel this week, and timed it for the country’s Memorial Day and 75th birthday.
It was also a stark contrast from the atmosphere at the conference a day earlier where — even as Jewish leaders emphasized unity in the face of adversity — it was hard to avoid the political strife over the Israeli government’s effort to significantly limit the Supreme Court’s power. A raucous session in the morning was filled with screaming, and other panels touched on hot-button issues such as Israel’s treatment of non-Orthodox Jews as well as human rights groups.
“We’re also living at a time of so many crises and so much painful brokenness,” Rabbi Marc Baker, CEO of the Boston area’s Jewish federation, said in a short address on Monday afternoon to the conference’s 2,000 attendees, while discussing the importance of Jewish learning. “It can feel like things are falling apart, like at best, as leaders, we’re just trying to hold things together.”
The drama did not exactly surprise organizers of the gathering, called the General Assembly, or GA, who had expected protesters to show up and even encouraged their cause. But it pointed to the challenge facing the Jewish Federations, which had hoped to put on a traditionally exuberant celebration of Israel despite the conflict rocking its streets.
Those traditional commemorations and festivities did happen, and sessions covered a range of issues, from racial diversity to philanthropy in Israel. But they were mixed in with anguish over the state of Israeli society, which some attendees and panelists portrayed in urgent terms.
“For the first time, at Israel’s 75th birthday, a government is trying to fundamentally alter the definition of a Jewish state,” Yohanan Plesner, president of the Israel Democracy Institute think tank, said at the tumultuous Monday morning panel, referring to efforts to restrict immigration to Israel and other proposals.
He added, “If this cluster of changes, the coalition agreements, would be implemented, I’m not sure that in the 80th year of our national birthday, the GA will decide again to conduct its event here.”
The departure from business-as-usual was evident from the get-go, when hundreds of protesters came to the gates of the conference to protest a planned speech on Sunday night by Israeli Prime Minister Benjamin Netanyahu — who canceled in the face of the demonstrations. Israeli President Isaac Herzog did speak that night.
Julie Platt, the Jewish Federations’ board president, told the Jewish Telegraphic Agency that she found out about the cancellation earlier on Sunday. Netanyahu’s office told the staff of the Jewish Federations that day of the cancellation, and the news became public shortly afterward. Netanyahu did not reach out personally to Platt or to Eric Fingerhut, the Jewish Federations’ CEO, to let them know he would not be coming.
“We were preparing for weeks and months for the opportunity to have here the duly elected prime minister,” Platt said on Monday. “We were disappointed that he wasn’t part of our celebration.”
Tensions peaked on Monday morning during a session where anti-government protesters repeatedly interrupted far-right lawmaker Simcha Rothman with shouts and chants, and in which Rothman and Plesner verbally sparred onstage. Multiple protesters were removed by security personnel, and the panel took an unplanned five-minute break to cool tempers.
“They’re our brothers, they support us,” said Erez Elach, who protested Rothman at the event, regarding Diaspora Jews. Elach is a member of Brothers and Sisters in Arms, a group made up of military reservists opposed to the judicial overhaul.
Elach said he was protesting in order to honor Diaspora Jews who were killed while serving in the Israel Defense Forces. “We lost friends who served with us, who came from those same places,” he said.
Fingerhut told JTA that the protests of Rothman were “a taste of what’s happening in Israel today,” though he added, “I don’t think anyone benefits from that kind of disruption.”
“As the GA grew closer, we knew that the judicial reform issues and the divisions it’s creating in Israel would necessarily be a significant topic,” he said. “By time we were finalizing our plans, we expected it to be a major issue, and it was.”
But he said that he still felt the conference conveyed the importance of celebrating Israel and its ties to global Jewry. “On Sunday night and Monday, we focused on Israel’s history and our contribution to that history. That was not overshadowed,” he said. The battle over the judicial overhaul, he said, “added an agenda item, but it didn’t detract in any way.”
Former Israeli Prime Minister Yair Lapid speaks at the Jewish Federations of North America General Assembly in Tel Aviv on April 24, 2023. (Courtesy of JFNA/Amnon Gutman)
Yizhar Hess, the vice chair of the World Zionist Organization, also said on Monday that things were going well — because of the arguments, not despite them. Hess pointed to the three large gatherings of establishment Jewish groups — the General Assembly, the Jewish Agency for Israel Board of Governors’ meeting and the World Zionist Congress — each of which saw fierce debates or disruption stemming from the judicial overhaul fight.
“This week has been dramatically successful particularly because it’s been so turbulent,” Hess said directly after the session with Rothman. “Zionism and the state of Israel are a subject that stirs up the Jewish people and is at the heart of the argument. That’s a good thing. … Zionism is more relevant than ever, particularly because Jews are fighting over its character.”
Bucking its usual practice of not commenting on internal Israeli politics, the Jewish Federations has made its position on the overhaul relatively clear. The group issued a statement objecting to one of the overhaul’s provisions, praised a decision to pause the legislation, said it was “awed” by the anti-overhaul protesters and organized a “fly-in” earlier this year, in which federation leaders traveled to Israel to share their concerns about the effort with Israeli officials.
Deborah Minkoff, an executive board member at the Madison, Wisconsin, Jewish federation, participated in the fly-in and said she had lobbied to exclude all politicians from the General Assembly stage. She attended sessions where anti-overhaul activists spoke and felt that being in Israel for the conference gave her an opportunity to stand with the protesters.
“I think it’s going to be easier to sell Israel to our community because of this fight for democracy,” she said. “As we articulate what it means to be a free, equitable, democratic society, I think it resonates with the community who has been critical of Israel in the past.”
Attendees gave a warm reception to Yair Lapid, the leader of the parliamentary opposition, whose easy manner suggested that he felt the crowd would be receptive to his words. “I’m happy to be here, unlike some others,” he said to laughter from the audience.
“Don’t give up on us,” Lapid told the crowd. “I know how many people here feel about this current government. I know it doesn’t represent your values. It doesn’t represent mine either. But this government isn’t all of Israel… Today, maybe more than ever, we need you to rally around us.”
But not everyone at the conference was keen to protest. Beto Guzman, a Jewish professional who came to the conference from Helsinki, said the Finnish Jewish community tends not to protest Israeli policies because, given its small size, its involved members value having a positive relationship with Israeli emissaries in the country and do not want to blame them for the government’s policies. He also objected to protesters disrupting conferences, though he said the issues at the heart of the debate should be discussed.
“In Helsinki we don’t really have any protests or anything like this, because the community is very small and everybody has their own relationship with Israel,” he said. “For us that connection is very different. We really like the people from the Jewish Agency, their emissaries, and the embassy, they are very nice to us. So for us to put what is going on in the government on them would be unfair.”
Sandi Seigel, the president of Naamat Canada, a branch of a global Jewish women’s rights organization, said she was troubled by raucous debate she saw at the World Zionist Congress, which had taken place at the end of the previous week. She particularly worries that young delegates to the congress, one of whom she recalled seeing crying, would leave disheartened by the fighting.
“It’s almost like people feel it’s an existential threat for Israel, and so you’re passionate,” she said. “But there used to be an ability to have healthy debate and say, ‘OK, we’re not going to agree on this, OK, but I respect your right to have your opinion. And I think some of that is gone.”
At the same time, Seigel does not feel that the General Assembly was too focused on the debate over the judicial overhaul, which she framed in existential terms.
“If you have something, and you don’t know, if this doesn’t get resolved, [whether] Israel will be Israel anymore, or it won’t be the Israel that I can live in — there are a lot of things to talk about, but if you don’t deal with that, you can’t talk about anything else,” she said. “Because there’s nothing left to talk about.”
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”