Uncategorized
Israel at 75: How Israel’s political crisis took center stage at a major American Jewish conference
KIBBUTZ MAAGAN MICHAEL, Israel (JTA) — About a dozen Jewish leaders from North America and beyond clustered at the edges of a courtyard on this kibbutz by Israel’s northern coastline, standing silent as a two-minute siren rang out in memory of the country’s fallen.
Afterward, young Jews from around the world, some of whom will soon enter the Israeli military, read memorial passages and led the crowd in the singing of Israel’s national anthem. The scene, emblematic of Diaspora support for Israel, delivered the kind of feeling that the Jewish Federations of North America hoped to evoke when it held its marquee conference in Israel this week, and timed it for the country’s Memorial Day and 75th birthday.
It was also a stark contrast from the atmosphere at the conference a day earlier where — even as Jewish leaders emphasized unity in the face of adversity — it was hard to avoid the political strife over the Israeli government’s effort to significantly limit the Supreme Court’s power. A raucous session in the morning was filled with screaming, and other panels touched on hot-button issues such as Israel’s treatment of non-Orthodox Jews as well as human rights groups.
“We’re also living at a time of so many crises and so much painful brokenness,” Rabbi Marc Baker, CEO of the Boston area’s Jewish federation, said in a short address on Monday afternoon to the conference’s 2,000 attendees, while discussing the importance of Jewish learning. “It can feel like things are falling apart, like at best, as leaders, we’re just trying to hold things together.”
The drama did not exactly surprise organizers of the gathering, called the General Assembly, or GA, who had expected protesters to show up and even encouraged their cause. But it pointed to the challenge facing the Jewish Federations, which had hoped to put on a traditionally exuberant celebration of Israel despite the conflict rocking its streets.
Those traditional commemorations and festivities did happen, and sessions covered a range of issues, from racial diversity to philanthropy in Israel. But they were mixed in with anguish over the state of Israeli society, which some attendees and panelists portrayed in urgent terms.
“For the first time, at Israel’s 75th birthday, a government is trying to fundamentally alter the definition of a Jewish state,” Yohanan Plesner, president of the Israel Democracy Institute think tank, said at the tumultuous Monday morning panel, referring to efforts to restrict immigration to Israel and other proposals.
He added, “If this cluster of changes, the coalition agreements, would be implemented, I’m not sure that in the 80th year of our national birthday, the GA will decide again to conduct its event here.”
The departure from business-as-usual was evident from the get-go, when hundreds of protesters came to the gates of the conference to protest a planned speech on Sunday night by Israeli Prime Minister Benjamin Netanyahu — who canceled in the face of the demonstrations. Israeli President Isaac Herzog did speak that night.
Julie Platt, the Jewish Federations’ board president, told the Jewish Telegraphic Agency that she found out about the cancellation earlier on Sunday. Netanyahu’s office told the staff of the Jewish Federations that day of the cancellation, and the news became public shortly afterward. Netanyahu did not reach out personally to Platt or to Eric Fingerhut, the Jewish Federations’ CEO, to let them know he would not be coming.
“We were preparing for weeks and months for the opportunity to have here the duly elected prime minister,” Platt said on Monday. “We were disappointed that he wasn’t part of our celebration.”
Tensions peaked on Monday morning during a session where anti-government protesters repeatedly interrupted far-right lawmaker Simcha Rothman with shouts and chants, and in which Rothman and Plesner verbally sparred onstage. Multiple protesters were removed by security personnel, and the panel took an unplanned five-minute break to cool tempers.
“They’re our brothers, they support us,” said Erez Elach, who protested Rothman at the event, regarding Diaspora Jews. Elach is a member of Brothers and Sisters in Arms, a group made up of military reservists opposed to the judicial overhaul.
Elach said he was protesting in order to honor Diaspora Jews who were killed while serving in the Israel Defense Forces. “We lost friends who served with us, who came from those same places,” he said.
Fingerhut told JTA that the protests of Rothman were “a taste of what’s happening in Israel today,” though he added, “I don’t think anyone benefits from that kind of disruption.”
“As the GA grew closer, we knew that the judicial reform issues and the divisions it’s creating in Israel would necessarily be a significant topic,” he said. “By time we were finalizing our plans, we expected it to be a major issue, and it was.”
But he said that he still felt the conference conveyed the importance of celebrating Israel and its ties to global Jewry. “On Sunday night and Monday, we focused on Israel’s history and our contribution to that history. That was not overshadowed,” he said. The battle over the judicial overhaul, he said, “added an agenda item, but it didn’t detract in any way.”
Former Israeli Prime Minister Yair Lapid speaks at the Jewish Federations of North America General Assembly in Tel Aviv on April 24, 2023. (Courtesy of JFNA/Amnon Gutman)
Yizhar Hess, the vice chair of the World Zionist Organization, also said on Monday that things were going well — because of the arguments, not despite them. Hess pointed to the three large gatherings of establishment Jewish groups — the General Assembly, the Jewish Agency for Israel Board of Governors’ meeting and the World Zionist Congress — each of which saw fierce debates or disruption stemming from the judicial overhaul fight.
“This week has been dramatically successful particularly because it’s been so turbulent,” Hess said directly after the session with Rothman. “Zionism and the state of Israel are a subject that stirs up the Jewish people and is at the heart of the argument. That’s a good thing. … Zionism is more relevant than ever, particularly because Jews are fighting over its character.”
Bucking its usual practice of not commenting on internal Israeli politics, the Jewish Federations has made its position on the overhaul relatively clear. The group issued a statement objecting to one of the overhaul’s provisions, praised a decision to pause the legislation, said it was “awed” by the anti-overhaul protesters and organized a “fly-in” earlier this year, in which federation leaders traveled to Israel to share their concerns about the effort with Israeli officials.
Deborah Minkoff, an executive board member at the Madison, Wisconsin, Jewish federation, participated in the fly-in and said she had lobbied to exclude all politicians from the General Assembly stage. She attended sessions where anti-overhaul activists spoke and felt that being in Israel for the conference gave her an opportunity to stand with the protesters.
“I think it’s going to be easier to sell Israel to our community because of this fight for democracy,” she said. “As we articulate what it means to be a free, equitable, democratic society, I think it resonates with the community who has been critical of Israel in the past.”
Attendees gave a warm reception to Yair Lapid, the leader of the parliamentary opposition, whose easy manner suggested that he felt the crowd would be receptive to his words. “I’m happy to be here, unlike some others,” he said to laughter from the audience.
“Don’t give up on us,” Lapid told the crowd. “I know how many people here feel about this current government. I know it doesn’t represent your values. It doesn’t represent mine either. But this government isn’t all of Israel… Today, maybe more than ever, we need you to rally around us.”
But not everyone at the conference was keen to protest. Beto Guzman, a Jewish professional who came to the conference from Helsinki, said the Finnish Jewish community tends not to protest Israeli policies because, given its small size, its involved members value having a positive relationship with Israeli emissaries in the country and do not want to blame them for the government’s policies. He also objected to protesters disrupting conferences, though he said the issues at the heart of the debate should be discussed.
“In Helsinki we don’t really have any protests or anything like this, because the community is very small and everybody has their own relationship with Israel,” he said. “For us that connection is very different. We really like the people from the Jewish Agency, their emissaries, and the embassy, they are very nice to us. So for us to put what is going on in the government on them would be unfair.”
Sandi Seigel, the president of Naamat Canada, a branch of a global Jewish women’s rights organization, said she was troubled by raucous debate she saw at the World Zionist Congress, which had taken place at the end of the previous week. She particularly worries that young delegates to the congress, one of whom she recalled seeing crying, would leave disheartened by the fighting.
“It’s almost like people feel it’s an existential threat for Israel, and so you’re passionate,” she said. “But there used to be an ability to have healthy debate and say, ‘OK, we’re not going to agree on this, OK, but I respect your right to have your opinion. And I think some of that is gone.”
At the same time, Seigel does not feel that the General Assembly was too focused on the debate over the judicial overhaul, which she framed in existential terms.
“If you have something, and you don’t know, if this doesn’t get resolved, [whether] Israel will be Israel anymore, or it won’t be the Israel that I can live in — there are a lot of things to talk about, but if you don’t deal with that, you can’t talk about anything else,” she said. “Because there’s nothing left to talk about.”
—
The post Israel at 75: How Israel’s political crisis took center stage at a major American Jewish conference appeared first on Jewish Telegraphic Agency.
Uncategorized
Stories of ghosts, grief and Shabbat gladness win top prizes in Jewish children’s literature
(JTA) — Anna is a misunderstood sixth-grade girl who communicates with the ghosts of her Jewish ancestors. Teased by her classmates and worried-over by her family, she finds comfort and understanding with her Bubbe and her beloved Jewish traditions.
“Neshama,” Marcella Pixley’s lyrically written novel-in-verse, won the gold medal for Jewish children’s literature for middle-grade readers from the Association of Jewish Libraries. Its Sydney Taylor Book Awards were announced today in a virtual livecast from Chicago.
The award committee called Pixley’s “a lyrical, deeply Jewish story about identity, grief, and resilience.”
The annual award, named in memory of Sydney Taylor, the author of the “All-of-a-Kind Family” series, “recognizes books for children and teens that exemplify high literary standards while authentically portraying the Jewish experience,” according to the award committee’s announcement.
Other winners include “D.J. Rosenblum Becomes the G.O.A.T,” a coming-of-age mystery by Abby White, which won in the young adult category, and “Shabbat Shalom: Let’s Rest and Reset,” a lively board book written and illustrated by Suzy Ultman, which won the picture book award.
The Sydney Taylor committee named Uri Shulevitz, whose 2008 book “How I Learned Geography” drew on his boyhood experiences fleeing Poland after the Nazi invasion in 1939, as the winner of its Body-of-Work award. Shulevitz, a multi-award winning storyteller and illustrator, died last year.
In addition to the top winners, the Sydney Taylor committee named five silver medalists and nine notable titles of Jewish content.
“This year’s winners and honorees exemplify excellence in Jewish children’s literature through vibrant storytelling and rich perspectives that foster empathy, understanding, and a deep appreciation for culture and community,” said Melanie Koss, chair of the award committee.
Winners will receive their awards in June in Evanston, Illinois at the AJL’s annual conference.
In “D. J. Rosenblum Becomes the “G.O.A.T,” an about-to-be bat mitzah-age girl is determined to prove that her beloved cousin did not die by suicide. Abby White lightens the emotional subject with a teen’s authentic, humorous voice.
“She wrestles with her Torah portion and faith, finding strength to face loss and begin moving forward,” the committee noted.
“Shabbat Shalom” may be the first board book to garner the award, Heidi Rabinowitz, a long-time podcaster about Jewish children’s books, told the Jewish Telegraphic Agency.
“The sophisticated board book combines succinct text with playful art,” the committee wrote in its release.
In awarding its Body-of-Work award to Shulevitz (1935-2025), who lived with his family in Israel before settling in New York, the committee recognized him as a “foundational voice in Jewish children’s literature.” His books “illuminate Jewish culture and reflect universal experience,” the committee wrote.
Many of Shulevitz’s titles reflect his Jewish roots, including “The Golem,” by Isaac Bashevis Singer and “The Travels of Benjamin of Tudela,” an illustrated travelogue for children based on the real-life voyages of the 12th-century Jewish traveler who visited Rome, Constantinople, Baghdad and Jerusalem. Shulevitz garnered the Caldecott medal, children’s literature’s top honor for illustrated books, for “The Fool of the World and the Flying Ship.”
Earlier, the AJL announced that Jessica Russak-Hoffman, a journalist for Jewish media outlets, won the organization’s new manuscript award for “How to Catch a Mermaid (When You’re Scared of the Sea),” a novel set in Israel for ages 8-13.
Last week, the AJL named Jason Diamond as the 2026 winner of its Jewish Fiction award for his novel, “Kaplan’s Plot.”
At Tuesday’s event, the Youth Media Awards hosted by the American Library Association, the winners were also announced for the Caldecott, Coretta Scott King, Newberry and Printz awards, among others. The Asian American Picture Book award went to “Many Things All At Once,” by Veera Hiranandani and illustrated by Nadia Alam, the story of a girl with a Jewish mother and a South Asian father.
The post Stories of ghosts, grief and Shabbat gladness win top prizes in Jewish children’s literature appeared first on The Forward.
Uncategorized
NJ church deletes video of pageant featuring antisemitic character but says critics took it ‘out of context’
(JTA) — A New Jersey church says it is “committed to engaging in dialogue, and teaching others about our heritage” after putting on a Christmas pageant that drew criticism for reflecting antisemitic stereotypes.
St. Mary Protectress Ukrainian Orthodox Church’s pageant, known as a vertep, featured an antagonist named Moshko who danced with the devil while wearing faux Hasidic garb like side locks and a black hat. The character was referred to as “zhyd,” a Ukrainian slur for “Jew.”
“We do not have any intention to promote harm or hatred with this pageant,” the church said in a statement issued on Facebook on Friday night. “However, we recognize some outside of our culture may assign elements of the performance to stereotypes when taken out of context which is inclusive of peoples historically present in eastern Europe.”
The church did not respond to a Jewish Telegraphic Agency request for comment prior to an initial report on the vertep earlier this month. It did not respond to an additional request for comment on Monday, following the statement. The church removed photos and video of the pageant from its Facebook page following the JTA report.
The vertep is a centuries-old Slavic Christmas tradition that emerged from puppet theater. In recent years, many Ukrainian Orthodox churches have removed material criticized as offensive. Since the current war between Russia and Ukraine began in 2022, one popular replacement for the Jewish antagonist has been a Russian character.
In its statement, St. Mary Protectress Ukrainian Orthodox Church emphasized that “the event does not target any specific group” but indicated that it could make changes in future pageants.
“The church is reflecting on this matter seriously and is committed to engaging in dialogue, and teaching others about our heritage while ensuring that future events continue to uphold the dignity, respect, and safety of all people,” it said.
The Anti-Defamation League of New Jersey, which said earlier this month that it was reaching out to St. Mary Protectress, told JTA on Monday that it had not been able to communicate with anyone from the church.
The church’s apology rang hollow for Lev Golinkin, a Jewish writer born in Ukraine who has advocated against the antisemitic elements of the traditional vertep.
“It’s not an apology, it’s more of an insult,” Golinkin said. “The problem is not the context. The problem is exactly that. It is in context perfectly.”
He added, “They’re making it seem that the people who are criticizing them … are the ones who have a problem because they don’t understand the culture.”
St. Mary Protectress is not the only Ukrainian church in the United States to import the antisemitic elements of the vertep from the old country. A church in Connecticut erected a backdrop poster for its pageant this year that included a Moshko character standing next to the devil.
The post NJ church deletes video of pageant featuring antisemitic character but says critics took it ‘out of context’ appeared first on The Forward.
Uncategorized
A new exhibit honors writer Lore Segal, a child survivor and lifelong skeptic of easy truths
(JTA) — I’ve never read a Holocaust chronicle quite like Lore Segal’s autobiographical 1964 novel, “Other People’s Houses.” Mordant, unsentimental and sometimes painfully honest, it’s the story of an Austrian girl sent to England on the Kindertransport, as well as a portrait of the artist as a young refugee.
More than one of her legions of admirers have noted that Segal, who died in 2024 at the age of 96, was only one year younger than Anne Frank, and grew up to become the kind of writer Anne too might have become had she not died in Bergen-Belsen.
Segal’s work, which includes decades of stories in The New Yorker as well as a delightful children’s book, “Tell Me a Mitzi,” is also remarkable in its humility. Segal was adamant that memory — especially of traumatic events like the Holocaust — cannot be a perfect repository of truth. It’s not that authors couldn’t be trusted, but that neither the writer nor the reader should take anything for granted.
That challenge is captured in the title of a new exhibit mounted by the Leo Baeck Institute in New York: “And That’s True Too: The Life and Work of Lore Segal.” The title is a quote from “King Lear,” a favorite of Segal’s and a reminder to hold opposing truths in the same sentence, of resisting the false comfort of a single, final version.
“We tried to give you an insight into Laura’s ability to look at the world from many angles,” Karin Hanta, the exhibit’s curator, said at the exhibit’s opening on Thursday, just days before International Holocaust Remembrance Day.
At the event, actress Toni Kalem, who played Angie Bonpensiero on “The Sopranos,” read an excerpt from “Other People’s Houses.” Kalem, who met Segal years ago and discovered that their mothers shared the experience of the Kindertransport, spoke of Segal’s “unbridled curiosity” — a quality that runs through the display of photographs, manuscripts and family keepsakes.
Lore (pronounced “Laura”) Groszmann was born in Vienna in 1928; one month after the Nazi pogrom on Kristallnacht, she was sent to England and raised in a series of foster homes (her refugee parents would eventually arrive and find work as domestics). Later she would join her family in the Dominican Republic, and they eventually found refuge in Washington Heights, the Manhattan redoubt for German-speaking Jews. After she established herself as a writer, she became part of a circle of mostly Jewish writers in New York, including Cynthia Ozick, Vivan Gornick, Grace Paley, Norma Rosen and Gloria Goldreich. Her husband, book editor David Segal, was 40 when he died in 1970.
Hanta had hoped to write a biography of Segal, but when that project stalled, she pivoted. “With all the materials I had gathered,” she recalled at the opening, “why not stage an exhibition?”
The first iteration, mounted in Vienna’s Bezirksmuseum Josefstadt — located in the district where Segal grew up, and, as Hanta later discovered, near the hospital where she was born — drew thousands of visitors. The New York version, expanded and sharpened, shifts the focus westward, tracing Segal’s journey from prewar Vienna to Manhattan, where she lived for decades, taught generations of writers, and, according to the New York Times, came “closer than anyone to writing the Great American Novel.”
That novel, “Her First American,” appeared in 1985 and explored the uneasy intersection of race and Holocaust history through the relationship of a Jewish refugee and a Black intellectual. (LBI has scheduled an online event about Horace Cayton, Segal’s real-life lover and the inspiration for the novel.) “Other People’s Houses,” her first book, earned Segal a Guggenheim Fellowship, and her short-story collection “Shakespeare’s Kitchen” (2007) became a Pulitzer Prize finalist. All three books will be reissued in the spring of 2026 by the New Press, while Melville House is publishing a posthumous collection, “Still Talking.” Introduced by Gornick, it features the linked “Ladies’ Lunch” stories she wrote late in her career, about elderly Manhattan friends dealing frankly and often hilariously with the daily indignities of growing old.
The exhibit at the Center for Jewish History, where LBI catalogues the history and culture of German-speaking Jews, includes notebooks from Bedford College in London, where Segal studied after the war, filled with short stories entered into competitions. There are manuscripts marked and re-marked in a hand that never stopped revising. There are address books kept by her parents — one from England, one from the Dominican Republic — opened to pages that quietly testify to vanished worlds: cousins who hid behind kitchen curtains in France, friends who assumed false identities, children who never made it onto the trains.
One small object carries particular weight: a childhood friendship book, the sort in which relatives and friends inscribe poems and well-intentioned advice. Segal’s includes an entry from her first English foster mother, urging her to cherish friendship — advice that reads differently if you know, as Segal later wrote, that their relationship was fraught. Her father’s contribution, a drawing of a boy hiking in the mountains, echoes a story Segal drafted as a young woman about a prewar hike in the Alps with him. She revised that story at 90 and retitled it “Dandelion.” The New Yorker published it in 2019, 70 years after its first draft.
The exhibition is accompanied by a season of in-person and virtual programs, and Hanta has her own wish list of commemorative projects: She hopes that a park in Vienna where Segal played as a child might be renamed in her honor; that the exhibition might travel; that “Other People’s Houses” might be distributed free in Austria in 2028, the centenary of Segal’s birth and the 90th anniversary of the Kindertransport.
On opening night, before reading from “Other People’s Houses,” Kalem paused to apologize for the necessary cuts she made. “As you know, all her life, Lore was a master of meticulously crafting and scrupulously revising her work,” said Kalem. “So it feels like literary malfeasance on my part to attempt to edit a word of Lore’s story. It feels akin to cutting Shakespeare by shortening Hamlet’s soliloquy…. So Lore, I hope you understand and I hope you will forgive me.”
The exhibition also includes a video produced by Hanta and Segal’s grandson, Benny, which captures Segal late in life, still circling her subjects, still attentive to the elusiveness of truth. At the opening, Segal’s son Jacob spoke of his mother’s ambition and her modesty, her seriousness about art and her refusal to be undone by success or disappointment.
“She always made the world larger,” he said. “It’s smaller now.”
“And That’s True Too: The Life and Work of Lore Segal” runs through April 15 at the Center for Jewish History, 15 W. 16th St., New York, New York.
The post A new exhibit honors writer Lore Segal, a child survivor and lifelong skeptic of easy truths appeared first on The Forward.