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Katherine Janus Kahn, illustrator of ‘Sammy Spider’ Jewish children’s books, dies at 83
More than 30 years ago, a colorful little eight-legged spider named Sammy made his picture book debut and scurried into the homes of Jewish families across the country.
Sammy Spider and his mother live in a house with a young Jewish boy named Josh Shapiro and his family. Starting with “Sammy Spider’s First Hanukkah,” he romped through Jewish holidays, prayers and practices across more than two dozen books — all illustrated with bright watercolor collages that have made the books instantly recognizable to generations of Jewish children.
That was the work of Katherine Janus Kahn, who died Oct. 6 at age 83.
Janus Kahn, a fine artist also noted for her works on political justice and women’s issues, illustrated more than 50 books for Kar-Ben, a publishing house for Jewish children’s books that counts the “Sammy Spider” franchise as among its best-selling.
“We are heartbroken,” Kar-Ben said in a Facebook post, adding, “We are profoundly grateful for her legacy, and for the countless stories and memories she leaves behind.”
David Lerner is the CEO of Lerner Publishing Group, the parent company of Kar-Ben, the country’s largest publisher of Jewish children’s books.
“Katherine’s art and storytelling helped shape the landscape of Jewish children’s literature,” he said in an email. “Her books have been recognized with many national awards, honoring her creative vision and her lasting impact.”
Kar-Ben was a tiny company when it first connected with Janus Kahn in the early 1990s. She had drawn attention with her paper-cut illustrations for “The Family Haggadah,” which became a bestseller when it was published in 1987, and the publisher wanted to pair her with an author named Sylvia Rouss who had dreamed up a little spider with a big Jewish future.
“We liked her many styles and thought the collage work would be fun for Sammy’s Hanukkah,” Judye Groner, Kar-Ben’s founder, wrote in an email. “We had no idea that Sammy would become a children’s favorite character featured in over 20 books.”
In that first title, the curious little arachnid spies the young Josh celebrating Hanukkah, wishes he could warm his spider legs on the menorah and wants to spin the colorful dreidels that Josh gets every night.
“Silly Sammy. Spiders don’t light Hanukkah candles. Spiders spin webs,” his mother tells the disappointed Sammy. The catchy refrain repeats for Hanukkah’s eight nights when his mother gives Sammy eight spider socks spun with colorful dreidels, just like the ones Josh gets.
Over the next three decades, Sammy learned about empathy in “Sammy Spider’s First Mitzvah,” celebrated the entire Jewish holiday cycle from Rosh Hashanah to Shavuot and stowed away in Josh’s luggage in “Sammy Spider’s First Trip to Israel.” The most recent book, “Sammy Spider’s Big Book of Jewish Holidays,” came out this year and compiles many of the classic stories that are now widely distributed to Jewish families through PJ Library.
Janus Kahn’s art brought the characters sparkling to life, according to Heidi Rabinowitz, past president of the Association of Jewish Libraries and host of the Book of Life Podcast about Jewish children’s literature.
“Her rainbow-soaked collage artwork give the Sammy Spider books a huge advantage,” Rabinowitz wrote in an email. “They make Sammy and Mrs. Spider friendly and even beautiful, completely removing the ‘ick factor’ from their arachnid identity.”
For Janus Kahn, who studied art at Jerusalem’s Bezalel Academy after graduating from the University of Chicago, the work connected to her core identity. In a 2017 watercolor essay, she said her study at Bezalel came after she volunteered to support Israel during the Six-Day War in 1967 and headed to Israel, where she said “reconciliation felt possible,” even after the war’s end.
“My Judaism and my books are tied together so integrally that I don’t think I could ever untie them,” she said in a 2013 video with Rouss that showed her demonstrating her artistic techniques in her home studio.
Among her other titles was “The Hardest Word: A Yom Kippur Story,” published in 2001, the first in a series written by Jacqueline Jules about a Ziz, a large, magnificently colored Jewish mythological bird. Like Sammy Spider, the Ziz books struck a chord and are now part of the canon of Jewish children’s books.
“She was just so creative,” recalled Jules, who had multiple books illustrated by Janus Kahn. Their first book together, “Once Upon a Shabbos,” published by Kar-Ben in 1998, was about a bear who gets lost in Brooklyn just before the start of Shabbat. Jules was struck by how Janus Kahn’s illustrations added new texture to a story inspired by an Appalachian folktale.
She and Janus Kahn realized they lived near each other in the Washington, D.C., area. After meeting at an event for the book, they headed to a coffee shop for a two-hour conversation that launched a decades-long professional relationship and close friendship. They socialized together, along with Groner, who also lived nearby.
The two were paired up for the Ziz books, another series that has charmed generations of Jewish children. For those books, Janus Kahn created a fanciful creature using paints rather than collage.
“She borrowed different characteristics from a variety of birds. The legs were from a flamingo, the feet were from a rooster,” Jules said.
Now, the Ziz has taken on a life of its own, making appearances in synagogue plays and other programs based on the books. Just a few weeks ago, Jules saw a photo of someone who dressed up as the Ziz at a synagogue event for Yom Kippur, in keeping with the first book’s theme.
Janus-Kahn would often join Jules for a Ziz storytelling at Jewish venues, bringing a feltboard to embellish the Ziz props and a hand-made Ziz puppet that Jules used. At one memorable event, at the National Museum of Women in the Arts, Janus Kahn arrived with two colorful feather boas, Jules recalled.
“She made the Ziz come alive,” she said.
With Janus Kahn’s death, Jules, Groner and Rouss not only lost the gifted master illustrator for their books. They have also lost a treasured friend of many decades.
“Kathy was a gift and our friendship was a gift,” Jules said.
Janus Kahn is survived by her husband, David Kahn, and a son, Robert.
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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’
Abubaker Abed reporting from Gaza. Photo: Screenshot
Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.”
The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.
“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.
Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.
“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.
Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.
Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.
“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”
The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.
Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.
Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.
Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”
Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.
Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.
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Frankfurt cinema declines to participate in Jewish film festival, spurring backlash
(JTA) — A Frankfurt cinema’s decision not to participate in the local Jewish film festival is spurring allegations of antisemitism, even as its manager says the move was financial.
The Jewish Community of Frankfurt announced last week that the Astor Film Lounge did not wish to host movies during Jewish Film Days this year. The cinema, it said, had cited its workers’ reluctance to staff movies that are part of the biennial festival, as well as concerns about the security required to host Jewish events.
“The decision unequivocally signifies that Jewish life, Jewish people, and a Jewish media presence are no longer welcome at the Astor Film Lounge,” the community said in a statement.
“This line of reasoning is not only disappointing, but sends a devastating societal signal: If Jewish life and Jewish presence are suppressed out of fear of potential reactions, then this effectively amounts to a capitulation to antisemitic pressure,” the statement continued. “The fact that Jewish life can only take place under police protection is already shameful. That this necessity for police protection is now being used as a pretext to completely prevent Jewish events is a scandal.”
But the cinema’s managing director, Tom Flebbe, contested the Jewish Community of Frankfurt’s interpretation of events. In a statement cited in a leading local newspaper, he said the theater had withdrawn this year for economic reasons, as only 40 to 50 guests had come to screenings last year.
Flebbe said a lower-level manager had made unauthorized and inaccurate remarks about security concerns.
“Economic viability is a legitimate and necessary basis for business decisions — regardless of the thematic context of an event,” Flebbe said, adding that other joint projects with the Jewish community will continue as planned.
“The ASTOR Film Lounge MyZeil views Jewish life as a natural and welcome part of this society,” the statement concluded. “The decision against participating in the 2026 Jewish Film Days is not against Jewish people, Jewish culture, or Jewish presence. It is the result of a careful consideration of economic factors. We regret that our reasoning has been interpreted in this way and stand by our decision.”
During the 2024 festival, a half-dozen venues hosted screenings as part of Jewish Film Days. The Astor Film Lounge hosted one screening, of the film “March ’68,” a love story set during the Polish government’s antisemitic campaign following Israel’s Six-Day War.
Film festivals have emerged as a frontier for tensions over Israel and antisemitism. Germany’s largest film festival, the Berlinale, was roiled by tensions this year as its jury head fended off calls to criticize Israel. A major Toronto film festival, meanwhile, ruffled feathers last year by first canceling and then screening a documentary about the Oct. 7 attack on Israel. And a Jewish film festival was canceled in Malmo, Sweden, last year because too few cinemas would agree to show movies for it.
Flebbe’s explanation for why Astor Film Lounge would not participate in this year’s Jewish Film Days did not satisfy everyone who heard it. The Berlin-based German-Jewish Values Initiative, a non-partisan think tank, in an open letter called the economic justification a “mere pretext.”
“To the best of our knowledge, the Jewish Community of Frankfurt was prepared to guarantee a minimum revenue” for the film festival, the letter said. By apparently giving in to “threats and antisemitic pressure,” it added, the cinema has capitulated “to the very forces seeking to drive Jews out of the public sphere.”
The post Frankfurt cinema declines to participate in Jewish film festival, spurring backlash appeared first on The Forward.
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Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest
(JTA) — Israeli and Serbian officials are denouncing antisemitic comments made by demonstrators during a clash between Serbian students and police at a protest last week.
“Death to Vučić and all the Jews around him,” one protester said in a televised interview, referring to Serbian President Aleksandar Vučić. “Long live Serbia.”
The protest last Tuesday marked the latest flashpoint in a series of anti-government protests that have erupted across the country over the past year after 16 people died in an accident at a railway station in November 2024. Hundreds of students participated in the protest, which came as Serbian police searched the offices of the University of Belgrade as part of an investigation into the death of a female student. The school’s leadership claimed that the investigation was an “attack on the university” for its support for the student-led protest movement.
Serbia and Israel first established diplomatic relations in 1948, and Vučić told the Jerusalem Post last year that the country “will always appreciate, respect, and like the Jewish people and Israel.”
Nemanja Starović, the Serbian minister of European integration and the chair of Serbia’s delegation to the International Holocaust Remembrance Alliance, called on the protest leaders to “unambiguously condemn these antisemitic incidents and to immediately remove all antisemitic messages and slogans from university premises.”
“On multiple occasions over the past months, we have warned about the widespread antisemitic ideology within the so-called blockade movement at universities in Serbia,” Starović wrote in a post on X. “Ignoring this dangerous threat has allowed it to escalate into open calls for murder, which now appear as a logical and inevitable outcome.”
The Israeli Foreign Ministry condemned the demonstrator’s comments in a post on X.
“Israel strongly condemns the reprehensible antisemitic calls made yesterday in Belgrade,” the post read. “Israel appreciates the Serbian government’s immediate condemnation of these calls and its firm and consistent stance in the fight against antisemitism.”
Efraim Zuroff, the director of the Israel Office and Eastern European Affairs for the Simon Wiesenthal Center in Jerusalem, also condemned the antisemitic rhetoric in a Times of Israel op-ed.
“One gets the impression that this is a politically motivated to harm President Aleksandar Vučić, who has close ties with the State of Israel, key Jewish organizations such as AIPAC and the Serbian Jewish community,” Zuroff wrote. “That is completely unacceptable! If these things are not stopped, they will end up in dangerous violence, and therefore cannot be ignored.”
The controversy over the protest comes as antisemitism has surged in Europe in recent years. Last September, Serbia arrested 11 individuals accused of perpetrating hate-motivated acts in France and Germany, including throwing green paint on the Holocaust Museum, several synagogues and a Jewish restaurant in Paris.
The post Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest appeared first on The Forward.