Uncategorized
Lacrosse is on the rise in Israel, as its men’s national team enters the world championship ranked 7th
(JTA) — Days after Israel’s under-20 soccer team shocked the world with a third-place finish in the FIFA Under-20 World Cup, another one of the country’s national teams is looking for international glory — this time in a sport played by few in Israel.
The 2023 World Lacrosse Men’s Championship begins on Wednesday in San Diego, and Israel is ranked seventh among the 30 teams. They were ranked second in Europe coming into the tournament.
Those rankings might surprise the average Israeli. Today, the Israel Lacrosse Association estimates that between 300 and 400 Israeli children and teens play the sport across the country, and that’s after over a decade of recruitment and youth development. Israel’s national lacrosse team is mostly made up of American-born Jews. The lacrosse association, based out of the Daniel Kraft Family National Lacrosse Center in Ashkelon, was founded by one American in 2010 and is currently run by another American.
But two of the 23 players on the national team are Israeli natives, and the women’s national team has one native Israeli, too — something Israel Lacrosse Executive Director Ian Kadish says is a meaningful increase in how the sport is spreading.
“We are now getting to a really exciting point in our organization where a lot of that leadership and a lot of that energy is coming from native-born Israelis,” Kadish told the Jewish Telegraphic Agency.
Yakov Silberlicht, who is Israel Lacrosse’s director of youth development and the men’s team captain, pointed to another telling statistic: Israel’s under-21 men’s team, which competed in Ireland last summer, featured 19 native Israelis out of 23 players. And the women’s under-21 team, which is preparing for the U21 European Lacrosse Championships in Prague next month, is also almost entirely Israeli.
“That’s what gets me fired up and makes me tick and gets me out of bed every morning, is just opening that door and offering the opportunity to those young [Israeli] men and women to be able to play for our national teams,” said Silberlicht, who is also an American expat.
Even in areas where lacrosse is more prominent, such as Canada and the Northeast United States (which have combined to win every edition of the first 14 men’s world championships), it is still considered a niche sport compared to baseball, football and other major sports. According to a study by the Aspen Institute, 466,000 Americans aged 13-17 played lacrosse in 2019, compared to the more than 2 million who play baseball and the more than 3 million who play basketball.
David Wiseman, who tracks Israeli sports for his popular Facebook page Follow Team Israel, commended Israel Lacrosse for the progress it has made, including the opportunities it has opened up for female athletes.
“The fact that they can get it flourishing in Israel is remarkable,” he told JTA. “They’ve punched above their weight by like 3 million percent.”
Israel has also begun hosting international tournaments, including the 2018 men’s international championship and the 2019 Women’s European Championship. (During the 2018 men’s championship — the biggest-ever contest, with 46 participating teams — Israel offered free tours of Jerusalem to the teams and their delegations.)
Originally from Utica, New York, Silberlicht, 31, has lived in Israel for 10 years now. That was never part of his plan.
Growing up, he said he didn’t know much about Israel or have interest in visiting. But after he graduated from college in 2013, an opportunity to play lacrosse in Israel fell into his lap, and he went for it.
He started off coaching and playing for the national team in the 2014 championship, where Israel finished in seventh. What was initially intended to be a year-long stay turned into six more months and six more months after that, until eventually Silberlicht found himself staying permanently. He served in the Israel Defense Forces in a combat role from 2015 to 2017.
Yakov Silberlicht, in the red shirt, is the director of youth development for Israel Lacrosse. (Courtesy of the Israel Lacrosse Association)
“My Jewish identity wasn’t super strong growing up. I think that that’s partially because something like Israel Lacrosse didn’t exist,” he said. “I didn’t want to go to Sunday school because I wanted to go play sports instead… Had I had something like [Israel Lacrosse] to relate to and to identify with, I think that it could have stuck a little bit more and been more meaningful to me.”
Kadish’s introduction to Israel Lacrosse was similar. Growing up in Salt Lake City, Utah, Kadish, 27, said he “could not have cared less” about Judaism or Israel. But as a college lacrosse player, he participated in a lacrosse-themed Birthright trip — which his organization still runs today.
“I had that transformational moment that how many kids have when they come and visit Israel, where I’m like, ‘Oh, wow, this is way different,’” Kadish recalled.
He extended his stay, founded a youth lacrosse team and began playing on the national team. Years later, he splits his time between the United States and Israel, and he runs the Israel Lacrosse Association. He too plays for the national team.
Kadish said he values the opportunity to “allow kids to form their own unique relationship with Judaism, with Israel, through their passion of sport.”
Much of the organization’s recruitment happens through grassroots efforts, including school visits, service trips and relentless outreach. Kadish acknowledged that they have to “work hard as hell” to overcome the predominance of soccer and basketball in Israel.
But 13 years into Israel Lacrosse’s existence, Kadish said it’s the progress that has been made in the organization’s youth engagement that he is most proud of — more so than a No. 2 ranking in Europe and the hosting of international competitions in Israel.
“When you’re on a lacrosse field in Israel with all these kids running around just being kids, you’re like, ‘okay, this is what matters, this is why I do this,’” Kadish said. “When I see a young Israeli kid who I physically put the stick in his or her hand for the first time at the school visit, and now that player is on the sideline, coaching other kids in Hebrew — you see this full-circle moment.”
In other international arenas — namely baseball — Israeli teams have attempted to recruit the most talented American Jews they can find to compete on behalf of Israel, regardless of the players’ past connections to Israel. In lacrosse, Kadish said they try to avoid that tactic. While much of the team is American-born, Kadish said he seeks people who have spent time living in Israel and are committed to the organization’s work.
“What is at the core of our mission? What is Israel lacrosse about? It’s about developing the sport of lacrosse in Israel,” he said. “And it’s about engaging the Jewish Diaspora. If you haven’t helped us, if you haven’t been a part of those things, I’m not sure you deserve the right to play on Team Israel.”
—
The post Lacrosse is on the rise in Israel, as its men’s national team enters the world championship ranked 7th appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: Memories of the Workmen’s Circle in Montreal
מער ווי הונדערט יאָר לאַנג האָט דער אַרבעטער־רינג געשפּילט אַ וויכטיקע ראָלע אין דעם ייִדישן לעבן פֿון מאָנטרעאָל. די אָרגאַניזאַציע איז געווען איינע פֿון די וויכטיקסטע וועלטלעכע ייִדישע כּוחות אין דער שטאָט און האָט אין משך פֿון לאַנגע יאָרן אַנטוויקלט אַ רײַך קולטור־ און געזעלשאַפֿטלעך לעבן.
אין דער רעקאָרדירונג וועט איר זיך באַקענען מיט שלום (סאָל) עדלשטיין, וואָס האָט אָנגעפֿירט דעם אַרבעטער־רינג אין מאָנטרעאָל אין אירע לעצטע יאָרן. מיטן שמועס פֿירט אָן אלי בענעדיקט פֿון דער ייִדיש־ליגע.
אין די ערשטע יאָרן פֿונעם 20סטן יאָרהונדערט זענען געווען אַ ריי אַרבעטער־רינג-„ברענטשעס“ איבער קאַנאַדע, וואָס האָבן געפֿירט אַ רײַכע קולטור־אַרבעט, אַרײַנגערעכנט שולן, טעאַטער־טרופּעס און כאָרן. במשך פֿון די יאָרן האָבן זיך די „ברענטשעס“ צו ביסלעך פֿאַרמאַכט, און די פֿאַרבליבענע אַקטיוויטעטן האָבן זיך צונויפֿגעקליבן אין איין הויז אין מאָנטרעאָל. אין דעם לעצטן יאָר האָט זיך אויך דאָס הויז פֿאַרמאַכט. אין דעם שמועס וועט שלום עדלשטיין דערציילן וועגן די „ברענטשעס“, וועגן דעם לעבן און די אויפֿטוען אין דעם הויז, און וועגן זײַנע אייגענע איבערלעבונגען דאָרט.
The post VIDEO: Memories of the Workmen’s Circle in Montreal appeared first on The Forward.
Uncategorized
Facebook suspends radio broadcaster’s account over video of Holocaust survivor
Facebook has abruptly banned a Jewish broadcasting executive in Minnesota after he posted a link to a video of a 104 year-old Holocaust survivor in Texas sharing his story, prompting the Minnesota Attorney General to intervene.
Joel Glaser, CEO of AMPERS, a group of community radio stations across Minnesota, received an email from Facebook last month informing him that his personal account had been suspended because it violated the platform’s “child sexual exploitation” policies.
Because Glaser also administers the account for an AMPERS radio series titled MN90: Minnesota History in 90 Seconds, Facebook also took down that account, which has more than 10,000 followers.
The video produced by an NBC affiliate in Dallas and shared by an ABC affiliate in the Twin Cities, featured a talk by Walter Levy, a survivor who fled Germany in the late 1930s and still tells his story about how his family survived Kristallnacht and struggled with whether to flee to then-British mandated Palestine or America. His family eventually joined relatives in Arkansas.
“How it got flagged as being child sexual exploitation is absolutely beyond me,” said Glaser, who unsuccessfully appealed.. “It did not give me the opportunity to explain anything, ask any questions, provide any screenshots, do anything at all.”
Facebook has said the case has been “flagged for the team” and is “looking into this.”
Glaser initially speculated that an antisemite, Holocaust-denier, or a bot operating on their behalf had flagged his post. But then he started leaning toward the notion that it was probably just artificial intelligence run amok.
“I guess Meta’s AI isn’t smart enough to differentiate between child sexual exploitation and a legitimate news story,” he said.
Because Glaser also oversees AMPERS’ news coverage, losing access to Facebook has made his job more difficult.
“I’m being hindered from doing that,” Glaser said. “They need to fix it.”
Experts say Glaser’s experience is not unusual, underscoring a need for significant work on content moderation systems, as well as transparent correction mechanisms. Without seeing Meta’s internal enforcement signals, it’s impossible to know why the system acted to suspend Glaser’s accounts.
On the morning of June 25 Glaser received an email from Facebook saying that his personal account was being suspended and he had 180 days to appeal. While the platform attributed the suspension to a violation of child sexual exploitation standards, it did not specify what content of Glaser’s had violated those standards. The video of Levy just happened to be his most recent post.
Glaser appealed right away, taking the required nine photographs of his face to prove it was him. Facebook denied the appeal that afternoon and permanently banned him with no opportunity for additional appeals.
Glaser contacted Minnesota’s Attorney General, a standard recourse for Facebook subscribers in a number of states who have
unfairly had their accounts suspended. Brian Evans, press secretary for Minnesota Attorney General Keith Ellison, told Glaser that the office has interceded with Meta previously regarding their “heavy-handed approach to account deactivation.”
The Attorney General’s Consumer Action team will work to get Glaser’s two accounts reactivated, he wrote.
“The Minnesota Attorney General’s Office has received numerous complaints from consumers about moderation decisions that appear to have been made in error by Facebook,” Evans said.
Minnesota State Rep. Ginny Klevorn, a Democrat who represents the suburbs northwest of Minneapolis, has also asked that the state party’s liaison to Meta look into the matter, noting that AMPERS is partially funded by the state of Minnesota.
“Why is a public service network that deals with factual historic events being banned?” she said. “I think they owe Joel some sort of explanation.”
The post Facebook suspends radio broadcaster’s account over video of Holocaust survivor appeared first on The Forward.
Uncategorized
Artists are boycotting a show about Israel. The run’s already sold out
In the third act of Jonathan Spector’s Birthright, the character Izzy delivers the closest thing the play has to a thesis.
“I can go up on the bimah at my parents’ shul and I can say I am married to a woman, I can say I don’t keep kosher, I can say I don’t believe in God,” the character, a former J Street employee played by Molly Bernard, says. “The one thing that would get me kicked off the bimah, kicked out of the shul, kicked out of my family is if I say I am an anti-Zionist.”
There is an unspoken flipside to this equation: Just as Jewish communal life has instituted litmus tests, the pro-Palestine movement also has its dogma.
Jewish organizations once accepted all comers — gay, bacon-eating, atheist — Spector told me in an interview the day the show, tracking six members of a Birthright group over 18 years, opened at MCC Theatre. Recently, though, when it comes to the Jewish state, “there’s been a similar kind of shift away from tolerance from people on both sides of that divide.”
As if one needed more proof of Spector’s assertion, the group Theater Workers for a Ceasefire announced on Tuesday a call to boycott the production for “normalization,” even though the show is, at press time, sold out.
In an open letter, the organization outlines its concerns. “Normalization includes any plays, festivals, and other kinds of cultural activities that are based on the false premise of symmetry between oppressors and oppressed or which assume colonizers and colonized are equally responsible for the ‘Israel/Palestine conflict.’”
Birthright, they argue, meets this definition in its third act, when Izzy and Chaya (Zoë Winters), a former Obama staffer, debate the Gaza War in the aftermath of Oct. 7. “Chaya and Izzy perpetuate the fallacy that genocide has two equally legitimate sides,” the Theater Workers wrote. “The play does not challenge Chaya’s beliefs — it privileges them.”
But does it? We learn Chaya resigns from her job at the domestic nonprofit she founded over a pressure campaign by her staffers, who share an offensive text she sent via Instagram. The text: “Maybe they should spend a week in Gaza, and then come back and tell us if the rapes are real or not.”
In an Instagram carousel, Artists For Ceasefire describes this as “a text accusing Palestinians of being rapists.” This is a distortion, but reveals a familiar taboo in certain pro-Palestinian activism: the acknowledgment that Hamas and Palestinian Islamic Jihad committed sexual violence.
“Birthright emphasizes Chaya’s victimhood, whereby her own personal and professional losses in the wake of October 7th are greater than that of any Palestinian,” the letter continues. “Izzy is depicted as immoral for caring more about Palestinian strangers than her friend.”
This smacks of a bad faith reading. Once again we are in the realm of depiction not equalling endorsement. Cherries are being picked. That the play doesn’t “challenge” every argument, or “encourag[es] audiences to empathize with” an Israeli character’s “subjectivity” is seen as morally deleterious, rather than what it is: a play, with characters, not a debate, op-ed or struggle session.
As Spector told me, “plays contain ideas, but plays are about people.”
We needn’t wonder what Theater Workers for a Ceasefire would recommend as counter-programming: on Instagram they argued for an example in Seven Jewish Children by Caryl Churchill, a non-Jewish playwright. That play is more polemic than drama and runs on an engine of Holocaust inversion, which makes sense when you look at their Instagram post.
“Conventional drama demands we present contrasting viewpoints in the name of conflict,” the group concedes, “But how we write the conflict is not an ideological [sic] benign matter.”
The overriding interest is not art, but ideology. Not the mirror up to life, but of the funhouse variety that warps reality to an endless, echo chamber tunnel.
Eli Gelb, an actor in the show, acknowledged the boycott in an Instagram story, wrote “I’ve been outspoken as an antizionist Jew and I remain so. I believe in the show and will be continuing to perform in the production.” Molly Bernard’s Instagram stories Wednesday are of devastation in Gaza.
The letter makes clear “this would not be a boycott of MCC, nor of Jonathan Spector, but of this specific cultural product.” How can you boycott a run that, at press time, has no seats left to buy? Yield your tickets while ye may, someone will gladly snap them up.
In the play, a character, whose identity I won’t reveal due to spoilers, discusses an episode recounted in the Talmud, where a Super Bowl-sized crowd witnesses one priest stab another for the privilege of cleaning up ashes from a ritual sacrifice.
Rabbi Tzadok says all present were responsible for creating the conditions for the attack. But then the father of the stabbed priest retrieves the knife from his son’s back, and tells the crowd that, as he is not yet dead, the knife is still ritually pure. The onlookers cheer.
In the show, the story is cryptic, but speaks to Israel, where the ideal of the state has given way — perhaps irreversibly — to a culture of violence.
“This is how far they had fallen in this period,” the character says, “how far they had strayed, that they valued the laws of ritual purity over human life.” It’s an argument that would seem to align with Artists for Ceasefire, for whom the suffering in Gaza supersedes any gestures at complexity.
In their demands for a purity test, they may have missed it.
The post Artists are boycotting a show about Israel. The run’s already sold out appeared first on The Forward.
