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Major address by ADL chief omits mention of Trump and followers among antisemitic threats
WASHINGTON (JTA) — In a major policy speech, Anti-Defamation League CEO Jonathan Greenblatt doubled down on his argument that anti-Zionism is antisemitism, emphasized the threat to visibly Orthodox Jews and accused The New York Times of an “antisemitic attack” in its coverage of Hasidic movements.
One topic he didn’t discuss: former President Donald Trump and his extremist supporters, a frequent topic of concern for the ADL and Greenblatt in recent years.
The speech Monday morning, at the ADL’s annual leadership summit in Washington, D.C., was remarkable for barely mentioning what has, for years, been the group’s focus: the threat from the far right, spurred in part by Trump’s ascendance. Instead Greenblatt, in prepared remarks, tacked to the center, remaining focused on a message he sounded at the same summit a year ago — that anti-Zionism is unquestionably antisemitism.
“I know that for bigots — especially those who self-style as “anti-Zionists” — Israel’s Independence Day is a day to redouble their efforts to make sure it is Israel’s last Independence Day,” he said, adding later, “To underscore what I said at this event last year: Anti-Zionism is antisemitism. Full stop.”
His speech last year drew criticism from the left for marginalizing parts of the Jewish community that criticize Israel, and for equating that sector with a stream of extremism on the other end of the political spectrum that has fueled deadly attacks on Jews.
Despite not featuring in Greenblatt’s speech, the threat from the right was nonetheless very much embedded in the conference agenda; one session was dedicated to the surge of the far right on social media and another was dedicated to ties between the the extremes of the conservative movement today and the John Birch Society, the seminal extremist movement founded in the anticommunist fervor of the mid-20th century.
The conference will culminate on Tuesday with a Capitol Hill rally against antisemitism, held together with the ADL’s traditional partners from minority, LGBTQ and civil rights groups. Its featured speakers include Susan Rice, the former national security advisor who now serves as a domestic policy advisor to the Biden administration, as well as Maryland Gov. Wes Moore, Israeli President Isaac Herzog and Reza Pahlavi, the son of the deposed shah of Iran, who has positioned himself as an advocate of Iran-Israel ties.
Greenblatt emphasized in his speech that antisemitism knows no single ideological home. He noted what the ADL has documented as an alarming spike in antisemitic attacks and that more than half of violent attacks have targeted visibly Orthodox Jews.
“This year, we find that the dramatic increase in antisemitic incidents is not due to any single ideology fueling violence, or one group becoming more accepting of antisemitism than another,” he said. “It’s due to every ideology becoming more comfortable with anti-Jewish hate.”
Since he took the ADL’s helm in 2015, Greenblatt has been under fire from conservatives for the organization’s emphasis on threats emerging from the extreme right, though the organization has always focused on far-right antisemitism. On Monday, Greenblatt’s speech touched almost exclusively on themes that have troubled Jewish conservatives: the perceived threat to pro-Israel Jews on campuses, attacks on visibly Orthodox Jews in the northeast, and defending haredi Orthodox Jews from perceived attacks on their lifestyles and education system.
Greenblatt took the New York Times to task for its series of articles reporting on deficiencies and malfeasance in Hasidic schools in New York.
“Our Orthodox brothers and sisters are constantly under threat,” he said. “It is one that needs solidarity and support from everyone – Jewish and non-Jewish alike. So to see this community singled out by elite institutions, like the New York Times, arguably the most important paper in the world, depicting them as clannish and using power to manipulate events … that represents an antisemitic attack on their community.”
Absent from his speech was any mention of Trump, although the former president is seen as the leading contender for the Republican presidential nomination in 2024 and has intensified his attacks on “globalists” and on progressive Jewish billionaire George Soros, tropes that the ADL and other groups have said fuel antisemitism. Greenblatt was outspoken last year in criticizing Trump for having dinner with Kanye West after the rapper, who now calls himself Ye, embarked on a string of antisemitic comments. That dinner also included Nick Fuentes, the Holocaust denier and far-right provocateur.
Greenblatt also didn’t mention Ye in a section of his speech on the ADL’s work with corporations, even though the ADL led a campaign last year urging Adidas to end its partnership with Ye. After Adidas ended the collaboration, it announced a partnership with the ADL.
Greenblatt began his speech by celebrating Israel on the occasion of its 75th birthday, despite what he acknowledged as “complexity, worry, anxiety and concern” about the country’s future. A large part of that concern, within the country, has centered on the debate over the government’s effort to weaken the judiciary, which has brought hundreds of thousands of Israelis to protest in the streets. Greenblatt called the protests “something really special,” and “the triumph of Zionism.” He urged compromise on the judicial overhaul.
An ADL report from two weeks ago noted another worry — that Israel’s government includes politicians who “have polluted Israeli public discourse with chilling racist expressions that would have led to the immediate termination of their political careers in other democracies.” The report added that “Jewish racism is as deplorable as other forms of racism, and should never be excused or tolerated.”
Greenblatt did not mention that concern in his speech, though he called for Israel to have “a civil society where non-Jews enjoy the same rights and fulfill the same responsibilities as their Jewish neighbors.”
“There are challenges in Israel right now – and there will be challenges and difficult conversations to come, but ADL will never waver in its support of a democratic, Jewish state,” Greenblatt said in the speech. “Israel is a miracle, and I will never apologize for being a proud Zionist.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

