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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.
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NYC Officials Sue Mamdani Over Failure to Disclose Docs on Decision to Scrap IHRA Definition of Antisemitism
Candidate Zohran Mamdani speaks during a Democratic New York City mayoral primary debate, June 4, 2025, in New York, US. Photo: Yuki Iwamura/Pool via REUTERS
A group of Queens elected officials and civic leaders has filed suit against New York City Mayor Zohran Mamdani, accusing his administration of stonewalling a Freedom of Information Law (FOIL) request related to his decision to revoke an executive order adopting the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism.
The lawsuit centers on Mamdani’s move on his first day in office in January to rescind a series of executive orders issued by his predecessor, former Mayor Eric Adams, to combat antisemitism. Among the orders revoked was one formally adopting the IHRA definition, which has been widely embraced by governments and institutions across the democratic world.
Plaintiffs include Queens Councilmembers Joann Ariola and Vickie Paladino, along with Queens Civic Congress President Warren Schreiber, the Queens Daily Eagle reported last week.
They argue that the mayor’s office has failed to provide adequate transparency regarding the rationale behind rescinding the IHRA order, a move critics say weakened the city’s formal commitment to combating antisemitism at a time of rising anti-Jewish incidents both locally and nationally.
“The purpose of the FOIL applications at issue in this proceeding is to decipher and obtain the documentary trail of information illuminating Mayor Mamdani’s motives, policies, programs, legislative initiatives, and budgetary priorities implicated within the EO [executive order],” the lawsuit reads.
In their filing, the plaintiffs accuse the administration of having “stonewalled, deflected, delayed, and denied” their FOIL request, calling the response timeline “arbitrary and capricious.” Although the city’s Law Department acknowledged receipt of the request and projected a response date in April, the plaintiffs contend that such delays are unacceptable given the gravity of the issue. The lawsuit characterizes Mamdani’s actions as “anti-Israel” and “anti-Jewish.”
IHRA — an intergovernmental organization comprising dozens of countries including the US and Israel — adopted the “working definition” of antisemitism in 2016. Since then, the definition has been widely accepted by Jewish groups and lawmakers across the political spectrum, and it is now used by hundreds of governing institutions, including the US State Department, European Union, and United Nations. Law enforcement also uses it as a tool for matters such as hate-crime investigations and sentencing.
According to the definition, antisemitism “is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.” It provides 11 specific, contemporary examples of antisemitism in public life, the media, schools, the workplace, and in the religious sphere. Beyond classic antisemitic behavior associated with the likes of the medieval period and Nazi Germany, the examples include denial of the Holocaust and newer forms of antisemitism targeting Israel such as demonizing the Jewish state, denying its right to exist, and holding it to standards not expected of any other democratic state.
Jewish community advocates have expressed alarm that rescinding the executive order could signal a retreat from clear standards at a moment when antisemitic incidents have surged in the two years following Hamas’s Oct. 7, 2023, massacre across southern Israel.
The Israeli government and leading US Jewish groups sharply criticized Mamdani’s decision.
Mamdani’s supporters say the move was part of a broader action by Mamdani to revoke all executive orders issued by Adams since Sept. 26, 2024, when the ex-mayor was indicted for corruption, charges of which have since been dismissed. Mamdani’s office has framed the move as an administrative reset rather than a targeted policy shift, saying the new mayor sought to begin his term with a clean slate.
However, critics argue that lumping the IHRA adoption together with other rescinded orders was, at best, careless and, at worst, reflective of an ideological discomfort with pro-Israel policy frameworks.
The New York Times reported last month that Mamdani “knew from the moment he won the election” in November that he would revoke the executive orders related to Israel and antisemitism but believed rescinding them would upset Jewish groups whose concerns he spent months trying to allay. Therefore, the report continued, Mamdani’s team laid out a few options, and he chose to rescind every order that Adams issued after his indictment, “allowing him to frame the choice as a matter of good governance.”
The lawsuit now seeks a court order compelling the mayor’s office to produce internal communications and documentation explaining the decision-making process behind the revocation.
The IHRA definition could have been problematic for Mamdani, a far-left democratic socialist and avowed anti-Zionist who has made anti-Israel activism a cornerstone of his political career and been widely accused of promoting antisemitic rhetoric. A supporter of boycotting all entities tied to Israel, he has repeatedly refused to recognize Israel’s right to exist as a Jewish state; routinely accused Israel of “apartheid” and “genocide”; and refused to clearly condemn the phrase “globalize the intifada,” which has been used to call for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s electoral victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
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China Unleashes ‘Antisemitic Wave’ Amid Gaza Conflict, New Report Shows
Iranian President Masoud Pezeshkian and Chinese President Xi Jinping shake hands as they meet, in Beijing, China, Sept. 2, 2025. Photo: Iran’s Presidential website/WANA (West Asia News Agency)/Handout via REUTERS
The Chinese Communist Party has embraced overt antisemitic messaging in its domestic propaganda in recent years, according to a new report which ties the move to both geopolitical rivalry with the United States and efforts to curry favor with Arab and Muslim countries hostile to Israel.
The Jewish People Policy Institute (JPPI), a prominent think tank based in Israel, documents in the report how China’s authoritarian government has deliberately cultivated antisemitism among the population and internationally as a strategy.
One key trend detailed by the study’s author, JPPI senior fellow Shalom Salomon Wald, is the way in Chinese media that Israel, Jews, and Judaism have grown conflated.
“In popular discourse, Israel and Jews are more or less synonymous. This is not much different from the West, where the anti-Israeli presentation of the Gaza war by official and social media is regularly causing verbal and physical violence against local Jews,” Wald writes. “Chinese officials, intellectuals, and news providers are generally aware of the difference between Israel and world Jewry. Officials acknowledge the distinction when it suits them, for example, when they insist that their criticism of Israel has no antisemitic connotation. They often fail to draw the distinction when it does not suit them.”
The report identifies 2021 as when “the Chinese government chose to harden its attitude toward Israel and its Jewish supporters. Chinese contacts informed some Israeli experts of this policy change. Whether [Chinese President] Xi Jinping himself made the relevant decisions is not known. No single reason, but a convergence of events caused this change.”
Writing in The Jerusalem Post, Wald identifies at least three factors driving China’s shift toward anti-Zionism.
The first is economic, with Israel walking back its relationship with China under US pressure.
“Israel, admonished by the United States, made Chinese investments, particularly in hi-tech and infrastructure projects, more difficult,” he writes. “The Chinese expressed their resentment quite openly.”
The second is geopolitical. “China was in the midst of expanding its presence in the Arab Middle East, offering major economic cooperation and long-lasting political ties,” Wald explains. “A harder attitude against Israel was a cheap sweetener for such offers.”
The third is the perception that, due to internal issues, Israel has grown weaker: “Israel’s domestic crisis eroded its ‘strongman’ image in Chinese eyes. A country wracked by mass demonstrations and numerous ineffective elections could no longer be taken as seriously as it had been.”
However, recent Israel-Hamas conflicts in Gaza were also key catalysts for upticks in antisemitism.
“Antisemitic waves washed over China’s social and official media following the Gaza conflicts of 2021 and 2023-25. They were authorized, if not initiated, by the Chinese government in pursuit of China’s political goals and based on anti-Jewish tropes,” states the report, which notes the hostility especially surged following Hamas’s Oct. 7, 2023, massacre across southern Israel.
“Chinese media began spreading antisemitic tropes under the cover of criticism of Israel’s military actions,” it continues. “While similar denunciations conflating Israel, Zionists, and Jews occurred in other countries too, in China all political speech is tightly monitored and censored if it is not in line with official positions. If antisemitism was spreading on China’s media, it meant that it was officially sanctioned. It appeared in government sources and public media, in social media, and in universities.”
Wald notes in the JPPI report that Beijing’s turn toward antisemitism will have a long-term impact on education.
“Universities are among the most influential promoters of Chinese antisemitism,” he states. “As they train China’s next generation, they risk transmitting current prejudices to some of China’s future leaders. Today, almost all Chinese government leaders and most Communist Party high officials are university graduates.”
The report describes how the rise in academic antisemitism in China has destroyed years of positive scholarship, quoting Prof. Ping Zhang of Tel Aviv University who said that “the foundation of the good relationship built between the two sides over the past three decades has been shattered.”
JPPI’s research notes that during the 20th century, China’s leaders originally supported Zionism. Sun Yat-sen, the first provisional president of the Republic of China and known today as the “father of modern China,” wrote in 1920 to the head of the Shanghai Zionist Association that he favored the “movement to restore your wonderful and historic nation which has contributed so much to the civilization of the world.” Similarly, in 1948 the Communist Party’s People’s Daily praised the founding of Israel.
Since then, however, China’s sympathies have shifted dramatically, recognizing a Palestinian state in 1988 and, more recently, moving closer to Hamas and Iran, whose leaders openly promote antisemitism and seek Israel’s destruction.
This month, for example, a Chinese military attaché in Tehran presented Brigadier General Bahman Behmard, commander of the Iranian Air Force, with a scale model of China’s J-20 fifth-generation stealth fighter. Even though no official contract was announced, experts interpreted the Chinese gesture as a sharp warning to the US and its ally Israel amid mounting fears of renewed conflict in the Middle East.
Days earlier, a new study revealed the extent to which the Iranian regime used Chinese technology to silence dissent during recent nationwide anti-government protests, imposing near-total internet shutdowns and disrupting satellite communications while carrying out a brutal crackdown. According to the international human rights organization Article 19, China has provided material and technical support to Iran since at least 2010, bolstering its surveillance and censorship capabilities as Chinese firms continue operating in the country despite international sanctions.
China, a key diplomatic and economic backer of Tehran, has moved to deepen ties with the regime in recent years, signing a 25-year cooperation agreement, holding joint naval drills, and continuing to purchase Iranian oil despite US sanctions.
China is the largest importer of Iranian oil, with nearly 90 percent of Iran’s crude and condensate exports going to Beijing.
According to some media reports, China may be even helping Iran rebuild its decimated air defenses and ballistic missile program following the 12-day war with Israel in June.
Closer to home, Beijing has also lambasted the Jewish state for its increasingly close ties with Taiwan. China considers Taiwan, a nearby island run by a democratic government, as a renegade Chinese province that must be reunited with the mainland — by force, if necessary.
In September, Israeli Prime Minister Benjamin Netanyahu spoke to a delegation of 250 US state legislators at the Foreign Ministry in Jerusalem, warning of China’s role in demonizing Israel.
There is “an effort to besiege — not isolate as much as besiege Israel — that is orchestrated by the same forces that supported Iran,” Netanyahu said. One is China. And the other is Qatar. They are organizing an attack on Israel … [through] the social media of the Western world and the United States.”
That same month, the Institute for National Security Studies (INSS), an Israeli think tank, released a report examining how China has increasingly used state media and covert campaigns to spread anti-Israel and antisemitic narratives in the US. The effort includes the promotion of conspiracy theories about “Jewish control” of politics, the economy, and the media.
While China’s primary aim is to target and undermine the United States, according to the study, Israel ends up suffering “collateral damage” as a result.
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The real Holocaust history behind ‘Papillon,’ the Oscar-nominated short about a star Jewish swimmer
(JTA) — At first glance, “Papillon” (Butterfly), the 15-minute Oscar-nominated animated short by veteran French filmmaker Florence Miailhe, may appear like a meditative journey through water and memory. An elderly man swims in a hand-painted sea, flashing back to childhood memories of being bullied and a loving mother who makes it all right.
As he cuts through the water and moves through time, the fuller context emerges: The sun-soaked beaches appear to be North Africa, the boy becomes a champion swimmer, a swastika tells you that he is competing in the 1936 Berlin Olympics, and the soundtrack echoes with taunts of “Jew” and “kike.”
The film is based on the extraordinary real life of Alfred Nakache, a Jewish athlete whose story of resilience under Nazi persecution has previously been told in two French documentaries but is seldom remembered today.
Born in 1915 in French Algiers (his family immigrated from Iraq), Artem “Alfred” Nakache became one of France’s most celebrated swimmers in the 1930s, specializing in the butterfly stroke — a full-bodied lunge that looks like a bird, or butterfly, in flight. His success brought him to the 1936 Berlin Olympics, where he competed under the shadow of rising antisemitism in Nazi Germany (and was part of a freestyle relay team that didn’t medal, but finished ahead of the Germans).
Under Vichy, the Nazi puppet regime, Nakache was stripped of his French nationality and forced out of Paris. He joined the resistance underground while still competing for Vichy. On Nov. 20, 1943, Nakache and his wife and daughter were arrested by the Gestapo, and the family was separated at Auschwitz. Only Alfred survived. He later endured the death march to Buchenwald before liberation.
Despite these unimaginable losses, Nakache returned to swimming after the war, competing at the 1948 London Olympics. (He, gymnast Agnes Keleti and weightlifter Ben Helfgott are the only known Jewish survivors to have competed in the Olympics after the war.)
Nakache remained a swimmer the rest of his life, and died of a heart attack after a swim in the sea near the Spanish-French border in 1983.
Miailhe, a 70-year-old animator known for her labor-intensive oil and pastel on glass technique, has a personal connection to Nakache’s legacy. As a child, she took swim lessons with his younger brother Bernard and heard stories of his triumphs long before she understood their full historical weight. The end credits explain that her father also knew Alfred, whom he met in the resistance during the war.
“I hope people will be moved by Alfred Nakache’s story and rediscover it, because it’s not well-known in France,” Miailhe said in an interview with Deadline. “Also, we are living in some very troubled times in a world where racism and antisemitism are back.”
Produced by Oscar-winning animator Ron Dyens alongside Luc Camilli for Sacrebleu Productions and XBO Films, Papillon took roughly 100 days to animate — a testament to the craftsmanship that makes every frame an essay on the various qualities of water. The film has earned a César nomination (the French Academy Award) and a nomination at the Annecy International Animation Film Festival, and won the International Competition for best animated film at the Grand Prix at Stuttgart.
Amid the horrors of the Holocaust, the animated short also depicts the camaraderie among the athletes who swam — and stood — by Nakache’s side before and after the war.
“Some people denounced the Nakache family [to the Gestapo], but others saved Alfred when he returned from the camps,” Dyen told Deadline. “The whole tragedy of human duality is ultimately reflected in Nakache’s story.”
The post The real Holocaust history behind ‘Papillon,’ the Oscar-nominated short about a star Jewish swimmer appeared first on The Forward.
