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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.
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Jewish Sites in New York City Struck With Antisemitic Graffiti as Police Report Jews Targeted in 60% of Hate Crimes
Members of the Rego Park Jewish Center flanking swastika graffiti that was sprayed on the building on Sunday, May 3, 2026. Photo: Screenshot
Jewish residents of the Queens borough of New York City were outraged on Monday following an overnight spree of vandalism which left at least four Jewish properties — private homes and synagogues — marked with the swastika and other antisemitic graffiti.
The incidents were discovered as the New York City Police Department (NYPD) released its latest figures showing that Jews continued to be the target of the majority of all hate crimes across the five boroughs last month, despite comprising a small fraction of the total population.
The perpetrators of the latest wave of vandalism struck the Rego Park Jewish Center, the Congregation Machane Chodosh, as well as two private homes late Sunday night, according to local lawmakers and Jewish leaders. Police are still searching for the suspects. At least one lead has surfaced so far in the form of surveillance footage taken by the Rego Park Jewish Center near the site of one of the crimes.
The suspects allegedly responsible for drawing swastikas outside of the Rego Park Jewish Center. pic.twitter.com/VJBGzI4EgZ
— Dean_Moses (@Dean_Moses) May 4, 2026
Meanwhile, the graffiti remains a scourge on the buildings — appearing in one case next to a memorial to German Jews who survived Kristallnacht, a November 1938 pogrom when Nazi paramilitary forces launched a coordinated nationwide attack on the German Jewish community. The vandals left no doubt regarding their allusion to that period, graffitiing “Heil Hitler” at the Rego Park location.
“When rabbis and congregants arrive to pray this morning, they expected to be met with their usual loving community. When a family woke up, they were prepared to begin an otherwise normal week. Instead, they were me with terrifying signals of hatred and threats of violence,” New York City Council Speaker Julie Menin said in a social media post which addressed the incidents. “With antisemitism on the rise here and across the globe, we will always stand up for our Jewish community and fight back against hate.”
Multiple synagogues and private homes in Queens were vandalized overnight with swastikas and other antisemitic graffiti. @Lynn4NYC, @PhilWongNYC and I are at one of the sites, Congregation Machane Chodosh, in Forest Hills now.
When rabbis and congregants arrived to pray this… pic.twitter.com/s38TXvFHQt
— Speaker Julie Menin (@SpeakerMenin) May 4, 2026
Mark Treyger, CEO of the Jewish Community Relations Council of New York, noted on social media that one of the targeted sites houses a pre-K program for young children.
“This is not normal, and we need city leaders to act NOW,” he posted.
The vandalism was discovered as the New York City Police Department (NYPD) reported on Monday the surge in antisemitic hate crimes across the city had continued unabated.
According to the newly released data, Jews were targeted in 60 percent of all confirmed hate crimes last month, despite making up just 10 percent of the city’s population.
In April, the police confirmed 30 antisemitic incidents out of 50 total hate crimes in the city. As for all reported/suspected hate crimes, 38 out of the total of 65 targeted Jews.
The NYPD had previously reported suspected, but unconfirmed, hate crime incidents. In February, the police began reporting confirmed incidents instead. And then after receiving scrutiny, the department began reporting both suspected and confirmed hate crimes in March.
Regardless of the methodology, the majority of all hate crimes in New York City this year have targeted Jews, especially the Orthodox community, continuing a surge in antisemitism that has swept the city after the start of the Israel-Hamas war in Gaza in October 2023.
In just eight days between the end of October and the beginning of November 2024, for example, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.
In November, just days after the election of Zohran Mamdani as mayor of New York City, hundreds of people amassed outside a prominent synagogue and clamored for violence against Jews.
“We don’t want no Zionists here!” the group chanted in intervals while waving the Palestinian flag outside the Park East Synagogue in the Upper East Side section of the borough of Manhattan. “Resistance, you make us proud, take another settler out.”
Mamdani has dismantled key parts of the civil rights architecture his predecessor built to combat antisemitism in the city. Former Mayor Eric Adams adopted the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, enforced a ban on awarding government money to adherents of the movement to boycott Israel, and established as a governing principle the idea that Zionism is central to Jewish peoplehood even as it remains a target of antisemitic activism.
“The connection between Jewish identity and the Land of Israel is not political preference but religious and cultural foundation extending back millennia,” Adams said in one of his final communications as mayor. “The practical consequence of anti-Zionist rhetoric is the dehumanization of Zionists (the vast majority of Jewish people) and the dehumanization of all Jewish people. When Zionism itself is characterized as racist or illegitimate, Jewish people become targets for hostility and violence. This dynamic helps explain why attacks on Israel’s legitimacy correlate with increased antisemitic incidents in the diaspora, targeting all Jewish people regardless of their politics.”
The change in New York City’s climate since Mamdani’s election is palpable, Jewish advocacy groups have said. One his first day in office in January, he voided the city government’s adoption of the IHRA definition, lifted the ban on contracts with companies boycotting Israel, and modified key provisions of an executive order directing law enforcement to monitor anti-Israel protests held near synagogues.
“Mayor Mamdani pledged to build an inclusive New York and combat all forms of hate, including antisemitism,” a coalition of leading Jewish groups said in a statement addressing the new administration. “But when the new administration hit reset on many of Mayor Adams’ executive orders, it reversed … significant protections against antisemitism.”
Follow Dion J. Pierre @DionJPierre.
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Venice Biennale Jury Resigns Amid Israel, Russia Controversy; Organizers Announce New Awards, Ceremony
A poster for the 61st Venice Biennale running from May 9 to November 22. Photo: IMAGO/Frank Ossenbrink via Reuters Connect
The jury for the 2026 Venice Biennale announced their resignation mere days before the 61st edition of the show is set to open to the public on May 9.
The move comes after the five members of the jury, which selects the winners for the exhibition’s top prizes, said on April 22 that they would not consider giving awards to artists from countries accused by the International Criminal Court (ICC) of crimes against humanity, which include Israel and Russia. Both countries are participating in this year’s Venice Biennale, a fact that has caused controversy in light of the Israel-Hamas war and the Russia-Ukraine war.
The ICC issued an arrest warrant in 2023 for Russian President Vladimir Putin, who has been accused of war crimes in Ukraine, and an arrest warrant in 2024 for Israeli Prime Minister Benjamin Netanyahu due to his country’s military actions in the Gaza Strip during its war against Hamas terrorists. Israel, which launched its military campaign in response to Hamas’s invasion and massacre of Israelis on Oct. 7, 2023, has strongly denied the ICC’s allegations, with officials saying the Israeli military has gone to unprecedented lengths to try and avoid civilian casualties.
“As of April 30, 2026, we, the international jury selected by Koyo Kouoh, artistic director of the 61st edition of La Biennale di Venezia ‘In Minor Keys,’ have resigned,” the jurors said in a released statement. “We do so in acknowledgment of our Statement of Intention issued on 22 April 2026.” No further information was provided regarding the resignation.
The Venice Biennale did not respond to The Algemeiner‘s request for comment about the decision but acknowledged the jury’s resignation in a released statement on April 30. Organizers announced in a separate statement that the event’s awards ceremony will be moved from May 9 to Nov. 22, which is the last day of the show. The decision to reschedule the awards ceremony was made in light of the jury’s resignation “as well as the exceptional nature of the current international geopolitical situation,” the Venice Biennale said.
The jury for the Venice Biennale typically selects the winners for the highly coveted Golden and Silver Lion prizes. With no jury this year, the Venice Biennale said it will instead establish two “Visitors’ Lions” awards. Visitors will be able to vote for “the Best Participant in the 61st Exhibition ‘In Minor Keys’ by Koyo Kouoh” and “the Best National Participation in the 61st Exhibition.”
Each Venice Biennale ticket holder who visited both of the exhibition’s venues during this year’s show will be eligible to cast one vote for each of the two new awards. All participants n the 2026 Venice Biennale, including those from Israel, will be eligible for the Visitors’ Lion award for Best National Participation “following the principle of inclusion and equal treatment among all participants.”
“This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship,” organizers said. “La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”
An open letter calling for Israel to be banned from the 61st Venice Biennale exhibition was published in March and signed by 178 Biennale participants. Romanian artist Belu-Simion Fainaru is representing Israel in this year’s show and recently criticized the jury’s April 22 decision not to consider awarding artists from the country.
Because of backlash over Russia’s participation, the Venice Biennale announced on April 28 that the Russian Pavilion in this year’s show will be only open to the public during the four-day preview. The European Union has already decided to withdraw $2.3 million in funding from the Venice Biennale because of Russia’s inclusion this year.
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All Major Jewish Organizations in Norway Criticize Holocaust Center for Repeatedly ‘Relativizing the Holocaust’
A drone view of the “Arbeit macht frei” gate at the former Auschwitz concentration camp ahead of the 80th anniversary of its liberation, Oswiecim, Poland, Jan. 10, 2025. Photo: REUTERS/Kacper Pempel
Representatives from the largest Jewish organizations in Norway collectively published an open letter on Monday that accused the Norwegian Center for Studies of Holocaust and Religious Minorities (HL-Center) of repeatedly “relativizing the Holocaust.”
The open letter, which addressed the board and director of the HL-Center, accused the institution of using the Holocaust “in direct or indirect connection with the wars in the Middle East and other historical events.” The signatories noted that for “several years” there have been “repeated incidents” of the institution promoting “Holocaust revitalization.”
“When the Holocaust is systematically placed in parallel with other conflicts, there is a risk of relativizing its unique historical status. Over time, we have come to view this not as isolated judgments, but as a pattern,” wrote those representing the majority of Jewish life in Norway. They called on the HL-Center to “exercise far greater scholarly and institutional caution in how the Holocaust is discussed and contextualized.”
On April 30, the HL-Center hosted an event that drew parallels between the Holocaust and the Palestinian “Nakba” and how “they have functioned as competing cultural traumas.” “Nakba,” the Arabic term for “catastrophe,” is used by Palestinians and anti-Israel activists to refer to the establishment of the modern state of Israel in 1948.
Israel’s Embassy in Norway said the center’s decision to host the event was a “grotesque distortion of Holocaust memory.”
The open letter on Monday mentioned the April 30 event and also expressed concerns by Norway’s Jewish community about an upcoming event on June 3, titled “Holocaust Memorial after Gaza,” which will discuss Holocaust remembrance in relation to contemporary politics, specifically the Israel-Hamas war in Gaza.
“We wish to emphasize that it is both legitimate and necessary to acknowledge the suffering of civilians in armed conflicts, including the experiences of Palestinians after 1948,” Jewish community leaders wrote in the open letter, before noting “this is a subject that can be addressed without bringing the Holocaust into it.”
“A more natural parallel would be the consequences for the more than 1 million Jews who suffered in, and were forced to flee from, Arab countries after the establishment of Israel,” they added. “It is essential to maintain that the Holocaust represents a historical event without parallel: an industrial, ideologically driven genocide whose aim was the total extermination of the Jewish people.”
The letter was signed by B’nai B’rith Norway Lodge, The National Council for Jewish Communities in Norway, Kos & Kaos The Nordic Jewish Network, Chabad Lubavitch of Norway, Det Mosaiske Trossamfund (congregation) in Oslo, The Jewish Community of Trondheim, and The Jewish Community of Bergen, as well as The Jewish Community of Norway.
The groups asked the HL-Center board to issue a clarification about its role and mandate, “particularly with regard to comparisons between the Holocaust and contemporary conflicts.” They also want the center to establish clear guidelines about how its leadership and events will reflect “ongoing political conflicts,” most likely referring to the Israel-Hamas war.
“We expect the board to take this communication seriously. Our goal is to ensure that the HL Center remains a unifying and academically credible institution — also for the Jewish minority it was founded to protect and serve,” they noted. “We also wish to remind you of several previous communications concerning this matter, including the open letter from descendants of Holocaust victims and B’nai B’rith’s thorough report on the shortcomings we are again raising here. None of these has been answered in a satisfactory manner.”
Representatives from Norway’s major Jewish organizations said they previously reached out to the board of the HL-Center with their concerns regarding Holocaust trivialization, the director’s public statements, the center’s role in political conflicts, and how “Holocaust memory has been connected to contemporary wars during central commemorative events” at the center. Their concerns “appear to have led to little change,” they noted.
“The center has a particular responsibility to preserve the memory of the millions of Jews who were murdered, and to ensure that this memory is not relativized or instrumentalized for political purposes,” they added, after pointing out that the institution was established partially with funds from a restitution settlement following the liquidation of Jewish property during the Holocaust.
“The point is not to preclude criticism of Israeli policy, but to make clear how easily such parallels can contribute to trivializing the particular character of the Holocaust, and that such rhetoric can contribute to increased antisemitism,” the open letter pointed out.
Norway is a part of the International Holocaust Remembrance Alliance (IHRA). According to the IHRA definition of antisemitism, drawing a comparison between Israel and the Nazis is a contemporary example of antisemitism.