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March comes in with a roar of new Yiddish music

(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”

This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut. 

If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”

“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”

Read on for ways to get your Yiddish on. 

Sister act

As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5,  the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well. 

Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.

Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.

“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.

“When I sing with Cilla, I feel like I’m home,” Reissa said

The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café. 

Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)

A right to sing the blues

For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song. 

The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.

Yiddish royalty 

On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”

Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.

On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.

The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.

“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.

“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”

Songs for and about refugees

On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.

“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.” 

English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.


The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.

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Memes, mashiach and ‘Torah-cyclopedias’ put a Jewish twist on the Knicks’ title hunt

Anyone living in the five boroughs has likely seen the Chabad stickers on street corners proclaiming, alongside a photo of the Lubavitcher Rebbe, that the “Messiah Is Here!

But this week, a different kind of redemption feels imminent in New York — and there’s a new face on the “Messiah” posters.

With the hometown Knicks two wins away from their first NBA championship in 53 years, fans mocked up a t-shirt featuring an image of star point guard Jalen Brunson superimposed on the Chabad sign, black hat, beard and all. (Including Brunson’s signature cornrows.)

The Brunson memes are just one Jewish piece of an unexpected Finals run uniting the five boroughs — and perhaps, even more astonishingly, its Jewish community. There’s been a giant dreidel spinning outside Madison Square Garden, Talmud-lined shelves displayed on sports broadcasts, and a Jewish-inclusive chant going viral. The team on the court has a Jewish aspect, too: Brunson is married to a Jewish woman — and apparently signed a ketubah at his wedding.

Home to an estimated 1 million Jews (a number that nearly doubles when including the full metro area), New York probably couldn’t have had a Finals run without Jewish undertones. After all, their last title-winning team was helmed by a Jewish head coach, Hall-of-Famer Red Holzman. The team’s Jewish history goes well beyond that.

But the Jewish presence has been unmissable — and in these times, unmissably welcomed — in the city’s sports hysteria.

The ketubah used at Jalen Brunson’s wedding to Ali Marks. Screenshot of YouTube

“I seen Hasidic Jews break-dancing with Black kids,” the rapper Fat Joe told reporters Sunday. “This is the greatest unification of the city since 9/11.”

‘People in yarmulkes, people in turbans’

Though the first two games of the NBA Finals were played in Texas, the home of the Western Conference champion San Antonio Spurs, the center of the action for Knicks fans remained Madison Square Garden — the arena known as the basketball Mecca. (OK, that part’s not so Jewish.) The Knicks faithful assemble there after each game, Midtown descending (ascending?) into full-scale revelry.

That’s where a yarmulke-wearing teenager wearing a Brunson jersey was caught breaking it down like a 1970s b-boy, other fans encircling him and cheering him on. About as miraculously as a Brunson high-arcing fadeaway plunging through the net, the kippah stayed on.

Meanwhile, a fan’s improvised rallying cry was becoming an instant hit: “My mayor Muslim, my bagel Jewish, my Christian Dior, Knicks in four!” (My colleague Mira Fox has written eloquently on the chant.)

Outside MSG — and at the Knicks watch party at Bryant Park — is also where Rami Even-Esh, the Jewish rapper known as Kosha Dillz, plans to bring his human-sized dreidel Monday night, when the Knicks take on the Spurs in Game 3 (8:30 p.m. ET on ABC.) He did a “Knicks Shabbat” outside the Garden during Friday night’s Game 2, serving challah to passersby, and recorded a Knicks music video that featured people of Jewish and non-Jewish backgrounds.

“There’s people in yarmulkes, people in turbans — there’s no ‘anti’ stuff, so that makes it very Jewish for me, and it feels very authentic,” Even-Esh said in an interview.

And let’s not forget that the arena — with President Donald Trump expected in attendance — now has the security infrastructure of an American mega-shul.

‘Torah-cyclopedias’

Rami Even-Esh, the Jewish rapper known as Kosha Dillz, with his Knicks-colored dreidel. Courtesy of Rami Even-Esh

This Finals’ Jewish imprint also extends to the court. The architect of this team, Knicks team president Leon Rose, was born to a Jewish family in South New Jersey. He later became an NBA super-agent whose clients included Allen Iverson and LeBron James, before taking on the challenge of restoring the ill-fated Knicks to their former glory.

The franchise had long been a vehicle for Jewish hoopers to make their imprint on the game. The first basket in NBA history was scored by a Jew, Ossie Schectman; the late 1970s and early 1980s Knicks featured Ernie Grunfeld, the son of Holocaust survivors.

But the team became a punchline under Knicks owner James Dolan, whose verbal sparring with an elderly Jewish fan once made national headlines. Only after Rose executed a series of transactions both shrewd (like inking Brunson, then seen as a mere second-fiddle, in free agency) and bold (like big trades for Karl-Anthony Towns and Mikal Bridges), the Knicks turned the ship around.

One of their latter-day stars, meanwhile, is Amar’e Stoudemire, who converted to Judaism after playing for the Knicks in the 2010s. Stoudemire is often seen wearing a black hat and a remote hit on a Barstool Sports talk show allowed basketball fans to see bookshelves behind him lined with seforim.

The background prompted a question from the program’s hosts: Are those encyclopedias? Stoudemire explained: “Those are my Torah-cyclopedias,” adding that the one book missing from the shelf was the one he is currently working through.

The Knicks’ success has presented a challenge for Jews like Stoudemire who observe Shabbat, as Game 2 of the Finals fell on Friday night.

It’s a common occurrence for Orthodox fans of teams like the Yankees and Dodgers — and one Knicks fans hope to get used to.

The post Memes, mashiach and ‘Torah-cyclopedias’ put a Jewish twist on the Knicks’ title hunt appeared first on The Forward.

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What exactly did Israel gain from striking Beirut and provoking Iran?

On Monday morning, Israelis — my family and me among them — awoke to a day of sirens, confusion and suspended normalcy.

Flights had been canceled. Schools had closed. Businesses across parts of the country had shut their doors. Once again, Prime Minister Benjamin Netanyahu had led Israel into a widening regional confrontation — and the question of what exactly Israel had gained from striking Beirut’s Dahiyeh district amid a Israel-Lebanon ceasefire suddenly stood at the center of public debate.

Iran had retaliated with airstrikes against Israel after the Sunday strikes; Israel launched strikes on Iran in response; fears of a broader regional escalation rose; and, after President Donald Trump posted warnings to both parties on social media, the conflict thankfully appeared to have halted by Monday afternoon.

In one version of events, the region had merely stumbled into another familiar spiral of action and reaction. Israeli cynics see something else entirely: a prime minister who once again appeared to need a war, and was determined to restart the conflict with Iran.

“I understand neither the strategy nor the tactics,” said Nir Dvori, the military affairs analyst of the leading Channel 12 station.

Had the strike in Dahiyeh — Hezbollah’s stronghold — fundamentally altered the strategic balance, one could at least have argued there was a cold logic behind it. Had it prevented an imminent attack, saved soldiers’ lives, or significantly degraded Hezbollah’s operational capacity, perhaps the gamble could have been justified.

Yet the attack seemed to change nothing. Hezbollah was not going to collapse because another building in Beirut had been hit. Nor did the operation appear likely to prevent the kinds of attacks that had continued killing Israeli soldiers. If anything, civilian casualties only risked providing Hezbollah with renewed legitimacy.

The strikes seemed to involve great risks and few rewards. They came at an extraordinarily delicate moment in the American negotiations with Iran, as Trump has been trying desperately to lower tensions in Lebanon — including by privately cursing at and humiliating Netanyahu over Lebanon policy last week. And they threatened one of the most important strategic assets Israel had in Lebanon in years: a broad Lebanese consensus that Hezbollah has become a disaster for Lebanon and needed to be disarmed.

The Trump-Netanyahu divergence

Israel was already in an extraordinarily delicate position vis-à-vis Washington.

Despite impressive military successes in the early days of the Iran campaign, there was no clear exit strategy, nor any serious solution for Iran’s clamp down on shipping through the Strait of Hormuz.

The war amped up political pressure on Trump, with rising energy prices and mounting public anger threatening the Republican outlook in looming midterm elections. A prolonged regional war risked transforming him within months into a weakened president facing congressional investigations and political paralysis should his party lose control of Congress.

Which means Trump and Netanyahu increasingly appear to be moving in opposite directions. Trump needs stability. Netanyahu, facing dismal polling numbers and growing public exhaustion, needs disruption.

At this point in Netanyahu’s tenure, large segments of the Israeli public no longer dismiss the possibility that political considerations influence national security decisions. As the week opened with the threat of renewed war, many openly speculated that the government had an interest in raising the temperature yet again by provoking an emergency severe enough to argue for postponing elections.

But tension between American and Israeli leaders leaves Israel’s strategic interests imperiled. Israel continues to rely on American airlifts, munitions, diplomatic protection at the United Nations, and broader strategic backing against European and international pressure. And as Trump and Netanyahu’s political interests clashed, ordinary Israelis once more found themselves in shelters, with children out of school and flights grounded.

Net strategic negatives

Meanwhile, every strike that harms Lebanese civilians or damages infrastructure risks reviving Hezbollah’s preferred narrative: that it alone stands between Lebanon and Israeli aggression.

That makes each such strike a lost strategic opportunity. Under President Joseph Aoun and Prime Minister Nawaf Salam, a new Lebanese leadership had begun cautiously presenting Hezbollah not as a defender of the state but as an obstacle to Lebanese sovereignty itself.

Rather than helping isolate Hezbollah politically inside Lebanon, Israel’s strikes risk helping it regain relevance and legitimacy.

Many Israelis are maddened by the sense that Jerusalem simply refuses to think two moves ahead.

What, exactly, was the long-term plan? Hezbollah remains deeply entrenched across Lebanon. No Israeli slogan about “relying only on ourselves” can change the basic strategic reality. Israel cannot permanently occupy large parts of Lebanon, nor sustain endless military operations. A peaceful future requires a stronger Lebanese state and a Lebanese public that views Hezbollah as a burden rather than a protector.

Perhaps the most tragic aspect of Israeli life in 2026 is that millions of citizens no longer consider suspicions that the state is acting against their interest in order to favor Netanyahu’s to be implausible. The notion of “ulterior motives” had become normalized in Israeli political discourse in a way unimaginable under earlier prime ministers. That erosion of public trust may have been the bleakest development of all.

The post What exactly did Israel gain from striking Beirut and provoking Iran? appeared first on The Forward.

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‘My mayor Muslim, my bagel Jewish’ — the Knicks chant capturing New York’s soul

Perhaps you, like me, have had a very specific earworm for the last week. It’s not a song, though there is a sing-song-y element to it. It’s a chant: “My mayor Muslim, my bagel Jewish. My Christian Dior — Knicks in four!”

If you hadn’t heard, the New York Knickerbockers are in the finals for the first time since 1999, on a 13-game streak and looking good to win a championship NBA title they haven’t gotten since 1973. The city is going nuts. I am not a big sports fan, but even I have been caught up in the fever, watching the first two games of the best-of-seven finals pitting the Knicks against the San Antonio Spurs at sports bars where fire codes are being flagrantly broken and attendees have brought drums to assist in leading chants.

The newest chant was born from the mouth of a rabid fan featured in a surreal supercut of fan reactions that went viral. (The video also features a dancing robot wearing a jersey emblazoned with the Kalshi logo, the online predictions market that lets users bet on the NBA, sure, but also on what day the U.S. will bomb Iran.)

It pretty much instantly caught fire; my city councilman Chi Ossé posted a video with the slogan, while watching the second game’s nail-biter of a win. Shekar Krishnan, a city councilman from Queens, walked onto the main stage at Gov Ball to lead the crowd in a rousing rendition of the chant.

Beyond the rhyme scheme — which, if we’re being honest, is a little bit difficult to nail — what made this chant catch on so fast is its ability to capture a certain ineffable quality of New Yorkiness. There’s diversity, there’s humor — I’m sorry but it is very funny to name two of the major Abrahamic religions with pride and then ignore the one practiced by the majority of Americans in favor of a fashion designer — and there’s a sense of unity as the city rallies behind its long-losing sports team.

Spike Lee is driven through a crowd of Knicks fans shaking hands like he’s the pope. Photo by Adam Gray/Getty Images

And, at a time of rising antisemitism and just generally bad PR for the Jews, I am heartened to see the city embrace its Jewishness.

Bagels have long been a metonym for the city, and a source of great pride and snobbery for its residents, a food not incidentally rooted in Jewish history. Jews run some of the city’s most beloved neighborhood institutions. They have represented New York on the page and the screen — think Nora Ephron, Fran Drescher, Leonard Bernstein and Woody Allen (for better or for worse). Jews have imparted a Jewish humor, sensibility and even accent that have so shaped the city that they are now basically synonymous. I cannot tell you how many people I’ve met who are not Jewish, but feel as though they are by virtue of growing up in the city.

This hasn’t always been a positive thing. Sometimes equating New York with Jewishness has been used as a sort of racist dogwhistle; Mitch McConnell, for example, asked voters whether they really wanted “somebody from New York” to “set the agenda” as a way of signalling that Chuck Schumer is too Jewish, too liberal, too out of touch with real Americans — in short, the same antisemitic “rootless cosmopolitan” stereotype that has long motivated hatred against Jews.

Of course, the chant isn’t magical, and many of the now-familiar political dynamics came into play. Some communities of Jews are at odds with the way the city is shifting, particularly with the election of Zohran Mamdani, and some posts of the chant have comments from Jews annoyed at being lumped into the same cultural moment as a mayor they see as their enemy. (“Hi, we’re actually humans, not baked goods,” wrote one user. “We’re currently experiencing the highest rate of hate crime in the city. This isn’t cute.”) And, on the flip side of the political spectrum, other commenters accused those spreading the chant of doing “full on genocide rehab,” seemingly for merely mentioning Jews in a positive context.

But however online commentators want to spin the chant, the reality on the street is pure hype. As the rapper Fat Joe put it when interviewed at Madison Square Garden after the game: “I seen Hasidic Jews break dancing with Black kids. This is the greatest unification of the city since 9/11.” (Video proof bears this out.) Somehow, even the local Hare Krishna gathering got in on the Knicks mania.

That’s the true beauty of the city’s diversity — everyone lives together regardless of their political disagreements. And they can still unite in a common cause: the Knicks.

The post ‘My mayor Muslim, my bagel Jewish’ — the Knicks chant capturing New York’s soul appeared first on The Forward.

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