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Margot Stern Strom, who founded pioneering Holocaust education program Facing History, dies at 81
(JTA) — Margot Stern Strom, who drew on the pain of her Jewish childhood in the Jim Crow South to create one of the most widely used Holocaust education programs in American schools, died March 28 at her home in Brookline, Massachusetts. She was 81.
The Boston Globe reported the cause as pancreatic cancer.
Strom was a schoolteacher in 1976 when she co-founded Facing History & Ourselves, which drew on draft lessons piloted in her classroom. For three years in the mid-1980s, the U.S. Education Department denied funding for the Holocaust curriculum, in part because of consultants opposed to the curricula and because of right-wing groups, such as Phyllis Schlafly’s Eagle Forum, that objected to the program.
However, due to persistent congressional support for the grants, the program finally broke through in 1989 and began to receive federal funds. During the nearly 40 years Strom spent as head of the nonprofit until her retirement in 2014, its curriculum expanded into classrooms in all 50 states and more than 100 countries.
In recent years, in addition to training thousands of teachers, Facing History brought aging survivors of the Holocaust and other important historic events into hundreds of classrooms to share their stories.
“Margot Strom is a visionary,” former Harvard Law School Dean Martha Minow said when Strom received the 2015 Massachusetts Governor’s Award in the Humanities. “She had a unique idea and she has translated that idea into an organization that has an impact around the world.”
Margot Stern was born Nov. 10, 1941 in Chicago, Illinois to Fan and Lloyd Stern. After the family moved to Memphis, Tennessee, she was exposed to the racism facing Black people and the intolerance that extended to her small Jewish community. “One Jewish cheerleader at a time was the custom on our high school squad,” she recalled, according to a reminiscence by Facing History. “We had Jewish high school sororities and one Jew a year was chosen as an honorary member of a Christian sorority. We all lived by these rules.”
In 1964, Strom earned a bachelor’s degree in history at the University of Illinois Urbana-Champaign. After graduating she became a teacher, starting out in Skokie, Illinois and eventually moving with her husband Terry Strom and their young family to the Boston suburbs, where she taught eighth grade language arts and social studies.
In the spring of 1975, according to Facing History, she and fellow teacher Bill Parsons attended a workshop on the Holocaust and realized how little they taught and how little their students knew about the genocide of Jews during World War II. (Parsons, who would later serve as chief of staff at the U.S. Holocaust Memorial Museum, died in 2016.)
They went on to secure interest and funding from local philanthropists and educators to expand her lesson plans into a curriculum used in classrooms around the country.
“As an educator, Margot believed in her students — whether they were in middle school, high school, or if they were teachers themselves — and their capacity to think deeply about history, about the world we live in, and about how our choices shape society,” Facing History said in a statement. “She imbued in them the ability to act as moral philosophers, and apply the lessons they learned in class to the world around them.”
Roger Brooks succeeded Strom as Facing History’s president and CEO on Dec. 1, 2014. “She deeply understood the need for upstander education and used her charismatic leadership skills to impart this import to teachers and students around the world,” he said in a statement, using a word popularized by Facing History to refer to the opposite of “bystander.”
In comments that presaged the current debate over teaching about racism and gender in public schools around the country, Strom once commented on the schoolroom atmosphere she faced when first promoting the Holocaust studies curriculum.
“There was a powerful silence about race and racism and no mention of antisemitism or the Holocaust,” she wrote in a personal history of the organization. “‘Bad history’ was best forgotten. The Civil War was the War Between the States and we were taught how the South won the major battles. In my Tennessee history class I did not learn who lost the Civil War.”
Strom is survived by her son, Adam, the executive director and cofounder of the Boston nonprofit Re-Imagining Migration; daughter, Rachel Fan Stern Strom of Brooklyn; and four grandchildren. Her survivors also include her brother Gerald Stern, who was an attorney with the civil rights division of the U.S. Justice Department under then-Attorney General Robert F. Kennedy, and her sister, Paula Stern of Washington, D.C., who formerly chaired the U.S. International Trade Commission.
Her husband, Terry Strom, a renowned researcher in organ transplant immunology, died in 2018.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
