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Mayhem at Jewish Federations conference in Tel Aviv as protesters and panelists fight over judiciary and immigration
TEL AVIV (JTA) — A panel at a major American Jewish conference here descended into pandemonium as protesters in the audience shouted down a leading far-right politician.
Panelists also sniped at each other over the government’s controversial attempt to overhaul Israel’s judiciary and its threat to tighten immigration rules.
Security personnel forcibly ejected multiple protesters from the event, which took an unplanned five-minute break to calm the tensions in the room. It was the first reprimand of protesters at a conference whose organizers had made clear they expected them and supported any that did not interfere with the proceedings.
“We wanted very much to include anyone who wanted to be here, to learn and to be part of the conversation. It’s unfortunate it was disrupted so we couldn’t engage in the kind of learning we had hoped for,” Jewish Federations of North America board chair Julie Platt told the Jewish Telegraphic Agency after the interrupted panel. “It was more than we expected.”
The drama at the event surrounded Simcha Rothman, an Orthodox lawmaker who is one of the architects of, and a vocal advocate for, the government’s proposal to sap power from the Supreme Court. Protests against him on Monday began before his speaking engagement and followed him throughout his remarks.
Rothman is the most prominent advocate for the judicial overhaul to speak at the General Assembly, a conference taking place in Tel Aviv and organized by the Jewish Federations of North America. Prime Minister Benjamin Netanyahu was scheduled to speak at the conference’s opening on Sunday night but backed out hours earlier in the face of protests.
Monday morning’s events came about 12 hours after hundreds of protesters demonstrated outside the General Assembly’s opening event. Inside the conference kickoff on Sunday night, addressing the protesters, Platt said, “We see you, we hear you and we are inspired by your love of Israel.”
Rothman opted to come and met opposition in the conference’s halls almost immediately. While sitting with a reporter in the gathering’s breakfast area, a small gaggle of protesters arrived at his table and started chanting “shame” in Hebrew. One protester offered Rothman a bracelet bearing the word “democracy,” which has become the anti-government protests’ one-word slogan, and another yelled, “Rothman, go to hell.”
Some protesters were removed by security guards at the Jewish Federations of North America conference in Tel Aviv, April 24, 2023. (Ben Sales)
The protests intensified at the morning panel, which centered on proposals to change Israel’s Law of Return affording automatic citizenship to Jews, their children and grandchildren. Every time Rothman spoke, a group of protesters standing in a kind of informal ring around the room shouted him down with chants of “shame” and “liar,” in both Hebrew and English. Protesters on one side of the room held Israeli flags — another mainstay of the street protests — as well as an LGBTQ rainbow pride flag.
Multiple protesters were dragged out of the event by security — at least one of whom came back in and continued protesting. One yelled, “Rothman is destroying Israel, destroying our future! My kids! My kids!”
Rothman repeatedly had to pause his remarks and shot back at the protesters throughout his comments.
“What we see here is exactly the problem we need to address, a person that shouts ‘democracy’ while trying to shut up other people,” Rothman said after a protester shouted, “You’re an enemy of the Jewish people!” Rothman later said, “Some people are looking for consensus only when they’re in the opposition.”
The shouting was not limited to protesters in the audience. Rothman’s co-panelists were Yohanan Plesner, the president of the Israel Democracy Institute think tank, and Alex Rif, founder of the One Million Lobby, which advocates for Russian-speaking Israelis. Plesner objected in strong terms both to Rothman’s views on the Law of Return and to the judicial overhaul.
“The government came in with an agenda to fundamentally alter the fragile arrangements that existed for 75 years,” he said. “Somehow this balance was kept because the Supreme Court played a balancing role, and the Knesset and government respected that role.”
Rothman at one point suggested that Plesner join the protests and criticized him personally.
“The person that is the head of the Israeli Democratic Institution [sic] basically praises the idea that an undemocratic organization in Israel, powered in Israel, unelected… will make a decision that as we see are very tense,” Rothman said, referring to the Supreme Court. “Not the democratic body politic of the State of Israel, God forbid.”
Plesner responded by saying, “You’re misrepresenting what I said. Every democracy has an independent court that protects rights.”
Rothman responded, “They lied to you, they lied to the public in the U.S., they lied to the public in Israel.”
The panel’s stated topic, the Law of Return, also led to sharp disagreement. Rothman is in favor of making the law more restrictive by canceling the provision allowing the grandchild of a Jew to gain citizenship. The clause has allowed for a significant proportion of Israel’s Russian speakers to immigrate.
Rothman said the idea of canceling the clause “is not new, it’s not [originally] from this government, it’s to deal with the problem that arose … in the 90s,” when large numbers of Jews immigrated from the former Soviet Union. Because he said the change would mostly affect immigrants from eastern Europe, he suggested it shouldn’t be as concerning to American Jews and added, “Sadly, some people are trying to make this issue a split between American Jewry and Israeli Jewry in an unjustified way. We need to have this conversation and find a solution.”
Rif responded by accusing Rothman of telling Russian-speaking Israelis, ”You’re here by mistake.” She called on Israel to ease immigration for Jews from Russia and Belarus. In an explicit allusion to last century’s American Jewish activism on behalf of Soviet Jewry, which employed the slogan “Let my people go,” she brandished a sign onstage reading “Let my people in.”
Both Rif and Plesner drew cheers from the audience when they spoke.
“When you change the law of Return, you close the door for them forever for the Jewish people,” she said of Russian speakers already living in Israel. “You’re telling them, ‘We don’t want you here.’ Now, they’re living here for 30 years feeling second-class.”
Following particularly intense protests and onstage argument, Jewish Federations personnel called for a five-minute break. Protests against Rothman continued following the break, though the panel’s discussion continued. After the break, Plesner offered an olive branch of sorts to Rothman.
“I want to say, to Simcha Rothman’s credit, that he is a staunch ideologue. I disagree, almost, with everything he says, but he’s a staunch ideologue,” Plesner said. “Before the elections he said exactly what he’s going to promote. We sat together, and he said so.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

