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Mike Pence and the Jews: What to know as he begins a presidential campaign
WASHINGTON (JTA) — Until the Jan. 6 insurrection, Mike Pence made sure to stay on the same page as Donald Trump — except, sometimes, when it came to the Jews.
Both men delighted the pro-Israel establishment — Trump by fulfilling a long wishlist of Israel’s right-wing government, Pence by proving himself as a stalwart Christian Zionist through years in elected office. But just weeks after Trump assumed office, the difference in how each man approached Jewish anxieties was already stark.
Jewish community centers and other Jewish institutions were getting bomb threats, and a Jewish journalist asked the president what he planned to do about antisemitism. Trump lashed out, accusing the reporter of lying and quipping, “Welcome to the world of the media.”
A week later, Jews in St. Louis were reeling after a vandal knocked over over 150 tombstones in a Jewish cemetery. Pence was in town and took the opportunity to condemn the bomb threats and the vandalism as “a sad reminder of the work that still must be done to root out hate and prejudice and evil.” Then, he headed over to the cemetery, picked up a rake and helped clean up the mess.
Pence’s bid is the longest of shots. He polls in the low single digits, while Trump leads in the polls. The former president routinely depicts Pence as a traitor for not trying to hand him the election when Pence presided over the certification of the electoral vote on Jan. 6, 2021. Pence, meanwhile, has said Trump’s behavior that day endangered his family. If Pence does succeed in unseating his old boss, it will be because he’s tapped into a deep thirst among some Republicans for a more conventional candidate to wean the party off Trump.
No matter how he does in the race, here’s what you need to know about Mike Pence and the Jews.
He has been pro-Israel from the get-go
First elected to the U.S. House of Representatives as an Indiana Republican in 2000, Pence made clear from the outset that defending Israel was among his priorities.
“My support for Israel stems largely from my personal faith,” he told Congressional Quarterly in 2002. “God promises Abraham, ‘those who bless you, I will bless, and those who curse you, I will curse.’”
In his autobiography published last year, “So Help me God,” he credits his interest in Israel and in Jewish issues to his late sister-in-law, Judy, “an elegant, sophisticated young woman from a prominent Jewish family in Milwaukee” who married his brother, Thomas, “a pickup-driving, dirt bike-riding, banjo-playing country boy from southern Indiana.” Pence wrote, “She made him a better man.”
For years, he has placed a quote from the Biblical book of Jeremiah above the fireplace in his personal and then his official residences — in the governor’s mansion in Indiana and then in the vice president’s residence in Washington, D.C: “For I know the plans I have for you, plans to prosper you, and not to harm you, plans to give you a hope, and a future.”
“They’re words to which my family has repaired to as generations of Americans have done so throughout our history, and the people of Israel through all their storied history have clung,” Pence told a conference of Christians United for Israel in 2017.
In Congress, Pence took the lead in advancing pro-Israel legislation, especially in defending the barrier Israel built cutting through portions of the West Bank to shield Israel and some of its settlements from terrorist attacks. Together with Rep. Ron Klein, a Florida Democrat, and the late Tom Lantos, a California Democrat who was the only Holocaust survivor elected to Congress, he co-founded the House’s antisemitism task force.
Lantos, Pence said in his autobiography, had a profound influence on him. “He and I almost always disagreed on politics, but I was always inspired by his moral clarity and courage,” he wrote. Klein now chairs the Jewish Democratic Council of America.
As Indiana governor in 2016, Pence enacted the first state law banning state business with firms that support the boycott, divestment and sanctions movement targeting Israel, known as BDS. The bill also applied to businesses that boycott Israel’s settlements — one of the first pieces of legislation to erase the line between Israel and the West Bank.
Later that year, the Republican Jewish Coalition effusively praised Pence’s selection as Trump’s running mate, calling him “a critical leader and important voice regarding Israel during his time in the House and as governor.”
He attended every policy conference of the American Israel Public Affairs Committee during the Trump administration; Trump avoided all of them.
His evangelical beliefs shape his domestic policy
One of the most prominent issues of the 2024 election will be abortion, following the Supreme Court’s repeal of Roe v. Wade last year. The decision gave states the authority to determine reproductive rights and led to the swift narrowing of abortion access in many states. On abortion and other issues including LGBTQ rights, Pence departs from most of the Jewish community, where support for abortion access and LGBTQ issues are high.
A number of Republicans — chief among them Trump — believe that the party should take the win and not pursue further abortion restrictions, arguing that the decision last year contributed to Republican losses in the midterm elections.
Not Pence: he wants to ban abortion nationwide. “Having been given this second chance for life, we must not rest and must not relent until the sanctity of life is restored to the center of American law in every state in the land,” he said after the court’s decision.
Pence also has a long career of opposing LGBTQ rights. When he was governor, he sought to exempt Indiana from a Supreme Court ruling recognizing same-sex marriages. As a congressman, he opposed funding for outreach to HIV patients that he said promoted gay lifestyles. (His handling of an HIV outbreak in Indiana is understood to have worsened it.)
As Indiana governor in 2015, Pence signed one of the most far-reaching state laws allowing businesses to decline to serve LGBTQ customers. Businesses threatened to boycott the state, and he soon signed modified legislation that increased protections for LGBTQ people.
Months later, Pence was facing questions about why he pushed through the law from the Republican Jewish Coalition, a group that trends moderate on social issues and whose director said members had “a lot of questions” about the legislation. His tone was apologetic. “Ultimately we adopted a few reforms and made it clear this was a shield, not a sword,” he said of the bill.
He was the Trump administration’s top trauma whisperer for the Jews
During his time as vice president, Pence was often the favored spokesman when tragedy befell the Jews.
In 2018, at a Trump administration religious freedom event, Pence singled out the threats of violence faced by Jews in Europe, including in countries seen as allies by Trump.
“While religious freedom is always in danger in authoritarian regimes, threats to religious minorities are not confined to autocracies or dictatorships,” he said “They can, and do, arise in free societies, as well — not from government persecution but from prejudice and hatred.”
The same year, he said he was “sickened and appalled” at Nazi graffiti on an Indiana synagogue he knew well.
In 2019, he and his wife visited the Chabad synagogue in Poway, California, after a deadly attack by a white supremacist. “We had to come,” he told the rabbi.
The same year, he toured Auschwitz and the next year, he attended the Fifth World Holocaust Forum at Yad Vashem, Israel’s Holocaust memorial.
Some efforts to mark Jewish tragedy went awry. In 2018, when Pence marked International Holocaust Remembrance Day, Jewish figures chided him for imbuing Christian imagery in his celebration of Israel’s founding in the wake of the Holocaust. “A few days ago, Karen & I paid our respects at Yad Vashem to honor the 6 million Jewish martyrs of the Holocaust who 3 years after walking beneath the shadow of death, rose up from the ashes to resurrect themselves to reclaim a Jewish future,” he said on Twitter.
It was not the last time a Pence event would bring Christian themes into Jewish mourning. Pence was scheduled on Oct. 29, 2018, to campaign in Michigan for a Jewish Republican running for Congress, Leah Epstein.
Two days earlier, a gunman massacred 11 Jewish worshippers at a synagogue in Pittsburgh, the worst-ever attack on Jews in U.S. history. Epstein invited a Messianic Jewish leader to deliver a prayer. Messianic Jews, who call their spiritual leaders rabbis, believe in the divinity of Jesus, and Jewish groups took offense. That led Pence’s folks to scramble to tell reporters that he was unaware that the rabbi was not, in fact, Jewish.
Pence was not among the many Trump administration figures and supporters who urged the president to walk back his “very fine people on both sides” equivocation after a neo-Nazi march in Charlottesville, Virginia, in August 2017 in which a counter-protester was killed. The vice president defended his boss: “I stand with the president,” he said when asked about Trump’s statements.
Trump-Pence vs. Trump
Pence, increasingly at odds with his former boss since their Jan. 6, 2021, falling-out, has a unique way of distinguishing Good Trump from Bad Trump: He portrays the administration’s wins as “Trump-Pence” policies, while the not-so-salutary stuff is Trump’s alone.
That dynamic was in evidence last November at the annual conference of the Republican Jewish Coalition in Las Vegas, when Pence was among an array of presidential prospective candidates to speak, including DeSantis, Nikki Haley and Trump himself.
Moving the embassy to Jerusalem? “Trump-Pence.” “It was the Trump-Pence administration that kept our word to the American people and our most cherished ally, when we moved the American embassy to Jerusalem, the eternal capital of the state of Israel,” Pence said.
As for Trump’s false claims that he won the 2020 election? Pence didn’t directly name the former president, but differentiated himself from him.
“The American people must know that our party keeps our oath to the Constitution even when political expediency may suggest that we do otherwise,” Pence said then. “We must be the leaders to keep our oath even when it hurts.”
Will he get Jewish funding?
Until filing papers on Monday, Pence’s main vehicle for fundraising has been a 501(c)4, a political advocacy group that is not required to reveal donors or extensive financial information. Advancing American Freedom has said its aim is to raise tens of millions of dollars to promote Pence’s favored conservative causes.
Now that he’s in the race, it will be interesting to watch where Pence draws Jewish support. One clue may be in a plane ride: Last year, Pence went on a campaign style tour of Israel and Ukraine. Loaning him the plane was Miriam Adelson, the widow of casino magnate and Republican kingmaker Sheldon Adelson.
Adelson has since said she’s not planning to get involved in the GOP primaries.
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The post Mike Pence and the Jews: What to know as he begins a presidential campaign appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”