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NBA player Meyers Leonard opens up on his antisemitism scandal to Jewish ESPN reporter

(JTA) — Nearly two years after NBA player Meyers Leonard was caught using an antisemitic slur on a video game platform, the former first-round pick opened up about the incident and his subsequent journey toward forgiveness in an interview with Jewish ESPN reporter Jeremy Schaap.

“I know that I made a huge, huge mistake,” Leonard told Schaap, an 11-time Emmy winner who has produced other Jewish-themed content for ESPN. “And like, how in the world did this ever happen? I couldn’t harm a fly.”

Leonard, then a member of the Miami Heat, used the word “kike” while livestreaming a “Call of Duty” video game on the Twitch streaming platform in March 2021. The backlash was swift: Leonard was suspended by the Heat and fined by the league. He was then traded and released.

Leonard apologized the following day, writing, “I am deeply sorry for using an anti-Semitic slur during a livestream yesterday. While I didn’t know what the word meant at the time, my ignorance about its history and how offensive it is to the Jewish community is absolutely not an excuse and I was just wrong.”

The 7-footer was also injured at the time of the incident, and hasn’t played in the NBA since. But now he is healthy and attempting a comeback, having recently worked out for the Los Angeles Lakers.

Schaap spoke to Leonard for the ESPN Daily podcast, relaying the experience to host Pablo Torre.

Leonard, who said he has not yet forgiven himself, told Schaap about the toll the mistake took on him, which included needing 24-hour security because of threats made against him and his family. He even thought about ending his life.

“I felt like I had just destroyed my life and everything that I had worked for, to be honest,” Leonard said.

Torre framed the Leonard episode in the context of Kyrie Irving’s recent antisemitism scandal, saying Irving “became the new face of the foremost antisemitism scandal, in not just NBA history, but modern sports history.”

Schaap alluded to the recent rise in antisemitism across the United States, including the deadly 2018 Pittsburgh synagogue shooting. “This has been, the last several years, a time at which the Jewish community has felt more under attack than it has in a long time,” Schaap said.

Schaap said he began his interview by asking if Leonard knew what he was saying when he used the slur.

“Absolutely not,” Leonard said. “Again, there are absolutely no excuses for what happened that day, and ignorance, sadly, is a very real thing. And that’s what I was.”

Leonard added that he likely learned the word from being active in online gaming, which is often a hotbed for antisemitism and other forms of hate.

Schaap and Torre provided a brief history and explanation of the slur, and Schaap said he was inclined to believe Leonard when he said he did not know its meaning.

“I talked to younger Jewish people from metropolitan areas who said they had never heard the word, and that was shocking to me,” said Schaap. “Now Meyers Leonard, of course, had heard the word, because he used it, which is different. But it does seem highly plausible to me, knowing all these younger Jewish people who don’t know what the word means, that he didn’t know what it means.”

Schaap and Leonard also retraced the timeline of the controversy, from the moment he uttered the word online to his engagement with the local Jewish community in South Florida. Just days after the incident, Leonard met with Pinny Andrusier, a rabbi affiliated with the Chabad-Lubavitch movement in nearby Broward County.

“You’re a good man with a good soul,” Leonard recalled Andrusier telling him. “This happened for you, not to you. You’ll understand eventually.”

From there, Leonard met others in the local community, including Holocaust survivors, and also met with representatives from the Anti-Defamation League and the Greater Miami Jewish Federation.

Schaap asked Leonard if he had absorbed anything from Jewish culture or tradition into his own life. His answer: love.

“Walk outside your door, love people,” Leonard said. “Be kind. Forgive. Through a big mistake of mine, I met a loving community. I met people who had been through extremely difficult times, yet they loved me. And they wanted me to love myself.”

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The post NBA player Meyers Leonard opens up on his antisemitism scandal to Jewish ESPN reporter appeared first on Jewish Telegraphic Agency.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons

If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.

Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.

“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.

A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.

Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.

“Falcons were up 28-3 at Dunkirk,” that tweet read.

The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.

All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.

The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

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