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News from Syria shouldn’t distract from what’s been going on in Gaza

By BERNIE BELLAN Amidst the head-spinning news coming out of Syria this past week, it’s easy to forget that there is still a war going on in Gaza. What, exactly, Israel’s government is trying to accomplish there now is not easy to figure out.
The Israel Defense Forces would seem to have achieved all their military goals, including completely nullifying Hamas and Islamic Jihad as threats to Israel, so what more does the Israeli government (and here, I want to clearly differentiate between the goals of the government and the goals of the IDF) hope to accomplish?
In asking that, I want to reflect on two recent articles that appeared in Haaretz. One was about a Hebrew University professor by the name of Lee Mordechai, who has been carefully cataloguing war crimes that the IDF has been committing in Gaza.
Here is the introduction to that Haaretz article: “A woman with a child is shot while waving a white flag ■ Starving girls are crushed to death in line for bread ■ A cuffed 62-year-old man is run over, evidently by a tank ■ An aerial strike targets people trying to help a wounded boy ■ A database of thousands of videos, photos, testimonies, reports and investigations documents the horrors committed by Israel in Gaza”
The article goes on to note that “The report Dr. Mordechai has compiled online – “Bearing Witness to the Israel-Gaza War” – constitutes the most methodical and detailed documentation in Hebrew (there is also an English translation) of the war crimes that Israel is perpetrating in Gaza. It is a shocking indictment comprised of thousands of entries relating to the war, to the actions of the government, the media, the Israel Defense Forces and Israeli society in general.”

In talking with many people about what’s been going on in Gaza over the past year and a half, the reaction I often receive when I suggest that Israel achieved all its military goals very early on in this war is: “Good, let them keep on hitting them so that they’ll never pose a threat to Israelis again.”
That’s understandable, but the dehumanization of the Palestinians in Gaza is something that many of us find detestable. If Israeli soldiers have lowered themselves to the same level of brutality as their enemies, is that anything to be proud of?
As for the rationalizations that by now we’ve become so accustomed to hearing – that you have to fight dirty when you’re fighting terrorists or that the IDF maintains the highest principles of conduct – notwithstanding any evidence to the contrary, simply don’t excuse the kinds of behaviour that Dr. Mordechai describes in graphic detail in his report.

As if that weren’t enough to lead one to doubt Israel’s ongoing campaign in Gaza – which is being pushed forward by the right wing forces who are calling the shots within the Likud-led government of Israel, there was yet another thorough indictment of Israel’s strategy offered up recently, this time by former Defense Minister and Army Chief of Staff Moshe Ayalon, who accused the IDF of engaging in “ethnic cleansing” in northern Gaza.
In an interview with Channel 12 news in Israel, Ayalon maintained that “The IDF is not the most moral army in the world.”
Later in that same interview, Ayalon offered two clarifications of what he meant by using the term “ethnic cleansing.” According to a report, also in Haaretz, Ayalon explained that “First, his definition of ethnic cleansing did not include genocide, but rather ‘evacuating civilians from their homes and demolishing those homes, as is happening in Beit Hanoun and Beit Lahiya.’ He also said that he does not hold the military responsible for these crimes but rather the government, in particular far-right lawmakers like National Security Minister Itamar Ben-Gvir and Finance Minister Betzalel Smotritch, who have repeatedly declared their intentions to build Jewish settlements in Gaza.”

I would venture to say that, if you didn’t know who it was that offered that assessment of what Israel has been doing in Gaza, you would likely think that it came from one of the usual suspects, such as UN Secretary-General António Guterres. The fact that it came from a former Israeli defense minister, also a former IDF chief of staff, not to mention a member of the Likud Party, should lend it some credibility.
But, in the black and white worldview that permeates so many individuals’ thinking when it comes to what Israel has been doing in Gaza, Ayalon would no doubt simply fall into the category of naive critics of Israeli policy according to so many defenders of Israeli government policy.

It’s hard to know where readers of this publication stand, however, on what Israel has been doing in Gaza. There have been almost no letters to the editor commenting on this particular issue – not that letters to the editor offer a true picture of people’s thinking. Further, I don’t make it a habit of engaging everyone I meet in a conversation centering on Israel’s strategic goals in Gaza. Frankly, as is with the case involving a discussion of Donald Trump, tempers can flare easily – and trying to engage in a relatively dispassionate conversation about either Gaza or Trump isn’t easy.

But, a recent survey conducted by three different Canadian Jewish groups shows how diverse opinions are among Canadian Jews are when it comes to Israel.
The survey was conducted by marketing firm Leger and was sponsored by the New Israel Fund, JSpaceCanada and Canadian Friends of Peace Now.
Here are some of the findings from that survey:
• While 84% of Canada’s Jews say they are “very” or “somewhat” emotionally attached to Israel and 94% percent support the existence of Israel as a Jewish state, just 51% of Canadian Jews consider themselves Zionists.
• The poll also found that 34% of Canadian Jews believe the continued building of Jewish settlements in the occupied West Bank hurts Israel’s security, with only 27% saying they believe it helps Israel’s security. The remainder of those polled either said it made no difference or they didn’t know.
• Most Canadian Jews still believe that the ideal outcome to the Israeli-Palestinian conflict is a two-state solution – a Jewish state of Israel alongside an Arab state of Palestine, with 61% support amongst Canadian Jews with an opinion on the subject. 55% of Canadian Jews agree that Canadian politicians should increase pressure on Israeli and Palestinian leaders to engage in a meaningful peace process.
• Canadian Jews are also more likely to indicate their intention to vote for the federal Conservative party if the election were to be held tomorrow, with 55% indicating support for the Conservatives, and 26% for the Liberals. These trends are similar to those in the general population, but the decline in Liberal support and increase in Conservative support is more pronounced among Jews.

I would suggest that the majority of Canadian Jews don’t pay much attention to what Jewish federations do – and here it’s important to note that determining who is Jewish is not easy – as I showed repeatedly ever since the results of the 2020 census came out. (For instance, I was able to establish that only 6700 Winnipeggers identified as Jewish both in terms of their religion and ethnicity in that census.)
The groups that conducted this most recent survey of Canadian Jews’ attitudes would likely not be considered mainstream Jewish organizations in the sense that they do not follow along with what our Jewish federations and CIJA would suggest is the nominal position of most Canadian Jews on Israel. All three are highly critical of Israeli government policies and all three strive to promote peaceful co-existence among Israeli Jews and Palestinians.

Yet, by referring to the work done by Prof. Mordecai documenting Israeli war crimes in Gaza, the assessment that Moshe Ayalon offered that what Israel has been doing lately in Gaza amounts to “ethnic cleansing,” and the recent survey of Canadian Jews’ attitudes towards Israel, I wanted to show how thoughtful Jews – whether they’re in Israel or in Canada, can hold highly divergent opinions from what you are likely to read in most Jewish media (including The Jewish Post). If nothing else, if I can get some readers to consider different viewpoints when it comes to thinking about Israel, I will have accomplished something.

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It was once Sweden’s only news broadcast — what did it say about Israel?

The team behind Israel and Palestine on Swedish TV 1958-1989 bares it all with the title of their documentary. It is, in fact, three and a half hours of footage about the conflict from the Swedish public broadcaster Sveriges Television AB (SVT), stitched together in mostly chronological order.

SVT was founded in 1956 and held a monopoly on news broadcasts in Sweden until the early 90s, when the commercial channel TV4 was launched. The intention behind SVT programs was to present impartial news produced solely by Swedes.

In the two years since the beginning of the current war, there’s been a renewed interest in understanding the history of the Israeli-Palestine conflict. For those well-versed in the region’s history, they likely won’t learn anything new here. For those who don’t know much, it’s a good crash course — if one considers three and a half hours to be succinct.

Sveriges Television AB reporter Vanna Beckman and Ghassan Kanafani. Courtesy of Icarus Films

The film, directed by Göran Hugo Olsson, documents many major developments that happened in Israel during those three decades, including big waves of American immigration in the 60s, economic growth, and, of course, the Six Day and Yom Kippur wars. Although the early footage focuses on Israel’s impressive agricultural projects and the modernization of the country’s major cities, as the years go on, the increasing focus is on the plight of Palestinians in Lebanese refugee camps and the Gaza Strip, as well as political unrest within Israel.

The film opens with the statement that archival material “doesn’t tell us what really happened — but says a lot about how it was told,” so the broader implications of the footage are left up to the viewer’s interpretation. Some may see a welcome, growing awareness of Palestinian suffering. Others may see overly harsh criticisms of Israeli policies that disregard the country’s security issues. With no elaboration or editorializing, it doesn’t feel like the film is helping clarify or challenge the audience’s preconceived notions about the conflict.

And although the footage is Swedish, it’s unclear what, if anything, that lends to the conversation. There is barely anything in the film about Swedish attitudes towards Israel, though we get a peek into diverging viewpoints during a 1964 debate between diplomat Gunnar Häglöff and political scientist Herbert Tingsten about the issue of Palestinian refugees. In a 1968 broadcast, two Swedish journalists question Israeli Deputy Prime Minister Abba Eban about the Israeli government destroying Arab homes. There are also interviews with Swedish soldiers from the United Nations who were stationed at a former railway station on the border between Gaza and Egypt in 1975. They have little to say about the conflict, however, and are more interested in discussing how they can build a sauna, a luxury from home they can’t live without.

Conscripts for obligatory Israeli military service in 1967. Courtesy of Icarus Films

How the Swedish government or its citizens have felt about Israel over the years remains strangely obscured. Whatever impact this footage may have had on Swedish-Israel relations and how these broadcasts were received is never discussed. It’s especially unfortunate that the films offers no way to compare the countries’ past relationship to current diplomatic tensions around Israel’s treatment of activist Greta Thunberg

With the humanitarian crisis in Gaza growing more dire and the future of Israel’s democracy becoming an increasingly pressing issue, one wonders what can be gained from the rehashing of history on view in Israel and Palestine on Swedish TV. The documentary primarily underscores a point most people already understand by now: The situation in Israel and Palestine is complicated. It’s violent. It feels neverending. Most people probably don’t need to watch a three and a half hour documentary to tell them that.

‘Israel and Palestine on Swedish TV 1958-1989’ opens at Film Forum NYC on October 10th.

The post It was once Sweden’s only news broadcast — what did it say about Israel? appeared first on The Forward.

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It was one of klezmer’s greatest days — will there ever be another?

18 years ago, America’s finest and most influential klezmer musicians gathered on the steps of the historic Eldridge Street Synagogue, on Manhattan’s Lower East Side, for a photograph.

The picture was organized by Yale Strom, a violinist and klezmer musician who, having watched ‘A Great Day in Harlem,’ a documentary about Art Kane’s celebrated 1958 shot of America’s best-known jazz musicians, sought to do something similar by assembling those responsible for America’s klezmer revival. Strom called the photo, which was taken by Leo Sorel, ‘A Great Day On Eldridge Street’.

Whereas most of the musicians in Kane’s photograph knew each other, and indeed were friendly, a good few of Strom’s klezmer musicians had never met. “It certainly brought together a lot of people who had never been together at the same place at the same time,” recalled Hankus Netsky, a founding member of the Klezmer Conservatory Band and a central figure in the klezmer revival.

For Strom, this remains the photograph’s abiding achievement. “I accomplished something no one had ever done,” he told me. “And most likely never will.”

Several of the 106 musicians photographed that day have since passed away, including Theodore Bikel, one of the founders of the Newport Folk Festival; Elaine Hoffman Watts, the first female graduate of Philadelphia’s Curtis Institute of Music; and renowned Yiddish poet and songwriter Beyle Schaechter-Gottesman. But American klezmer has continued to grow in popularity, thanks to the contributions of Don Byron, John Zorn, Jake Shulman-Ment, and Pete Rushefsky, among numerous other performers.

‘A Great Day on Eldridge Street’ was partly a celebration of American klezmer’s New York roots, and of the Lower East Side’s historic Eastern European Jewish immigrant community, but since 2007, the klezmer revival, which began in the late 1970s, has taken on an increasingly international character. “There’s a lot more access to international workshops now, and klezmer’s presence in the global music scene is only increasing from year-to-year,” Netsky said.

“The music is larger and more varied,” Strom added. “More sounds, more venues, more academic study, and more global cross-pollination.”

And though the 2007 photo cannot be recreated, it is past time for a sequel, Netsky said — one that honors “the incredible dedication and virtuosity of the younger generation.”

The post It was one of klezmer’s greatest days — will there ever be another? appeared first on The Forward.

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Has the Jewish joke become an endangered species — Òu sont les blagues d’antan?

Is the Jewish joke on the verge of becoming extinct?  The Last Jewish Joke, written by the veteran Parisian sociologist Michel Wieviorka, and newly translated into English by Cory Stockwell, argues that in recent years, Jews began to seem less heimish for at least three reasons: The Holocaust receded from memory; Israel’s government became guilty of actions decried internationally as war crimes; and right-wing antisemites who were always present became more boldly vocal.

Reminiscing about when he heard certain jokes, the author compiles his own consoling self-portrait in an autumnal mood. Wieviorka will be 80 next year, and his prose has a tendency to poignantly deem things as the “last” or at their “end.”

English language readers may need to be reminded that, when Wieviorka alludes to family situations in which he first heard Jewish jokes, it is in the context of his distinguished family of overachievers. His sister Annette is an eminent historian of the Holocaust. Another sister, Sylvie, is a psychiatrist and academic, and a brother, Olivier, is a historian specializing in World War II and the French Resistance. The entire mishpocheh is inspired and motivated by the memory of their paternal grandparents, Polish Jews who were murdered at Auschwitz. Indeed, Annette Wieviorka recently published a “family autobiography,” which asked subtle, eloquent, and nuanced questions about her antecedents.

In a comparable emotional aura of reverence, Wieviorka characterizes Jewish comedy of the past as “never malicious” (though apparently insult comics like Jack E. Leonard, Don Rickles, and Joan Rivers never got the memo).

The notion that joking Jews had to be sympathetic victims to elicit empathy from non-Jewish audiences may be true of some raconteurs, but is also belied by historical examples of potty-mouthed rapscallions like Belle Barth, B. S. Pully (born Murray Lerman) and Joe E. Ross (born Joseph Roszawikz), who startled nightclub audiences of their day with profanity.

Later Jewish shock jocks of the Howard Stern variety likewise chose to surprise, rather than charm, the public as a way to win notoriety. And Larry David’s Curb Your Enthusiasm, far from relying on vulnerable Jews as victims, presented characters screaming putdowns to elicit hilarity.

French sociologist Michel Wieviorka, seen here in 2016, is the author of ‘The Last Jewish Joke.’ Photo by Getty Images

To bolster his arguments, Wieviorka refers to the counterexample of Popeck (born Judka Herpstu), a demure, wry entertainer of Polish and Romanian Jewish origin, who at 90 still appears at French theaters with gentle monologues akin to those of the Danish Jewish wit Victor Borge. Popeck presents himself onstage as a grumpy Eastern-European immigrant speaking Yiddish-accented French.

Wieviorka values such exemplars of rapidly vanishing tradition; as a social scientist, he is convinced that because communal settings such as the Borscht Belt no longer exist, the comics who once flourished on hotel stages in the Catskills have disappeared from memory.

To be sure, American standups like Myron Cohen, Jan Murray, and Carl Ballantine, once familiar from TV variety shows, are rarely mentioned now, though  others like Eddie Cantor are periodically rediscovered by a new public, as Cantor was when he showed up as a character in HBO’s Boardwalk Empire. But in his autobiographical deep dive, Wieviorka, who writes here more as a memoirist than a history of comedy, is naturally more concerned with things that he personally saw or heard, rather than any objective history of Jewish comedians through the ages.

Wieviorka also somewhat curiously refers to the “Yiddish-inflected” comedy of Groucho Marx. Apart from the word “schnorrer” which appears in “Hooray for Captain Spaulding,” a song written by Harry Ruby and Bert Kalmar, it is difficult to think of many other explicit Yiddishisms in Groucho’s verbal elan.

Wieviorka’s anecdotes tend to be hefty and hearty, like a family repast of kreplach that remains in the visceral memory for days after being consumed. Some of the quaintly old fashioned tales he refers to recall the precedent of Sigmund Freud’s The Joke and Its Relation to the Unconscious, a dissection of pleasantries that reflects a sturdy Yekke approach to light-heartedness. Of course, in this optic of Jewish humor, there is no room for concise one-liners from the likes of Henny Youngman or Rodney Dangerfield (born Jacob Cohen). For Wieviorka, as with Freud, brevity was so far from being the soul of wit that it might almost seem non-Jewish.

Another of Wieviorka’s claims appears to conflict with Jewish tradition itself, such as when he states that funny Jews laugh at themselves, never at others, negating the othering of mocked and disdained people in Chelm, a legendary village in Yiddish folklore inhabited by fools who believe themselves to be wise.

To support some of his claims, the author discusses the 1970s French film The Mad Adventures of Rabbi Jacob, a box office success, now somewhat frantic and dated-looking, starring the popular Gallic comedian, Louis de Funès disguised as a rabbi. More to the point, Wieviorka justly reveres the French Jewish comedian Pierre Dac for his still-fascinating wartime broadcasts from London for the Free French forces. Dac’s sense of humor simultaneously expressing Yiddishkeit and also undermining the enemy’s Fascist ideology is a subject that might have intrigued Freud himself.

To bolster the essentially serious messages of his book, Wieviorka mentions the writers Elie Wiesel and André Schwarz-Bart as well as the painter Marc Chagall, names rarely seen in books about humor.

Wieviorka’s elegiac, end-of-an-era tone might be cheered up by a glance at the Netflix streaming schedule or a visit to a comedy club. Of course Jewish humor is thriving, as Wieviorka himself admits; Le Monde headlined a relevant story about the aftermath of the Oct. 7 attacks, “Israeli comedians are boosting morale in wartime.”

So, for all its methodical, highly intellectual analysis, The Last Jewish Joke might be best appreciated as a moving Kaddish for the demise of anecdotes that were once considered the height of drollery. It is very much a product of brainy French Jewish creativity, which itself deserves to be cherished and celebrated.

 

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