Uncategorized
On display at Germany’s embassy in Israel: portraits of Holocaust survivors that seek to reclaim their stories
TEL AVIV (JTA) — The first time Gidon Lev encountered Holocaust denial was after becoming an unwitting TikTok star at the age of 86.
“I was totally shocked. How could this be?” he told the Jewish Telegraphic Agency about receiving dozens of comments accusing him of lying about the years in a Nazi concentration camp as a child.
“If only I was a liar,” he said. “Then I would have a father, grandparents, cousins, aunts, and uncles. I would have had a childhood.”
With half a million followers on the popular social media platform and 8.3 million likes, Lev says his message, of fighting hate and standing up for the oppressed, is a universal one. “The Holocaust is an example of just how cruel and horrible hate can get if you let it,” he said.
Now, his story is getting another showcase — on the walls of the German Embassy in Tel Aviv. Lev is one of 25 Holocaust survivors featured in a new exhibition titled Humans of the Holocaust set to open there on Wednesday, in a display timed to Yom Hashoah.
The Humans of the Holocaust exhibit at the German embassy in Tel Aviv. (Erez Kaganovitz)
“The significance of exhibiting on Israel’s Holocaust Memorial Day at the German embassy in sovereign Israel is not lost on me,” said Erez Kaganovitz, the photographer behind the Humans of the Holocaust project.
Kaganovitz, who is based in Tel Aviv, said he launched Humans of the Holocaust as an offshoot of his Humans of Tel Aviv photo project several years ago after one photograph in the series went viral. (Humans of Tel Aviv itself is inspired by the landmark Humans of New York project.) The photo portrays four forearms — those of Holocaust survivor Yosef Diament, his daughter and his grandchildren — all tattooed with the same number. Diament’s family tattooed his Auschwitz inmate number as a tribute to him. Kaganovitz was shocked when commenters asked why someone would tattoo a barcode on their arm.
Around that time, Kaganovitz, the grandson of survivors who worked as a journalist and in government before turning to photography, came across a survey highlighting ignorance among young people about the Holocaust. The survey, commissioned by the Claims Conference, found that 66% of American millennials did not know that Auschwitz was a Nazi death camp.
At first, he said, the survey angered him. But then he realized that by the time he was in his late teens, and after having Holocaust education hammered into him from a young age, he didn’t want to have any connection to the Holocaust either.
“I thought if I don’t connect with it, why would someone from Lexington, Kentucky, want to engage with it?”
Kaganovitz has joined a growing coterie of photographers seeking to change the paradigm of “dark and gloomy” Holocaust-related material, of black-and-white stills, of unfathomable despair, of numbers too large to comprehend.
“I wanted to tell human stories with a global message, with optimism. Something that people could engage with,” he said, while stressing that by doing so he is not trying to whitewash or downplay the Holocaust atrocities.
That mission resonated with the German embassy. “We need to find new ways to engage the public and especially the younger generation,” German Ambassador to Israel Steffen Seibert said in a statement about the exhibition, which is billed as digital storytelling for a digital age.
Left; Photographer Erez Kaganovitz at work on his Humans of the Holocaust project. (Courtesy of Erez Kaganovitz); Right: Portrait of Michael Sidko, the last survivor of the Babyn Yar massacre, surrounded by bullets. (Erez Kaganovitz)
The photos are intentionally arresting, aimed at piquing people’s curiosity enough to stop them scrolling their feeds. One example is a portrait of Michael Sidko, the last survivor of the Babyn Yar massacre, whose head, which appears to be dismembered, is embedded in thousands of bullet casings. The image, which took six months to stage because of the complexity involved, aims to raise awareness about the 2 million people exterminated in the Soviet Union and Ukraine, the so-called “Holocaust by bullets.” In the text accompanying it, a quote from Sidko reads: “The sights, sounds, and smell of gunpowder still haunt me to this day.”
Another photograph features Dugo Leitner, a survivor of Auschwitz-Birkenau, clutching a yellow-gold balloon in the shape of a Jewish star with the word “Jude” on it. Leitner’s expression, like the rest of the photo, is a jarring blend of whimsy and enervation.
The pose represents one of Leitner’s attempts at reclaiming his story — along with his growing movement to make eating falafel an act of survival. “I am taking ownership of the symbol that turned me into a subhuman and turning it into an optimistic and smiling creation,” he said.
Among the images of elderly survivors, some with yarmulkes and some without, is a portrait of a woman in a black hijab with Quranic verses behind her. Leila Jabarin was born Helene Berschatzki in a concentration camp in Hungary. At 15, after fleeing with her family to Israel, she fell in love with a Muslim Arab with whom she eventually married. Jabarin, who did not share her identity with her children until they were adults, rejects particularism in her message to the world. “Hatred knows no boundaries. Once I was persecuted for being a Jew; now people are after me for being a Muslim,” she told Kaganovitz.
Lev’s own portrait features the TikTok star in front of a wall with the words “we were all once refugees” graffitied on it, a remnant of a raging dispute surrounding African migrants in Israel. Lev became a refugee at 3 years old when Hitler occupied the Sudetenland. He recalls the moment that he was forced to abandon his new red tricycle as marking his transformation into a “human without a country.” After his release from the Theresienstadt concentration camp at age 10, Lev would become a refugee in New York and later in Toronto, Canada. In 1959, he emigrated to Israel, “the only country that would have me, not as a refugee, but as a bonafide citizen.”
About 147,000 Holocaust survivors currently live in Israel, according to data released this week. Their average age is 85, and about 15,000 survivors died over the past year — a pace that is prompting innovations around the world in how the Holocaust is memorialized and taught about.
Kaganovitz is careful not to “coerce” his own knowledge about the Holocaust onto his viewers, he said. Both in their online format and at the exhibition, the photographs are accompanied by a short text to provide context and links are shared for further reading.
“I just want to bring them to the table for now. When you’re fighting for attention alongside all these celebrities that get millions of views, you have to make your content interesting enough,” he said. “Because if we don’t, it’s only a matter of time before 90% [of youth] have never heard of Auschwitz.”
—
The post On display at Germany’s embassy in Israel: portraits of Holocaust survivors that seek to reclaim their stories appeared first on Jewish Telegraphic Agency.
Uncategorized
Jewish languages meet in Birobidzhan
אויף אַן אינטערנאַציאָנאַלן ייִדישן קולטור־פֿעסטיוואַל לעצטנס אין ביראָבידזשאַן האָט מיך, ווי אַ ייִדישיסט, באַזונדערס פֿאַרחידושט די אינערלעכע ייִדישע פֿיל־שפּראַכיקייט.
דער „אינטערנאַציאָנאַלער פֿעסטיוואַל פֿון ייִדישער קולטור און קונסט“ איז פֿאָרגעקומען פֿונעם 6טן ביזן 9טן סעפּטעמבער.
מיט איינעם פֿון די געסט, הרבֿ עובֿדיה איסאַקאָוו, האָב איך לאַנג געשמועסט וועגן זײַן אייגענער ייִדישער שפּראַך — דזשוהורי, אַ שפּראַך ענלעך אויף פּערסיש. מיט אַנדערע געסט, דרײַ טוניסער ייִדן, וואָס וווינען אין ישׂראל, האָבן מיר גערעדט וועגן זייער מאַמע־לשון, אַ ייִדישן מין אַראַביש. דערצו האָט אַ זינגער און כּלל־טוער, אליעזר (איגאָר) דאַבאַקאַראָו, מיר געזאָגט אַז ער איז אויפֿגעוואַקסן אין סאַמאַרקאַנד, אוזבעקיסטאַן, רעדנדיק אויף בוכאָרי — פּערסיש מיט אַ ייִדישן טעם.
אויף עטלעכע אונטערנעמונגען האָט מען אויך געזונגען לידער אויף העברעיִש. בעת דער שבתדיקער סעודה (כ׳בין אָנגעקומען מיט עטלעכע אַנדערע געסט פֿון פֿריִער, ערבֿ־שבת) האָבן מיר אַרומגערעדט די קשיא, צי איז לשון־קודש אָדער דער מאָדערנער העברעיִש באמת אַ ייִדישע שפּראַך? דער ביראָבידזשאַנער הויפּט־רבֿ אפֿרים קאָלפּאַק, אַ ליובאַוויטשער חסיד, האַלט, אַז נישט. לשון־קודש איז, לויט אים, די געטלעכע שפּראַך, דורך וועלכן דער רבונו־של־עולם האָט באַשאַפֿן די וועלט איידער דער ערשטער ייִד, אַבֿרהם אָבֿינו, איז געבוירן געוואָרן. אַזוי איז די מעשׂה לויט דער ייִדישער מסורה.
די עכטע ייִדישע שפּראַך, אויף וועלכער ייִדן האָבן גערעדט טאָג און נאַכט במשך פֿון דור צו דור, די שפּראַך פֿון די גרעסטע צדיקים און קדושים, איז דווקא ייִדיש. איך בין מסכּים דערמיט, נאָר, פֿאַרשטייט זיך, אַ סך מענטשן האַלטן אַנדערש.
דער ערשטער פֿעסטיוואַל פֿון דעם מין איז אָרגאַניזירט געוואָרן נאָך אין דער סאָוועטישער תּקופֿה, אין 1989; דערנאָך, מיט איבעררײַסן — יעדע צוויי יאָר. דער 13טער אינטערנאַציאָנאַלער פֿעסטיוואַל פֿון ייִדישער קולטור און קונסט איז פֿאָרגעקומען אין 2017. זינט דעמאָלט און ביז איצט האָט מען אים, צוליב פֿאַרשיידענע שוועריקייטן, נישט געקאָנט אָרגאַניזירן.
להיפּוך, האָט די איצטיקע אונטערנעמונג געשטעלט דעם טראָפּ אויף ייִדן אַרום דער וועלט בכלל, אויף פֿאַרשיידענע ייִדישע עדות, לאַוו־דווקא ייִדיש־רעדנדיקע אַשכּנזים. די אויסלענדישע געסט זענען געקומען פֿון ווײַסרוסלאַנד, מדינת־ישׂראל און כינע. ווי געזאָגט, זענען דרײַ פֿון די ישׂראלדיקע באַטייליקטע געבוירן געוואָרן אין טוניס. דערפֿאַר קאָן מען זאָגן, אַז צפֿון־אַפֿריקע איז אויך געווען פֿאָרגעשטעלט.
בסך־הכּל האָט מען דורכגעפֿירט 160 אונטערנעמונגען, על־פּי רובֿ גאַנץ קליינע, און עטלעכע גרויס־מאַסשטאַביקע. צוליב דעם גוטן וואַרעמען וועטער, איז דער אומזיסטער שלוס־קאָנצערט, וווּ ס׳איז אַרויסגעטראָטן דער באַקאַנטער מאָסקווער כאָר בראָש מיט מיכאַיִל טורעצקי, פֿאָרגעקומען אין דרויסן, אויף אַ פּלאַץ לעבן דעם ברעג פֿונעם טײַך ביראַ.
אומגעוויינטלעך איז געווען דאָס פֿאַרזוכן די גרעסטע חלה אין דער וועלט — איבער 12 מעטער (40 פֿוס) די לענג — וואָס די אָרטיקע קולינאַרן האָבן קונציק אויסגעבאַקן אונטער דער השגחה פֿון הרבֿ קאָלפּאַק. צווישן קליינע און פּשוטע אונטערנעמונגען איז געווען אַ וואַרשטאַט ווי צו שרײַבן די ייִדישע אותיות. די הויפּט־רעדאַקטאָרין פֿון „ביראָבידזשאַנער שטערן‟, יעלענע סאַראַשעווסקאַיאַ, האָט מיך געבעטן איר מיטצוהעלפֿן. זי האָט צוגעטראַכט אַ ספּעציעלן פּלאַסטיק־טראַפֿאַרעט (שטענצל־אותיות) מיטן ייִדיש אַלף־בית, טאַקע לויט די ייִוואָ־תּקנות: מיט אַ קמף אונטערן אַלף, צוויי יודן מיט אַ פּתח אאַז״וו), וואָס דערמעגלעכט אָפּצוצייכענען יעדן אות אויף אַ גרינגן אופֿן. זענען מיר געזעסן אין דרויסן מיט אַ טישל און געוויזן יעדן נײַגעריקן פֿאַרבײַגייער, ווי אַזוי עס שרײַבן זיך אויף ייִדיש זייערע נעמען צי אַנדערע פֿראַזעס.
די אַטמאָספֿער איז געווען אַ לוסטיקע און אומפֿאָרמעלע. עטלעכע געסט האָט פֿאַרחידושט די אַלטע סאָוועטישע אַוואַנגאַרד־אַרכיטעקטור, וועלכער ס׳איז טאַקע געווידמעט אַ נײַ בוך, וואָס מע האָט אויך פּרעזענטירט אויפֿן פֿעסטיוואַל. אין דער זעלבער צײַט, איז אין דער שטאָט פֿאָרגעקומען אַ באַשיידענע פּאַראַלעלע אונטערנעמונג: דער פֿעסיטיוואַל פֿון ייִדישע באָבעס — מיט אויסשטעלונגען, פֿאַרמעסטן, קאָנצערטן, אַ יריד פֿון היימגעמאַכטע קליידער און אַנדערע חפֿצים.
וואָס שייך דער שפּראַך בוכאָרי, באַטראַכטן אַ סך בוכאַרישע ייִדן אין קווינס דאָס לשון ווי אַ באַזונדערע שפּראַך. במשך פֿון אַ סך יאָרן האָט מיטן פֿאָרווערטס מיטגעאַרבעט דער בוכאַרישער פֿאָטאָגראַף אַרקאַדי יאַגודאַיעוו, מיט וועלכן איך פֿלעג שמועסן וועגן זײַן מאַמע־לשון. בעצם איז זי סתּם פּערסיש, אָבער מיט אַ צאָל ספּעציפֿיש ייִדישע עלעמענטן.
אַן אַנדער מעשׂה איז דזשוהורי — די שפּראַך פֿון די קאַווקאַזישע באַרג־ייִדן, וואָס האָט אַן אָפֿיציעלן סטאַטוס אין דאַגעסטאַן, איינער פֿון די רוסלענדישע דרומדיקער ראַיאָנען. אָפֿיציעל הייסט ער טאַטיש, ווײַל לויט דער סאָוועטישער טערמינאָלאָגיע איז ער ענלעך אויפֿן מוסולמענישן לשון טאַטיש. דער חילוק צווישן דזשוהורי (וואָס מיינט „ייִדיש‟) און טאַטיש איז אָבער ממשותדיק, הגם נישט אַזוי גרויס, ווי צווישן ייִדיש און דײַטשיש. דאָס איז טאַקע אַ באַזונדער לשון מיט אַן אייגענער ליטעראַטור.
אין דער שטאָט דערבענט, פֿון וואַנען עס איז אָנגעקומען קיין ביראָבידזשאַן הרבֿ עובֿדיה איסאַקאָוו, גייט אַרויס די צוויי־שפּראַכיקע דזשהורי־רוסישע צײַטונג „וואַטאַן‟ („היימלאַנד‟). איסאַקאַוו איז אויך אַ שוחט, אַ מוהל און אַ באַגאַבטער מאָלער. אַן אויסשטעלונג פֿון זײַנע ווערק איז געווען א טייל פֿונעם פֿעסיטיוואַל. נאָך איין קאַווקאַזישער ייִד, אַלבערט ראַפֿיִעוו, האָט פֿאָרגעשטעלט זײַנע פּרעכטיקע מיזרחדיקע טעפּעכער מיט אַ ייִדישן טעם.
די אינערלעכע ייִדישע פֿאַרשיידנאַרטיקייט איז געווען, לויט מײַן מיינונג, דער וויכטיקסטער מאָמענט פֿון דער אונטערנעמונג. עטלעכע זאַכן וואָס ס׳איז כּדאַי צו דערמאָנען איז, אַז אין רוסלאַנד זענען פֿאַראַן צוויי אָפֿיציעל אָנערקענטע ייִדישע לשונות — ייִדיש און באַרג־ייִדיש (דזשוהורי); אַז אַ סך ספֿרדים רעדן נאָך אַלץ אויף לאַדינאָ אָדער ייִדיש־אַראַבישע דיאַלעקטן, און אַז בײַ די בוכאַרישע ייִדן איז פֿאַראַן אויך אַן אייגענער דיאַלעקט און אַ באַזונדערע קולטור.
בקיצור, ייִדן שטעלן מיט זיך פֿאָר נישט עפּעס אַ מאָנאָטאָנע מאַסע, נאָר אַ בונטן „מערבֿ־מיזרחדיקן‟ טעפּעך פֿון פֿאַרשיידענע עדות מיט זייערע אוניקאַלע לשונות און טראַדיציעס.
The post Jewish languages meet in Birobidzhan appeared first on The Forward.
Uncategorized
The Yeshiva issue that won’t go away
A backroom deal to gut oversight of private schools – specifically to bail out yeshivas that fail to teach basic subjects, condemning tens of thousands of Hasidic students to illiteracy and choking off the chance to participate in broader society – is coming back to haunt its architects. New York’s Governor and the Legislature likely assumed they secured a political win that would quickly fade from public attention.
They were wrong.
The state was forced to justify its actions before a judge in a pair of hearings in April as part of a lawsuit challenging the rollback that was filed last September. As a longtime attorney, I can tell you that the language of small-minded politics translates poorly to the courtroom. The state’s lawyers were forced to advance arguments that legitimize educational denial and forced insularity. And in doing so, they mar our state’s tradition of protecting individual rights.
Renowned education attorney Michael Rebell was leading the suit on behalf of Hasidic and Haredi students who have been harmed by the dismantling of standards. The plaintiffs argue that the state abandoned its obligation to ensure all children receive a “sound basic education,” a constitutional floor for schooling recognized by the Court of Appeals.
To justify the evisceration of standards, the state claims our guarantee of a sound basic education does not apply to students of nonpublic schools. It strikes at the foundation of New York’s educational system, which was codified in the State Constitution’s Education Article through a Constitutional Convention more than 130 years ago.
The Article’s framers made their intention clear: to ensure all children are prepared for engagement in civic life, whether they attended a public or nonpublic school. As one delegate of the Convention avowed, “there can be found no man in this Convention who will say that there are children of the State that ought not to be educated.”
The principle is simple: While parents may choose religious or private education, the state still bears responsibility for ensuring all children receive the basic tools necessary to function as citizens. But to defend last year’s rollback, state lawyers argued that parents are “free to opt out” of public schools, even if the alternative schools deny students the tools to understand the world around them. The state’s position, taken to its logical conclusion, permits nonpublic schools to teach children anything, or nothing at all.
This becomes even more troubling as New York expands support for nonpublic education. Through its recent opt-in to the nonprofit scholarship tax credit program, New York will see billions more dollars in donations toward private school tuition. Establishing baseline standards for curriculum is essential for producing an informed citizenry — that becomes significantly more difficult when our tax system props up institutions without meaningful oversight.
The state’s arguments also undermine New York’s reputation as a national leader in protecting individual rights.
State officials have aggressively defended voting rights protections, reproductive freedom, and anti-discrimination laws against legal attack. As a rogue White House tramples upon our rights, our Governor, Legislature, and Attorney General have gone to great lengths to fortify our protections.
Yet in this case, the state was effectively arguing that tens of thousands of children can be carved out both from the guarantee of a right and the opportunity to participate in society. State lawyers even contended that students denied a basic education possess no actionable deprivation of liberty or property rights.
This is a glaring departure from the contentions our state makes for the preservation of individual liberties against violation from the government. How could we credibly argue, for example, that immigrants should be able to sue ICE agents over due process rights if students can’t sue the state over their constitutional guarantee to an education? It’s a slippery slope: Deny one group legal protection against harm from the state, and you imperil the sanctity of all those protections.
The lawsuit over last year’s budget deal is still ongoing. A decision may come down any time now, but certainly is likely before the end of the year. An appeal by the losing party is all but certain. That means New York’s lawyers may continue to be forced into defending arguments that sanction students’ educational deprivation and societal isolation, and, in the process, irreparably damage our status as a bulwark for individual liberty.
The political architects of this deal may have hoped the issue would quietly disappear. Instead, the consequences are only becoming harder to defend.
The post The Yeshiva issue that won’t go away appeared first on The Forward.
Uncategorized
The Netherlands will return to Eurovision after boycott over Israel
(JTA) — The Netherlands will return to the Eurovision Song Contest, overriding a broadcaster that withdrew over Israel’s actions in Gaza.
The Dutch organization that oversees public broadcasting, the Nederlandse Publieke Omroep, said on Wednesday that it will take over the country’s entry to Eurovision after Avrotros, the broadcaster that usually takes part in Eurovision for the Netherlands, pulled out of the 2027 event in Burgas, Bulgaria.
Avrotros said last month that it withdrew because the event “can no longer be considered neutral,” citing Israel’s inclusion amid “the severe humanitarian suffering in Gaza and the ongoing restrictions on press freedom.”
Avrotros dropped out of the most recent contest in May 2026, and the Netherlands did not participate after the NPO ruled out identifying another broadcaster. Spain, Ireland, Iceland and Slovenia also boycotted this year’s Eurovision. Israel’s participation in the world’s largest music contest has become a source of intense controversy, sparking mass protests. The contest drew 35 million fewer viewers this year.
For the next Eurovision, NPO is assigning the broadcaster NOS to provide coverage of the event and an “independent team of experts” to select the Dutch act.
“We understand that participation in the Eurovision Song Contest evokes mixed feelings in the Netherlands,” said Jet de Ranitz, the chairman of the NPO’s executive board. “We have explicitly asked the [European Broadcasting Union] to once again make the unifying character of the festival an important part of the event, in recognition of a time of geopolitical unrest, war, and polarization.”
The NPO added that the EBU, which owns the contest, has “taken significant steps regarding the rules of the Eurovision Song Contest.” The EBU introduced changes in August that included barring countries involved in armed conflict from hosting the competition. It also made adjustments to the voting process after accusations of politically motivated voting.
Avrotros said the new rules were not sufficient to ensure that Eurovision remains “independent and neutral.”
Martin Green, the director of Eurovision, said in a statement that the contest was “delighted to welcome the Netherlands back” in 2027.
Ireland is set to boycott Eurovision again in 2027 after RTÉ, the national broadcaster, said last week that its position “remains unchanged.”
RTÉ cited “the appalling and ongoing loss of lives in Gaza and the humanitarian crisis there which continues to put the lives of so many civilians at risk,” adding that it was “deeply concerned by the continued denial of independent access to international journalists to the territory.”
Spain could also stay out of Eurovision next year. José Pablo López, the president of Spanish broadcaster RTVE, announced at a Senate hearing on Tuesday that he supported a continued boycott, saying it was “painful that Israel continues to participate.”
Meanwhile, Belgium confirmed its participation despite calls for a boycott by its public media unions.
“Participation is in no way an endorsement or normalization of what is happening in Gaza and the rest of the world,” said Frederik Delaplace, the CEO of the Flemish broadcaster VRT. “We do note, however, that the EBU is no longer shying away from these difficult societal and geopolitical issues.”
The post The Netherlands will return to Eurovision after boycott over Israel appeared first on The Forward.
