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On display at Germany’s embassy in Israel: portraits of Holocaust survivors that seek to reclaim their stories
TEL AVIV (JTA) — The first time Gidon Lev encountered Holocaust denial was after becoming an unwitting TikTok star at the age of 86.
“I was totally shocked. How could this be?” he told the Jewish Telegraphic Agency about receiving dozens of comments accusing him of lying about the years in a Nazi concentration camp as a child.
“If only I was a liar,” he said. “Then I would have a father, grandparents, cousins, aunts, and uncles. I would have had a childhood.”
With half a million followers on the popular social media platform and 8.3 million likes, Lev says his message, of fighting hate and standing up for the oppressed, is a universal one. “The Holocaust is an example of just how cruel and horrible hate can get if you let it,” he said.
Now, his story is getting another showcase — on the walls of the German Embassy in Tel Aviv. Lev is one of 25 Holocaust survivors featured in a new exhibition titled Humans of the Holocaust set to open there on Wednesday, in a display timed to Yom Hashoah.
The Humans of the Holocaust exhibit at the German embassy in Tel Aviv. (Erez Kaganovitz)
“The significance of exhibiting on Israel’s Holocaust Memorial Day at the German embassy in sovereign Israel is not lost on me,” said Erez Kaganovitz, the photographer behind the Humans of the Holocaust project.
Kaganovitz, who is based in Tel Aviv, said he launched Humans of the Holocaust as an offshoot of his Humans of Tel Aviv photo project several years ago after one photograph in the series went viral. (Humans of Tel Aviv itself is inspired by the landmark Humans of New York project.) The photo portrays four forearms — those of Holocaust survivor Yosef Diament, his daughter and his grandchildren — all tattooed with the same number. Diament’s family tattooed his Auschwitz inmate number as a tribute to him. Kaganovitz was shocked when commenters asked why someone would tattoo a barcode on their arm.
Around that time, Kaganovitz, the grandson of survivors who worked as a journalist and in government before turning to photography, came across a survey highlighting ignorance among young people about the Holocaust. The survey, commissioned by the Claims Conference, found that 66% of American millennials did not know that Auschwitz was a Nazi death camp.
At first, he said, the survey angered him. But then he realized that by the time he was in his late teens, and after having Holocaust education hammered into him from a young age, he didn’t want to have any connection to the Holocaust either.
“I thought if I don’t connect with it, why would someone from Lexington, Kentucky, want to engage with it?”
Kaganovitz has joined a growing coterie of photographers seeking to change the paradigm of “dark and gloomy” Holocaust-related material, of black-and-white stills, of unfathomable despair, of numbers too large to comprehend.
“I wanted to tell human stories with a global message, with optimism. Something that people could engage with,” he said, while stressing that by doing so he is not trying to whitewash or downplay the Holocaust atrocities.
That mission resonated with the German embassy. “We need to find new ways to engage the public and especially the younger generation,” German Ambassador to Israel Steffen Seibert said in a statement about the exhibition, which is billed as digital storytelling for a digital age.
Left; Photographer Erez Kaganovitz at work on his Humans of the Holocaust project. (Courtesy of Erez Kaganovitz); Right: Portrait of Michael Sidko, the last survivor of the Babyn Yar massacre, surrounded by bullets. (Erez Kaganovitz)
The photos are intentionally arresting, aimed at piquing people’s curiosity enough to stop them scrolling their feeds. One example is a portrait of Michael Sidko, the last survivor of the Babyn Yar massacre, whose head, which appears to be dismembered, is embedded in thousands of bullet casings. The image, which took six months to stage because of the complexity involved, aims to raise awareness about the 2 million people exterminated in the Soviet Union and Ukraine, the so-called “Holocaust by bullets.” In the text accompanying it, a quote from Sidko reads: “The sights, sounds, and smell of gunpowder still haunt me to this day.”
Another photograph features Dugo Leitner, a survivor of Auschwitz-Birkenau, clutching a yellow-gold balloon in the shape of a Jewish star with the word “Jude” on it. Leitner’s expression, like the rest of the photo, is a jarring blend of whimsy and enervation.
The pose represents one of Leitner’s attempts at reclaiming his story — along with his growing movement to make eating falafel an act of survival. “I am taking ownership of the symbol that turned me into a subhuman and turning it into an optimistic and smiling creation,” he said.
Among the images of elderly survivors, some with yarmulkes and some without, is a portrait of a woman in a black hijab with Quranic verses behind her. Leila Jabarin was born Helene Berschatzki in a concentration camp in Hungary. At 15, after fleeing with her family to Israel, she fell in love with a Muslim Arab with whom she eventually married. Jabarin, who did not share her identity with her children until they were adults, rejects particularism in her message to the world. “Hatred knows no boundaries. Once I was persecuted for being a Jew; now people are after me for being a Muslim,” she told Kaganovitz.
Lev’s own portrait features the TikTok star in front of a wall with the words “we were all once refugees” graffitied on it, a remnant of a raging dispute surrounding African migrants in Israel. Lev became a refugee at 3 years old when Hitler occupied the Sudetenland. He recalls the moment that he was forced to abandon his new red tricycle as marking his transformation into a “human without a country.” After his release from the Theresienstadt concentration camp at age 10, Lev would become a refugee in New York and later in Toronto, Canada. In 1959, he emigrated to Israel, “the only country that would have me, not as a refugee, but as a bonafide citizen.”
About 147,000 Holocaust survivors currently live in Israel, according to data released this week. Their average age is 85, and about 15,000 survivors died over the past year — a pace that is prompting innovations around the world in how the Holocaust is memorialized and taught about.
Kaganovitz is careful not to “coerce” his own knowledge about the Holocaust onto his viewers, he said. Both in their online format and at the exhibition, the photographs are accompanied by a short text to provide context and links are shared for further reading.
“I just want to bring them to the table for now. When you’re fighting for attention alongside all these celebrities that get millions of views, you have to make your content interesting enough,” he said. “Because if we don’t, it’s only a matter of time before 90% [of youth] have never heard of Auschwitz.”
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The post On display at Germany’s embassy in Israel: portraits of Holocaust survivors that seek to reclaim their stories appeared first on Jewish Telegraphic Agency.
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Tensions in Israel loom large in these Oscar-nominated shorts
Despite a ceasefire between Israel and Hamas, two Oscar-nominated short films show that the deep division that the war sowed in Israeli society will take a long time to mend.
Butcher’s Stain, a nominee for Best Live Action Short Film, is the debut of Israeli director Meyer Levinson-Blount, who based it on an experience he had working at a supermarket. Samir, a Palestinian employee at an Israeli grocery store, is accused of tearing down hostage flyers in the breakroom. A single dad who can’t afford to lose his job, he sets out to find the real culprit, only to find himself betrayed by his Israeli friends.
The 36-minute documentary Children No More: “Were and Are Gone,” directed by Israeli filmmaker Hilla Medalia, follows a group of Israeli activists who silently protest the war by going to public spaces and holding photos of Palestinian children killed by the Israel Defense Forces. At the beach and on the street, they are yelled at and physically threatened by passersby who call their acknowledgement of Palestinian death an endorsement of Hamas.
Neither movie particularly stands out in its style or structure as something revolutionary. However they both capture how difficult — and sometimes impossible — it has been to have civil discourse since Oct. 7. People are quick to make assumptions about others’ motivations for sympathizing with either or both sides. Friendships fall apart. Blanket statements alienate people from one another.
The shorts also demonstrate how emotionally charged images have been during the conflict. Both the Israeli hostage posters and the Palestinian flyers showcase the victims’ humanity, hoping viewers will empathize with the subjects regardless of their politics.
But protesters across the world have called the hostage posters Zionist propaganda and tearing them down has been likened by some to a form of anti-colonial resistance. In Children No More, some Israelis respond to the faces of dead Palestinians with the middle finger. In Butcher’s Stain, Samir is accused of supporting terrorism because he posted about children dying in Gaza on social media. To recognize the humanity of someone you may not agree with has become a politically incorrect act.
Reactions to the shorts have further demonstrated the polarizing climate they capture. Israeli culture minister Miki Zohar lambasted both films as being “against Israel,” saying they “amplify our enemies’ narratives.” When I watched Butcher’s Stain at the IFC Theater in New York, the woman two seats down from me became visibly agitated, her knee bouncing up and down as she scoffed disapprovingly before loudly whispering to her partner that the “fucking film” was “antisemitic” for portraying the Israeli employees as bigoted.
There were similar reactions when the Israeli-Palestinian documentary No Other Land won best documentary last year. The film about Israeli forces destroying the Palestinian village of Masafer Yatta was accused of being anti-Israel propaganda. Conservative commentator John Podheretz congratulated “Hamas for its Oscar win” on social media.
Clearly, the Academy was not swayed by last year’s critics to back away from films about Palestinian suffering. In fact, Butcher’s Stain’s selection feels pointed, as it’s the only political drama among the five live action short competitors this year (compared to last year’s lineup that included films about poaching, immigration, child labor, and the Bosnian War). Another Oscar nominee is The Voice of Hind Rajab, a dramatization of Palestinian emergency workers efforts to save the titular five-year old, up for best international feature.
Regardless of whether or not the shorts take home trophies on March 15, they leave audiences with pressing questions about the future now that there is a ceasefire: Can people with different views — in Israel and elsewhere — learn to talk to each other again? Will images of human suffering always be seen as political propaganda? And will Israeli society ever be able to move on?
The post Tensions in Israel loom large in these Oscar-nominated shorts appeared first on The Forward.
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Toronto synagogue hit by gunfire hours after Purim event
(JTA) — A Toronto synagogue was hit by gunfire late on Monday night, just hours after a Purim celebration was held there.
No injuries were reported in the shooting, according to police, which targeted Reform synagogue Temple Emanu-El at around 10:49 p.m. The event, which was billed as a “sing-along shpiel” and costume contest, had run until 9 p.m.
But Rabbi Debra Landsberg told reporters that she couldn’t sleep much Monday night: She was still inside the building when the shooting occurred, and could hear the gunshots.
“I’m a bit shaken up,” she said. “It is devastating that there are those in this society that want to shatter what we have here.”
Police did not confirm how many shell casings were found outside the building, but the synagogue wrote on Instagram that “20 shots were fired at our synagogue.”
“We are working closely with law enforcement and security partners,” the post read. “We remain united and resilient. Our building is damaged; our congregation is not. Chag sameach, everyone.”
The incident is being investigated by Toronto police’s hate crime unit, as well as the gun and gang task force; the suspect is currently unknown.
Police have upped their presence in Toronto’s Jewish neighborhoods since the war in Iran broke out on Saturday, as well as around houses of worship and other Jewish institutions, deputy chief Robert Johnson said in a press conference on Tuesday. Iranian agents have a record of targeting Jewish sites with gunshots and other disturbances, and Jewish security officials have urged vigilance since the war began.
When asked if there was any connection between the Temple Emanu-El attack and the war in Iran, Johnson said making that connection “would be speculation at this point.”
The shooting is the latest in a string of crimes targeting Jewish institutions and residents in Toronto. A Jewish girls’ elementary school was hit by gunfire three times in 2024 alone. This past December, mezuzahs were ripped from residents’ doorposts in multiple buildings, including a seniors’ residence. A month prior, police said a suspect had “damaged the outer glass windows” of Kehilath Shaarei Torah, a synagogue near Temple Emanu-El. (Police visited that synagogue while investigating the Temple Emanu-El shooting, which prompted false reports that both synagogues were attacked on Monday night.)
“This is the fourth time a Jewish institution has been targeted for gunfire in Toronto over the past two years, in addition to countless threats and acts of vandalism,” said Adam Minsky, president of UJA Federation of Greater Toronto, in a statement. “Every day, families across our community carry deep concerns for the safety of their children. But we are resilient and refuse to be intimidated. We will continue to proudly celebrate Jewish life.”
Noah Shack, CEO of the Centre for Israel and Jewish Affairs, said in a statement that incidents like this will “inevitably lead to much worse.”
“As we witnessed in Australia, when incitement goes unchecked and synagogues are threatened, we can expect to see mass violence and tragedies that could have been prevented,” Shack wrote.
So far this year, anti-Jewish hate crimes have made up 63% of all reported hate crimes in Toronto, according to Johnson, continuing a trend of increased antisemitic crimes since Oct. 7, 2023.
“These numbers are not abstract. They represent real people and real harm,” Johnson said. “Our commitment is clear: We are doing everything within our authority to protect Toronto’s Jewish community.”
Toronto Mayor Olivia Chow called the shooting “an unacceptable act of antisemitism and intimidation.”
She also alluded to the timing of the shooting, which came days after war broke out between Israel and the United States and Iran.
“As we have seen repeatedly, incidents increase across our city as international events unfold. I want to be clear: it is never acceptable to target faith communities or cultural groups,” Chow wrote.
Shack said the shooting took place “at a time when Iran’s Islamic regime poses a heightened threat to Jewish and Persian communities worldwide,” and urged authorities to “redouble measures to safeguard our country and all Canadians.”
Just one night before the Temple Emanu-El shooting, another shooting occurred at around 2:30 a.m. in Toronto. Nobody was injured, but police said there was “damage” to businesses in the area, including Old Avenue Restaurant, a restaurant owned by pro-Israel activist Esther Bakinka. The hate crime unit “is aware” of the investigation, according to police, but not leading it. Bakinka wrote on Facebook that the restaurant’s upcoming Purim celebration would be canceled due to “extenuating circumstances.”
Deputy mayor Mike Colle called Bakinka “a courageous fighter for protection of our Jewish Community,” and called for the creation of a joint task force to combat antisemitic violence, “especially now with the Middle East on fire.”
The post Toronto synagogue hit by gunfire hours after Purim event appeared first on The Forward.
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Trump rejects idea that Israel drew US into war with Iran: ‘If anything, I might have forced Israel’s hand’
(JTA) — President Donald Trump rejected claims that Israel had pulled the United States into the war with Iran on Tuesday, instead suggesting that he had “forced their hands.”
Trump’s comments came after Secretary of State Marco Rubio told reporters on Monday that the United States entered the conflict because officials “knew that there was going to be an Israeli action” and expected to become embroiled as a result. Rubio’s comments ignited questions about whether Trump was taking his cues from the Israelis.
“Based on the way the negotiation was going, I think they were going to attack first and I didn’t want that to happen,” Trump told reporters at the White House on Tuesday during a press conference with German Chancellor Friedrich Merz. “So, if anything, I might have forced Israel’s hand, but Israel was ready and we were ready.”
The president’s claims appeared to contradict reports from the Pentagon to Congress on Sunday that there was no intelligence suggesting Iran planned to attack U.S. forces first.
“If we didn’t do what we’re doing right now, you would have had a nuclear war and they would have taken out many countries because you know what? They’re sick people,” Trump told reporters on Tuesday. “They’re mentally ill sick people. They’re angry, they’re crazy, they’re sick.”
While Trump and Israeli Prime Minister Benjamin Netanyahu have denied suggestions that Israel steered the U.S. into the conflict, which has rapidly escalated tensions across the region, critics across the political spectrum have continued to question the extent to which the United States’ actions were influenced by Israel.
During the president’s meeting with Merz, the German leader told reporters that the two countries had a shared desire to get rid of the “terrible regime in Iran,” with Trump adding that Germany had allowed U.S. forces land in “certain areas,” though the U.S. was not asking Germany to provide troops.
The meeting followed a joint statement on Sunday by France, Germany and the United Kingdom in which the three countries vowed to “take steps to defend our interests and those of our allies in the region.”
While Republican lawmakers largely backed the joint U.S.-Israeli strikes on Iran Saturday morning, rising American casualties and suggestions by Trump that he had not ruled out sending troops into Iran have spurred concern from some about the potential for a drawn-out conflict.
The post Trump rejects idea that Israel drew US into war with Iran: ‘If anything, I might have forced Israel’s hand’ appeared first on The Forward.