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Rabbi Chaim Druckman, giant of Israeli settlement and Religious Zionist movements, dies at 90
(JTA) — Rabbi Chaim Druckman, whose mission was to unite the people of Israel, was father to a movement now poised to sow some of its deepest divisions in decades.
Druckman, who died Sunday at 90 after contracting COVID-19, was a giant in the religious Zionism movement, which sought to integrate the two preeminent philosophies that saw themselves as bulwarks against Jewish disintegration: Orthodox Judaism and Zionism.
In the 1950s, he established the hesder movement, which blended Torah study with military service. For tens of thousands of religious Jews, his innovation resolved a dilemma that had beset Israel’s founders: What was the most meaningful way for young Orthodox men to spend their first years of adulthood?
“We study Torah to fulfill our national obligation and serve in the army to fulfill our religious obligation,” Druckman often said.
Over the years, he led yeshivas and youth movements to extend that vision, and in 2012, he won the Israel Prize, Israel’s national award, for his lifetime of contributions to religious Zionist education.
Yet as much as he sought to bridge divides, he was as frequently positioned at their fault lines, in recent years disparaging non-Orthodox Jews and mentoring extremists who seek the marginalization of non-Jewish and non-Orthodox minorities in Israel. He also at least twice defended and sought to rehabilitate religious leaders convicted of sexual abuse, including of children.
Druckman was born in 1932 in Kuty, in what was then Poland and what is now Ukraine. He and his parents went into hiding during the Holocaust and then fled to the Soviet Union. He entered British Mandate Palestine in 1944 posing as the child of another couple and was reunited with his parents after the war.
He soon became a disciple of Rabbi Zvi Yehuda Kook, the rabbi who helped shape the nationalist outlook of the National Religious Party. Kook’s teachings drove Druckman to become one of the first leaders of the religious Zionist movement to embrace the settlement of lands captured by Israel in the 1967 Six-Day War. He was at the seminal 1968 Passover seder in Hebron that is widely seen as the launch of the religious settlement movement and is believed to have coined the name of its principal body, Gush Emunim, which means bloc of believers.
Druckman became a figurehead of the settlement movement, although he lived most of his life in Mercaz Shapira, the Israeli village near Ashkelon where he ran the influential Or Etzion Yeshiva. He served in the Knesset in coalitions led by Likud and Labor prime ministers, from 1977 to 1988 and then from 1999 to 2003, with short periods in the opposition.
In the wake of the massive influx immigrants after the fall of the Soviet Union, Druckman as a senior religious court judge led an effort to ease conversion to Orthodox Judaism. His suasions backfired, leading haredi Orthodox judges to seek the nullification of thousands of conversions he had supervised.
However much he preached reconciliation among Jews, he stood hard and fast against any attempt to dismantle settlements, going so far as to advise soldiers to refuse orders to take part in the removal of settlements. He also stood by Jews accused and convicted of violent crimes associated with tensions over the settlements, including murder and terrorism, raising funds for those accused and welcoming them back into society.
He also stood by people who were accused of sexual abuse multiple times. He was rebuked in 1999 for failing to report credible reports of sexual assault by a yeshiva head he supervised, Zev Kopilevich, and he later championed another rabbi convicted of sexual abuse, Moti Elon. While he conceded in 2013 that the government was right to rebuke him, he also dismissed as “gossip” just this month multiple allegations of rape against another yeshiva head, Zvi Tau.
Until recently, Druckman championed Naftali Bennett and his Jewish Home Party as the natural heir to the National Religious Party tradition — but in 2021 when Bennett chose the path of reconciliation once championed by Druckman, joining a unity government with secular parties, Druckman cut him off and instead embraced the extremist Religious Zionist Party led by Bezalel Smotrich.
Druckman played a role in brokering the entry of the Religious Zionist Party into the government that Benjamin Netanyahu is expected to bring to power in coming days. The entry of Smotrich and a colleague, Itamar Ben-Gvir, into the government is likely to precipitate a crisis with Diaspora Jewry. They favor restricting Israeli laws to favor the Orthodox, annexing the West Bank and loosening laws that restrict troops from killing or physically harming Palestinians.
At Druckman’s funeral on Monday, Smotrich said Druckman “reproached” him frequently for his excesses, but in a recent interview with Yisrael Hayom, the nationalist daily, Druckman made clear that many of the ideas Smotrich champions had his blessing, including his proposal for a state based on religious law and his plans for anti-LGBTQ discrimination.
Tens of thousands of people attended Druckman’s funeral Monday in his home village of Mercaz Shapira. Israel’s leaders at his funeral remembered him as a unifier.
“All of us were your sons, all of us were your students,” President Isaac Herzog said, according to the Times of Israel.
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Artist alters Whitney Museum display screens to protest Israel’s conduct in Gaza
The Whitney Museum of American Art has over 27,000 pieces in its collection. On July 3, artist Jonathan Allen tried to add a couple more to call attention to what he considers “Israeli atrocities.”
Late that night, Allen vandalized two electronic displays outside the Whitney, a contemporary art museum in Manhattan, plastering them with posters accusing Israel of genocide and targeting Palestinian children.
Staff soon removed the posters after being notified of the vandalism, the museum said in an emailed statement.“I think it’s important artists take risks and use private property and unconventional spaces towards political and social ends,” Allen told the Forward.
Whitney Director of Communications Ashley Reese wrote, “The Museum maintains a zero-tolerance policy for vandalism, harassment, discrimination, or bias of any kind.”
This is not the first time a pro-Palestinian protest has targeted the Whitney. Last year, the museum planned to hold a performance mourning Palestinians killed during the Israel-Hamas war. When footage surfaced of a performer telling audience members to leave a previous performance if they “believe in Israeli in any incarnation,” the Whitney canceled the event.
Shortly afterward, the group Writers Against the War on Gaza held a protest at the Whitney, passing out brochures demanding “the removal of board members tied to genocide, militarism and apartheid.”
Allen’s installation is part of his Interruptions series, where he puts translucent poster-size vinyl stickers with political messages atop digital advertising screens to create a flickering effect.
Since 2019, Allen has installed over 400 interruptions, which began with traditional paper posters. When New York City and the MTA added more digital ad displays, he transformed the posters into their current iteration, most recently featuring quotes from public figures that criticize either Trump or Israel. Allen installs most of his interruptions on city-owned property, such as sidewalk ads or subway monitors — even the children’s entrance of the Brooklyn Public Library.
He acknowledges his project “is temporary vandalism, technically,” but explains that the pieces are very easily removable and don’t damage the displays underneath.
For his most recent interruption, Allen used monitors owned by the Whitney without authorization from the museum. Allen chose the Whitney because he believes it “is the contemporary corporate sphere of the art industry.”
“I feel like bringing attention to this sort of issue in that context was important,” he said.
A joint Instagram post by Allen and Eye on Palestine said the installation highlights the findings of a recent UN Independent International Commission of Inquiry report.
The Israeli government has heavily criticized the report, calling it “defamatory” and a “libellous sham,” and from its inception has accused the commission of bias. Israel did not provide any information to the commission for the investigation.
“The Israeli security forces have deliberately targeted and killed Palestinian children,” one poster says. Another poster stated: “If you can’t draw the line at genocide, you probably can’t draw the line at democracy.”
Critics of the installation echo the Israeli government’s criticisms. Hen Mazzig, an Israeli writer and content creator, called the display “blood libel.” The StopAntisemitism campaign also criticized the display on X. “they don’t care about Palestinian children,” they wrote. “The goal is to vilify Jews.”
Allen believes this is a mischaracterization. “I fully support Israel’s right to exist as a Jewish state, and I support Israel, insofar as its right to exist,” he said. “I don’t think the discussion about what’s happening in Gaza hinges at all on that.”
Though Allen’s installations are typically removed “within hours,” he says each one “has a second life, because it lives on social media, which is where it tends to get the most attention.”
The post Artist alters Whitney Museum display screens to protest Israel’s conduct in Gaza appeared first on The Forward.
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European leaders downplayed the Holocaust. Now Trump is using their tactics against the Smithsonian
A new White House report accusing the Smithsonian’s National Museum of American History of “extreme political activism,” and demanding the museum revise its exhibitions to elide the darker elements of the nation’s past, mirrors a troubling trend in Europe, where right-wing nationalist governments have spent the past decade forcing museums to minimize their countries’ roles in the Holocaust.
The 162-page report, issued this past weekend, faults the Smithsonian museum for dwelling, in the administration’s eyes, too heavily on slavery, and for teaching about race and gender in ways that President Donald Trump’s administration considers to “divide, dispirit, and discourage our citizens.” It follows a 2025 executive order, “Restoring Truth and Sanity to American History,” that directed federal institutions to purge “improper ideology” from their exhibits.
Reasonable people can disagree about specific details in museum exhibitions. But there is a difference between engaging in productive disagreements about historical emphases and demanding a national museum be solely devoted to make citizens feel good about their country. And the way that the latter approach has been used to downplay crimes against Jews in Europe should give American Jews, in particular, pause about it being deployed in their own country.
Propaganda in Poland
In 2017, Poland opened a permanent exhibit at the Museum of the Second World War in Gdańsk, which delivered a multi-layered account of the war. The exhibit highlighted Polish suffering under Nazi occupation as well as the Holocaust and the pogroms Poles carried out against their own Jewish neighbors, including the infamous 1941 Jedwabne massacre, in which several hundred Jews were burned alive in a barn by their fellow townspeople.
The right-wing Law and Justice party, known as PiS, called the exhibit “not Polish enough,” forced a merger that replaced the museum’s director, and altered the exhibition to foreground Polish heroism while softening material on Polish complicity in the extermination of three million Polish Jews. Five hundred eminent historians labeled those changes an attempt to turn the museum into a “propaganda institution.”
The following year, the Polish parliament went further, criminalizing any claim that Poland bore responsibility for Nazi crimes, with penalties of up to three years in prison. Yad Vashem warned that the law “jeopardizes the free and open discussion of the part of the Polish people in the persecution of the Jews at the time.” Under international pressure, Poland later dropped the criminal penalty, but the campaign to legislate a flattering national story had made its point.
Hungarian ahistoricism
The nation of Hungary offers an even starker case.
Former Hungarian Prime Minister Viktor Orbán’s government spent years developing the House of Fates, a Holocaust museum on the site of the Budapest rail station from which 437,000 Hungarian Jews were deported to Auschwitz in a matter of weeks in 1944. Yad Vashem and Hungary’s largest Jewish federation, Mazsihisz, boycotted the project, warning that its planned narrative would leave visitors believing “the citizens of Hungary were essentially blameless for what was inflicted upon their Jewish neighbors.” In fact, Hungarian gendarmes rounded up and deported their Jewish neighbors with minimal direct German involvement.
Orbán separately made efforts to rehabilitate Miklós Horthy, Hungary’s Nazi-allied wartime ruler, as an “exceptional statesman,” and backed a Budapest statue honoring Holocaust victims that was widely seen as covering up Hungary’s role in the deportations by depicting the country as an angel attacked by a Nazi eagle. The implication: all Hungarians were equal victims of the Nazi occupation, an idea that conveniently overlooks the fact that the Nazis had many Hungarian collaborators.
The museum sat empty for years amid the dispute. Jewish leaders in Hungary have only recently reported progress toward a version that names Hungarian, and not just German, responsibility for atrocities against Jews.
The dangers of whitewashing
The recent histories of Poland and Hungary demonstrate that when a government decides that its national story shouldn’t include honest examinations of what its people did to vulnerable minorities, the nation’s integrity as a whole is imperiled.
This is the same demand the Trump administration has issued to the Smithsonian. The White House report does not claim that the museum has facts wrong; rather, it objects that the museum treats history as a tool for “social justice.” The administration demands, instead, “patriotic history” — exactly the same ultimatum issued by governments in Warsaw and Budapest.
Smithsonian Secretary Lonnie G. Bunch III says his institution’s goal is scholarship, not partisanship. The administration’s answer is that scholarship itself is the problem, if the story it tells is not celebratory enough.
The kind of “patriotic history” the administration wants entails, instead, a thinner historical accounting, built to avoid making visitors uncomfortable with the actions of their ancestors. A country pressured to foreground its heroism while pushing its failures to the margins is one that shows its own people that, effectively, minorities do not belong.
When Poland won’t discuss Jedwabne, or Hungary won’t acknowledge its own role in the deportation of Hungarian Jews, they send the message that they don’t see Jewish citizens as fully human — in either the past or the present. A U.S. that treats discussing the facts of slavery — or the immigration quotas that helped trap Jews in Europe — as a betrayal of national values is one that suggests the people it wronged, and their descendants, don’t matter.
A serious national museum has to depict a nation’s failures and achievements in the same frame. What the White House is proposing for the Smithsonian is very different, and very dangerous. Jews have watched this play out before and seen where it leads. A nation’s museums are essential to its capacity to reckon with the worst of its history. This is a capacity worth defending in Gdańsk, in Budapest, and now in Washington.
The post European leaders downplayed the Holocaust. Now Trump is using their tactics against the Smithsonian appeared first on The Forward.
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Mamdani more popular than Netanyahu among U.S. Jews, new poll shows
New York City Mayor Zohran Mamdani, whose outspoken criticism of Israel has made him a frequent target of Jewish and pro-Israel advocates, is viewed more favorably by American Jews than Israeli Prime Minister Benjamin Netanyahu, according to a new poll released Tuesday.
The Associated Press-NORC Center for Public Affairs Research survey of 1,022 Jewish adults nationwide, conducted from June 11 through June 17, found that 44% of American Jews hold a favorable opinion of Zohran Mamdani, compared with 39% who view him unfavorably. By contrast, just 32% of respondents said they have a favorable opinion of Netanyahu, while 59% said they have a negative view of the longtime Israeli leader
The poll suggests that Mamdani’s positions on Israel have not prevented him from maintaining a net-positive image among American Jews overall.
Mamdani won just 26% of the Jewish vote in last year’s mayoral election. Since taking office, he has faced scrutiny from Jewish leaders and Zionist organizations over his sharp criticism of Israel and embrace of Palestinian activism that is shaping his tenure as leader of the city with the largest population of Jews outside Israel. Mamdani refused to recognize Israel as a Jewish state and said he wouldn’t travel to the country. He has also pledged to order the arrest of Netanyahu if he visits the city on his watch, complying with an ICC arrest warrant. That will be tested in September when Netanyahu arrives to speak at the United Nations General Assembly.
Recently, the mayor skipped the annual Israel Day parade, where participation is a longstanding tradition for New York City leaders, and he also called for divestment from Israel’s economy. In congressional races in New York City, Mamdani actively campaigned for candidates who made inflammatory statements on Israel.
Netanyahu, who has been in office since 2009 except for an 18-month hiatus from 2021 to 2022, has seen his standing with Americans erode in recent years despite longstanding ties to the United States. He spent part of his childhood in the Philadelphia area, attended college in Boston and served as Israel’s ambassador to the United Nations in the 1980s. Netanyahu has often spoken directly to American audiences, giving frequent interviews to U.S. television networks more often than he has spoken to Israeli media.
The AP survey, which had a reported margin of error of plus or minus 5 percentage points, also found that American Jews are increasingly critical of the Israeli government’s conduct in the Gaza war and its handling of the Israeli-Palestinian conflict.
While a majority of American Jews — 73% — said Israel’s initial military response to the Oct. 7, 2023, Hamas attack was justified, just 42% said they supported the continued military operations in Gaza through last year’s ceasefire. The survey also found that, similar to the broader American public, 30% of American Jews believe Israel has committed genocide in Gaza.
The post Mamdani more popular than Netanyahu among U.S. Jews, new poll shows appeared first on The Forward.
