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Rabbi Chaim Druckman, giant of Israeli settlement and Religious Zionist movements, dies at 90
(JTA) — Rabbi Chaim Druckman, whose mission was to unite the people of Israel, was father to a movement now poised to sow some of its deepest divisions in decades.
Druckman, who died Sunday at 90 after contracting COVID-19, was a giant in the religious Zionism movement, which sought to integrate the two preeminent philosophies that saw themselves as bulwarks against Jewish disintegration: Orthodox Judaism and Zionism.
In the 1950s, he established the hesder movement, which blended Torah study with military service. For tens of thousands of religious Jews, his innovation resolved a dilemma that had beset Israel’s founders: What was the most meaningful way for young Orthodox men to spend their first years of adulthood?
“We study Torah to fulfill our national obligation and serve in the army to fulfill our religious obligation,” Druckman often said.
Over the years, he led yeshivas and youth movements to extend that vision, and in 2012, he won the Israel Prize, Israel’s national award, for his lifetime of contributions to religious Zionist education.
Yet as much as he sought to bridge divides, he was as frequently positioned at their fault lines, in recent years disparaging non-Orthodox Jews and mentoring extremists who seek the marginalization of non-Jewish and non-Orthodox minorities in Israel. He also at least twice defended and sought to rehabilitate religious leaders convicted of sexual abuse, including of children.
Druckman was born in 1932 in Kuty, in what was then Poland and what is now Ukraine. He and his parents went into hiding during the Holocaust and then fled to the Soviet Union. He entered British Mandate Palestine in 1944 posing as the child of another couple and was reunited with his parents after the war.
He soon became a disciple of Rabbi Zvi Yehuda Kook, the rabbi who helped shape the nationalist outlook of the National Religious Party. Kook’s teachings drove Druckman to become one of the first leaders of the religious Zionist movement to embrace the settlement of lands captured by Israel in the 1967 Six-Day War. He was at the seminal 1968 Passover seder in Hebron that is widely seen as the launch of the religious settlement movement and is believed to have coined the name of its principal body, Gush Emunim, which means bloc of believers.
Druckman became a figurehead of the settlement movement, although he lived most of his life in Mercaz Shapira, the Israeli village near Ashkelon where he ran the influential Or Etzion Yeshiva. He served in the Knesset in coalitions led by Likud and Labor prime ministers, from 1977 to 1988 and then from 1999 to 2003, with short periods in the opposition.
In the wake of the massive influx immigrants after the fall of the Soviet Union, Druckman as a senior religious court judge led an effort to ease conversion to Orthodox Judaism. His suasions backfired, leading haredi Orthodox judges to seek the nullification of thousands of conversions he had supervised.
However much he preached reconciliation among Jews, he stood hard and fast against any attempt to dismantle settlements, going so far as to advise soldiers to refuse orders to take part in the removal of settlements. He also stood by Jews accused and convicted of violent crimes associated with tensions over the settlements, including murder and terrorism, raising funds for those accused and welcoming them back into society.
He also stood by people who were accused of sexual abuse multiple times. He was rebuked in 1999 for failing to report credible reports of sexual assault by a yeshiva head he supervised, Zev Kopilevich, and he later championed another rabbi convicted of sexual abuse, Moti Elon. While he conceded in 2013 that the government was right to rebuke him, he also dismissed as “gossip” just this month multiple allegations of rape against another yeshiva head, Zvi Tau.
Until recently, Druckman championed Naftali Bennett and his Jewish Home Party as the natural heir to the National Religious Party tradition — but in 2021 when Bennett chose the path of reconciliation once championed by Druckman, joining a unity government with secular parties, Druckman cut him off and instead embraced the extremist Religious Zionist Party led by Bezalel Smotrich.
Druckman played a role in brokering the entry of the Religious Zionist Party into the government that Benjamin Netanyahu is expected to bring to power in coming days. The entry of Smotrich and a colleague, Itamar Ben-Gvir, into the government is likely to precipitate a crisis with Diaspora Jewry. They favor restricting Israeli laws to favor the Orthodox, annexing the West Bank and loosening laws that restrict troops from killing or physically harming Palestinians.
At Druckman’s funeral on Monday, Smotrich said Druckman “reproached” him frequently for his excesses, but in a recent interview with Yisrael Hayom, the nationalist daily, Druckman made clear that many of the ideas Smotrich champions had his blessing, including his proposal for a state based on religious law and his plans for anti-LGBTQ discrimination.
Tens of thousands of people attended Druckman’s funeral Monday in his home village of Mercaz Shapira. Israel’s leaders at his funeral remembered him as a unifier.
“All of us were your sons, all of us were your students,” President Isaac Herzog said, according to the Times of Israel.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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