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Rediscovering the ‘Dybbuk’ composer Henokh Kon
When the 1936 Polish Yiddish feature Al Khet (I Have Sinned) screened at the New York Jewish Film Festival last month after a decades-long restoration process, seeing the film was cause for celebration.
Hearing the soundtrack was my greatest joy. It was scored by one of my favorite Yiddish composers, Henokh Kon, who created the music for the 1937 film classic The Dybbuk. In his heyday between the world wars, Kon was already renowned as a prolific creator of catchy songs and sophisticated multi-genre instrumental repertoire, even years before his first film commissions.
My ears perk up for Kon’s distinctive, eclectic sound textures (as well as ingenious folk-stylized song repertoire) — from the iconic dance sequences of The Dybbuk, to angst-driven passages in the Bundist quasi-documentary Mir Kumen On (called Children Must Laugh in English), to darkly ironic background cues for the low-budget Freylekhe Kabtsonim (Jolly Paupers).
I heard a signature sonic palette: Brightly dissonant chords, off-kilter rhythmic patterns on moody drums, frantic flurries of plucked violins, haunting exotic double-reed instrumental leads (played by the oboe’s English horn cousin, or by bassoon) alternating with more klezmer-standard clarinet, flute or fiddle.
Kon soundtracks often juxtapose traditional Jewish modal scales with more angular chromatic passages. An opening scene in Al Khet features a lovely subdued range of his orchestration punctuated by a triangle chiming downbeats as though to clarify the air during a montage of shtetl vistas. Later in the film, Kon crafts a vibrant, sultry tune for Ruth Turkow (the real-life daughter of actor-directors Zygmund Turkow and Ida Kaminska) to sing from her parlor keyboard: “Zing zhe mir a lidele” (“Sing me a little song”) with a tango lilt.
I admire Kon the alchemist, infusing Hasidic melodies with both modernist expressionism and baroque techniques, as well as Kon the entertainer, gifted at popular singable hits. (He also set “Yosl Ber” — a humorous song about a Jewish soldier — and even led a jazz band for a secular New Year’s Eve Jewish ball.)
Kon was equally in demand for dramatic and satirical stage projects in an ever-shifting constellation of visionary writers, artists, production teams and performers that propelled Yiddish cultural movements of the 1920’s and ’30s.
Like many artists involved in interwar Jewish Poland’s kleynkunst (cabaret-style entertainment) and experimental performance scenes, Kon had himself grown up “between two worlds” (which, by the way, was the original title of the Dybbuk author An-sky’s groundbreaking play). Born in 1890 into a religious household in the Polish industrial city of Lodz, Kon was sent at age 12 to live with his grandfather, a rabbi in Kutno, since his family hoped the boy would become a yeshiva scholar.
Instead, intrigued by listening to klezmer musicians and badkhns (wedding entertainers), Kon followed a more creative path, and was sent as a teenager to Berlin to study at a royal music academy for several years. But homesickness for his Jewish roots led him back to Poland.
Arriving in Warsaw in 1912, he found creative encouragement and connections through the literary salons hosted by the classic Yiddish writer Y.L. Peretz and the Yiddish playwright and actress Tea Arciszewska. Peretz insisted that Kon compose settings for his poetry, and later Kon scored the premiere of Peretz’s groundbreaking expressionist stage play A Night in the Old Market.
In the cultural upheaval and ferment following WWI, Kon garnered various commissions from the Vilna Troupe, but more regularly partnered with the charismatic writer and impresario Moishe Broderzon for a series of collectivist performance projects, often with a leftist political edge.
All these productions used titles referring to radically reimagined Jewish culture. Their popular 1922 puppet parody company “Khad Gadye” — a Passover reference — was followed in 1924 by their ambitious yet low-budget, biblically-based modernist opera Bas-Sheve (Bathsheba, King David’s lover and future wife). When a lead singer fell ill, Kon sang his bass part from behind the piano.
Two visionary variety-show format “revue” theater collaborations by Broderzon and Kon came next. The first collaboration was the mid/late 1920’s variety theater collective Azazel (Scapegoat), famously rhyming with shlimazel which you hear in Broderzon and Kon’s “Azazel Shimmy” — a song that all of Jewish Warsaw used to hum. The Yiddish actress and playwright “Totshe” Arciszewska, whom Kon knew before WWI, was another key player in this group.
Broderzon next established the theater collective Ararat, the acronym for the Artistic Revolutionary Revue Theater, but also referring to Mt. Ararat, the place where Noah’s ark landed after the flood, signifying a fresh start.
Through the legendary 1930’s Ararat kleynkunst ensemble, Kon became well-acquainted with several cultural figures he would also soon write for in celluloid format. Dzigan and Schumacher, the comedy duo, first known to Polish-Yiddish audiences through live shows with Ararat, played supporting roles in the film Al Khet, adding humor to the screen melodrama.
The following year the pair starred in Freyklekhe Kabtsonim, scripted by Broderzon, the same guy who had discovered them.
Most significantly for Kon himself, the dancer Judyta [Judith] Berg joined Ararat. Kon encouraged her choreographic innovations, accompanying her solo dance concerts and using his established celebrity to draw elite Warsaw audiences for her in 1934. By the time the prestigious cinematic version of The Dybbuk was cast, Berg was not only recruited as choreographer, she also performed in white skull mask and tallis for the toytn-tants (Dance of Death) accompanied by Kon’s evocative music, the indelible Dybbuk scene for which she and Kon are best known. Kon and Berg became a romantic couple as well, though it’s not clear whether they ever married.
Like Kon, Berg had grown up influenced by Hasidic culture around her and then studied in Germany. At various Jewish celebrations, her grandmother led women’s dancing and told Judith about older traditional dance forms like the toytn-tants, while her brother would hold open the door so she could watch the men’s group dancing.
Later Berg went to Dresden, Germany, for intensive classes with modern dance pioneer Mary Wigman. (During the rise of Hitler, Judith and other Jewish dance students left Wigman’s school and Germany altogether.) In the late 1930’s, she and Kon escaped the Nazis separately, but Berg’s niece Yvette Metral told me she recalled seeing Kon once in 1948-49 when he came to visit her aunt at the dance school Berg established for Jewish survivor children in Wroclaw.
Kon’s legacy is being rediscovered in numerous recent cultural explorations. “Bas-Sheve,” the opera he wrote with Broderzon, was performed in 2019 at Yiddish Summer Weimar, based on a rediscovered partial piano score, with major arranging and re-imagining by klezmer performer Josh Horowitz and added libretto portions devised by the writer and Yiddish translator Michael Wex. This piece will soon be performed again by the UCLA Symphony.
Also in recent years, much research and revival effort has focused on two works that Kon composed for the avant garde leftist theater troupe Yung teater, both based on landmark American trials which galvanized political movements. One composition, called “Boston,” is about Sacco & Vanzetti, and the other, “Mississippi,” is about the Scottsboro Boys. Small wonder that a quote from the leftist anthem “Internationale” found its way into Kon’s score for Mir Kumen On (the Bundist film already under threat by Polish censors).
Last December brought us the diasporic Yiddish puppet show The Trial of Modicut, directed by Yael Horowitz, who gave a conference presentation on Kon, Broderzon and their Azazel Shimmy in 2025. Splendid music for the Modicut show was performed by the duo of Raffi Boden (cello/music director) and Ira Temple (accordion), which at one point featured a gorgeous adaptation of one of Kon’s most recognizable orchestrated Dybbuk motifs, graced by a fluffy puppet sheep.
While my musician friends who took part in the puppet show seemed unaware of the composer’s name, the spirit of his creation lives on in their fusion of conservatory training, deep klezmer chops, respect for cultural ancestors and antic humor aimed at serving the creative proletariat.
Eve Sicular is a cinema scholar, co-curator of the Yiddish New York Film Festival and a former curator of film & photo archives at YIVO Institute. She is also the drummer/bandleader for Metropolitan Klezmer & Isle of Klezbos whose latest album is “Yiddish Silver Screen.”
The post Rediscovering the ‘Dybbuk’ composer Henokh Kon appeared first on The Forward.
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Israel Expands Iran Strikes as Tehran Moves to Name New Supreme Leader
People stand near a destroyed vehicle as smoke rises after a reported strike on Shahran fuel tanks, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 8, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Israeli forces expanded their bombardment of Iran overnight, striking fuel depots near Tehran, while Bahrain said an Iranian attack had damaged one of its desalination plants, signaling a widening assault on vital infrastructure across the region.
As fighting escalated on day nine of the US-Israeli campaign against Iran, Tehran moved closer to naming a new supreme leader after the killing of Ayatollah Ali Khamenei, with every indication suggesting his powerful son Mojtaba could take charge.
Israel’s military threatened to kill any replacement for Khamenei, while US President Donald Trump said the war might only end once Iran’s military and rulers had been wiped out.
BLACK SMOKE HANGS OVER TEHRAN
Thick, choking black smoke hung over Tehran on Sunday, residents said, after strikes on oil storage facilities had lit up the night sky with plumes of orange flame.
Iran’s foreign ministry spokesperson Esmaeil Baghaei said the large-scale attack marked a “dangerous new phase” of the conflict and amounted to a war crime.
“By targeting fuel depots, the aggressors are releasing hazardous materials and toxic substances into the air, poisoning civilians, devastating the environment, and endangering lives on a massive scale,” he wrote on X.
Israeli military spokesman Lieutenant Colonel Nadav Shoshani told reporters the depots were used to fuel Iran’s war effort, including producing or storing propellant for ballistic missiles. “They are a legal military target,” he said.
Shortly after the attack, Israeli Prime Minister Benjamin Netanyahu said his government would press on with the assault and strike Iran’s rulers “without mercy.”
“We have an organized plan with many surprises to destabilize the regime and enable change,” he said in a video statement. “We have many more targets.”
Trump told reporters aboard Air Force One that he was not interested in negotiating an end to the conflict that has sent energy prices skyward, hurt business and snarled global travel.
“At some point, I don’t think there will be anybody left maybe to say, ‘We surrender,’” Trump said.
IRANIAN DRONES STRIKE GULF STATES
The governments of Saudi Arabia, Kuwait, the United Arab Emirates and Bahrain reported Iranian drone attacks in their countries on Saturday and early Sunday, with a huge fire engulfing a government office block in Kuwait.
Kuwait’s interior ministry said two of its officers were killed “while performing duties,” while the UAE said four migrant workers had died in Iranian attacks there so far.
Showing the intensity of the offensive, the UAE said air defense teams had knocked out 16 ballistic missiles and 113 drones fired towards the Gulf state on Sunday. One missile fell in the sea and four drones hit the country’s territories.
Bahrain said on Sunday that an Iranian drone attack had caused “material damage” to a desalination plant, though the country’s electricity and water authority said the strike had not disrupted water supplies.
It was the first time an Arab country has said Iran targeted a desalination facility during the conflict. On Saturday, Iran said a US attack had struck a freshwater desalination plant on its Qeshm Island, disrupting water supplies in 30 villages, calling it “a dangerous move with grave consequences.”
Saudi Arabia has told Tehran that continued Iranian attacks on the kingdom and its energy sector could push Riyadh to respond in kind, people familiar with the matter told Reuters.
Lebanon has also been pulled into the conflict after the Iran-backed militant group Hezbollah launched rockets and drones into Israel last week, with nearly 400 people killed by Israel over the past week, the health ministry said.
Israel killed at least four people when it struck a hotel in central Beirut on Sunday, saying it had targeted Iranian commanders operating in the city — the first such strike on the heart of the Lebanese capital — amid heavy bombardment of the southern suburbs and the country’s south and east.
IRAN GETTING CLOSER TO NAMING A NEW LEADER
The clerical body charged with choosing Iran’s next supreme leader could meet as soon as Sunday to name a successor to Khamenei, who was killed in an attack early in the conflict, Iranian media reported.
A majority consensus over the successor has more or less been reached, said Assembly of Experts member Ayatollah Mohammad Mehdi Mirbaqeri, according to the Mehr news agency.
Another member of the council, Ayatollah Mohsen Heidari Alekasir, said in a video that a candidate had been selected based on Khamenei’s guidance that Iran’s top leader should be “hated by the enemy.”
Two Iranian sources told Reuters last week that the clear favorite was Khamenei’s son, Mojtaba Khamenei, who amassed power under his father as a senior figure in the security forces and the vast business empire they control. Choosing him would signal that hardliners remain firmly in charge.
Trump has justified the biggest US military operation in the Middle East since the 2003 invasion of Iraq by saying Tehran posed an imminent threat to the United States, without providing evidence. He has also said Iran was too close to being able to build a nuclear weapon.
The US and Israel have discussed sending special forces into Iran to secure its stockpile of highly enriched uranium at a later stage of the war, Axios reported, citing four people with knowledge of the discussions.
Asked on Saturday about sending ground troops to secure nuclear sites, Trump said it was something they could do “later on.”
The US-Israeli attacks have killed at least 1,332 Iranian civilians and wounded thousands, according to Iran’s U.N. ambassador, Amir Saeid Iravani.
Iranian attacks have killed 10 people in Israel. At least six US service members have been killed, with Iran saying on Sunday it had struck US bases in Kuwait. Israel said on Sunday that two of its soldiers were killed in southern Lebanon.
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Iran Has Lost Nearly 70% of Its Missile Launch Capabilities
An Iranian missile is launched during a military exercise in an undisclosed location in Iran, Aug. 20, 2025. Photo: Iranian Army/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Iran has reportedly suffered a significant reduction in its missile launch capabilities since the start of the military campaign.
According to information broadcast Saturday evening by Israeli public broadcaster Kan, a large portion of Iran’s missile launch systems have been destroyed or disabled during ongoing strikes carried out by Israel and the United States.
Estimates suggest that roughly 70% of Iran’s missile launchers have been either destroyed or rendered inoperable since the beginning of the offensive. Prior to the campaign, intelligence assessments indicated that Iran possessed approximately 420 missile launchers. Current estimates now place the number of operational systems at around 100.
Reports indicate that about 150 launchers were completely destroyed in precision strikes, while another 150 were damaged in air attacks, leaving them temporarily unusable. Some of the damaged launch systems are believed to have been moved into underground facilities, preventing their immediate deployment.
Despite these losses, military operations are continuing with the objective of further weakening Iran’s ballistic missile capabilities.
The broader military campaign has entered its eighth day. The strikes are targeting not only missile launch platforms but also wider military infrastructure and institutions linked to the Iranian regime.
According to the report, the campaign is being coordinated between Israel and the United States, with each focusing on different operational zones across Iran.
Israel is primarily targeting missile launch sites in western Iran, which are viewed as posing a direct threat to Israeli territory.
US forces are concentrating their strikes in southern Iran, where missile launches have previously targeted Gulf states and American military bases in the region.
The ongoing air campaign is part of a broader strategy aimed at permanently degrading Iran’s offensive missile capabilities and limiting its capacity to carry out long-range strikes across the Middle East.
Military operations remain active, and regional tensions continue to run high as the conflict enters its second week.
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Two Israeli Soldiers Killed in Southern Lebanon, Israel Military Says
The late Master Sergeant Maher Khatar, 38. Photo: IDF Spokesperson
i24 News – The Israel Defense Forces announced that Master Sergeant Maher Khatar, 38, from Majdal Shams, was killed during combat operations in southern Lebanon. Khatar served in the Combat Engineering Corps in the 91st Division.
The IDF said another soldier was also killed in the incident, though the name has not yet been cleared for publication. In addition, one combat officer was lightly injured and was evacuated to a hospital for medical treatment. The officer’s family has been notified, the military said.
According to the military, Khatar fell during an overnight incident in which missiles were fired toward IDF soldiers operating in the area.
The troops were attempting to retrieve a broken vehicle from a position in southern Lebanon when the attack occurred. The specific type of missiles used in the strike has not yet been determined, officials said.
Immediately following the attack, Israeli Air Force fighter jets struck multiple targets in the area, while Israeli forces carried out heavy fire against positions linked to the attack, according to a military official.
The IDF said its forces remain deployed in forward defensive positions along the northern front in order to protect residents of northern Israel. Military officials said regional divisions are conducting ongoing situational assessments and remain prepared for potential escalation.
“The IDF will continue to operate with force and determination to prevent enemy attacks and eliminate any threat posed to the State of Israel and its residents,” a military official said. The army added that it shares the family’s grief and will continue to support them.